Many media reports and documentaries on climate change tend to be scary. Even the most balanced and scientifically informed ones caution us about dire scenarios that can rapidly change the world as we know it.
But it’s not all doom and gloom. Like every crisis, climate change too presents humanity with formidable challenges that can become opportunities to do things differently — and better.
Climate Challenge is a rare TV series that adopts this positive attitude. The 6-part series co-produced by One Planet Pictures in the UK and dev.tv in Switzerland, links the global climate crisis with location action for both mitigation (trying to reduce further aggravation) and adaptation (learning to cope with impacts).
It also makes the point: in the fight against global warming, developed and developing countries must work hand-in-hand to find viable solutions for all.
The film-makers of Climate Challenge focus on some of the most promising approaches to turning down the global thermostat. Climate Challenge goes in search for solutions that won’t put a break on economic growth.
The series had its original run on BBC World News in April – May 2007. Shortly afterwards, TVE Asia Pacific (TVEAP) started distributing it to TV channels, educational institutions and civil society groups across the Asia Pacific region. It has been one of the more popular items on our catalogue of international TV films on sustainable development and social justice.
Our deal with Asia Pacific broadcasters is a barter arrangement. TVEAP clears copyrights for developing countries in our region (more than 30 countries or territories) and offers films free of license fee that normally prevent many southern broadcasters from using this content.
We offer a new set of titles every two months to our broadcast partners – now numbering over 40 channels. They select and order what interests them, and often pay for the cost of copying on to professional tape and dispatch by courier.
When they receive the tapes, accompanied by time-coded scripts, many TV stations version the films into their local language/s using sub-titles or voice-dubbing. They do this at their expense, and then assign a good time slot for airing the films once or several times. They are free to re-run the films as often as they want. The only expectation is that they give us feedback on the broadcasts, so that we can report to the copyright owners once a year.
This arrangement works well, and bilateral relationships have developed between TVEAP’s distribution team and programme managers or acquisition staff at individual TV stations across Asia. Everything happens remotely — through an online ordering system and by email. It’s rarely that we at TVEAP get to meet and talk with our broadcast colleagues in person.
I was delighted, therefore, to meet one of our long-standing broadcast colleagues in Tokyo earlier this month when we ran a regional workshop on changing climate and moving images. Pham Thuy Trang, a reporter with news and current affairs department of Vietnam Television (VTV), was one of the participants. She turned out to be an ardent fan of our films.
She told the Tokyo workshop how the Climate Challenge series marked a turning point in Vietnam’s public discussion and understanding of climate change issues.
In mid 2007, VTV was one of many Asian broadcasters who ordered Climate Challenge. Having versioned it into Vietnamese, VTV broadcast the full series in December 2007 to coincide with the 13th UN climate change conference in Bali, Indonesia.
“This was the first time the issue received indepth coverage on TV,” Trang said. This was particularly significant because a 2007 survey had revealed low levels of interest in climate issues by the media in Vietnam.“In fact, the World Bank has identified Vietnam, with its 3,000 km long coastline, as among the countries most vulnerable to climate change impact. Our media has been reporting some developments – such as increased coastal erosion – as purely local incidents without making the climate link,” she noted.
The series, originally broadcast in the foreign documentaries slot, was noticed by the VTV senior management who then arranged for its repeat broadcast in the long-established environmental slot. The latter slot, well established for a decade, commands a bigger audience.
“Our Director General was impressed by our receiving such a good series on an important global issue,” Trang recalled. She added: “We need more films like this – that explain the problem and help us to search for solutions.”
Trang kept on thanking TVEAP for Climate Challenge and other films that bring international environment and development concerns to millions of Vietnamese television viewers. I said we share the credit with generous producers like One Planet Pictures and dev.tv, who let go of the rights to their creations for the global South.
If only more producers of TV content on climate and other development issues think and act as they do. That was also the call we made at the end of our workshop: recognise climate change as a copyright free zone.
Related blog post: Climate in crisis and planet in peril – but we’re squabbling over copyrights!