On 26 January 2017, the Alliance Française de Kotte with the Embassy of France in Sri Lanka presented the first ever “Night of Ideas” held in Colombo. During that event, participants were invited to engage in discussions on ‘‘A World in common – Freedom of Expression (FOE)” in the presence of French and Sri Lankan cartoonists, journalists and intellectuals.
I was part of the panel that also included: Kianoush Ramezani, Founder and President of United Sketches (Paris), an Iranian artist and activist living and working in Paris since 2009 as a political refugee; and Gihan de Chickera, Political cartoonist at the Daily Mirror newspaper in Sri Lanka. The panel was moderated by Amal Jayasinghe, bureau chief of Agence France Presse (AFP) news agency.
In my opening remarks, I paid a special tribute to Sri Lanka’s cartoonists and satirists who provided a rare outlet for political expression during the Rajapaksa regime’s Decade of Darkness (2005-2014).
I referred to my 2010 essay, titled ‘When making fun is no laughing matter’ where I had highlighted this vital aspect of FOE. Here is the gist of it:
A useful barometer of FOE and media freedom in a given society is the level of satire that prevails. Satire and parody are important forms of political commentary that rely on blurring the line between factual reporting and creative license to scorn and ridicule public figures.
Political satire is nothing new: it has been around for centuries, making fun of kings, emperors, popes and generals. Over time, satire has manifested in many oral, literary and theatrical traditions. In recent decades, satire has evolved into its own distinctive genre in print, on the airwaves and online.
Satire offers an effective – though not always fail-safe – cover for taking on authoritarian regimes that are intolerant of criticism, leave alone any dissent. No wonder the former Soviet Union and Eastern Bloc inspired so much black humour.
This particular dimension to political satire and caricature that isn’t widely appreciated in liberal democracies where freedom of expression is constitutionally guaranteed.
In immature democracies and autocracies, critical journalists and their editors take many risks in the line of work. When direct criticism becomes highly hazardous, satire and parody become important — and sometimes the only – ways for journalists get around draconian laws, stifling media regulations or trigger-happy goon squads…
Little wonder, then, that some of Sri Lanka’s sharpest political commentary is found in satire columns and cartoons. Much of what passes for political analysis in the media is actually gossip.