Digital Defenders: How 24/7 media can help fight swine flu worldwide

So this is how it REALLY started...
So this is how it REALLY started...
The World Health Organization (WHO) said this week that the global spread of swine flu was highly likely, and raised its alert level to Phase 5 — the next-to-highest level in the worldwide warning system. It also offered advice on prevention, caring for persons with the flu and how to seek medical help.

A pandemic is not something to be taken lightly. The New Media President Barack Obama has termed the outbreak “cause for deep concern but not panic”. On 29 April 2009, he took the unusual step of using a prime-time televised news conference, convened to mark his 100th day in office, to deliver a public health message to the American people.

“Wash your hands when you shake hands, cover your mouth when you cough,” he said. “It sounds trivial, but it makes a huge difference. If you are sick, stay home. If your child is sick, take them out of school. If you are feeling certain flu symptoms, don’t get on an airplane.”

That’s the basic preventive message that needs amplification and repetition all over the world. While medical doctors and researchers spearhead the public health response, we need the mass media and all communications professionals to support the public awareness response. Flu shots and hospitals alone cannot win this battle.

For the first time in history, we have the means of rapid access to most of humanity. What we now need is clarity of message, credible messengers and sustained delivery.

I see this as an interesting – even if very risky – social experiment on the preventive powers of our 24/7 media and information devices. More than four billion mobile phones are in use, most of them in the developing world. Over one billion people connect to the web. We also have hundreds of radio and TV channels saturating the airwaves. Can these media peddle the right kind of awareness and inspire preventive action faster than the flu virus propagates itself? This is the classic race between education and catastrophe that H G Wells wrote about many decades ago!

We in Asia have some useful experiences from 2003 when the Severe Acute Respiratory Syndrome (SARS) affected much of the region. On that occasion, the media led a parallel front against the pandemic, delivering both preventive messages and helping care for those already infected.

TV playing nanny: How Asian broadcasters helped fight SARS

Precisely because rapid response is vital in a situation like SARS and swine flu, it’s the broadcast and online media that can provide timely and up-to-date coverage. It’s too early and too soon to compare media’s role in this crisis with SARS and other rapid-spread public health crisis of the past. Print media can also play a part in spreading general awareness, but they don’t have the speed and 24/7 outreach that we need for covering a crisis like this. Besides, in many parts of the world, newspapers and magazines are struggling to stay in business, coping with a terminal malady affecting their industry.

WHO's phases of a pandemic alert
WHO's phases of a pandemic alert

Somali pirates: Part of the story mainstream media hasn’t told us!

Do they have a story to tell? Who is listening?
Do they have a story to tell? Who is listening?
Piracy has a chequered history, and even the Wikipedia offers a carefully qualified definition. One person’s pirate can be another person’s defender. There’s an argument that the European colonial powers rode on the backs of their pirates or buccaneers. And I’m writing this in English language possibly because the English were more successful in their overseas piracy than other nations!

Piracy is all over the news again, due to increased activity off Somalia. But in the past few weeks, we’ve started hearing another side of the Somali piracy story — one that the mainstream media didn’t tell us.

Johann Hari, a columnist for the London Independent, posted an op ed in Huffington Post on 13 April 2009 that took a different look at Somali pirates. His main argument: “In 1991, the government of Somalia – in the Horn of Africa – collapsed. Its nine million people have been teetering on starvation ever since – and many of the ugliest forces in the Western world have seen this as a great opportunity to steal the country’s food supply and dump our nuclear waste in their seas.”

In recent days, two interesting short videos have been posted by two activist groups to support the same point of view. I haven’t investigated this story myself, but am intrigued by their take on a widely reported topic…especially because it’s an angle that we don’t read or see in the mainstream media!

The Media Is Lying to You About Pirates

The IFC Media Project’s “News Junkie” deconstructs the mainstream media’s half-baked coverage of Somali Pirates.


Are They Really “Pirates”?

This film from Awareness Unfolds highlights the fact that the media is lying about the so called “pirates” of Somolia. According to the blurb: “They (media) choose not to tell you about the toxic waste dumping going on by American, European, and Asian countries that have lead to the death of many Somolian citizens.”

As Johann Hari says at the end of his article: “The story of the 2009 war on piracy was best summarised by another pirate, who lived and died in the fourth century BC. He was captured and brought to Alexander the Great, who demanded to know “what he meant by keeping possession of the sea.” The pirate smiled, and responded: “What you mean by seizing the whole earth; but because I do it with a petty ship, I am called a robber, while you, who do it with a great fleet, are called emperor.” Once again, our great imperial fleets sail in today – but who is the robber?”

Johann Hari has reported from Iraq, Israel/Palestine, the Congo, the Central African Republic, Venezuela, Peru and the US, and his journalism has appeared in publications all over the world. In 2007 Amnesty International named him Newspaper Journalist of the Year. In 2008 he became the youngest person ever to win Britain’s leading award for political writing, the Orwell Prize.

Pay it forward: A charming idea for our hard times?

The power of three...to do good!
The power of three...to do good!
Just imagine…
You do a favour that really helps someone, and tell him/her not to pay it back…
Instead, you ask that it be paid FORWARD to three other people who, in turn, must each pay it forward to three more…and so on.

Impossible? Well, not quite – if you believe (as I do) in the essential goodness of human beings, no matter what their class, race and other divisive factors are.

This idea is known as ‘Pay it forward’. It is really simple: it asks that a good turn be ‘repaid’ by having it done to others instead. Paying it forward has been around as a concept for more than two millennia, from the time of ancient Greece. It was rediscovered in modern times by Benjamin Franklin and later, by Ralph Waldo Emerson, one of my favourite essayists.

In his 1841 essay titled ‘Compensation’, Emerson wrote: “In the order of nature we cannot render benefits to those from whom we receive them, or only seldom. But the benefit we receive must be rendered again, line for line, deed for deed, cent for cent, to somebody.”

During the Twentieth Century, science fiction author Robert A Heinlein popularised the concept in his book Between Planets (1951). It formed the central theme of Pay It Forward (2000), a novel by Catherine Ryan Hyde, which was soon turned into a movie by the same name.

In that story, a thoughtful teacher challenges his seventh grade students with ‘an assignment to save the world’. One perceptive student devices a scheme where one has to carry out three good deeds for others as repayment of a good deed received. Such good deeds should be things that the beneficiaries cannot accomplish on their own.

It was through Pay It Forward the movie, made in 2000 and directed by Mimi Leder, that I first came cross the idea. It’s one of those simple and elegant ideas that packs so much power to change people and the world. Its implementation requires trust, honour and imagination, which most human beings can muster in sufficient quantity when challenged.

Then I realised that, without a conscious plan and not labelling it as such, I was already ‘paying it forward’ myself — and not just to three new people, but many. That was the least I could do for the many breaks, blessings and opportunities I had received in my professional life.

More about that in a minute. First, take a look at the official trailer for Pay it Forward:

And this is how it all started in the movie, with one thoughtful class teacher challenging his seventh grade pupils with ‘an assignment to save the world’:

Here’s an extended, unofficial trailer remixed by a fan using the official trailer, some scenes from the movie and a few interviews with the key stars:

Journalism – especially the industrialised, mainstream version of it – is by definition a highly collaborative business: newspapers, magazines, as well as TV/radio broadcasts are produced by several or many people working together, each playing a specified part.

And because the media are a mirror on our society and our times, the stories we journalists produce just won’t be possible unless our sources share their information, experiences and insights. This is why Bill Moyers, one of the most respected and credible voices in American broadcasting (a land where such professionals are endangered), says: “We journalists are simply beachcombers on the shores of other people’s knowledge, other people’s experience, and other people’s wisdom. We tell their stories.”

During the early years of my career as a science writer and journalist, I was enormously lucky in both respects. I had kind, indulgent, nurturing senior colleagues who showed me the ropes, expecting nothing in return except good stories. And I benefited much from the kindness and thoughtfulness of many accomplished men and women – mostly in the worlds of science, environment and development – who took the time and trouble to talk to me, clarify even basics to a rookie like myself, and allow me to attribute information or quotes them. I was a complete stranger to many of them, yet they cared enough in spite of busy schedules (there were also a few didn’t, but that’s only to be expected).

Then there were opportunities, some competitively earned, others bestowed on me. In those formative years, the opportunities for training, mentoring and other influences sharpened my skills and shaped my worldview. It was easy to grow up angry with the world and seeing conspiracies everywhere; it was much harder to acquire a balanced view of the world and to become a skeptical enquirer without turning into an incurable cynic.

Among those early influences were:
• Working with the Centre for Science and Environment (CSE) in India, under the late Anil Agarwal and his worthy successor Sunita Narain
• Regional and international training programmes, organised by various UN agencies and other entities such as the Abdus Salam International Centre for Theoretical Physics in Trieste, Italy
• Invaluable support from the International Science Writing Association (ISWA), which leverages far more benefits than its modest resources would indicate at first glance (again, the power of networking!)
• Editorial training and global syndication from Panos, which provided my first outlet to publish internationally through Panos Features (sadly, no more).

Then there was my mentor Sir Arthur C Clarke, who gave me the rare privilege of spending 21 years as his research assistant — a long and unique apprenticeship that enriched me so much.

These and others helped fill gaps in my formal training in science journalism. And such exposure was worth so much more in the days before commercial internet connectivity. There was no Google or YouTube, and early versions of email were just beginning to roll out.

Just do it, and hope others will keep doing it too...
Just do it, and hope others will keep doing it too...
And now it’s my turn to ‘pay it forward’. It’s plain and simple; there’s no grand pledge or plan. No one asked me to sign up to any binding agreement. There is no spiritual or intellectual compulsion. I just do it, because that’s a good thing to do.

This is why, despite pressure of work, I work with young journalists and producers, organising training workshops through TVE Asia Pacific, or readily agreeing to be a resource person for good programmes organised by others. This is also why I mentor a few eager, committed young professionals in my native Sri Lanka and elsewhere in developing Asia. Read here my tribute to one of them, whose death four years ago was hard to bear. And this is why every year I donate a couple of weeks of my time serving on boards of management of two media/development related charities whose vision and mission I share.

This is also why I spent a good part of my recent Easter/New Year holidays putting together a detailed response to a young script writer who is passionately promoting a film project related to climate change. I have never met him in person, and until a few weeks ago, I’d never heard of him. A cynical British colleague used to caution me that any crazy nut sitting under a banyan tree can write a letter (or more likely an email these days) claiming to be anything he wasn’t. There’s always that risk. But I’m taking my chances.

Years ago I stopped counting the favours I paid forward, and I no longer even keep track of the people that I give little nudges along the way. Being a secular rationalist with no absolutely religious belief of any kind, I don’t collect brownie points for any ‘next world account’. I just do these little good deeds to make this world a little better place.

If further justification were needed, I cannot say it better than Steven Grellet, a prominent French Quaker missionary who once said (and I quote him for its secular essence): “I expect to pass through this world but once; any good thing therefore that I can do, or any kindness that I can show to any fellow creature, let me do it now; let me not defer or neglect it, for I shall not pass this way again.”

Untold story behind the story: “Barack Obama: People’s President”

A film to reveal what the old media didn't show...
A film to reveal what the old media didn't show...
When Barack Obama and his running made Joe Biden won the US Presidential Election held on 4 November 2008, they not only beat the Republican duo McCain-Palin but also a host of other also-rans. It’s too soon to tell, but that date might also mark the beginning of the end for the old media, also called the mediasaurus, who have been dominating the public’s access to news, information and commentary for over a century.

But how did it all happen? Who can tell us the real story as it happened, and why, without filters and biases so rampant among the mediasaurus?

On this blog, we have watched with deep interest and some fascination the rise of Barack Obama from relative obscurity to become the President of the United States. On 6 November 2008, soon after the election results were confirmed, we noted how Obama had just been elected ‘President of the New Media world’. I explained: “Obama’s rise has epitomised change in many ways. Among other things, he is the first elected leader of a major democracy who shows understanding and mastery over the New Media World, which is radically different from the old media order.”

On 20 January 2009, when he was inaugurated, we wrote: “For four or eight years, Obama’s every move, word and gesture will be captured, dissected and debated to exhaustion by admirers and detractors alike. And his administration will be under scrutiny by thousands of citizen journalists who don’t share much except the digital platforms and social networks on which they post their impressions. Welcome to the New Media Presidency. The hard work – and real fun – begin now!”

And now, one of the world’s leading new media activists, Danny Schechter, is about to release a new documentary on how the Obama campaign rode the new media wave to the White House — and more importantly, how the same new media can help the American public to keep Obama Administration accountable.

The film “Barack Obama, People’s President”, (slated for DVD release later this month by ChoiceMedia.net), documents the online and on the ground techniques that were used to win the highest office in the land.

As the film’s advance promo blurb says: The one story that most TV outlets didn’t tell in the 2008 election was the most important one -how did a young and relatively unknown candidate become President? If you voted for Barack Obama or not, this is a story you will want to know because it shows how the face of presidential politics changed forever. Barack Obama used techniques never seen before in a nationwide election — his grassroots mobilization and use of the internet was unprecedented, inspiring and effective. You have seen the rest of the coverage — now see the real story.

The film goes inside the official and unofficial campaign to show how Barack Obama was turned into a political brand to appeal to young first time voters. It shows how social networking on the internet — blogs, Facebook, texting and other techniques — were used carry the message to the masses and to raise tens of millions of dollars for the campaign. Popular online videos such as “Obama Girl”, along with those created by regular yet passionate supporters to engage their own communities, became one of the most important tools in the campaign’s success.

Watch the trailer of “Barack Obama, People’s President” directed by Danny Schechter:

Emmy award winning film-maker Danny Schechter, who is also blogger-in-chief at MediaChannel.org that keeps a critical eye on the media, just wrote this explaining why he made this film:

“It is hard to remember that two years earlier Obama was barely known, registering on the radar screen for just 10% of voters. He was also hardly a brand name as a first term Senator who spent more time in state politics in Illinois than on the national stage. Moreover, he was young and a man of color — not qualities that usually prevail in a presidential arena which tends to draw far older, far whiter, and far more centrist candidates. The thought that he would beat frontrunner Hillary Clinton in the primaries was, quite frankly, unthinkable to most of the elite.

“And yet he prevailed, as he used a phrase appropriated from labor organizer and Latino legend Caesar Chavez. Obama turned the farm workers Spanish language slogan “Si Se Puede” into “Yes We Can.” Rather than focus on specific political issues, he built a campaign on the promise of “Hope.” Rather than just rely on traditional fundraising — although by the end, he was plush with it — he reached out over the internet for smaller donations from millions of donors.

Perils of the New Media Generation...
Perils of the New Media Generation...
“Few in the major media gave him a chance, but he was not discouraged because he had created his own grassroots media operation using sophisticated organizing and social networking techniques to build a bottom-up movement, not the usual top-down apparatus. While his campaign ran the show, he encouraged independent initiatives including citizen-generated media, music videos, personalized websites, twittering and texting, etc..

“This is the new direction our politics has taken. It is a story that may be somewhat threatening to old media – and older activists – who prefer a one to many approach to communication, as opposed to forging a more interactive empowering platform. There is no question that young people — especially those mobilized by Obama — prefer online media and that choice is making it harder and harder for traditional outlets to sustain their influence and, in some cases, even their organizations. Old media may be on the way out.

“This is why our film is, in my mind, so important, not just as a record of how Obama won and what happened in 2008, but in what will happen, can happen, and is happening in the future. This is why I believe its critical for Americans to see it — and others in the world as well — to recognize how Obama represents more than just another politician, but a whole new approach to politics. That old adage is worth remembering: “It’s not the ship that makes the wave, it’s the motion of the ocean.”

“Obama, for all his shortcomings, which are becoming more obvious by the day, has pioneered the way change must be won — not by people on the top, but by all of us. It remains for “us” to hold him accountable. We live in a culture of amnesia – it is important to learn the lessons of the recent past.”

Read the full comment: New Film Tells Unreported Story of Obama’s Election on MediaChannel.org

Message placement: Gates Foundation discovers TV soaps are good for health!

There's still time for TV to redeem itself...
There's still time for TV to redeem itself...
In the developing (or majority) world, we have been doing it for years: embedding subtle messages on health, environment, family planning or civic behaviour in popular, highly-rated entertainment shows on television.

In parts of Asia, Africa and Latin America, there is a long history of collaboration among non-formal educators, advocacy groups and broadcast companies to mix entertainment with public education — a difficult balance to achieve without putting off viewers who tune in for entertainment. See, for example, my coverage of the BBC World Service Trust’s work in India.

Now, it seems, this ‘edu-tainment‘ approach is also being tried out seriously in the home of ‘soap operas’ or television drama: the United States.

A recent report in the New York Times describes how the Bill and Melinda Gates Foundation is working with video production companies and broadcast networks to shape story lines and insert health-related messages into popular entertainment like the television shows “ER,” “Law & Order: SVU” and “Private Practice.”

Already, the foundation’s messages on HIV prevention, surgical safety and the spread of infectious diseases have found their way into these shows.

The report, written by Tim Arango and Brian Stelter, said: “Now the Gates Foundation is set to expand its involvement and spend more money on influencing popular culture through a deal with Viacom, the parent company of MTV and its sister networks VH1, Nickelodeon and BET.”

They called it “message placement”: the social or philanthropic corollary to product placement deals in which marketers pay to feature products in shows and movies. Instead of selling Coca-Cola or G.M. cars, they promote education and healthy living.

Some viewers in television-saturated US might say: it’s about time! In the past, many American companies producing entertainment content have resisted approaches from social activists to use the mass medium for public good.

In the late 1980s, when I shared some Asian experiences of mixing television drama and public education at an international science communication conference in Spain, American academics and journalists in the audience were intrigued. “But this can never happen in the United States…we keep our education and entertainment separate, and with good reason!” one of them said during question time.

Clearly, those hard attitudes have been changing slowly. As the NYT article says: “The efforts of philanthropies to influence entertainment programming is not new…. The Kaiser Family Foundation, which focuses on health issues, has been doing such work for a dozen years. It has worked story lines about H.I.V. and AIDS into programs on CBS and UPN (now known as the CWnetwork), including the reality show “America’s Next Top Model.”

Left, ABC’s “Private Practice,” and NBC’s “Law & Order: SVU.” The story lines of both shows have spread the health-related messages of the Gates Foundation. Images courtesy ABC & NBC
Left, ABC’s “Private Practice,” and NBC’s “Law & Order: SVU.” The story lines of both shows have spread the health-related messages of the Gates Foundation. Images courtesy ABC & NBC

The Norman Lear Center at the University of Southern California’s Annenberg School for Communication is at the forefront of blending entertainment with public education. “There’s a lot of research that shows that when a character in a series says, ‘I’m going to be an organ donor,’ it’s effective, more effective than giving out a pamphlet,” said Martin Kaplan, director of the Centre.

The Centre has a Hollywood, Health & Society programme that provides entertainment industry professionals with accurate and timely information for health storylines. It organises meetings between health specialists and script writers for entertainment shows – not just drama, but also reality and variety shows.

“Our view is you don’t have to sacrifice entertainment value to be accurate,” Kaplan is quoted as saying in the NYT article.

That’s a view – and experience – shared by TV writers, producers and programme managers from Mexico to South Africa, and from India to the Philippines. In fact, this is an approach the Gates Foundation should consider rolling out in the majority world countries where they are already a key player in selected areas of health and development. Despite the recent spread of broadband internet, broadcast television is still the dominant mass medium – and primary source of news and entertainment – for most people in much of the developing world. That’s billions of eyeballs we’re talking about – and the cost of producing quality entertainment (even with education subtly embedded in some places) is significantly less than in the west.

In short, Gates can get a bigger bang for its bucks on the airwaves in the global South. And there’s really no need to convince TV industry gate-keepers and producers on how edu-tainment works: they’ve been at it for years, using whatever resources they can find.

Read full article: Messages With a Mission, Embedded in TV Shows, NYT 2 April 2009

Moving images blog, two years on: The journey continues…

Blogs put ME back into MEdia...
Blogs put ME back into MEdia...
The Moving Images blog completes two years today. So we pause briefly to look back – and forward.

I launched the blog with two posts from near-freezing Washington DC on 17 March 2007, while participating in the DC Environmental Film Festival. Both concerned my own offering to the festival: Children of Tsunami: The Journey Continues, product of monthly filming with 8 survivor families in 4 countries for nearly one year after the Asian tsunami.

Since then, this blog’s own journey has continued: in 24 months, we have produced 342 posts in 134 categories and with 562 tags. These elicited a total of 622 comments from readers who came from all walks of life, and all parts of the world. To the end of 16 March 2009, I received a cumulative total of slightly over 246,900 page visits. I now average 500 – 600 visits a day.

I share my blogging journey with these readers who have enriched it in various ways. Some commented under their own names; others used pseudonyms. Some left email details; others none. A few have actually suggested stories that I later wrote up as blog posts. I don’t know most of my readers in person, and have only met them online. As this blog enters its 25th month, I thank them all. You’ve kept me going in a particularly tough time in the world…and in my personal life.

Moving Images wasn’t my first blog – in late 2006 I had started another blog called Communicating Majority World under the name ‘Lost Alien’, which I somehow didn’t sustain for more than a few weeks and a handful of posts. For reasons that I can no longer quite recall, the Lost Alien abandoned his original blog – and migrated over here!

When I started Moving Images, I was driven by a simple motive: to discuss and reflect on the many and varied topics and subjects that interest me professionally. In one way or another, these fall into the area of communicating science, development and environment to the non-specialist public. Because my work at TVE Asia Pacific involves using television and video for this purpose, there is a bias on moving images in many things I do.

But by design, this is not an official blog of TVE Asia Pacific, or any other organisation that I am associated with. In fact, I regularly express here views that I cannot say wearing any of these hats — because we live in a world where most people still react not just to the song, but also the singer (and can’t separate the two).

Are we there yet? No!
Are we there yet? No!
So this blog is unashamedly, intentionally self-centred: it puts ME back in Media. I make no apologies for speaking my mind on a variety of topics, and for returning to some issues that I’m passionate about.

After 22 years in journalism, broadcasting or communicating development, I find I have sufficient perspective in which to anchor my thoughts, and to express my views in a way, I hope, interests and engages readers. Like the ancient Greeks, I try to ask the right questions – even when I don’t always know or get the right answers. And I have more than a few stories to spice up the narrative.

I’m well aware of the inherent danger of combining writer-editor-publisher all in one: personal blogs don’t always operate under the usual checks and balances that we expect and presume in the more structured media outlets (whether they are in the mainstream or new media spheres). On more than one occasion, I’ve written impulsively – in frustration, anger or elation, and sometimes on the run. Thanks to the training in my news reporter days, I can still churn out readable prose fast. And only once in all these 24 months and 342 posts have I regretted rushing to publish (so, using my absolute discretion as the media tycoon of this blog, I pulled it down).

Do I see myself as a citizen journalist? Yes and no. I don’t report news, and only very occasionally write on latest developments (or breaking news, as it’s now called). I see myself more as a citizen commentator – the op ed equivalent in the new media domain. Yes, I do occasionally report from large conferences that I attend as a speaker or panelist. But I have found how demanding it is to blog from events while keeping up with everything that is going on.

Do I see myself as a Sri Lankan blogger? Not really. Scanning the 342 blog posts I’ve written, I can count only a two dozen that have an appreciable reference to Sri Lanka. This is not because I’m aloof or disengaged; I have simply set a framework for myself that goes well beyond the country of my residence and social/cultural anchor.

Another reason for this intentional lack of geographical focus is that besides this blog, I regularly write op ed essays for other online outlets like Groundviews, MediaChannel.org and MediaHelpingMedia, and print news magazines like Montage. I use these platforms for commenting on Sri Lankan issues that interest or concern me.

I find it a bit incongruous that we who use the new media tools of web 2.0 – which signify the end of old geography – must contain ourselves to geographical or cultural cocoons. Thus, while I sometimes join gatherings of bloggers based in Sri Lanka, and share concerns for freedom of expression, I have consciously avoided joining Kottu, the leading aggregator of Sri Lankan blogs.

gvo-logo-lgAnd I get more than a little miffed when the excellent aggregation service Global Voices constantly labels me as a Sri Lankan voice (with a map of Lanka to boot!) whenever they helpfully flag my blog posts for wider attention. I have privately discussed this with GV’s South Asia coordinator who says their current tagging and categorisation do not allow anything else. Is this an example a new media platforms being trapped in an old media mindset?

If you really must pin me down to some place, call me a South Asian (or, as my friends at Himal would like to write it, Southasian).

Do I see myself as a new media activist?
I’m not sure. I’m not a geek, and have no great knowledge or insights on the back-end technologies that make all this possible. My interest is in how the new media tools shapes societies, cultures and politics in emerging Asia. Those braver and smarter than me are actually innovating and improvising new media tools for social activism. I just watch — and occasionally blog to critically cheerlead them. Mine is definitely the easy part…

Mainstream media...and bloggers
Mainstream media...and bloggers
On this blog, I place a higher premium on still and moving images. Regular readers know my fondness for cartoons, which I avidly search for and collect on a wide range of topics. In fact, I believe cartoonists are the best social and cultural commentators of our times – they say so much with such economy of words!

Similarly, I try to embed relevant online videos that I can find. Sometimes it takes me longer to scan YouTube and other platforms than to write the accompanying text for a blog post. And I get frustrated when WordPress does not allow embedding from certain online platforms like EngageMedia, a new Asia-based service that we have recently started to collaborate with.

As I travel around in Asia and Europe, and move across the sometimes overlapping circles of development, media and communications technology, I keep meeting readers who read and follow this blog. Some have never commented on any post; a few have chosen to write emails to me on specific matters.

This means some of the conversations inspired by this blog happen bilaterally — for example, film festival organisers have written asking me for contacts of specific film-makers whose work I have reviewed. Students often write to me seeking additional information or my own views. Long lost friends or associates have revived contact after stumbling upon this blog. I have no illusions of being famous, but it’s nice to stay engaged.

My policy on visitors’ comments is clearly stated in my intro page: “This is a moderated blog where I approve/disapprove the publication of readers’ comments to individual posts. I do allow all reasonable comments left by readers — including those that radically disagree with my own views. The basic rules of my moderation: I don’t publish comments that are outright libelous of individuals, or are so explicitly self-promotional bordering on spam.

Only once in the short history of this blog have I been threatened by someone whose conduct I questioned in the public interest. In late 2007, I wrote a hard-hitting comment on how certain media organisations are exploiting concerns surrounding climate change to their institutional advantage. I was standing by to publish their response, for the institution I named claims to promote public discussion and debate. None came my way, although some peer pressure was used, unsuccessfully, to make me remove the blog post. In mid 2008, when our paths accidentally crossed in a European capital, the individual concerned confronted me. I gave him a patient hearing, and reiterated my offer to publish his response in full. He insisted on my deleting the post (gosh, it must have hit a raw nerve!). He ended our unpleasant encounter saying: “If you lived in my jurisdiction, I would have sued you!”

There has never been a denial or rebuttal from this person or his institution on the substantive points in my blog post. But I was repeatedly told that my candid remarks are ‘not helpful’. Perhaps. But anyone who remotely believes in ‘illuminating debate’ would have engaged me on this blog, or theirs, or in a neutral forum (plenty exist).

Luckily, I've rarely faced this situation
Luckily, I've rarely faced this situation
Encouragingly, many others have done just that. This includes the reader who thinks I have an axe to grind with the BBC (I don’t, but I’m also not a fan of the ageing Auntie), and a few who feel I’ve been unkind to the fledgling global newscaster Al Jazeera English.

Then there are those who assume that I hate state-owned, so-called public broadcasters (again, I don’t, although I question their conduct more rigorously because they are public-funded). In fact, I have sung praise of Burmese TV as a model public broadcaster, and maintained excellent relations with NHK and other public broadcasters in Asia. I’m regularly invited as a speaker or panelist at gatherings of mainstream broadcasters – where I express pretty much the same views as I do on this blog.

Some think I’m too harsh on the United Nations, especially UNICEF. Again, I’m a great believer and supporter of the UN’s ideals, but never hesitate to critique the public communication policies and practices of individual UN agencies. I like to think that the United Nations is bigger (and deeper) than the inflated egos of its senior officials. In fact, middle level officials and experts working in various UN agencies have privately commended me for keeping the spotlight on their agencies. During the two years of this blog, I have worked closely with UN-OCHA, UNEP and UNAIDS, and they have been pluralistic enough to engage me in the greater public interest.

I believe that it’s not just the UN, but the entire development sector, that needs to get its act together when it comes to communicating policies, practices and choices. Having occasionally (and luckily, only briefly) forayed into the charmed development circles, I realise how detached from reality, self-referential and inward looking many development professionals and their institutions are. Communication is often no more than self-promotional publicity for overambitious agency heads. I have watched how the sector has struggled to adjust to the new realities in media and communications technology. Sometimes I have ridiculed their worse attempts on this blog; more often than not, I have quietly worked with them in small groups or bilateral meetings trying to build their capacity to do things better with greater focus and impact.

I survived mediasaurus - and lived to tell the tale!
I survived mediasaurus - and lived to tell the tale!
Precisely because I have access to various policy, development and research circles in Asia while (or despite?) being a blogger critiquing the same players, I exercise caution in quoting people or citing examples. Some meetings I attend discuss matters too sensitive for immediate publication; others operate on the Chatham House rule (generic points may be communicated, but without attribution). As a journalist, I’ve been trained to clarify what is on the record and what isn’t; in sourcing content for this blog, I follow the same principles.

Every writer, editor and publisher has her own agenda. Mine is fairly easy to discern, for example from the recurrent themes on this blog. These include: * humanising development communication (going beyond mere facts, figures, analysis and jargon); * demystifying and debunking self-serving development myths (for example, about community radio, or rural poverty); * practising what we preach (broadcasters addressing their own carbon emissions); * evolving more inclusive copyright policies (poverty and climate change as copyright free zones); and * engaging in simple, clear and effective communicating of science and technology in society.

For those who occasionally look for a hidden agenda, my only advice is: get a life. I write this blog for fun. I don’t set out to kick anyone – although I often get a kick out of receiving online or offline feedback.

And that’s my wish for the coming months and years: while I work hard to earn some honest bucks else where, may I continue to derive my kicks here. And if some of you also get a mental kick out of reading or commenting on this blog, that’s my bonus.

Since I remain open-minded and eager for new knowledge, my views on some topics and issues keep evolving over time. Although it’s tempting to go back and edit some of my earlier blog posts in the light of new knowledge or understanding, I refrain from doing so. And if that sometimes presents (minor) inconsistencies, I can only quote Walt Whitman in my defence:
Do I contradict myself?
Very well then I contradict myself,
(I am large, I contain multitudes.)

Missing Mothers: How acronyms and jargon can kill innocent women

iwd_5“This year alone, more than 500,000 women will die during pregnancy or childbirth. That’s one woman missing every minute of every day. We call these women ‘missing’ because their deaths could have been avoided. In fact, 80 per cent of maternal deaths could be averted if women had access to essential maternal health services.

“We know where and how these women are dying, and we have the resources to prevent these deaths. Yet, maternal mortality is still one of the most neglected problems internationally.”

This sobering message from Unicef is worth reflecting upon as we mark another International Women’s Day.

Unfortunately, critical issues like these often don’t make the news – or worse, are relegated to the background as inevitable. As Joseph Stalin said in a different context, one death is a tragedy; a million deaths a mere statistic.

The challenge to the development community is to go beyond simply counting deaths in cold, clinical terms. UNICEF has recently released a two minute video, “Missing Mothers” as a tool for international development professionals to use in raising awareness of the issue of mothers dying needlessly.

Having a baby is both a very natural process and a joyous occasion for the parents and extended family concerned. Yet having a baby still remains one of the biggest health risks for millions of women worldwide.

Time to make missing women count...
Time to make missing women count...
As Unicef’s 2009 State of the World’s Children report reminded us recently, 1,500 women die every day in the world due to complications arising during pregnancy and childbirth. The chances of a woman in developing countries dying before or during childbirth are 300 times greater than for a woman in an industrialised country like the United States. Such a gap does not exist in any other social indicator.

The largest number of maternal deaths in the world is in South Asia. In India alone, an estimated 141,000 women die each year during pregnancy or childbirth. Recently, my Indian journalist friend Kalpana Sharma wrote a perceptive column on this topic in The Hindu newspaper.

She noted: “The solution has been known for years. The problem is the will to make it work. We also know that the solution would benefit everyone, not just women. Yet, affordable and accessible health care, for instance, has not received the thrust that is needed.”

The Missing Women video suggests to activists and campaigners that action can start with five steps: 1. Educate girls, young women and yourself; 2. Respect their rights; 3. Empower them to participate; 4. Invest in maternal health; 5. Protect against violence and abuse. The Unicef website, meanwhile, lists 10 ways in which concerned individuals can make a difference.

All very commendable and necessary — but not sufficient. With all the good intentions in the world, Unicef’s experts and officials come across as, well, detached and geeky. They don’t connect well enough to the real world people whose needs and interests they are genuinely trying to serve. Their messages are lost somewhere in their precise terms, jargon and endless acronyms.

Just take, for example, the very phrase of maternal mortality itself. Precise but also very stiff and dry. Who outside the medical and development circles uses such terms in conversation? When I write or make films about the issue, I prefer to call it ‘mothers dying needlessly while having babies’. Yes, it’s more wordy and perhaps less exacting. But most ordinary people would get what I’m talking about.

If the jargon-ridden language reads dry in text, it completely puts off people when they watch such words being spoken on video. Such films may pander to the Narcissism of Unicef mandarins, but they completely flop in terms of public communication and engagement.

This is the same point I made in October 2008 when commenting on the Unicef-inspired first Global Handwashing Day: “Passion used to be the hallmark of UNICEF during the time of its legendary executive director James Grant, who strongly believed in communicating messages of child survival and well-being. He gave UNICEF a head start in working with the media, especially television.”

Jim Grant’s deputy, journalist Tarzie Vittachi, who came over to the UN children’s agency after a stint at the UN population fund, used to say: “Governments don’t have babies; people do”. We might extend that to: inter-governmental agencies don’t have babies; real women do. That may be why Unicef insists on delivering its life-saving messages so riddled in politically and scientifically correct, but so sterile language.

Unicef’s YouTube channel has a number of short videos related to what they insist on calling maternal mortality. Here’s an example where Unicef’s Chief of Health Dr. Peter Salama says it’s really an unconscionable number of deaths, and a human tragedy on a massive scale:



MDG5: Save Our Moms!
MDG5: Save Our Moms!
Reducing by three quarters the number of mothers dying needlessly while having babies is one of the Millennium Development Goals or MDGs, the holy grail in international development since the United Nations adopted these in 2000, setting 2015 as the target date.

We have now passed the half way mark, but progress has been patchy and unimpressive. And it will remain so as long as the UN agencies and other development players insist on peddling jargon and acronyms. Considering the issues of life and death involved here, we must view bad communication as a killer — joining the ranks of unsafe drinking water and violence against women and girls.

Writing an editorial for SciDev.Net in September 2005, I noted: “All development workers and UN officials should take a simple test: explain to the least technical person in your office the core message and relevance of your work. Many jargon-using, data-wielding, acronym-loving development workers would probably fail this test. But unless development-speak is translated into simpler language, the MDGs will remain a buzzword confined to development experts and activists.”

I don’t believe in ghosts, but it’s time to bring back the spirits of Jim Grant and Tarzie Vittachi to Unicef to again humanise the agency so mired in its own ‘geekspeak’. The intellectual rigours of evidence-based, scientific analysis must be balanced with clarity and accessibility. It’s fine to be informed by science, but learn to say it simply, clearly and concisely.

The lives of half a million women and millions of children depend on it.

How ‘Hole in the Wall’ ICT experiment inspired ‘Slumdog Millionaire’

21st Century, here we come...
21st Century, here we come...
With the 81st annual Academy Awards (Oscars) to be announced on February 22, all eyes are now on the nominated movies.

Updated on Oscar night: Slumdog wins 8 Oscars out of 10 nominations!

Few films in recent years have generated as much buzz as Slumdog Millionaire, the British-Indian film based in the slums of Mumbai. It has won five Critics’ Choice Awards, four Golden Globes and seven BAFTA Awards, and is nominated for ten Academy Awards, including Best Picture.

Much has been written about the movie’s depiction of India’s stark urban realities of poverty, organised crime and street children. But there is another face of India that the movie captures: how information and communication technologies (ICTs) are changing culture, economy and social relations in the world’s largest democracy.

I just called to ask...
I just called to ask...
Early on, film critic Ben Walters spotted this aspect. He asked in The Guardian on 9 December 2008: Is Slumdog Millionaire the first truly 21st-century film? Among his reasons: “Jamal works in a call centre decorated with London Underground paraphernalia and whose employees are kept up to date on EastEnders plotlines to improve their chances of successful small talk with their customers. Aptly enough, the customers are mobile phone users – another emblem of 21st-century connectivity – and a mobile plays a crucial part in the story’s climax.”

Indeed, the mobile phone combined with live broadcast television both feature in the story’s climax. The film was partly shot on the actual studio set used by Kaun Banega Croreparti (KBC), the Indian version of Who Wants to be a Millionaire. As I wrote earlier, the cerebral world of quizzing blends seamlessly with the rough world of Mumbai slums to produce an enthralling 120 minutes.

And now it turns out that a real life ICT experiment triggered the idea of the Slumdog story.

Indian author Vikas Swarup, on whose 2005 novel Q&A the movie is based, has recently revealed how he was inspired by the hole-in-the-wall project. This was an initiative by Dr. Sugata Mitra, chief scientist at NIIT, a leading computer software and training company in New Delhi. Mitra embedded a high-speed computer in a wall separating his firm’s headquarters from an adjacent slum, he discovered that slum children quickly taught themselves how to surf the net, read the news and download games and music. He then replicated the experiment in other locations. Each time the results were similar: within hours, and without instruction, the children began browsing the Internet.

Swarup told Indian Express in January 2009: “That got me fascinated and I realised that there’s an innate ability in everyone to do something extraordinary, provided they are given an opportunity. How else do you explain children with no education at all being able to learn to use the Internet. This shows knowledge is not just the preserve of the elite.”

Discover your world...
Discover your world...
Dr Mitra’s project was the subject of a 2002 documentary film, called Hole in the Wall, made by the New York based production company GlobalVision.

The film was introduced as follows: A revolution in information technology is redefining poverty, as how much you know is becoming just as important as how much you own. “The Hole in the Wall” examines one possible solution to the growing technological gap between rich and poor — the so-called ‘digital divide’ — that threatens to consign millions to an “information underclass.”

The film was made by Rory O’Connor and Gil Rossellini. An 8-min version was broadcast by PBS in October 2002 in their program Frontline/World. A 60-min version was screened at the United Nations in New York City in December 2002. The film has been widely screened, and won several awards.

Initiator of the Hole in the Wall project carries on his mission to adapt ICTs to serve the unmet needs of India’s poor. Watch Dr Sugata Mitra talk about his work in this TED Video:

Sharing archives: Will broadcasters (finally) put planet before profit?

I have long wondered if both radio and TV broadcasters store their archival material in black holes – into which everything disappears and nothing ever comes out. And certainly, nothing is shared with anyone else.

In a widely reproduced and commented op ed essay written for SciDev.Net in November 2008, titled Planet before profit for climate change films, I noted:
“It isn’t just climate-related films that are locked up with copyright restrictions. Every year, hundreds of television programmes or video films — many supported by public, corporate or philanthropic funds — are made on a variety of development and conservation topics.

“These are typically aired once, twice or at best a few times and then relegated to a shelf somewhere. A few may be released on DVD or adapted for online use. But the majority goes into archival ‘black holes’, from where they might never emerge again. Yet most of these films have a long shelf life and could serve multiple secondary uses outside the broadcast industry.”

Escape from the Southern 'black hole'?
Escape from the Southern 'black hole'?
Well, it seems things are changing, albeit very slowly. Last month, we welcomed the announcement from Al Jazeera sharing their news footage online through a Creative Commons license — the first time that video footage produced by a news broadcaster is released for commercial and non-commercial use.

Now comes the news that Australia’s public broadcaster ABC is releasing selected content from its vast archives for non-commercial use by others. And we must thank Charles Darwin for that.

On 12 February 2009, to celebrate Charles Darwin’s 200th birthday, ABC started releasing some archival materials, all based loosely around the theme of evolution and mutation. This Australian first was achieved through ABC’s collaborative media site, Pool.

In an imaginatively named effort called Gene Pool, ABC started off with a recording from its archives of genetics professor Steve Jones talking about Darwin’s life and work.

The next offering to Gene Pool would be a clip from ABC’s Monday Conference in 1971 featuring Stanford entomologist Paul Ehrlich talking about climate change (yes, it’s from 38 years ago!).

These materials are being released under the Creative Commons 3.0 licence allowing people to reuse or remix them in any way they like — as long as it’s for non-commercial use.

On Gene Pool website, ABC said: “You can also create your own work exploring the themes of evolution and mutation in lateral ways, and share them back into the Gene Pool.”

A framework for sharing...
A framework for sharing...
As Creative Commons Australia explained: “This means that people can tweak, twist and remix the files to create their own creative interpretation of the themes of evolution and mutation, and share these results with the rest of the world. The idea is to build a whole community up around the project, remixing and reusing the ABC archival material in new and previously unthought of ways. This all culminates in a public exhibition of Gene Pool pieces at Melbourne’s RMIT on November 24th – the 150th anniversary of the publication of Darwin’s book The Origin of Species.”

They added: “Just imagine what gems might be hidden away in ABC filing cabinets, waiting to be discovered and put to good use by the population that payed for them in the first place.”

That’s precisely what I’ve been saying for a long time – the taxpayer-funded broadcasters like BBC, NHK or ABC (and their equivalents in other countries) have no moral right to lock away their archives on legal or technical grounds. And to think that some of the content thus held up could actually help us in winning history’s eternal race between education and catastrophe!

Nothing escapes this one...for now
Nothing escapes from this one...for now
The BBC – hailed as a model public broadcaster worldwide – is among the worst offenders on this count. It holds one of the largest archives on environment, natural history and wildlife filmed all over the planet for several decades, yet it stubbornly refuses to share this material with anyone, even when it’s only for strict non-commercial, educational use. Read one example in my July 2007 blog post, The Lawyers who locked up the Butterfly Tree.

This myopic selfishness is contrasted (and put to shame) by exceptional film-makers like Richard Brock (who worked with BBC Natural History Unit for 35 years before leaving it unhappy over its rights management) who have decided to open up their personal video archives for non-commercial use especially in the majority world where such material is in short supply.

We can only hope that ABC’s move would build up pressure on the stubborn old Auntie BBC to finally relent. In fact, this might be a chance for all those public broadcasters – many of them now ‘Aunties without eyeballs’ – to redeem themselves at last, ending decades of copyrights tyranny. (And if that puts their inhouse lawyers out of a job, they can join greedy bankers now lining up for public forgiveness!)

ABC says about its tentative steps to the world of open archives: “It’s a small offering to start but there’ll be a lot more to come. We’re working madly behind the scenes getting clearance to release more more more.”

Watch this space…and keep an eye on that Gene Pool!

Return of (true) Mass Media: Let there be millions of sparkling conversations!

Being the fourth monkey?
Being the fourth monkey?
“Historically, organised and commercialised mass media have existed only in the past five centuries, since the first newspapers — as we know them — emerged in Europe. Before the printing press was invented, all news was local and there were few gatekeepers controlling its flow. Having evolved highly centralised systems of media for half a millennium, we are now returning to a second era of mass media — in the true sense of that term. Blogs, wikis and citizen journalism are all signs of things to come.”

This is how Sir Arthur C Clarke and I summed up the transformative change that is currently taking place in the world of mass media, in an essay we co-wrote for the Indian news magazine Outlook in October 2005.

We’d given it the title ‘From Citizen Kane to Citizen Journalist’ – a formulation that I’m still proud of – but the editors changed it to ‘Arise, Citizen Journalist!’. Of course, our original title made evocative sense only for those who knew the popular culture reference to the movie Citizen Kane.

I recently had a chance to revisit these issues and explore them further in a half-hour, in-depth TV interview with media researcher/activist and fellow citizen journalist Sanjana Hattotuwa. This was part of The Interview series produced by Young Asia Television, and broadcast on two Sri Lankan TV channels, TNL and ETV during the second week of February 2009.

Sanjana covered a wide range in his questions. Starting with a brief reflection on my 21-year association with Sir Arthur Clarke, we moved on to the bewildering world of new media and its co-existence with the mainstream media. We discussed the fragmentation of audience and the concern that some current and would-be bloggers harbour: is anyone listening or reading?

And more importantly, how do we get conversations started and going. I look back on my own experience as an active blogger for almost two years, and assert that if we have something new and worthwhile to say, and know how to express it well, we can slowly build up an audience. There’s no blueprint or road map – everything is in ‘beta’ mode, and the name of the game is try-it-and-see!

Here’s that full interview on YouTube, broken into four parts:

Sanjana Hattotuwa talks to Nalaka Gunawardene – Part 1 of 4:

Sanjana Hattotuwa talks to Nalaka Gunawardene – Part 2 of 4:

Sanjana Hattotuwa talks to Nalaka Gunawardene – Part 3 of 4:

Sanjana Hattotuwa talks to Nalaka Gunawardene – Part 4 of 4: