I just killed a few dozen ‘girls’ before breakfast. It wasn’t always easy or pleasant, and after a while there was blood all over the place. But I feel good about getting them – and I saved an innocent baby in the process, and even helped a researcher doing good work!
Now online: a game we have played over millennia against 'em blood suckers...
The aim of the game is to use the fly squatter to SPLAT mosquitoes before the baby gets malaria. For each mosquito you SPLAT, you score 10 points. For every 100 points scored, advertisers will make a donation to support malaria research projects at the National Institute for Medical Research in Tanzania. We also score 10 points for everyone we invite to play the game – plus there’s a link taking us to an online donation page in case we want to support the research directly.
“It’s quick, easy and fun, and a great way to do your part for one of the most serious global health problems in the developing world,” say the game’s promoters.
Indeed. Nearly 500 million cases of malaria occur each year, resulting in over one to three million deaths (figures online vary enormously on this). Malaria is particularly devastating in Africa where it is a leading killer of children. Every 30 seconds a child in Africa dies from malaria.
The fact is, malaria deaths are entirely preventable with modest investment and spread of knowledge that mosquitoes spread malaria (not everyone knows this, and as I wrote in another blog post, that’s a challenge that educators and broadcasters are now working on).
McLaughlin-Rotman Center for Global Health: Taking anti-malaria campaign onlineBut more needs to be done to engage the Digital Natives in this global public health challenge. It’s not just the exposed people in malaria-prevalent parts of Africa, Asia and Latin America who are at risk. As development economist Jeffrey Sachs has been reminding us eloquently, malaria reduces productivity, increases poverty, weakens people’s bodies and makes them vulnerable to other diseases. In a globalised world, such massive suffering in some parts of the world would quickly manifest in different ways all over the planet.
Little biology lesson: Usually, people get malaria by being bitten by an infective female Anopheles mosquito. Only Anopheles mosquitoes can transmit malaria, and they must have been infected through a previous blood meal taken on an infected person. When a mosquito bites an infected person, a small amount of blood is taken, which contains microscopic malaria parasites. About one week later, when the mosquito takes its next blood meal, these parasites mix with the mosquito’s saliva and are injected into the person being bitten.
Do they have a story to tell? Who is listening?Piracy has a chequered history, and even the Wikipedia offers a carefully qualified definition. One person’s pirate can be another person’s defender. There’s an argument that the European colonial powers rode on the backs of their pirates or buccaneers. And I’m writing this in English language possibly because the English were more successful in their overseas piracy than other nations!
Piracy is all over the news again, due to increased activity off Somalia. But in the past few weeks, we’ve started hearing another side of the Somali piracy story — one that the mainstream media didn’t tell us.
Johann Hari, a columnist for the London Independent, posted an op ed in Huffington Post on 13 April 2009 that took a different look at Somali pirates. His main argument: “In 1991, the government of Somalia – in the Horn of Africa – collapsed. Its nine million people have been teetering on starvation ever since – and many of the ugliest forces in the Western world have seen this as a great opportunity to steal the country’s food supply and dump our nuclear waste in their seas.”
In recent days, two interesting short videos have been posted by two activist groups to support the same point of view. I haven’t investigated this story myself, but am intrigued by their take on a widely reported topic…especially because it’s an angle that we don’t read or see in the mainstream media!
This film from Awareness Unfolds highlights the fact that the media is lying about the so called “pirates” of Somolia. According to the blurb: “They (media) choose not to tell you about the toxic waste dumping going on by American, European, and Asian countries that have lead to the death of many Somolian citizens.”
As Johann Hari says at the end of his article: “The story of the 2009 war on piracy was best summarised by another pirate, who lived and died in the fourth century BC. He was captured and brought to Alexander the Great, who demanded to know “what he meant by keeping possession of the sea.” The pirate smiled, and responded: “What you mean by seizing the whole earth; but because I do it with a petty ship, I am called a robber, while you, who do it with a great fleet, are called emperor.” Once again, our great imperial fleets sail in today – but who is the robber?”
Johann Hari has reported from Iraq, Israel/Palestine, the Congo, the Central African Republic, Venezuela, Peru and the US, and his journalism has appeared in publications all over the world. In 2007 Amnesty International named him Newspaper Journalist of the Year. In 2008 he became the youngest person ever to win Britain’s leading award for political writing, the Orwell Prize.
I’m a bit anxious about impending teenhood. No, not my own, thank you, but my kid’s.
As a single parent raising a 12-year-old who will soon turn 13, I keep reading and hearing all kinds of advice these days on how best to cope with a teenager in the house — that phase in growing up that everyone predicts will involve some turbulence.
On top of all else that comes with hormones-on-legs, there’s now the worry of Teenage Affluenza. It’s a condition that affects millions of teenagers around the world. Most of them live in the developed countries, but in this topsy-turvey, globalised world, there’s no stopping the rapid spread of such conditions all over the majority world.
Look carefully, and you can see the symptoms of TA - image courtesy WorldVision Australia
I belatedly came across this campaign video called Teenage Affluenza, made by the charity WorldVision Australia in mid 2007. It was first made for a promotion kit for the 40 Hour Famine, to be used in Australian schools. World Vision media staff worked with Rohan Zerna Films, Melbourne, who had worked on previous spots for World Vision. The team decided to take the route of irony, providing a spoof feel. The budget wasn’t high. A family friend of the producer starred as the Melbourne teenager. The voice-over was donated by a regular with World Vision promotions. Overseas footage, already held by World Vision Australia, was spliced into the story.
Read news story in The Age newspaper, Australia, on 2 July 2007
Erin is a fifteen year old girl living deep in the South Eastern suburbs of Melbourne, Australia. She is at risk from teenage affluenza, like five million children and teenagers in her country. She still sleeps in the wooden colonial bed her parents bought her when she was ten. Although meals, travel and education are readily available to girls like Erin, many are forced to live on less than $40 pocket money each week. Erin’s iPod only holds 1 GB.
And so the satirical commentary continues. Juxtaposed with Erin’s ‘tragic life’ is the reality faced by children and teenagers in Vietnam, Sudan and other countries affected by famine and the long term impact of civil war. The video ends with the message “Do something else. Do something real. Do something.”
Teenage Affluenza is Spreading Fast: From WorldVision Australia
The video has attracted thousands of responses on YouTube’s online-comments section, including some honest self-analysis from teenagers, while others started a discussion about who is to blame – corrupt governments or first-world greed.
Meanwhile, WorldVision US has released another version of the video, slightly shorter and featuring American teeangers. If anything, the condition is more prevalent there.
Teenage Affluenza: from WorldVision United States
The message to parents is clear: we’re the ones who can prevent our teenagers from contracting Affluenza. All it takes is thoughtful and sustained action. When teens say gimme-gimme-gimme, we have to known when it’s really needed and when it’s wanted. Easier said than done. I know, because teenages seem to arrive in pre-teens these days.
We the parents would certainly welcome reinforcements from any sensible source. WorldVision Australia runs an interesting website called Stir, which tries to engage youth on issues of development and global justice. As a direct intervention charity, WorldVision doesn’t leave it to governments, but urges people to get involved — and do something.
Talking to the last drop: All streams flow to Istanbul?
The 5th World Water Forum opens in Istanbul, Turkey, today. It will be held in the historic city – a bridge between the east and west – from 16 to 22 March 2009.
Held every three years, the World Water Forum is the main water-related event in the world. It seeks to put water firmly on the international agenda with a view to fostering collaboration – not confrontation – in sharing and caring for the world’s finite supplies of the life-giving liquid. The forums bring together officials, researchers, activists and media to a few days in which they can drown in their own cacophony…well, almost.
I haven’t been to one of these mega-events – I almost did in 2003, when it was hosted by Kyoto, Japan. That forum was almost entirely eclipsed – as far as the media coverage was concerned – by the United States deciding to invade Iraq during the same week. This inspired me to write an op ed essay on oil, water and media which was syndicated by Panos Features and widely reproduced at the time in newspapers, magazines and even in a few activist and development publications. But six years later, it’s hard to locate it online, so I’m publishing it here, unedited, exactly as I wrote in that eventful week in mid March 2003:
Oil on water: will the media get this Big Story?
By Nalaka Gunawardene: 20 March 2003
“If the wars of this century were fought over oil, the wars of the next century will be fought over water.” Ismail Serageldin, an eminent Egyptian architect and planner, made this remark in 1995 when he was vice president for sustainable development at the World Bank.
Well, we are in that new century now, but old habits die hard. The war in Iraq has been fuelled by oil interests, and – starting at the time it did, on March 20 –effectively sidelined global talks to secure freshwater for all.
Clean water, anyone?Even as the United States launched its attack on the country that sits on the world’s second largest oil reserve, the Third World Water Forum was in progress at the Japanese cities of Kyoto, Shiga and Osaka. The event, running from March 16 to 23, is this year’s biggest international conference on a sustainable development issue and involved hundreds of government and civil society representatives trying to resolve one of the major survival issues of our time: equitably sharing the world’s finite freshwater resources for our homes, farms and factories.
The two processes cannot be more different. One aims to use force while the other seeks to foster co-operation among nations to cope with water scarcity. The increasingly isolated United States has abandoned the United Nations process in its single-minded determination to disarm Iraq, a nation it considers a major threat to peace and security. Meanwhile in Kyoto, the nations of the world – including, but not led by, the United States – were discussing an issue that is far more central to humanity’s security. It has the full blessings of the UN, which has designated 2003 the International Year of Freshwater.
Yet the water forum seems hardly newsworthy to the major news organisations that are preoccupied with war. For months, the global television networks were gearing up for Iraq war coverage. The first Gulf War helped globalise CNN, and this time around, there are other international and regional channels competing for the eye balls. Locked in a battle for dominant market share, CNN International and BBC World are trying to outdo each other in covering the conflict exhaustively — and to the exclusion of everything else. In the do-or-die media marketplace, ‘soft issues’ such as water are easily edged over by conflict. As cynical news editors will confirm, if it bleeds, it leads.
The notions of national and global ‘security’ – on which the Iraq war is being waged – are relics of the Cold War that are completely out of sync with today’s global realities. Who says we have entered the 21st century?
In the closing decade of the last century, as the world grappled with one crisis after another – ranging from famine and drought to global warming and HIV/AIDS – the notion of ‘security’ was radically redefined to include ecological and social dimensions. What is now termed ‘human security’ is concerned not so much with weapons as with basic human dignity and survival. As first articulated in the UN Development Programme’s Human Development Report in 1994, human security includes safety from chronic threats such as hunger, disease and repression, as well as protection from sudden and harmful disruptions in the patterns of daily life.
Mahbub ul HaqThe rationale for this was brilliantly summed up by the late Mahbub ul Haq, former Finance Minister of Pakistan and architect of the Human Development Index: “If people are sleeping on pavements, ministers have no business shopping for modern jets and howitzers. While children suffocate in windowless classrooms, generals go about in their air-conditioned jeeps. Nations might accumulate all the weaponry they want, but they have no strength when their people starve…”
A world in which four out of every ten people live in areas of water scarcity is not secure. And if urgent action is not taken, this will increase to two thirds of humanity by 2005. Ensuring water quality is as important as basic access: preventable diarrhoeal diseases – including cholera and dysentery — kill more than seven million children every year. That is 6,000 deaths every day.
James P GrantJames Grant, former executive director of UNICEF, once used a powerful metaphor to describe this scandalous situation: it was as if several jumbo jets full of children were crashing everyday – and nobody took any notice.
If the media are obsessed with death and destruction, why aren’t these numbers registering on their radars? Why is it that silent emergencies forever remain ignored or are only superficially covered? Even statistics don’t set the media agenda: for example, according to the UN, twice as many people are still dying from diarrhoeal diseases as from HIV/AIDS in China, India and Indonesia. But the international donors and media assign far more importance to HIV than to clean water.
No other factor can distort reality as oil. Oil comes on top of water both in the physical world, and in the murky world of global politics. Our collective dependence on petroleum immediately ensures the Iraq war a disproportionately high rank in public and media concerns.
It’s not just the United States that is addicted to oil – we all are. Addicts tend to lose sight of the cost of their dependence, as we have. On 24 March 1989, the oil tanker Exxon Valdez ran aground on in Prince William Sound in Alaska and a fifth of its 1.2 million barrels of oil spilled into the sea, causing massive damage to over 3,800 km of shoreline. Investigations implicated its captain for grossly neglecting duty. Shortly afterwards, Greenpeace ran a major advertising campaign with the headline: “It wasn’t his driving that caused the Alaskan oil spill. It was yours.”
Exxon Valdez: Drunken driving!Greenpeace continued: “It would be easy to blame the Valdez oil spill on one man. Or one company. Or even one industry. Too easy. Because the truth is, the spill was caused by a nation drunk on oil. And a government asleep at the wheel.”
A nation drunk on oil is waging a war that has more to do with oil than anything else. Our news media are behaving just like cheer-leaders.
War is undoubtedly a big story. But so should be water. One in six humans does not have safe drinking water, and one third of humankind lacks adequate sanitation. We may be living on the Blue Planet, but the waters are muddy and life-threatening to billions.
For sure, a bunch of people huddling together in three Japanese cities won’t solve this crisis overnight. But unless knowledge and skills are shared, and a political commitment is secured, safe water for all will forever remain a pipe dream.
Will it take a full-scale war over water in one of the flashpoints around the world for the military-industrial-media complex take sufficient interest in this survival issue? (That might happen sooner than we suspect.)
It’s ironic that the World Water Forum was undermined by the Iraq war breaking out in the very same week. Washington has now poured oil over everybody’s water.
[Nalaka Gunawardene is an award-winning Sri Lankan science writer, journalist and columnist. He heads TVE Asia Pacific, a regional media organisation working on sustainable development issues, and is on the board of Panos South Asia. The views expressed here are his own.]
No longer just a drop in the ocean..?The Final Inch didn’t win the Oscar for the best short documentary film made in 2008. But the nomination has given a boost to the film and its cause: even before its official release in April 2009, it is already raising global awareness on the major public health challenge of banishing polio from the planet.
The Final Inch is a testament of the health workers around the world laboring to make polio the second globally eliminated disease behind small pox, says director Irene Taylor Brodsky.
The 37-minute film, due to air on HBO on 1 April 2009, looks at the “the final stages of a 20 year initiative” to eradicate polio. It focuses the polio vaccine efforts in India and Pakistan, which are among the last four countries where polio is still endemic (the other two being Afghanistan and Nigeria).
Watch the trailer for The Final Inch:
The campaign to eradicate polio is now 21 years old. World Health Organisation (WHO), UNICEF and Rotary Foundation embarked on this campaign in earnest in 1988, and as a young (and equally earnest) science journalist, I remember writing about its early strategies, goals and targets. But the virus has proven to be a lot more stubborn than originally expected.
Well, the campaign has scored remarkable victories, and a little over 1,600 people in the world were stricken by polio in 2008. (AIDS and malaria, in contrast, killed more than three million people.) Compare that with 350,000 cases per year when the global onslaught started, and we see there has indeed been progress.
But the virus – and the crippling disease it causes – persists in several poor, densely populated countries in Asia and Africa. Updates are available from Global Polio Eradication Initiative.
Thus it’s the ‘last inch’ – or last mile, if you like – that’s proving the hardest to traverse. In a perceptive essay published in Newsweek in January 2009, Fred Guterl noted: “It’s not easy to wipe a disease off the face of the planet—especially one like polio, which spreads easily and quickly through contact and occasionally through contaminated food and water. Only one in 200 children who contract the virus shows symptoms (usually paralysis), which makes the other 199 silent carriers.”
It’s not just biology that polio eradicators are up against. Indeed, human superstition and religious dogma have made the final inch particularly contentious and treacherous for public health workers.
In 2005, TVE Asia Pacific started distributing a global documentary on immunisation called Fragile Lives: Immunization at Risk. It showed how at least 2 million children die every year from diseases that that vaccination could easily prevent.
Foot soldiers of the largest non-military army in history engaged in its final battle At one point, the film takes us to Uttar Pradesh, in northern India, to show how polio, eradicated in most of the world, stubbornly persists in a few countries. This very poor state with its 272 million inhabitants had two thirds of the world’s polio. We talk to the glamorous young cricketer, Mohamed Kaif, who helps publicise a massive campaign to get every single child to the vaccination booths. The film discovers the strange reason behind why so many Muslim parents refuse to have their children vaccinated.
The Final Inch features the heroic efforts of Munzareen Fatima, a field worker in Meerut, Uttar Pradesh, who is a part of UNICEF’s Social Mobilisation Network for ensuring vaccination coverage. She reaches out to her target group through personal and public intervention programmes.
As she told IANS: “It has been a tough journey for me over the last five years to convince 470 families at Dufferin block in Khairnagar to administer polio drops to their children. I met with resistance from the families, who initially refused to immunise their children. The conservative community also belittled me for stepping out of home to campaign against polio.”
India is not alone. If anything, misplaced resistance to polio vaccination has been stronger in Pakistan. As IPS reported in August 2006, the country’s drive against polio was hit by both rumours and litigation.
The news story, filed by Ashfaq Yusufzai in Peshawar, noted: “The reliability and safety of oral polio vaccine (OPV) has been put under scrutiny in Pakistan after wild rumours that it causes impotency snowballed into a writ petition in a high court.”
Bill Gates: geek power and bucks to battle polio...Religion-inspired superstitions have often stood in the way of achieving sufficient vaccination coverage, leaving room for viruses to spread again. Religious leaders sometimes strengthen the hand of those making pseudoscientific claims, says South African science writer George Claassen. Writing in SciDev.Net in April 2008, he noted: “Attempts to eliminate polio in Nigeria, for example, ran into problems when Datti Ahmed, the chair of the Supreme Council for Sharia in Kano state, referred to the Global Polio Eradication Initiative as ‘modern-day Hitlers… who have deliberately adulterated the oral polio vaccines with antifertility drugs and contaminated them with certain viruses which are known to cause HIV and AIDS.'”
Of course, the mistrust of vaccines is not just limited to the developing world, nor is it always inspired by religion or superstition. Sometimes over-protective moms can be just as irrational. Fragile Lives, for example, took us to Dublin, Ireland, where there have been two serious outbreaks of measles – largely due to mothers rejecting vaccination because of the MMR controversy. In some parts of Ireland only 60% instead of the necessary 95%, have been vaccinated.
Few films in recent years have generated as much buzz as Slumdog Millionaire, the British-Indian film based in the slums of Mumbai. It has won five Critics’ Choice Awards, four Golden Globes and seven BAFTA Awards, and is nominated for ten Academy Awards, including Best Picture.
I just called to ask...Early on, film critic Ben Walters spotted this aspect. He asked in The Guardian on 9 December 2008: Is Slumdog Millionaire the first truly 21st-century film? Among his reasons: “Jamal works in a call centre decorated with London Underground paraphernalia and whose employees are kept up to date on EastEnders plotlines to improve their chances of successful small talk with their customers. Aptly enough, the customers are mobile phone users – another emblem of 21st-century connectivity – and a mobile plays a crucial part in the story’s climax.”
And now it turns out that a real life ICT experiment triggered the idea of the Slumdog story.
Indian author Vikas Swarup, on whose 2005 novel Q&A the movie is based, has recently revealed how he was inspired by the hole-in-the-wall project. This was an initiative by Dr. Sugata Mitra, chief scientist at NIIT, a leading computer software and training company in New Delhi. Mitra embedded a high-speed computer in a wall separating his firm’s headquarters from an adjacent slum, he discovered that slum children quickly taught themselves how to surf the net, read the news and download games and music. He then replicated the experiment in other locations. Each time the results were similar: within hours, and without instruction, the children began browsing the Internet.
Swarup told Indian Express in January 2009: “That got me fascinated and I realised that there’s an innate ability in everyone to do something extraordinary, provided they are given an opportunity. How else do you explain children with no education at all being able to learn to use the Internet. This shows knowledge is not just the preserve of the elite.”
Discover your world...Dr Mitra’s project was the subject of a 2002 documentary film, called Hole in the Wall, made by the New York based production company GlobalVision.
The film was introduced as follows: A revolution in information technology is redefining poverty, as how much you know is becoming just as important as how much you own. “The Hole in the Wall” examines one possible solution to the growing technological gap between rich and poor — the so-called ‘digital divide’ — that threatens to consign millions to an “information underclass.”
The film was made by Rory O’Connor and Gil Rossellini. An 8-min version was broadcast by PBS in October 2002 in their program Frontline/World. A 60-min version was screened at the United Nations in New York City in December 2002. The film has been widely screened, and won several awards.
Initiator of the Hole in the Wall project carries on his mission to adapt ICTs to serve the unmet needs of India’s poor. Watch Dr Sugata Mitra talk about his work in this TED Video:
More bugs from Gates...Bill Gates can’t seem to get enough of bugs.
On 4 February 2009, he let loose a swarm of mosquitoes at the TED 2009 technology, entertainment and design conference in California to highlight the dangers of malaria.
“Malaria is spread by mosquitoes,” he reminded his audience of leading scientists, designers, researchers and entrepreneurs. Turning to an upturned jar on stage, he announced: “I brought some. Here…I’ll let them roam around. There is no reason only poor people should be infected.”
Luckily, the mosquitoes were not carrying the disease. But it had the intended effect. Wired editor Chris Anderson, curator of the show, suggested a headline: “Gates releases more bugs into the world”.
Watch Bill Gates’s mosquito moment:
Watch the full 20-minute video of Bill Gates at TED 2009
As stunts go, this one was pretty mild and harmless. There are many shocking ways in which the harsh daily realities of the world’s poor can be brought into gatherings of the rich and famous. They could be served glasses of the contaminated, sludgy (and often smelly) water that tens of millions drink everyday. Or all the toilets could be locked up and the keys thrown away – for good. Or electricity supply could be cut off, or frequent ‘black-outs’ or ‘brown-outs’ could be staged. You get the idea…
Of course, few event organisers would dare try any of these, if only for health and safety considerations. Reminds me of a rare exception: when he was director of information with the UN’s population agency (UNFPA), journalist-turned-UN official Tarzie Vittachi once hosted delegates of a high level meeting to lunch which consisted soley of a bread roll and a glass water. He told his guests: the meal was better more than what most poor people in the global South on any given day.
Bill to the rescue...Meanwhile, billions of poor and needy – and not just those in the majority world – are glad that Bill Gates caught the ‘development bug’ and has switched his formidable creative energies (not to mention his billions) to address their survival issues. The Bill & Melinda Gates Foundation – which carefully manages the giving away of Gates wealth – operates on the belief that all lives have equal value. “We think all people deserve the chance to have healthy, productive lives”.
They have set priorities such as improving health and reducing extreme poverty in the developing world, and improving high school education in the United States.
The New York Times columnist Nicholas Kristof recently described it as a paradox: “In these brutal economic times, one of the leading advocates for the world’s poorest people is one of the richest.”
He noted: “Mr. Gates ended his full-time presence at Microsoft last July and since then has thrown himself into work at his foundation. He is now trying to do to malaria, AIDS, polio and lethal childhood diarrhea what he did to Netscape, and he just may succeed.”
In his TED talk, Bill Gates addressed two questions that occupy much of his time these days: How do we stop Malaria? How do you make a teacher great?
Look, no computers!He said: “The market does not drive scientists, thinkers, or governments to do the right things. Only by paying attention and making people care can we make as much progress as we need to.”
He called for greater distribution of insect nets and other protective gear, and revealed that an anti-malaria vaccine funded by his foundation and currently in development would enter a more advanced testing phase in the coming months.
“I am an optimist; I think any tough problem can be solved,” he said. That’s the geek in him talking: marshall all information, analyse problems, respond strategically — and keep at it.
A friend who now works with the Gates Foundation confirms how the charity seeks evidence and rigour in all its social investments. This is no bleeding-heart do-gooding or ‘social work’ for its CSR value. The new wave of geeks lining up to serve the meek bring business acumen to the development sector long under-served by unimaginative aid agencies and self-serving UN organisations.
As Kristof wrote: “Gates ended his full-time presence at Microsoft last July and since then has thrown himself into work at his foundation. He is now trying to do to malaria, AIDS, polio and lethal childhood diarrhea what he did to Netscape, and he just may succeed.”
In late January 2009, the billionaire philanthropist released the first ‘Annual Letter from Bill Gates‘ where he discussed his work at the foundation and spoke candidly about what has gone well, what hasn’t.
He compared his earlier work at Microsoft with the challenges he now tackles at the charitable foundation. “What I’ve found now is that really those same key elements are there. The opportunity for big breakthroughs is absolutely just as great–now it’s vaccines, it’s seeds that have better yield, it’s ways of sharing teaching practices…they will take the same kind of patience that we had for software breakthroughs.”
Just ahead of the letter’s release, Nicholas Kristof talked with Bill Gates about why aid to developing countries is more important during the economic downturn and vaccine breakthroughs on the horizon. Watch the interview:
In his long years of journalism in India, my friend Darryl D’Monte had faced all sorts of questions and situations. But this was one question that stunned and left him speechless for a while.
A visiting Canadian TV crew made this request in the 1970s, when Darryl was resident editor of The Times of
India. He was giving them some insights on the extent of poverty in his city of Bombay, since renamed as Mumbai. The crew had heard of the deliberate maiming of street children, before being employed as beggars. A disabled child would evoke more sympathy, increasing the daily collection for gangsters operating them from behind the scenes.
Darryl wasn’t willing to be associated with this ‘staging’. “Well, it’s going to happen anyway,” was the film crew’s cynical answer.
Now, fast forward 30 years to the present. At one point in the British-Indian movie Slumdog Millionaire, we see a young girl being blinded by a gangster who shelters and feeds a small army of children — all unleashed on Mumbai on a daily basis to tug at the heart strings of its teeming millions.
The film’s protagonist Jamal escapes the same fate by making a mad dash for freedom with his brother, Salim. But years later, they cross the gangster’s path again, with devastating results – for him.
Vikas Swarup: Look what I've started...Set and filmed in India, Slumdog Millionaire is the story of a young uneducated man from the slums of Mumbai who appears on the Indian TV’s version of Who Wants to Be a Millionaire? (Kaun Banega Crorepati) and does so well to reach the final question that the game show host and the police suspect him of cheating.
Some Indians feel their country’s ugly underbelly has been magnified by locating and filming part of the story in the slums of Mumbai. But director Danny Boyle, who sees his film as a Dickensian tale, says he shot in real, gritty locations “to show the beauty and ugliness and sheer unpredictability” of the city.
Indian diplomat Vikas Swarup, who wrote the 2005 novel Q and A on which the movie is based, has a similar view. “This isn’t social critique,” he told The Guardian in an interview. “It’s a novel written by someone who uses what he finds to tell a story. I don’t have firsthand experience of betting on cricket or rape or murder. I don’t know if it’s true that there are beggar masters who blind children to make them more effective when they beg on the streets. It may be an urban myth, but it’s useful to my story.”
To me, Slumdog Millionaire feels like a cross between the acclaimed Brazilian slum movie City of God (Portuguese name: Cidade de Deus, 2002) and Quiz Show, the 1994 American historical drama film about TV quiz scandals in the 1950s.
City of God (2002) was filmed in the favelas of Rio de Janeiro
City of God is a Brazilian crime drama film directed by Fernando Meirelles and Kátia Lund, released in its home country in 2002 and worldwide in 2003. It was adapted by Bráulio Mantovani from the 1997 novel of the same name written by Paulo Lins.
The film’s depiction of narcotic drug rings, hold-ups, street violence and police corruption may not have been what the upper middle class Brazilians wanted to showcase to the rest of the world, but the film’s stark if grisly authenticity resonated with movie audiences around the world. Most of the actors were residents of favelas (slums) of Rio de Janeiro, such as Vidigal and the Cidade de Deus itself. City of God became one of the highest-grossing foreign films released in the United States up to that time.
The makers of Slumdog Millionaire adopted a similar approach. Its co-director Loveleen Tandan says she likes to get as close to reality as possible. This drove her to the slums of East Bandra to look for young children who resembled the protagonists in the story.
As she recalled in a recent interview with Tehelka: “I was very keen to get real slum kids, which is why I convinced them (producers) to do one-third of the scenes in Hindi. I made a scratch tape with real street kids. The team was surprised that Hindi actually made it brighter and more alive.”
Indeed, Slumdog doesn’t feel like a ‘foreign film’ despite it having a fair number of English subtitles, which only enhance the overall cinematic experience.
But how realistic should films try to become, before the local realities are distorted or local sensibilities are affected? Where does documentary end and drama begin? These questions will continue to be debated across India and elsewhere while Slumdog enthralls millions on its first theatrical release.
Feature film makers can exercise their creative license far more than factual film makers. I doubt if the creators of authentic, close-to-the-ground movies like City of God and Slumdog Millionaire set out with any specific social agenda. They are in the business of entertainment, and just happen to find plenty of drama in real life in places like urban slums. We might argue that in the right hands, dramatised movies can draw mass attention to development issues and challenges far more effectively than the often dull and dreary documentaries.
Kalpana Sharma: Eyes wide open“If through (the movie) the world gets a peek at an India inhabited by millions of people who continue to live their lives without clean water, sanitation or electricity, what is the problem?” asks another Indian friend and long-time Mumbai resident Kalpana Sharma.
In a perceptive essay titled Shantytowns of the Mind, written in The Indian Express in early January 2009 before she saw the film, Kalpana flagged important concerns: “Slumdog Millionaire’s success raises some deeper questions. How do we depict poverty as writers, filmmakers, journalists? Is it fair to expect us all the time to give a full, balanced, sensitive portrayal? Or is it inevitable that we write, film, for our audiences? And if, as a byproduct, people are sensitized, so be it. Also, if they are annoyed, so be it. If we are considered exploitative, so be it.”
Kalpana speaks with authority, and not just because she lives in the megacity of Mumbai (population: 13 million and rising) which, she points out, is half made up of slums. In 2000, she wrote a book titled Rediscovering Dharavi: Stories from Asia’s Largest Slum. Far from being a cold, clinical analysis of facts, figures and trends, it’s a book about the extraordinary people who live there, “many of whom have defied fate and an unhelpful State to prosper through a mix of backbreaking work, some luck and a great deal of ingenuity”.
Kalpana ends her essays with these words: “In the end you realise as a writer, a journalist or a filmmaker, that the best you can do is to shine a torch, a searchlight, on an entrenched problem. But the solution will not be found merely by that illumination. For that, there are many more steps to be taken.
“Slumdog Millionaire has focused its lens on the children of India’s slums through a work of fiction. What we do to change their future is the non-fiction that has yet to be written.”
As I wrote at the time: “The few of us thus became the first outsiders to see the film which I found both deeply moving and very ironic. With minimal narration, he allows the local people to tell their own story. There’s only one expert who quickly explains just what is going on in this particularly weather-prone part of the world.”
The world’s rich are having a party, and millions living in poverty are the ones footing the bill. This is the premise of the film, which looks at the impact of climate change on the inhabitants of Ghoramara and Sagar islands in the the Sundarban delta region in the Bay of Bengal.
Almost 7,000 inhabitants have been forced to leave Ghoramara in the last 30 years, as the island has become half in size. The biggest island, Sagar which hosted refugees from other islands all these years is witnessing massive erosion now. 70,000 people in the 9 sea-facing islands are at the edge of losing land in next 15 years. For these people climate change is real.
As the sea level rises and takes with it homes and livelihoods in the delta, the villagers of Sagar are paying a hefty price for a problem that they did not create. Meanwhile, middle class India and the political elite are becoming aware of the problem of global warming, but prefer to look the other way.
I’m glad to note that the film is now being screened to various audiences and making ripples. By showing people – including those still not convinced about climate change – what sea level rise is already doing to poor people, the film is stretching the limits of debate and focusing attention on the need to act, not just talk.
It’s also creating ripples in environmental and/or human rights activist circles where all too often, passionate discussions don’t go very far beyond the rhetoric to bring in the real world voices and testimonies. Pradip’s film accomplishes this with authenticity and empathy yet, mercifully, without the shrill and overdose of analysis found in activist-made films. It powerfully and elegantly tells one of the biggest stories of our times.
Pradip SahaIn November 2008, Pradip showed and talked about his film at a screening organised by SACREDMEDIACOW (SMC), an independent postgraduate collective on Indian media research and production (and much more) at the School of Oriental and African Studies (SOAS) at the University of London. Before it started, Pradip told his audience to ‘forget that this is a documentary about climate change’ and just watch.
As one member of his audience, Sophia Furber, later wrote: “The film’s approach to climate change is completely non-didactic. Mean Sea Level is no acronym-fest sermon or disaster story, but an intimate portrait of a way of life which is on the verge of going underwater.”
In his day job as editor of Down to Earth magazine, published from India with a global outlook, Pradip excels in wading through the (rapidly expanding) sea of jargon and acronyms surrounding many topics related to science, environment and development. In typical style, his recently started blog is named alphabet soup @ climate dinner.
Read Sophia Furber’s account of SOAS screening in London
The more Pradip shares his film, the more people who notice the irony that I experienced in Tokyo. A short review by the Campaign against Climate Change says: “There is a greater irony. These poor people got nothing out of the economy that created climate change, nor do they contribute to global warming. Mean Sea Level is a testimony of reckless political economy of our times. Climate change is real, and only a sign of our recklessness.”
Last heard, Pradip was planning to screen MEAN Sea Level on Sagar Island so that the story’s participants can see the film for themselves. The idea was to power the event entirely through renewable energy sources, such as solar power.
I hope he will soon place his film – or at least highlights/extracts – online on YouTube or another video sharing platform. This film is too important to be confined to film festivals and public screenings. Whether it would also be broadcast on television in India and elsewhere, we’ll just have to wait and see. I won’t hold my breath on that one…
Yami no kodomotachi (Children of the Dark) movie poster
Human trafficking – peddling and trading of human beings for slavery, sexual exploitation and servitude – has grown to alarming proportions in recent years. It’s among the top five illicit trades in the world, whose net annual worth is believed to be between 9 billion and 42 billion US dollars. The truth is, nobody knows exactly how big it is, but human rights activists and development agencies agree the problem is pervasive.
Of the estimated 2.5 million persons trafficked worldwide, more than half are in the Asia Pacific. At the UN General Assembly for Children in August 2007, it was reported that about 1.8 million children became victims of commercial sex trade in 2000. About one million children in Southeast Asia are said to be involved – Thailand is one centre of this shady trade, drawing on misery in its rural hinterlands as well as poorer neighbouring countries like Burma, Cambodia and Laos.
So what happens when someone goes to the trouble of studying the issue in depth, and then pools talent and resources to make a feature film that exposes international connections that sustain the child sex industry in Thailand? Instead of being welcomed as part of the effort to counter this scourge, the film gets banned.
Watch the official trailer of the film (Japanese soundtrack, Thai captions):
I haven’t seen the film, but according to one reviewer who did, Junji Sakamoto‘s film is based on a novel by Yan Sogil and scripted by Sakamoto himself, shows, with a documentary-like directness, how children caught in the web of a Thai prostitution ring are exploited, abused and, in some cases, murdered when they are no longer sexually salable.
Mark Schilling, writing in The Japan Times in August 2008, noted: “…In being so visually graphic — particularly in the sex scenes in the Thai brothel — Sakamoto treads a dangerous line between hard-hitting social drama and stomach-turning exploitation. He takes care never to show his young actors (whose average age looks to be about 10) and their adult ‘clients’ in the same explicit shot, but he films them engaged in sexual acts or their aftermath. Sakamoto may defend these scenes in the name of realism, but could he have filmed similar ones in Japan, using Japanese children? The short answer is “no.”
The Thai ban prevented ‘Children of the Dark’ from being screened at the Bangkok International Film Festival, held in the Thai capital from 23 – 30 September 2008.
“The ban puts under the spotlight the country’s – or at least its higher-ups’ – seeming unwillingness to let go of the Film Act of 1930, when Thailand was still under absolute monarchy. That law gave a Board of Censors the power to impose cuts or to ban a film it deems inappropriate,” writes my friend and colleague Lynette Lee Corporal in an article just published on Asia Media Forum.
Thailand in denial about its Children of the DarkShe quotes my Thai colleague and documentary filmmaker Pipope Panitchpakdi as saying: “Authorities always think that viewers need to be protected and shielded from real issues. They still have that kind of sentiment that the media should function as a gatekeeper. That is, let the good stories in and the bad ones out. It’s okay in certain circumstances but not when talking about real, serious issues.”
Pipope adds: “This country has no problem with hypocrisy; we don’t see anything wrong with double standards. We have sex workers in corners of the city, but we can’t watch people kissing.”
A Bangkok-based journalist who calls himself Wise Kwai, writing in his blog, asks: “When will they (Thai authorities) learn that when they ban or censor a film, the ensuing stink that’s raised causes more problems than if the film had been allowed to quietly unspool? Perhaps if people had seen it, they might criticise it, but they’d also talk about the problems in society that allow children to be exploited.”
Open Minds! 