Anna Hazare: Just Say NO!This 71-year-old Gandhian is the new face of anti-corruption activism in India.
His name is Kisan Bapat Baburao Hazare, but he is popularly known as Anna Hazare. He is an Indian social activist who is giving voice to mass sentiment against pervasive corruption that has shocked Indian society in recent months.
On 5 April 2011, Anna Hazare started a Satyagraha, or a fast unto death, to pressurise the Government of India to enact a strong anti-corruption law that will establish a Lokpal (ombudsman) with the power to deal with corruption in public offices. The fast led to nationwide protests in support of Hazare. It ended four days laater, on 9 April 2011, with the government agreeing to all of his demands: it issued a gazette notification on formation of a joint committee headed by senior minister Pranab Mukherjee to draft an effective Lokpal Bill.
Anna Hazare has a long involvement in rural development, self reliance and anti-corruption work. In 1991, he launched the Bhrashtachar Virodhi Jan Aandolan (BVJA), or People’s Movement against Corruption.
For more information, I want to share what two Indian journalist friends have produced about this remarkable man.
As she notes: “The media attention has encouraged more middle class citizens to come out on the streets holding candles, carrying placards, shouting slogans, singing songs and even fasting in sympathy with Hazare. The numbers are modest but the buzz on social networking sites as well as media attention makes it appear larger.”
This is an extract from a half-hour documentary film that Pradip Saha made for the Centre for Science and Environment (CSE) India in 2000, which looked at the nexus between corruption, environment and natural resource management in India. It ends with this segment on Anna mobilising the grassroots against this scourge.
Anand Patwardhan is one of India’s best known and most outspoken documentary film makers. He has been making political documentaries for over three decades, pursuing diverse and controversial issues that are at the crux of social and political life in India. He epitomises the activist film maker and has inspired a generation of socially sensitive film makers.
In the world’s largest democracy that is India, and in a country with a vibrant and diverse media that is considered to be among the most free in the developing world, Anand has constantly run into problems getting his films seen on broadcast television. Many of his films were at one time or another banned by state television channels in India and became the subject of litigation by Anand, who successfully challenged the censorship rulings in court.
As his website notes, several of his films have also incurred the wrath of right wing fundamanentalists both in India and abroad. “In keeping with the uneven nature of India’s democratic institutions and its sharply divided polity, bouquets have been accompanied by brickbats.”
I came across a good interview with Anand Patwardhan in the Indian current affairs magazine Frontline, issue for 4 – 17 December 2010. Here are two questions concerning the censorship problems he has often faced:
Ram Ke Naam (In the Name of God), 1991Q: You have had problems getting clearance from the Central Board of Film Certification for almost all your films, and then later they were not allowed to be screened on Doordarshan. Your films are also not screened on private channels. How do you see this constant struggle with these forms of censorship?
A: Right from the first film, I faced censorship in some form or the other. Even the Janata Party after it came to power refused to screen Waves of Revolution though it was against the Emergency. L.K. Advani was the Information and Broadcasting Minister then. I had added an epilogue which said that the janata raj [people’s rule] that the film spoke about was not the same as [that of] the Janata Party now in power. I also drew attention to the political prisoners still being held in jail. Finally, after media pressure built up, the film was screened on Doordarshan.
Prisoners of Conscience also got into trouble with the censor board, and it took a letter from Satyajit Ray to the government saying that they must not stop a film like this to get the required clearance.
Ram Ke Naam followed the rath yatra of Advani and the violence in Ayodhya on October 30, 1990, when the Babri Mosque was attacked for the first time. It was meant to be a warning to the nation about the rise of Hindutva fundamentalism. I had trouble with the censors initially, but it finally got through in 1992 and then I had trouble with Doordarshan, which refused to show it. Finally, after the film won a national award for Best Investigative Documentary, I was able to go to court and argue that the government cannot give me a national award and yet say that I cannot show the film on Doordarshan, which it had been doing systematically. In fact, whenever any film of mine won a national award, I used it to go to court. I argued that not showing such a film on national TV was a denial of my right to freedom of expression and of the viewers’ right to information.
On these grounds I have won seven cases till now – five in the High Courts and two in the Supreme Court after the government went in appeal. Ram Ke Naam was finally shown on Doordarshan in 1997. The judge ordered that the film should be telecast at prime time.
Stills from Anand Patwardhan (courtesy his website) Q: Why have you not approached private channels to screen your films?
A: The private media, including television, are not about giving people information. They are run by corporates more interested in providing entertainment. Their news and analysis are restricted to five and 10 second [sound] bites. Their clear mandate is commercial. They will ask, “Where are the advertisers who will endorse your product? Who is going to give the money to show this? Are we going to waste one and a half hours of TV time on issues?”
I have also discovered that even in the private domain there is political censorship. A few days before the Allahabad High Court verdict on [the] Ayodhya [title suit] was due, a private channel approached me to screen Ram Ke Naam. They paid me for three broadcasts but stopped after showing the film just once despite extremely positive feedback from viewers. On inquiring, I was told that the channel was pressured not to show the film by both the Information and Broadcasting Ministry and the TV Broadcasters’ Association. Anyone who watches Ram Ke Naam will realise that this censorship was done to protect the interests of unscrupulous politicians who had used the emotive appeal of Ram for financial and political gain.
The situation today is such that you cannot pinpoint where the censorship is coming from. During the Emergency you at least knew who the enemy was. But now what do you do when every wing of society – whether it’s the legal system, and so on – is complicit in a blanket suppression of facts.
Ray Wijewardene on the set of 'Sri Lanka 2048' TV show, June 2008: Cautiously optimistic about the future...The small farmers, buffaloes and earthworms all over the world lost a true friend and spokesman this week when Lankan scientist Ray Wijewardene passed away.
Ray packed multiple interests and pursuits into his 86 years of life – including engineering, building and flying light aircraft, and Olympic-level competitive sailing. But he was happiest being a farmer and mechanic, and had strong opinions on the subject. He was vocal about misguided priorities in tropical farming his native Sri Lanka – and across the developing world.
He was especially passionate when speaking about small farmers in the developing world, with whom he worked many years of his international career as an expert on tropical farming systems.
Educated at Cambridge and Harvard universities, and with impeccable technical credentials, he was no stranger to the ways of academia. But he remained a sceptic about the efficacy and benefits of agricultural research — on which hundreds of millions of development funding is invested every year.
The main problem with agricultural research, he used to say, is that those who engaged in such studies and experimentation didn’t have to rely on farming for their sustenance. There was not enough self interest. In contrast, the small farmer had to eke out a meagre existence from whatever land, water and seeds or livestock she had. In her case — and a majority of small farmers around the world today are indeed women — it’s a stark choice of innovate or perish.
Thai researchers and farmers looking for field solutions (from Living Labs TV series)The heroic efforts of small farmers were rarely recognised by the rest of humanity who consume their produce — and the farmers themselves are too busy planting crops or raising animals to speak on their own behalf. This is where Ray Wijewardene came in: with his education, exposure and talent, he made an outstanding spokesman for small farmers all over the tropics.
In the 1960s, as the inventor and promoter of the world’s first two-wheeled (Land Master) tractor, Ray travelled all over Asia, Africa and Latin America working with tropical farmers.
For half a century, Ray has championed the lot of the small farmer at national, regional and global levels with UN agencies, academic and research groups, corporate sector and governments. But in later years, he questioned the wisdom of trying to mechanise tropical farming, and considered that phase of his career a ‘big mistake’. He dedicated the rest of his life to researching and promoting ecologically sustainable agriculture, on which he co-wrote an authoritative book in 1984.
Ray had the rare ability to ask piercing questions without antagonizing his audiences. He was an activist in the true sense of the word, but one whose opinions were well informed and grounded in reality, not rhetoric.
This comes through very powerfully in an extensive media interview I did with Ray in 1995, which I released online this week as a tribute to Ray — who has been my mentor and friend for almost 25 years.
At the outset, Ray points out where the Green Revolutionists went astray: “All along in the Green Revolution, its promoters focused on maximizing yields through massive inputs. But they forgot that what the farmer wants is to maximize profits, not necessarily yields!”
We then talked about the particular challenges faced in tropical farming, and the mismatch of temperate farming systems promoted widely in the tropics where climatic and soil conditions are different. One of Ray’s main concerns was agriculture’s profligate use of water – more for weed control than to meet the strict biological needs of crop plants themselves!
Ray, a grandmaster in summing up complex technical issues in colourful terms, said at the time: “Water is rapidly becoming the most expensive herbicide in the world — and freshwater is increasingly scarce!” [A decade later, I would go on to script and executive produce a global TV series called Living Labs on just this issue: how to grow more food with less water, or get more crop per drop.]
Ray wasn’t fundamentally opposed to external, chemical inputs to boost soil fertility but he advocated a mix of natural and synthetic options. In our interview, he asked: “We have multinational companies supporting — directly or indirectly — the extensive use of chemical fertilizers. But who supports cow-dung? Who extols the virtues of the humble earthworm?”
He then added: “For us in Asia, these elements are far more important. Indians have recognized this, but we still haven’t. As long as our agricultural scientists are trained in the western mould of high external input agriculture, this (mindset) won’t change. Cow-dung and earthworms won’t stand a chance – until some western academic suddenly ‘re-discovers’ them…“
It was Indian science writer and environmentalist Anil Agarwal who asked me, sometime in mid 1995, to interview Ray for Down to Earth, the science and environmental fortnightly magazine published by his Centre for Science and Environment. As Anil told me, “In Ray, you have not only one of the topmost agricultural experts in the developing world but one of its most original thinkers.”
By this time, I’d known Ray for almost a decade, and been exposed to several of his multiple facets. But each encounter with Ray was enriching for me, so I immediately seized the opportunity. The usually media-shy Ray already knew of and respected Anil, which helped.
Down to Earth is part of Anil Agarwal's legacyThe interview was audio taped over two long sessions, and I remember spending many hours transcribing it. I had to check some references with Ray, who cooperated wonderfully. I’ve been trained to observe the word limit set by editors, but in this instance, I sent in the full length Q&A, for it was so interesting. Down to Earth issue for 31 October 1995 carried a compact version, skillfully distilling the essence of that long exchange between Ray and myself — one of the most memorable interviews among hundreds I’ve done during 25 years of work in print and broadcast media.
How I wish the exchange was also preserved on audio tape! Indeed, it’s a small miracle that the original transcript survived for 15 years. The soft copy was lost in a hard drive crash of 1998, but fortunately I’d taken a full print-out. I’m grateful to a former colleague, Buddhini Ekanayake, for retyping the entire interview in mid 2008 when I considered releasing it in the wake of the global food crisis. That somehow didn’t work out, but the soft copy was ready at hand for me to rush to the editor of Groundviews on the day of Ray’s funeral. All I added was a new, 500-word introduction which tried to sum up the Ray Wijewardene phenomenon.
My friend Kalpana Sharma just stepped down after serving on the Panos South Asia board for over a decade. The Executive Director A S Panneerselvan asked me to write a personalised piece felicitating her. Part of this was read at the annual meeting of the Board held in Dhaka last weekend. Here’s the full essay — a couple of mutual friends who read it say it isn’t too eulogistic! Now you can decide for yourself…
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The Curious Ms Sharma of Mumbai
I knew Kalpana Sharma from her by-line long before I met her in person. Now, more than a dozen years after we became friends, she remains an inspiration and a role model.
Kalpana SharmaKalpana has been a path-finder and trail-blazer in journalism that cares. She has set the gold standard in investigating and critiquing development in the Indian media. Today, she continues her nearly four decades of association with the Indian media as a respected columnist, journalist and writer. Her stock in trade is a mix of curiosity, sense of social justice, wanderlust and a deep passion for people and issues. She is living proof that quality journalism can be pursued even in these turbulent and uncertain times for the mainstream, corporatised media.
Kalpana has been covering the ‘other India’ that is largely ignored by the Indian media. Its denizens are some 456 million people living under the global poverty line of $1.25 per day — a third of the world’s poor. (If they declared independence, they would immediately become the world’s third most populous nation.) Kalpana’s reporting from the ‘Ground Zero’ of many disasters and conflict zones has highlighted the multiple deprivations of these people living on the margins of survival.
For many such communities, a headline-creating event is just the latest episode in their prolonged and silent suffering. The media pack that descends on them after a sudden development can’t seem very different from the assorted politicians who turn up periodically during election campaigns. For too long, the grassroots have been treated merely as a grazing ground for stories or votes.
Kalpana doesn’t hesitate to be part of the media pack when duty calls, but once in the field, she sees connections often missed by other journalists looking for a quick sound byte or dramatic image. Unlike some news hounds, she doesn’t exploit the misery of affected people (“Hands up who’s poor, speaks English – and looks good on TV!”). And she returns to the same locations months or years later to follow up.
For all these reasons, Kalpana was our first choice to write the last chapter in a regional book on disasters and media that I co-edited with Indian journalist Frederick Noronha in 2007. Her 2,000-word reflective essay should be required reading for any journalist covering disasters and social disparity in South Asia.
Here is a passage that sums up her views on the subject: “Much of disaster reporting sounds and reads the same because the reporters only see what is in front of them, not what lies behind the mounds of rubble, figuratively speaking. What was this region before it became this disaster area? How were social relations between different groups? What was its history? What were its relations with the state government? Was it neglected or was it favoured? How important was it to the politics of the state?”
Kalpana has been asking such probing questions all her professional life. And it’s not just in the rural hinterland of India that Kalpana has travelled extensively listening and talking to people from all walks of life. Living in the world’s second most populous city Mumbai, she has been equally concerned with its burning issues of urban poverty, gender disparity, environmental mismanagement and governance.
In her quest for untold human stories, Kalpana has taken a particular interest in the plight of poor women. She has written many authentic and moving stories about women who struggle on the margins of the margin. A recurrent theme in her writing is how invisible ‘superwomen’ hold the social fabric together in much of India. Many communities and production systems –ranging from domestic work and child care to waste disposal and farming – would simply grind to a halt if these unseen and unsung women took even a single day off. In reality, of course, they just can’t afford such luxuries.
Kalpana’s column The Other Half, which started in The Indian Express and now appears in The Hindu, is a regular eye-opener. She takes a current topic – from politics, culture, sport or environment — and explores its gender dimensions. She does so by carefully blending facts, personal insights and opinion that makes her writing very different to the rhetorical shrill of gender activists.
Make no mistake: Kalpana is an activist in her own right, and one of the finest in modern India. It’s just that her approach is more subtle, rational and measured – and in the long run, wholly more effective. Long ago, she found how to balance public interest journalism with social activism. This is one more reason why I look up to her.
Partners in crime: Nalaka and Kalpana speaking at the Education for Sustainable Future conference in Ahmedabad, India, January 2005.
In her writing, television appearances and public speaking, Kalpana stays well within the boundaries of good, old-fashioned journalism based on its A, B and C: accuracy, balance and credibility. In my view, she enriches the mix by adding a ‘D’ and ‘E’: depth and empathy. Without these qualities, mere reporting is sterile and dispassionate.
And once we get to know her, we also discover the ‘F’ in Kalpana Sharma: she is a fun-loving, cheerful woman who doesn’t take herself too seriously. We can count on her to be adventurous, enthusiastic and endlessly curious.
Cultivating these attributes would certainly enrich any journalist. I can’t agree more when Kalpana says (in her chapter to a recent book on environmental journalism in South Asia): “Journalists are good or bad, professional or unprofessional. I am not sure if other labels, such as ‘environmental’ or ‘developmental’, ought to be tagged on to journalists.”
I hope Kalpana has no retirement plans. She has earned a break after a dozen years on the Board of Panos South Asia. But we want her to remain a guiding star – a bundle of energy that shines a light into the Darkness, and helps make sense of the tumult and frenzy that surrounds us.
Holy cow! How does she do it?Cows have been a part of South Asian cultures, economics and societies for millennia. Many among us are connected to cows in one way or another – some worship them while others feast on them. Even a secular vegetarian in South Asia – like myself – can’t avoid bumping into the occasional cow on our delightfully messy streets…
We probably gave the term ‘sacred cow’ to the English language. It means an object or practice which is considered immune from criticism, especially unreasonably so. As the Wikipedia explains, “The term is based on the popular understanding of the place of cows in Indian religions as objects that have to be treated with respect, no matter how inconvenient.”
Well, some of us beg to differ on modern-day sacred cows. My latest op ed essay, just published on Groundviews.org, is all about sacred cows in rapidly modernising South Asia. It starts with my experience as a young science journalist covering the impending launch of Pakistan’s first digital communications satellite, Badr 1, in early 1990.
At the time, Pakistan had recently returned to civilian rule after many years of dictatorship, and Benazir Bhutto was Prime Minister (in her first term). The political mood was generally upbeat. But I soon found out — from Pakistani journalists and independent scientists — that they weren’t allowed to ask critical questions about the country’s nuclear or space programmes.
In Sacred Cows and Orbital Dreams in Sri Lanka, I write: “The message was clear: democracy or not, some sacred cows always enjoy their privileged status! This has certainly been the case with both the space and nuclear programmes in India and Pakistan: they have been shielded from public and media scrutiny for decades.
What price for having our own?“For the past few months, it seemed as if we too were following this South Asian tradition. Plans to build Sri Lanka’s own satellites were announced and pursued with little information disclosure and no public debate. The government wanted to launch our very own ‘sacred cows’ into orbit. We the public were to just applaud on cue, and then cough up the money for it…”
The essay is a critique of Sri Lanka’s much hyped plans to build its own satellites. The project was announced in February 2009 and appeared to gain momentum during the year. Going by official statements and media reports, the plan was to launch not one but two satellites.
Suddenly, there seems to be a change of heart. In a interview on 6 June 2010 covering a range of issues, head of the Telecom Regulatory Commission (TRC) disclosed that the government was not going ahead with the much-hyped project. At least not in its originally announced form. The reason: the very high cost, and the need to ‘explore other options such as hiring satellites’ instead of building our own.
Hmmm. Better to be wise later than never. This is the first time in over 15 months that the high costs of this high cost project have been acknowledged.
The satellite is not the only mega-science project being pursued in post-war Sri Lanka. In June 2009, the Ministry of Science and Technology directed the Atomic Energy Authority to set up a national committee to study technical and financial aspects of setting up a nuclear power plant.
Again, this mega project has not been opened up for public discussion and debate, in spite of a few citizens and activists expressing concern, highlighting safety and public health risks, high cost of construction and the unresolved problem of nuclear waste disposal.
I end the essay arguing that as long as public safety and public funds are involved, sacred cows – whether orbital or radioactive – can’t be allowed free range.
Winners of the Asia Pacific Rice Film Award 2008-2009 were announced this week. The award was established ‘to recognise excellence in audio-visual creations on rice-related issues in Asia, where most of the world’s rice is grown and consumed’.
I found it a well-focused, positive story compellingly told, with an unhurried script — just enough information, not bombarding the viewer with facts and figures. It’s about a new, more efficient way of growing rice called System of Rice Intensification (SRI).
But this is far from a boring instructional film. It focuses on lives of farmers on and off the field (e.g. SRI’s benefits to women farmers – such as less labour and time intensive). The visual experience is completed by the excellent camera work, sound track and seamless editing – altogether a highly professional production that is also a persuasive advocacy film.
Here’s the official synopsis for the film, taken from Vatavaran 2009 film festival website:
A revolutionary method, System of Rice Intensification (SRI) requires almost no standing water for paddy to grow and is fast transforming the rice cultivation. Developed by a French priest Henri De Launi in the 1980’s in Madagascar, SRI not only uses almost half of the water required but drastically reduces the physical labor associated with rice farming besides increasing the yield by almost one and a half times. For a country like India rice is more than just a mere crop.
There are myths attached to its cultivation. While SRI offers an alternate and a very sustainable method of growing rice it also battles hard with the age-old traditional approach of growing rice. The perils of global warming, the drying up of perennial rivers and the excessive use of fertilizers pose numerous threats to rice cultivation; making life very hard for the humble farmer. SRI offers a workable solution to all problems related to traditional rice cultivation.
SRI- Challenging Tradition, Transforming Lives looks at how SRI is helping the modern farmer cultivate India’s traditional crop without the burden that it had become. In addition the film highlights the transformation in the lives of millions of women who toil the hardest in Indian farmers thanks to SRI reducing the need for manual labor. To its critics the System of Rice Intensification might not be the greatest thing but the fact that SRI significantly reduces the demand for water for rice cultivation makes it worthwhile in the current scenario of the world.
Starting out in 2001-02, Gautam Chintamani worked in the capacity of Associate Producer on India’s first daily news spoof show Khabarein Khabardar. There on he did freelance writing for numerous shows for MTV, Sony and Zee amongst others. He has written and directed an 18 min short film, Alterations. In addition to writing for television Gautam Chintamani regualraly writes for the print and electronic media. He has extensively written for Man’s World, Hard News, Media Trans-Asia and MidDay, rediff.com and Buzz in Town. Gautam also worked in the capacity of Associate Director and Executive Producer of the Hindi feature film, Amavas. Of his television work the law drama, Siddhanth (Star One) was nominated for an Emmy in the International Drama section. Gautam’s episode dealing with an HIV positive college student who fights for her basic right to education was selected as a case study for a Writers workshop conducted by Hero’s Group in Hyderabad & Chennai.
This is one of my favourite photos in media and development. It was taken by Reza Deghati, the renowned Iranian-French photojournalist (who works under the name Reza). I don’t know the story behind this photo, but even without a single word of annotation, it says a great deal.
I like this photo partly because it symobolises the enduring appeal of broadcast television in much of the developing world. For long years, the old-fashioned, boxy TV set used to be the top-selling consumer electronic item in the world — until the mobile phone came along. But even now, the much-maligned idiot box hasn’t lost its appeal to a significant section of humanity, never mind what the jaded academics and geeks might say.
So I was intrigued to read, in the latest issue of TIME Magazine, development economist Charles Kenny, reminding us that television is still the most influential medium around. In this gizmo-ridden new media age, it takes much courage to say so in public.
In a powerful short essay titled ‘TV Will Save the World’, he writes: “Forget Twitter and Facebook, Google and the Kindle. Forget the latest sleek iGadget. Television is still the most influential medium around. Indeed, for many of the poorest regions of the world, it remains the next big thing — poised, finally, to attain truly global ubiquity. And that is a good thing, because the TV revolution is changing lives for the better.”
Across the developing world, he says, some 60% of the households had their own TV set in 2005 — up from 45% in 1995. He adds: “Five million more households in sub-Saharan Africa will get a TV over the next five years. In 2005, after the fall of the Taliban, which had outlawed TV, 1 in 5 Afghans had one. The global total is another 150 million by 2013 — pushing the numbers to well beyond two-thirds of households.”
He ends his essay with these words that strongly resonate with me: “Too much TV has been associated with violence, obesity and social isolation. But TV is having a positive impact on the lives of billions worldwide, and as the spread of mobile TV, video cameras and YouTube democratize both access and content, it will become an even greater force for humbling tyrannical governments and tyrannical husbands alike.”
As Sir Arthur C Clarke, inventor of the communications satellie whose second death anniversary we mark this week, told me in a 2003 interview: “I’m not impressed by the attacks on television because of some truly dreadful programmes. I believe that every TV programme has some educational content. The cathode ray tube – and now the plasma screen – is a window to the world. Often it may be a very murky window, but I’ve slowly come to the conclusion that, on balance, even bad TV is preferable to no TV at all.”
Image courtesy Foreign PolicyThe TIME essay is a much compacted version of what he wrote in November 2009 issue of Foreign Policy magazine, titled Revolution in a Box. That article noted the continuing global spread of television sets and an explosion of viewer choice driven by cable, satellite and digital technologies. It suggested this is a good thing, pointing to evidence that access to competitive television can improve womens’ standing in the home, increase girls schooling, reduce fertility rates, lower drug use, improve governance and (possibly) help foster global peace.
The editors of Foreign Policy ran the following blurb: “It’s not Twitter or Facebook that’s reinventing the planet. Eighty years after the first commercial broadcast crackled to life, television still rules our world. And let’s hear it for the growing legions of couch potatoes: All those soap operas might be the ticket to a better future after all.”
The full essay is well worth a careful read. At a time when I have been questioning many of the founding premises of my own work at TVE Asia Pacific, he has provided conceptual clarity and sharper focus.
Hans Rosling: Information WizardIf you thought Al Gore was a data-happy geek, you should see Hans Rosling in action.
The Swedish medical researcher has a way with numbers. He brings heavy and dreary statistics into life using a combination of animated graphics and equally animated presentations. With the drama and urgency of a sportscaster, he uses a new presentation tool called Gapminder to debunk various myths about world – economic development, disparities and how well (or poorly) we share our planet’s resources.
Hans Rosling is Professor of International Health at Karolinska Institutet (which awards the Nobel Prize in medicine), but it’s his other role – as Director of the Gapminder Foundation – that he plays ‘statistics guru’ to the whole world. If you’re perplexed by lots of numbers, he’s the man who can make sense of it all.
In some ways, Rosling and Gapminder present in live action – and on video – what the Atlas of the Real World attempted to do in 2D maps: show the world as it is, with little or no distortion or misconceptions. That effort, published in late 2008, uses software to depict the nations of the world, not by their physical size, but by their demographic importance on a range of subjects.
I’ve watched a number of Rosling talks on video online. He makes no attempt to conceal his Scandinavian accent, and his English grammar is not always perfect. But it doesn’t matter: the guy has such mastery over his ideas and statistics, and a great stage presence too. He’s profound and funny at the same time, without being condescending that most experts and especially professors are.
Here’s an example of Rosling at his best: recorded in February 2006 in Monterrey, California:
No more boring data: TEDTalks
Rosling’s quest to use numbers to shatter stereotypes of rich and poor countries has brought him global prominence. He was one of the world’s “100 most important global thinkers” of 2009, according to Foreign Policy Magazine.
Look, no magic here!Rosling was honored at #96 on the list for “boggling our minds with paradigm-shattering data“. The list is topped by (1) Ben Bernanke, the chairman of US Federal Reserve for his actions to turn the US depression and (2) President Barack Obama for “for reimagining America’s role in the world.”
Foreign Policy noted: “Rosling is well known for his energetic lectures, in which he narrates mind-blowing statistics on development and public health — as they literally move across a screen. Imagine x-y axes filled with data points, each representing a country. As time passes, the dots move, realigning to show changes in child mortality, percentage of paved roads, unemployment rates, or pretty much any other metric you can imagine.”
Here are some more examples of Rosling magic:
200 years that changed the world (with Hans Rosling)
For the first time, Gapminder can now visualize change in life expectancy and income per person over the last two centuries. In this Gapminder video, Hans Rosling shows you how all the countries of the world have developed since 1809 – 200 years ago.
Hans Rosling on HIV: New facts and stunning data visuals
Hans Rosling unveils new data visuals that untangle the complex risk factors of one of the world’s deadliest (and most misunderstood) diseases: HIV. He argues that preventing transmissions — not drug treatments — is the key to ending the epidemic.
Hans Rosling: Asia’s rise — how and when
This is one of the funniest Rosling talks I’ve watched online so far. Speaking at TEDIndia in November 2009, Rosling recalled how he was a young guest student in India when he first realized that Asia had all the capacities to reclaim its place as the world’s dominant economic force. He graphs global economic growth since 1858 and predicts the exact date that India and China will outstrip the US.
Note:
Rosling and Gapminder developed the Trendalyzer software that converts international statistics into moving, interactive and enjoyable graphics. The aim is to promote a fact-based world view through increased use and understanding of freely accessible public statistics. His lectures using Gapminder graphics to visualise world development have won awards by being humorous yet deadly serious. The interactive animations are freely available from the Foundation’s website. In March 2007 Google acquired the Trendalyzer software with the intention to scale it up and make it freely available for public statistics. Google has since made available as Motion Chart, a Google Gadget.
The process of producing and distributing TVE Asia Pacific’s educational TV series, The Greenbelt Reports, is showcased in a new book on environmental journalism in South Asia, just published by Sage, a globally operating company that specialises in bringing out academic and professional books.
Arranged in 10 sections, the book brings together contributions from three dozen journalists, broadcasters and film makers in South Asia. It opens with a foreword by Darryl D’Monte, one time editor of The Times of India and Chair, Forum of Environmental Journalists of India (FEJI).
I co-wrote the chapter titled ‘Dispatches from the Frontline: Making of The Greenbelt Reports’ with my colleague Manori Wijesekera, TVEAP’s Regional Programme Manager. I was researcher and script writer of the 12-part, 4-country series that we made in 2006, in which Manori was series producer. The series looked at the environmental lessons of the 2004 Indian Ocean tsunami.
The title reflects the lingering print bias in media related discussions: in our case, the content we produced was disseminated on broadcast television, narrowcast DVD and online. We wielded cameras rather than pens, but are still very glad to share our experience in this book.
Keya Acharya (left) and Fred NoronhaThe publisher’s blurb says: “This collection of essays by some of the most prominent environmental journalists in Indian and South Asia gives deep insights into their profession and its need and relevance in society. It looks at this ‘specialisation’ of journalism both in the past and the present. Underlying almost all the essays is the changing nature of media in the region and the dilemmas facing environmental journalists. The varied background of the writers ensures the showcasing of a wide range of realities and experiences from the field. Contributions include essays by Darryl D’Monte, the late Anil Agarwal and Sunita Narain, among others.”
“This is the first book of its kind on environmental journalism, which would be an excellent resource to aid the future evolution of the enterprise in the region. Apart from essays from India, there are contributions from Pakistan, Bangladesh, Sri Lanka, Nepal and the Maldives. The book will interest a wide readership, any informed reader, besides journalists and environmentalists.”
It’s an honour to be part of a book which features the work of respected seniors like Anil, Darryl and Sunita – all of who have influenced my own career and I’m privileged to count among my friends (alas, Anil is no longer with us). In fact, I have either met, worked with or am friends with more than half the three dozen contributing authors of this book.
The wide-ranging interview was originally filmed in November 2005 in Bangkok, Thailand, by Thai journalist and film maker friend Pipope Panitchpakdi. He used excerpts at the time for a Thai documentary to mark the first anniversary of the tsunami. It remains one of the best media interviews I have given, for which all credit goes to Pipope.
Anna Hazare has a long involvement in rural development, self reliance and anti-corruption work. In 1991, he launched the Bhrashtachar Virodhi Jan Aandolan (BVJA), or People’s Movement against Corruption. 
Open Minds! 