Bill Gates and mosquitoes: World’s top geek now works for its meek

More bugs from Gates...
More bugs from Gates...
Bill Gates can’t seem to get enough of bugs.

On 4 February 2009, he let loose a swarm of mosquitoes at the TED 2009 technology, entertainment and design conference in California to highlight the dangers of malaria.

“Malaria is spread by mosquitoes,” he reminded his audience of leading scientists, designers, researchers and entrepreneurs. Turning to an upturned jar on stage, he announced: “I brought some. Here…I’ll let them roam around. There is no reason only poor people should be infected.”

Luckily, the mosquitoes were not carrying the disease. But it had the intended effect. Wired editor Chris Anderson, curator of the show, suggested a headline: “Gates releases more bugs into the world”.

Watch Bill Gates’s mosquito moment:

Watch the full 20-minute video of Bill Gates at TED 2009

As stunts go, this one was pretty mild and harmless. There are many shocking ways in which the harsh daily realities of the world’s poor can be brought into gatherings of the rich and famous. They could be served glasses of the contaminated, sludgy (and often smelly) water that tens of millions drink everyday. Or all the toilets could be locked up and the keys thrown away – for good. Or electricity supply could be cut off, or frequent ‘black-outs’ or ‘brown-outs’ could be staged. You get the idea…

Of course, few event organisers would dare try any of these, if only for health and safety considerations. Reminds me of a rare exception: when he was director of information with the UN’s population agency (UNFPA), journalist-turned-UN official Tarzie Vittachi once hosted delegates of a high level meeting to lunch which consisted soley of a bread roll and a glass water. He told his guests: the meal was better more than what most poor people in the global South on any given day.

Bill to the rescue...
Bill to the rescue...
Meanwhile, billions of poor and needy – and not just those in the majority world – are glad that Bill Gates caught the ‘development bug’ and has switched his formidable creative energies (not to mention his billions) to address their survival issues. The Bill & Melinda Gates Foundation – which carefully manages the giving away of Gates wealth – operates on the belief that all lives have equal value. “We think all people deserve the chance to have healthy, productive lives”.

They have set priorities such as improving health and reducing extreme poverty in the developing world, and improving high school education in the United States.

The New York Times columnist Nicholas Kristof recently described it as a paradox: “In these brutal economic times, one of the leading advocates for the world’s poorest people is one of the richest.”

He noted: “Mr. Gates ended his full-time presence at Microsoft last July and since then has thrown himself into work at his foundation. He is now trying to do to malaria, AIDS, polio and lethal childhood diarrhea what he did to Netscape, and he just may succeed.”

In his TED talk, Bill Gates addressed two questions that occupy much of his time these days: How do we stop Malaria? How do you make a teacher great?

Look, no computers!
Look, no computers!
He said: “The market does not drive scientists, thinkers, or governments to do the right things. Only by paying attention and making people care can we make as much progress as we need to.”

He called for greater distribution of insect nets and other protective gear, and revealed that an anti-malaria vaccine funded by his foundation and currently in development would enter a more advanced testing phase in the coming months.

“I am an optimist; I think any tough problem can be solved,” he said. That’s the geek in him talking: marshall all information, analyse problems, respond strategically — and keep at it.

A friend who now works with the Gates Foundation confirms how the charity seeks evidence and rigour in all its social investments. This is no bleeding-heart do-gooding or ‘social work’ for its CSR value. The new wave of geeks lining up to serve the meek bring business acumen to the development sector long under-served by unimaginative aid agencies and self-serving UN organisations.

As Kristof wrote: “Gates ended his full-time presence at Microsoft last July and since then has thrown himself into work at his foundation. He is now trying to do to malaria, AIDS, polio and lethal childhood diarrhea what he did to Netscape, and he just may succeed.”

Gates has announced that despite the economic crisis the Gates Foundation will increase spending by US$500 million this year.

In late January 2009, the billionaire philanthropist released the first ‘Annual Letter from Bill Gates‘ where he discussed his work at the foundation and spoke candidly about what has gone well, what hasn’t.

He compared his earlier work at Microsoft with the challenges he now tackles at the charitable foundation. “What I’ve found now is that really those same key elements are there. The opportunity for big breakthroughs is absolutely just as great–now it’s vaccines, it’s seeds that have better yield, it’s ways of sharing teaching practices…they will take the same kind of patience that we had for software breakthroughs.”

Just ahead of the letter’s release, Nicholas Kristof talked with Bill Gates about why aid to developing countries is more important during the economic downturn and vaccine breakthroughs on the horizon. Watch the interview:

Read: Bill Gates’s Next Big Thing by Nicholas D Kristoff, published in the New York Times on 24 January 2009

Al Jazeera shares broadcast footage through Creative Commons

Al Jazeera has done it again.

They were the first mainstream news broadcaster to offer most of its content on YouTube. And now, they have started sharing their news footage online through a Creative Commons license.

Uncommon move, once again!
Uncommon move, once again!
This allows others to download, share, remix, subtitle and eventually rebroadcast (or webcast) the material originally gathered by Al Jazeera’s own reporters or freelancers. It has the potential to revolutionise how the media industry gathers and uses TV news and current affairs footage – a lucrative market where there are only a very few suppliers operating at global scale.

Al Jazeera’s uncommon sharing has started with the network’s coverage of the conflict in the Gaza strip, Palestine. Each day they plan to add the latest footage coming from Gaza. Additional Gaza footage from the start of the war is to be made available shortly.

This is the first time that video footage produced by a news broadcaster is released under the ‘Creative Commons 3.0 Attribution’ license which allows for commercial and non-commercial use.

“We have made available our exclusive Arabic and English video footage from the Gaza Strip produced by our correspondents and crews” says the introductory text in Al Jazeera Creative Commons Repository. “The ongoing war and crisis in Gaza, together with the scarcity of news footage available, make this repository a key resource for anyone.”

Gaza in darkness
Gaza in darkness
The website adds: “This means that news outlets, filmmakers and bloggers will be able to easily share, remix, subtitle or reuse our footage.”

Under the Creative Commons framework, Al Jazeera seeks no payment (licensing fees) of any kind. Users are free to reuse the material with acknowledgement to Al Jazeera. This means such users must attribute the footage to Al Jazeera (“but not in any way that suggests that we endorse you or your use of our work”). They are also required to leave the Al Jazeera logos intact, give reference to the Al Jazeera Creative Commons Repository, and the ‘Creative Commons 3.0 Attribution’ license itself.

Says Joi Ito, CEO of Creative Commons: “Video news footage is an essential part of modern journalism. Providing material under a Creative Commons license to allow commercial and amateur users to share, edit, subtitle and cite video news is an enormous contribution to the global dialog around important events. Al Jazeera has set the example and the standard that we hope others will follow.”

Gaza under siege...
Gaza under siege...
Professor Lawrence Lessig, founder of Creative Commons, has hailed this initiative: “Al Jazeera is teaching an important lesson about how free speech gets built and supported. By providing a free resource for the world, the network is encouraging wider debate, and a richer understanding.”

Al Jazeera – which means ‘the island’ or ‘the peninsula’ in Arabic – started out in 1995 as the first independent Arabic news channel in the world dedicated to providing comprehensive television news and live debate for the Arab world. Al Jazeera English, the 24-hour English-language news and current affairs channel, was launched in 2006 and is headquartered in Doha, Qatar. The organisation is the world’s first global English language news channel to be headquartered in the Middle East.

On this blog, we have been critical cheerleaders of Al Jazeera. We hailed their commitment to present the majority world’s voice and perspective in international news, but expressed our dismay on how hard Al Jazeera English channel’s aping of BBC World TV. We have sometimes questioned or challenged the ethics of how they sourced or filmed their stories.

Screams, amplified by media?
Screams, amplified by media?
But we have no hesitation in applauding their sharing of news footage. This move makes it easier for many television stations, websites and bloggers to access authentic moving images from the frontlines of news — we certainly hope Gaza marks only the beginning of AJ’s sharing.

It would also make commercial distributors of news and current affairs footage a bit nervous, for such material trades in hundreds or thousands of dollars per second. The logistical difficulties in gathering such footage, and sometimes the enormous risks involved to the news crews, partly explains the high cost. But the small number of suppliers and syndicators has made it possible for high prices to be maintained. If Al Jazeera sustains its sharing, that could mark the beginning of the end for another pillar of the mainstream media industry.

All images used in this blog post are courtesy Al Jazeera websites

MEAN Sea Level: An ironic film from the frontline of climate change

What does sea level rise mean to you and me?
What does sea level rise mean to you and me?
In October 2008, while attending an Asian regional workshop on moving images and changing climate in Tokyo, I had the chance to see Indian writer and film-maker Pradip Saha‘s latest film, MEAN Sea Level.

As I wrote at the time: “The few of us thus became the first outsiders to see the film which I found both deeply moving and very ironic. With minimal narration, he allows the local people to tell their own story. There’s only one expert who quickly explains just what is going on in this particularly weather-prone part of the world.”

The world’s rich are having a party, and millions living in poverty are the ones footing the bill. This is the premise of the film, which looks at the impact of climate change on the inhabitants of Ghoramara and Sagar islands in the the Sundarban delta region in the Bay of Bengal.

Almost 7,000 inhabitants have been forced to leave Ghoramara in the last 30 years, as the island has become half in size. The biggest island, Sagar which hosted refugees from other islands all these years is witnessing massive erosion now. 70,000 people in the 9 sea-facing islands are at the edge of losing land in next 15 years. For these people climate change is real.

As the sea level rises and takes with it homes and livelihoods in the delta, the villagers of Sagar are paying a hefty price for a problem that they did not create. Meanwhile, middle class India and the political elite are becoming aware of the problem of global warming, but prefer to look the other way.

I’m glad to note that the film is now being screened to various audiences and making ripples. By showing people – including those still not convinced about climate change – what sea level rise is already doing to poor people, the film is stretching the limits of debate and focusing attention on the need to act, not just talk.

It’s also creating ripples in environmental and/or human rights activist circles where all too often, passionate discussions don’t go very far beyond the rhetoric to bring in the real world voices and testimonies. Pradip’s film accomplishes this with authenticity and empathy yet, mercifully, without the shrill and overdose of analysis found in activist-made films. It powerfully and elegantly tells one of the biggest stories of our times.

Pradip Saha
Pradip Saha
In November 2008, Pradip showed and talked about his film at a screening organised by SACREDMEDIACOW (SMC), an independent postgraduate collective on Indian media research and production (and much more) at the School of Oriental and African Studies (SOAS) at the University of London. Before it started, Pradip told his audience to ‘forget that this is a documentary about climate change’ and just watch.

As one member of his audience, Sophia Furber, later wrote: “The film’s approach to climate change is completely non-didactic. Mean Sea Level is no acronym-fest sermon or disaster story, but an intimate portrait of a way of life which is on the verge of going underwater.”

In his day job as editor of Down to Earth magazine, published from India with a global outlook, Pradip excels in wading through the (rapidly expanding) sea of jargon and acronyms surrounding many topics related to science, environment and development. In typical style, his recently started blog is named alphabet soup @ climate dinner.

Read Sophia Furber’s account of SOAS screening in London

The more Pradip shares his film, the more people who notice the irony that I experienced in Tokyo. A short review by the Campaign against Climate Change says: “There is a greater irony. These poor people got nothing out of the economy that created climate change, nor do they contribute to global warming. Mean Sea Level is a testimony of reckless political economy of our times. Climate change is real, and only a sign of our recklessness.”

Last heard, Pradip was planning to screen MEAN Sea Level on Sagar Island so that the story’s participants can see the film for themselves. The idea was to power the event entirely through renewable energy sources, such as solar power.

I hope he will soon place his film – or at least highlights/extracts – online on YouTube or another video sharing platform. This film is too important to be confined to film festivals and public screenings. Whether it would also be broadcast on television in India and elsewhere, we’ll just have to wait and see. I won’t hold my breath on that one…


Down to Earth: Is climate changing? Yes, say Sundarbans Islanders

International Herald Tribune, 10 April 2007: Living on the Edge: Indians watch their islands wash away

Look carefully...
Look carefully...

Danny Schechter: Moving Images Person of the Year 2008

Moving Images Person of the Year 2008
Danny Schechter: Moving Images Person of the Year 2008

As 2008 – clearly an Annus horribilis for tens of millions around the world – draws to an end, we announce the Moving Images Person of the Year 2008: Danny Schechter.

Nicknamed “The News Dissector,” Danny is a television producer, independent filmmaker, blogger and media critic who writes and lectures frequently about the media in the United States and worldwide.

He has worked in print, radio, local news, cable news (CNN and CNBC), network news magazines (ABC) and as an independent filmmaker and TV producer with the award-winning independent company Globalvision. He is a blogger and editor of Mediachannel.org, a web and blog site that watches and critiques the print and broadcast media.

Another way to introduce Danny is to recall the scary headlines and TV news images that have dominated 2008 – of reputed banks going bust, leading stock markets crashing and these events triggering a global financial meltdown that, for now, has been slowed but not completely averted by unprecedented governmental intervention…by the very governments of the industrialised countries who should have kept a sharper eye on what was going on in their free market economies.

As the carnage on Wall Street and other global financial centres continued, some hard questions were asked: Did anyone see this coming? If so, why weren’t they listened to? What is the real cause of all this chaos? Where was the news media and why weren’t they doing their job of sounding the alarm?

Well, one man who saw it coming and tried very hard to raise the alarm was Danny Schechter. In 2006, as part of this effort, he made a documentary film called In Debt We Trust. In this, he was the first to expose Wall Street’s connection to subprime loans and predicted the global economic crisis.

This hard-hitting documentary investigated why so many Americans – college and high school students in particular – were being strangled by debt. Zeroing in on how the mall has replaced the factory as America’s dominant economic engine, Emmy Award-winning former ABC News and CNN producer Danny Schechter showed how college students were being forced to pay higher interest on loans while graduating, on average, with more than $20,000 in consumer debt.

An inconvenient truth that America ignored for too long...
An inconvenient truth that America ignored for too long...

The film empowers as it enrages, delivering an accessible and fascinating introduction to what former Reagan advisor Kevin Phillips has called “Financialization” — or the “powerful emergence of a debt-and-credit industrial complex.”

Danny and his film have done for global financial meltdown what Al Gore did for global warming with his own film: investigate rigorously, gather and present the evidence of a gathering storm, sound the alarm — and keep badgering until the warnings were heard. In both cases, the inconvenient truths they presented were ignored for too long — and we are paying the massive price for such indifference.

Watch the Trailer of In Debt We Trust:

Deborah Emin, writing in OpEdNews in October 2008, noted: “In Debt We Trust…brought Schechter a lot of grief. Rather than being seen as a prophet of doom, which in and of itself was not so terrible, he should have been lauded for sounding the alarm when it would have been in time. It is truly an amazing fact of American life that the powers that be can so disastrously determine what information we are able to see based on their subjective judgment of what is too negative or too harsh a view of a specific topic. From this perspective, we should judge all these gatekeepers as those on the Titanic who did not want to alarm the passengers that the ship was going down.”

Watch an extract from In Debt We Trust: How did we get into this mess?



Watch In Debt We Trust in full on Google Video

So here’s the trillion-dollar question: if this film was made in 2006, and has since been running to packed houses scaring a lot of thinking and caring people, why was its message not heard in the corridors of power in Washington DC — and elsewhere in the G8 countries’ capitals?

The short answer could be that there have been no thinking and caring people running the American government for the past eight years.

Read all about it!
Read all about it!
The long answer is found in a book that Danny published in mid 2008. Titled Plunder: Investigating Our Economic Calamity and the Subprime Scandal, it’s an outgrowth of – and update on – his 2006 film. It documents with shocking evidence how debt has restructured the American economy and put Americans under a burden that many will never overcome.

Plunder also offers an analysis based on current events, going behind the scenes, identifying the key players and culprits, challenging the financial industry, government deregulation — and the financial and most sections of the mainstream media who have been cheer-leading the financiers as the latter took ever larger risks. Danny also argues that this has been a criminal enterprise — a point only touched on in most media coverage — and of global significance, given the globalization of markets.

Read my Sep 2008 blog post: Financial Meltdown: Putting pieces together of a gigantic whodunnit


On a personal note, I have been a great admirer of Danny Schechter and his work since I first met him 13 years ago. In the Fall of 1995, he gave an inspiring and provocative talk to a group of journalists and producers from the developing world who were on a UN-organised media fellowship in New York. As part of our tour of media and development agencies in the US East Coast, we visited Danny’s GlobalVision productions.

Danny introduced himself as a ‘network refugee’ — one who had worked for the mainstream network television in the US and had left in disgust. From outside, he was trying to find alternative ways of speaking truth to power — the original mandate of the mass media which many corporatised media companies had abandoned, knowingly or otherwise.

In that pre-Internet era, Danny engaged in his media activism through independent filmmaking, through which he supported and often participated in struggles for social justice in his native United States as well as in places like apartheid-ridden South Africa and strife-torn Palestine.

www.newsdissector.com
http://www.newsdissector.com
Danny was one of the early media activists to take advantage of the web. In 2000, he co-founded with Rory O’Connor MediaChannel.org, the first media and democracy supersite on web. Operating on shoe-string budgets, it has sustained critical spotlight on the mainstream media (MSM) for 8 years in which the MSM landscape has been completely transformed. While its scrutiny and chronicling of the political economy of the media is more crucial than ever, and veterans like Walter Cronkite whole-heartedly endorse the effort, the non-profit effort struggles for survival.

Now in his 60s, Danny is simply indefatigable. Besides running MediaChannel and GlobalVision, he blogs every few hours, writes a regular column on Huffington Post, lectures on media, writes books and still has time to make investigative films. He is extremely well informed, witty, funny and completely irreverent. He writes and speaks with justified outrage but no malice. That’s a tough balance to maintain.

Danny visits Wall Street on 20 September 2007 – typical of his funny, incisive reporting:

I was delighted to catch up with Danny in May 2008 when we both participated in Asia Media Summit in Kuala Lumpur. He and I were in a small minority of participants who were familiar with the inner works of the mainstream media and transformational potential of the new media. In characteristic style, Danny stirred things up, livening the usually staid proceedings, and I did my best to back him up from the audience. We both enjoyed asking irritating – if not outright annoying – questions from the 400+ media mandarins and press barons who’d come together for the Summit.

One evening, Danny and I had a drink with Malaysiakini’s CEO and leading new media activist Prem Chandran where we talked about the slow but inevitable decline of the mainstream media dinosaurs — or what Michael Crichton called Mediasaurus. The trouble with mediasaurus, we agreed, was that they are taking a long time going extinct and for now, they still command significant numbers of eyeballs and the dollars that follow.

After Prem left, Danny and I continued our chat into the evening. Over a spicy Indian meal, Danny gave me a crash course on subprime crisis (or sub-crime as he calls it) and how that was going to have a domino effect on markets everywhere. I listened with growing comprehension — and deep admiration for the man’s ability to communicate complexities without oversimplification.

Events in the weeks and months that followed have shown how remarkably prescient Danny Schechter was. And what a monumental, global scale mistake it was not to have heeded this man’s cautions in his blogs, films, columns and elsewhere.

We end 2008 with my cartoon of the year. As I said in a blog post in September 2008: “This cartoon by Pulitzer prize winning Tom Toles first appeared in the Washington Post in 2007 – it brilliantly anticipated the global financial meltdown that we’re now experiencing. Coming in the wake of confirmed global warming, it is a double whammy.

Meltdown 2
Meltdown 2

Iodised Salt: How to make the world smarter, faster?

A miracle powder?
A miracle substance to get smarter?
One of the earliest video films I helped distribute at TVE Asia Pacific, soon after it was set up in 1996, was called Ending Hidden Hunger.

This 20 minute film, made in 1992 by Bedford Films of UK and narrated by Sir Peter Ustinov, described how the UN children’s agency UNICEF was working toward eliminating micronutrient deficiencies from iron, vitamin A and iodine in different parts of the developing world. Examples are taken from Africa and Asia to both illustrate the extent of the problem as well as steps being taken to reduce these deficiencies that cause mass-scale disability and death.

The main premise of the film was simple: those lacking micro-nutrients in their regular diet often don’t show immediate signs of starvation. This deprivation builds up over time and causes slow – sometimes irreparable – damage.

Nicholas Kristof
Nicholas Kristof
I was reminded of this film — and its still very relevant message — when reading an excellent essay by Nicholas Kristof in International Herald Tribune a few days ago. He is a columnist for the New York Times who travels the world reporting from the various frontlines of survival and struggle.

In Raising the World’s I.Q., dispatched from Rawalpindi, Pakistan, Kristof was talking about ‘a miracle substance that is cheap and actually makes people smarter’: iodised salt.

Here’s the context, as he put it:

“Almost one-third of the world’s people don’t get enough iodine from food and water. The result in extreme cases is large goiters that swell their necks, or other obvious impairments such as dwarfism or cretinism. But far more common is mental slowness.

“When a pregnant woman doesn’t have enough iodine in her body, her child may suffer irreversible brain damage and could have an I.Q. that is 10 to 15 points lower than it would otherwise be. An educated guess is that iodine deficiency results in a needless loss of more than 1 billion I.Q. points around the world.”

In nearly all countries, the best strategy to control iodine deficiency is iodisation of salt — one of the most cost-effective ways to contribute to economic and social development. Especially in these hard times, development professionals are looking for smart ways to get the biggest bang for their limited (and still shrinking) bucks. Investing in micronutrients – such as iodine – can provide some of the biggest bangs possible.

UNICEF Report 2008
UNICEF Report 2008
In June 2008, UNICEF published Sustainable elimination of iodine deficiency, a new report on progress since 1990 when the world’s governments set the target to eliminate iodine-deficiency disorders worldwide.

In October 2008, The Lancet, one of the world’s leading medical journals, published a report that noted: “Iodine deficiency is the most common cause of preventable mental impairment worldwide.”

The medical, public health and development communities have known and talked about iodine and other micronutrients for over 30 years. Significant progress has been made – for example, UNICEF says by 2006, more than 120 countries were implementing salt iodisation programmes, and 34 countries had managed to get rid of iodine deficiency among their people through this smart strategy.

But there still are major gaps — which continue to cause preventable damage to tens of millions of people including children.

Nicholas Kristof navigates through the heavy, jargon-ridden developmentspeak and churns out an eminently readable, accessible piece. It’s written in first person narrative from a part of the world where illiteracy, superstition – and their erstwhile companion, religious fanaticism – are trying to prevent people at risk from using iodised salt. This is science writing at its finest: anecdotal, personalised and purposeful.

And he’s absolutely right when he says iodised salt lacks glamour, doesn’t have too many stars or starlets singing its praise and (almost) no one writing about it despite its potential to improve lives for so many people.

I should know: one of the earliest topics I tackled as a young science reporter – getting started in the late 1980s – was salt iodisation. I struggled to put together a readable, engaging piece — which I then had to push through jaded editors who wondered what all this fuss was about.

I have only one (minor) bone to pick with Kristof. He pokes fun at Canada for hosting and supporting the Micronutrient Initiative, “an independent, not-for-profit organization committed to promoting simple cost-effective solutions for hidden hunger and developing innovative new solutions where needed.”

He calls Canada “earnest and dull, just like micronutrients themselves”. It’s a personal view – perhaps expressed with his tongue firmly in his cheek. Having travelled a fair amount in North America, and having good friends in both countries, I think that the nation north of the US-Canada border is a tad more civilised, certainly more caring and better engaged with the rest of the world.

But then, that too is a personal view. I’m darn lucky that I get enough iodine in my diet so that I can think for myself, keep asking lots of annoying questions…and occasionally even get some answers right.

Two billion people – almost a third of humanity – aren’t so lucky.

Read Raising the world’s I.Q. by Nicholas Kristof

Salt iodisation is not universally hailed. Read an alternative point of view that appeared in India’s Frontline magazine in 2006: Imposing iodine

Climate change and copyrights: What intellectual property on a dead planet?

Twenty centuries ago, Emperor Nero fiddled while Rome burned. Today, some media companies are squabbling over copyrights while the planet is warming.

This is the main thrust of my latest op ed essay, just published by the Science and Development Network (SciDev.Net) anchored in London, UK. It’s titled: Planet before profit for climate change films.

I have adapted for this commentary some of my ideas initially expressed on this blog – especially the post on 12 Oct 2008: Climate in Crisis and planet in peril – but we’re squabbling over copyrights!

Broadcasting on a warming planet
Broadcasting on a warming planet

In writing this essay, I’ve also drawn on the excellent discussions we had last month during the Asia Pacific workshop on Changing Climate and Moving Images in Tokyo.

I’m challenging broadcasters to put their money where their mouth is.

Here’s an excerpt:

“Broadcast mandarins routinely support global struggles against poverty, HIV, corruption and climate change by offering free airtime to carry public interest messages. But few let go of their own products on these very subjects for non-broadcast uses.

“Making climate change a ‘copyright free zone’ for media products would increase the resource materials available to thousands of educators, social activists and trainers struggling to communicate this complex topic to audiences across the world. Moving images would make their task easier.

“The climate crisis challenges everyone to adopt extraordinary measures. Broadcasters and film-makers need to balance their financial interests with planetary survival.

“What use is intellectual property on a dead planet?”

Read my full essay on SciDev.Net: Planet before profit for climate change films.

In September 2006, speaking at the United Nations headquarters (photo below), I called for poverty to be recognised as a copyright free zone. The idea was to have broadcasters and other electronic publishers release copyrights on TV, video and online content relating to poverty and development issues -– at least until (MDG target year of) 2015.

The TV broadcast and film communities have reacted to this proposal with disdain or indifference, but I keep badgering on. If poverty didn’t motivate broadcasters to change business as usual, I hope, the planetary threat posed by climate change would.

Who speaks for most of the world’s poor people…living in Asia?

World map of human poverty...shows Asia harbouring over half
World map of human poverty...shows Asia harbouring over half

Take a close look at this map. What’s happened to our familiar world?

This is the map of human poverty — showing the proportion of poor people living in each country.

The size of each country/territory shows the overall level of poverty, quantified as the population of the territory multiplied by the Human Poverty Index. The index is used by the UNDP to measure the level of poverty in different territories. It attempts to capture all elements of poverty, such as life expectancy and adult literacy.

This map is from the recently released new book, Atlas of the Real World. It uses software to depict the nations of the world, not by their physical size, but by their demographic importance on a range of subjects.

It carries maps constructed to represent data, such as population, migration and economics. But instead of a conventional map being coloured in different shades, for instance, the maps in this Atlas are differently sized. For instance, a country with twice as many people as another is shown twice the size; a country three times as rich as another is three times the size. And so on.

When depicted in this manner, a very different view of our real world emerges. The one on the distribution of poverty, shown above, reminds us something often overlooked: there are more poor people in Asia than anywhere else in the world.

It takes a map like this to drive home such a basic fact. In most discussions on international development or poverty reduction, it is Africa that dominates the agenda. Even those organisations and activists who claim to be evidence-based don’t always realise that when it comes to absolute numbers, and not just percentages, poverty and under-development affects far more Asians than Africans.

Atlas of the Real World, which I haven’t yet seen except through glimpses offered by The Telegraph (UK) and BBC Online, offers many such insights on what our topsy-turvey world is really like.

Their map of human poverty draws on the same data that this standard depiction does, in a map I found on Wikipedia sourcing the UN Human Development Report 2007/2008.

UN)
Percentage population living on less than 1 dollar day 2007-2008 (Source: UN)

There are many ways of measuring income poverty, and experts don’t always agree on methods and outcome. But we will leave those technicalities to them. Global Issues is a good website that discusses these issues without too much jargon.

Accurately drawing a two-dimensional map of our spherical world has been a challenge for centuries. Today’s most widely used Mercator projection represents our usual view of the world – with north at the top and Europe at the centre. People in other parts of the world may not always agree with this view.

The Peters Projection World Map is one of the most stimulating, and controversial, images of the world. Introduced in the early 1970s, it was an attempt to correct many imbalances and distortions in the Mercator map.

An example: in the traditional Mercator map, Greenland and China look to be the same size but in reality, China is almost 4 times larger! Peters map shows the two countries in their relative sizes.

Atlas of the Real World also carries one map where the size of each territory represents exactly its land area in proportion to that of the others, giving a strikingly different perspective from the Mercator projection most commonly used. It is very similar to the Peters map of the world.

Our world depicted by each country's land area
Our world depicted by each country's land area

The UNDP has been producing its influential Human Development Report since 1990. As far as I can discern, the HDR always uses conventional (Mercator?) maps, depicting data using the standard colour-coding or gray tones. The one I have reproduced in this post is an example.
Indeed, the UN’s Cartographic Section seems to favour these.

When would the UNDP – and other members of the UN family – start using more innovative ways such as those used in Atlas of the Real World? How much more effective can the UN’s analysis be if they move out of the comfort zone of Mercator?

Climate in Crisis and planet in peril – but we’re squabbling over copyrights!

Climate in Crisis - a global documentary
Climate in Crisis - a global documentary

On my recent visit to Tokyo for a regional workshop on changing climate and moving images, I watched a number of excellent documentary films on the subject. One of them was Crude: The Incredible Journey of Oil, the excellent Australian film that I wrote about in March.

Another was Climate in Crisis, an outstanding global documentary in two parts (2 x 52 mins) co-produced in 2006 by Japan’s public broadcaster NHK together with The Science Channel and ALTOMEDIA/France 5.

Directed by Fujikawa Masahiro, the film draws heavily on the Earth Simulator — one of the world’s most powerful supercomputers — which Japanese scientists used to project the climatic disasters in next 100 years. The system was developed in 1997 for running global climate models to evaluate the effects of global warming and problems in solid earth geophysics. It has been able to run holistic simulations of global climate in both the atmosphere and the oceans — down to a resolution of 10 km.

NEC Earth Simulator in Japan
NEC Earth Simulator in Japan

The results, captured in this documentary, are truly mind-boggling. Atmospheric temperatures may rise by as much as 4.2 degrees Celsius, more hurricanes may attack and deserts may spread from Africa to southern Europe, and half of the Amazon rainforest may be gone. Climate in Crisis shows a severe projection on environmental destruction based on rigorous scientific data and considers whether humankind can avoid this.

This film, made in the same year as Al Gore’s Oscar-winning film An Inconvenient Truth, has won several awards including the Earth Vision Award at the 15th Earth Vision Tokyo Global Environmental Film Festival.

I was curious why this excellent film – in my view, better made than Al Gore’s one – hasn’t been more widely seen, talked about and distributed. To be honest, I’d not even heard of this one until my Japan visit — and I try to keep myself informed on what’s new in my field of endeavour.

The reasons soon became apparent: copyright restrictions! The co-producers are keeping the rights so tight that only the highest bidders will be allowed to acquire it on a license fee.

This is a standard broadcast industry practice that didn’t surprise me. But I was taken aback by how jealously the rights are guarded. All other films that were part of our event, including high budget commercial productions like Crude, were screened to the public at the Parthenon in Tama New Town in Tokyo.

Not so with Climate in Crisis, which we – the overseas participants to the workshop – had to watch at a theatre inside NHK’s Tokyo headquarters. No public screening was possible. As we later heard, NHK itself was willing to allow a public screening (after all, it draws a good part of its income from the Japanese public), but their international co-producing partners, especially the Science Channel, would simply not agree to it. Wow.

Twenty centuries ago, emperor Nero fiddled while Rome burned. Today, some people are squabbling over copyrights while the whole planet is in peril.

Earth in 2100 - as seen by Earth Simulator
Earth in 2100 - as seen by Earth Simulator

Our workshop participants came from solid backgrounds in broadcasting or independent film-making, and we are not naive activists asking hard-nosed broadcasters to let go of their precious rights which generates vital income. But we would have expected them to allow films such as Climate in Crisis to circulate a bit more freely in everybody’s interest.

This reminded me of correspondence I had last year with the Canadian producers of another outstanding climate film titled The Great Warming. The initial discussions with its director were promising, but when the distribution people started talking about ‘revenue optimising’, our negotiations stalled.

It also reminded me of similar experiences of other environment and natural history film makers, such as South Africa’s Neil Curry. He had a long struggle with the BBC to clear the non-broadcast use rights of his own film that he wanted to take back to the locations in Botswana where it was filmed.

Many broadcast and production companies in the west don’t realise that TV broadcasters in developing Asia operate on a very different basis. Talking about broadcast ‘pre-sales’ or ‘commissions’ loses meaning when many stations are operating on tiny budgets — or in some cases, no budgets — for factual content. Many are struggling to survive in tough, emerging economies.

Is this our future?
Is this our future?

TVE Asia Pacific operates a regional film distribution service that brings environment and development films within reach of such broadcasters. We operate without getting mired in license fees or royalties.

Our 2-day workshop called for climate change to be recognised as a ‘copyright free zone’. This would enable audio-visual media content on the subject to move freely across borders and to be used widely for broadcast and narrowcast purposes.

Here’s the full reference from our statement of concern:

“Prevailing copyright regimes prevent the sharing and wider use of outstanding TV programmes and video films on climate and development issues. We are deeply concerned that even content developed partly or wholly with public funding (government grants, donor funds or lottery funds) remain unfairly locked into excessive copyright restrictions. Sometimes film-makers and producers themselves are willing but unable to allow their creations to be used for non-commercial purposes by educational, civil society and advocacy groups. We appreciate the media industry’s legitimate needs for intellectual property management and returns on investment. At the same time, the climate crisis challenges us to adopt extraordinary measures, one of which can and should be recognising climate change as a ‘copyright free zone’. Such agreement would encourage media organisations and independent producers to share content across borders, and with entities outside the media industry engaged in climate education, advocacy and activism.”

Here’s the simple question I raised during the workshop, which is worth being posed to all those who hesitate to even discuss this issue:

Can anyone manage their intellectual property rights on a dead planet?

This is the real question!

Warning: Is climate change the new HIV of our times?

From www.sprattiart.com
From http://www.sprattiart.com


Is climate change the new HIV of our times?

I asked this question when addressing a group of television journalists and film-makers from the Asia Pacific last week. I was making introductory remarks to an Asia Pacific Workshop and Open Film Screening on ‘Changing Climate and Moving Pictures‘ held on 3 – 4 October 2008 in Tokyo, Japan. It was organised by TVE Japan in collaboration with TVE Asia Pacific, and supported by the Japan Fund for Global Environment.

I acknowledged that climate change was not just another environmental issue or even the latest planetary scare. “This time we’re in deep trouble – and still finding out how deep,” I said.

Climate change has brought into sharp focus the crisis in:
• how we grow economically;
• how we share natural resources and energy; and
• how we relate to each other in different parts of the world.

In that sense, I noted, climate change is acting like a prism — helping to split our worldly experience into individual issues, concerns and problems that combine to create it. Just like an ordinary prism splits sunlight into the seven colours (of the rainbow) that it’s made of.

“Climate shows up the enormous development disparities within our individual societies and also between them. When this happens, we realise that climate is not just a scientific or environmental problem, but one that also has social, political, security, ethical and human rights dimensions,” I added.

Climate change in an uneven world
Climate change in an uneven world

I then outlined some parallels between the current climate crisis and the HIV/AIDS pandemic that emerged some 25 years ago.

Consider these similarities:
• When HIV was first detected, it was considered a medical issue affecting specific sections of society.
• It took years for the wider societal, development and human rights aspects of HIV to be understood and then accepted.
• Some countries and cultures wasted precious years in HIV denial; a few are still in this mode.
• It took overwhelming impact evidence and mounting pressure from affected persons for states and international community to respond.
• Then…everybody jumped the bandwagon and HIV became a fundable, profitable enterprise.

I have been commenting in this blog about this ugly side of HIV/AIDS in my own country Sri Lanka, where some NGOs and charities have turned HIV activism into a self-serving, lucrative industry. There are fierce ‘turf wars’ to claim persons living with HIV as their institutional ‘property’. Some have appropriated HIV as their own virus, and would rather not allow others to work in this area.

And it’s not just NGOs who are riding the HIV gravy train. The United Nations programme for AIDS, or UNAIDS, created by the UN system in response to the global crisis, has evolved into a behemoth whose efficacy and relevance are now being widely questioned.

UNAIDS “is obsolete and an obstacle to improving healthcare in developing countries” claims Roger England, an international health expert. Writing in the British Medical Journal in May 2008, England pointed out that HIV causes 3.7 per cent of mortality and kills fewer people than pneumonia or diabetes, yet it received 25 per cent of all international healthcare aid and a big chunk of domestic expenditure. This has resulted in wasting vast sums of funding on esoteric disciplines instead of beefing up public health capacity. Despite this criticism, UNAIDS is calling for huge increases in its funding — from its current US$9 billion to US$54 billion by 2015.

All this makes me wonder: is climate the new HIV of our times? This is the question I raised in Tokyo.

I added: “If so, I sincerely hope it does not evolve in the same manner that HIV crisis did. There are worrying signs that the drive towards a low carbon economy is being exploited by various groups – including some in civil society – for self gain.”

Certain development agencies and ‘think tanks’ are clearly exploiting climate change to make money. Suddenly, everybody is ‘climate-proofing’ their activities — meaning they are talking about climate change no matter what they do, whether it is teacher training or micro-credit.

In the run up to the Bali climate conference in late 2007, I wrote a blog post titled ‘Beware of bad weather friends’ about a London-based NGO engaging in some media training on climate issues, but deriving its legitimacy from a dubious survey. This post apparently irked the party concerned a great deal.

In Tokyo, a workshop participant confirmed that this was already happening in his country.

“Every crisis today is being turned into a business opportunity – and not just by the corporate sector,” said Pradip Saha, associate director of the Centre for Science and Environment in India.

He added: “Consultancy companies and some NGOs have realised there is big money to be made in climate related areas like carbon offsets and the Clean Development Mechanism. They are already riding the climate bandwagon!”.

Read the full text of my introductory remarks to the Tokyo workshop.changing-climate-moving-images-nalaka-gunawardene-intro-3-oct-2008

Remembering Anita Roddick, a year after her hasty departure

September 10 marked a year since Anita Roddick left us in hurry, with so much unfinished business.

At the end of our last encounter in the summer of 2003, she autographed for me a copy of her latest book with these words: “Remember me!”.

She remains one of the most remarkable people I have met. Especially in the past year, which has been eventful and tumultuous for me, I have often thought of Anita’s long and colourful journey from working class mom to one of the most successful entrepreneurs of our time….and onward to become an outspoken and passionate activist for social justice, human rights and the environment.

As she has written, it was not an easy ride to do well in the male-dominated world of business, nor was it any easier to do good in the greed-dominated world at large. But she not only did it, but had great fun doing so.

What would Anita do? I find myself asking this question every now and then when I seem to be struggling against enormous odds (which is increasingly often). I don’t always find the answers I’m looking for, but it’s always a useful reflection.

I now find that others have been asking this question. Visiting Anita Roddick’s official website this week, I read a moving post by Brooke Shelby Biggs, who worked with Anita for 8 years. She writes:
“I’ve lived most of this past year having conversations with Anita in my mind. What would she say when I told her about considering a move back to magazine journalism? How should I handle my role in the Free the Angola 3 movement? How would she get on with my new romantic interest? Should I move back to my parents’ home town to help care for my ailing mother? I’ve tried to spend this time living according to the philosophy of What Would Anita Do (WWAD?). It was a lot easier when I could ask her myself. But some part of me knows she gave me a lot of tools to figure the hard stuff out on my own. Sometimes I just wish I had her courage.”

website inspired by Anita Roddick
I am an activist: website inspired by Anita Roddick

Brooke links to a website called I am an Activist that draws information and inspiration from Anita’s many and varied struggles in support of various local and global causes. Prominently displayed on the home page are Anita’s now famous words: “This is no dress rehearsal. You’ve got one life, so just lead it and try and be remarkable.”

Well, we can honestly say that she’s one person who practised what she preached.

‘I am an Activist’ is also the sub-title of a DVD that celebrates the life of Dame Anita Roddick, which is available for sale and/or download from Anita Roddick.com. It compiles footage gathered on 23 October 2007, when thousands of thinkers, artists, activists, and other heroic saboteurs of the status quo gathered to celebrate the remarkable life and legacy of Anita Roddick. According to the blurb, it features key people from groups like Amnesty International, Greenpeace, Reprieve, The Body Shop, as well as family and close friends, as they laugh and cry and ultimately take to the streets to launch.

Anita’s daughter Sam is quoted as saying in her tribute: “My mother treated life like each day was her last, and this gave her the permission for incredible bravery. … Tonight I am personally pledging that I Am An Activist, and within that, I also will have a lot of fun, and I also will be silly. I will not be polite and I will never, ever, ask for permission.”

In the weeks and months since Anita’s death, more video material featuring her public talks and interviews have been shared on YouTube by individuals and organisations. I have this week watched several of them, and felt there still isn’t sufficiently good moving images about her. In her time she must have done hundreds or thousands of interviews for broadcast television, corporate audiences as well as community groups. At least some of these must have been recorded and archived. But we still don’t see enough out there, at least in easily accessible public video platforms like YouTube.

Here are two that I did find which are interesting:

Anita speaks on the lessons she learnt from running her own home business, which she started in 1976 to augment her family income. She talks about how she had absolutely no business training, faced many odds and put up with male sarcasm:

From University of California Television comes this video of Anita delivering the Nuclear Peace Age’s third annual Frank K. Kelly Lecture on Humanity’s Future in Feb 2004.