Sinbad: The legend endures, entertains...and inspires!
I have always been intrigued by the tales of Sinbad the legendary sailor. My interest is heightened by living in Serendib, destination of Sinbad’s sixth journey, which is modern-day Sri Lanka.
Being a professional story teller, I always try to connect the old world with the new. So in Beijing this week, I proposed: In the brave new world of social media, we need to be as daring and adventurous as Sinbad.
Like the legendary sailor of Baghdad, we have to take our chances and venture into unknown seas. Instead of maps or GPS or other tools, we must rely on our ingenuity, intuition and imagination.
And we have to be prepared for a potentially perilous journey where we may be lost, shipwrecked or even sunk. On the other hand, with careful planning, hard work and some luck, we may well sail into calmer seas and discover new lands and treasures – just like Sinbad did.
One thing is for sure: it’s not for the faint-hearted. There are no guarantees of success, and certainly no travel insurance…Are we ready to take the plunge?
Those of us working on development, humanitarian or social issues always have plenty of public interest messages to communicate. We are also keen to amplify grassroots voices so that policy-makers and business leaders would get a reality check.
The social media present many opportunities for all this. They offer us the potential for not just outreach, but sustained engagement. The development community has long wished for more interactive and participatory communications tools. The social media do precisely this! There’s no longer any excuse for not jumping in…
I then added the caution: It’s a big pond, and keeps getting bigger and deeper by the day. Social media is a basket that includes a lot more than (the more visible and controversial) Facebook and YouTube. According to the Wikipedia (itself an example), social media is a collective term to describe online media that is based on two key attributes: conversations, and interactions between people.
One of the many strange creatures that Sinbad encountered on his journeys was the Hydra — a many-headed serpent (or dragon). Chop one off, and two would grow instantly — a bit like how new social media applications are popping up these days!
Modern-day Sinbads have plenty of new horizons and uncharted waters to explore. Yes, it can be cacophonous, confusing, dizzy and even a bit frivolous at times. Hey, so is the real world! We need discernment in both worlds.
Social media started with the geeks, but soon spilled over to involve the rest of us. How can we — the non-geeks — come to terms with this new realm? How do we find our niche that makes us more effective communicators and agents of social change? The key to engaging this bewildering world of social media is to…just do it. And see what works.
“Reading computer manuals without the hardware is as frustrating as reading sex manuals without the software!”
This is one of the less known, but more entertaining, dicta by Arthur C Clarke – he called it ‘Clarke’s 64th Law’, and I personally know he used to bring it up when meeting with particularly crusty or glum intellectuals. (Not all were amused.)
Clarke’s words kept turning in my mind as I moderated and spoke at a session on social media at Asia Media Summit 2010 held in Beijing China from 24 to 26 May 2010. The country with the world’s largest media market is not exactly the world’s most open or free – and certainly when it comes to social media, it’s a very different landscape to what we are used to…
These days, International visitors arriving in China discover quickly that access to YouTube, Twitter and Facebook is completely blocked. Apparently the brief ‘thaw’ in restrictions, seen before and during the 2008 Beijing Olympics, is now over — the current restrictions have been in place since the spring of 2009.
This doesn’t mean there is no social media in China. In fact, I heard from several Chinese friends and colleagues that there is a very large, dynamic and fast-evolving social media scene in China. For the most part, however, it’s not based on globally used and familiar platforms, and is happening in a digital universe of China’s own — under the watchful eye of the government.
Jump in...but some conditions apply!For example, I found from this March 2010 blog post by Merritt Colaizzi that:
* 221 million people have blogs, largely in a diary-style.
* 176 million Chinese connect via social networking system (SNS) with their “real” friends and online networks.
* 117 million connect anonymously via bulletin board system (BBS). These interactive online message boards are the heart of social media in China. They’re where people go to find topic-based communities and where consumers talk about products and services.
There are lots of other blogs, mainstream media reports and research commentary on social media in China — just Google and see (now that’s another thing with limited – and uneven – access in China: Google itself is available, but search results come with lots of links that simply aren’t accessible). Much or all of this interaction happens in Chinese, of course. It’s a significant part of the web and social media landscapes, but if you’re in China on a short visit and want to stay connected to your own social media networks, that’s not at all helpful.
And, of course, it undermines one of the key attributes of a globally integrated information society: the interoperability of systems and platforms.
Luckily for me, perhaps, I can survive a few days without my social media fix: I have an appalling record of updating my Facebook account: days pass without me even going there. For the moment, at least, I’m also taking a break from regular blogging (well, sort of). But I’m more regular in my micro-blogging on Twitter, and visit YouTube at least once a day, sometimes more often. I could do neither during the few days in Beijing – and that was frustrating.
So imagine having to talk about social media as a new media phenomenon in such a setting. That’s only a tiny bit better than reading computer manuals without the hardware…But this is just what I did, with all the eagerness that I typically bring into everything I do. I planned and moderated a 90-minute session on Social Media: Navigating choppy seas in search of Treasures?
With access to key global social media platforms denied, we visitors and Chinese colleagues in the audience could speak mostly generically, theoretically and aspirationally. I didn’t want to place my hosts and seminar organisers in difficulty by harping on what was missing. Instead, we focused on what is possible and happening: how development communicators are increasingly social media networks and platforms to get their messages out, and to create online communities and campaigns in the public interest.
The thrust of my own opening remarks to the session was this: In the brave new world of social media, we all have to be as daring as Sinbad. Like the legendary sailor of Baghdad, we have to take our chances and venture into unknown seas. Instead of maps or GPS or other tools, we have to rely on our ingenuity, intuition and imagination.
More about the session itself in future blog posts.
For now, I want to share this TED Talk by American watcher of the Internet Clay Shirky on how cellphones, Twitter, Facebook can make history. Shirky shows how Facebook, Twitter and TXTs help citizens in repressive regimes to report on real news, bypassing censors (however briefly). The end of top-down control of news is changing the nature of politics.
I haven’t been blogging much during April. One reason is that I’ve been travelling across space — and time.
I was in London for 10 days, and with its lovely Spring weather, I had every reason to be offline. I’ve also been spending a good deal of time back in 1966-67, and having a great deal of fun doing so. (The 1960s had a charm of their own that’s never been repeated…)
Let me explain. I’ve been watching the digitally remastered original Star Trek episodes, which had their first broadcast in that now far-away year — the same year I was born. And what an exhilerating experience to go back to these superbly crafted stories: they offer me both timeless mental stimulation and a sentimental journey to my own childhood/boyhood.
I’d heard of the digitally remastered DVDs’ release a couple of years ago, and was delighted when I found the last copy of Season 2 in a DVD store in Amsterdam in late March. The remastered episodes look and sound crisp, thanks to digitally restored imagery and audio. But the more daring work involved updating the shows’ visual effects with CGI to bring them more in line with the look and quality of later Trek efforts. That’s proving to be a real treasure – well worth waiting for…
As the promotional blurb reads on Amazon.com: “Star Trek, the NBC series that premiered on 6 September 1966, has become a touchstone of international popular culture. It struggled through three seasons that included cancellation and last-minute revival, and turned its creator, Gene Roddenberry, into the progenitor of an intergalactic phenomenon. Eventually expanding to encompass five separate TV series, an ongoing slate of feature films, and a fan base larger than the population of many third-world countries, the Star Trek universe began not with a Big Bang but with a cautious experiment in network TV programming. Even before its premiere episode (“The Man Trap”) was aired, Star Trek had struggled to attain warp-drive velocity, barely making it into the fall ’66 NBC lineup.”
To boldly go where no man has gone before...
As I’ve said before, I’m as old as Star Trek: we were born a few months apart in 1966 (I’m older by seven months). But because we grew up on opposite sides of planet Earth in the pre-Internet era, our worlds didn’t collide until we were both well into our teens.
I have vivid memories of that delightful first encounter, which changed the course of my life forever. In mid or late 1982, Sri Lanka’s newly launched national TV channel Rupavahini started airing a space adventure series called Star Trek. Although I was already familiar with Star Wars movies (of which two had been made by then), I’d not heard about Star Trek until the publicity accompanying the local broadcast.
Star Trek (the original series, now abbreviated as TOS) aired on my local TV – we had just two channels back then – on Wednesdays from 7 to 8 pm, which was prime time just before the evening news at 8. I remember the series ran for at least a year, during which time around 50 episodes were broadcast. I managed to watch most of them.
That wasn’t as easy as it sounds. Our household didn’t yet have a television set, so I had to go across to my aunt’s house next door to watch Star Trek. My school teacher parents took a long time to warm up to the new medium – we didn’t acquire a TV set until early 1983, almost four years after TV was introduced to Sri Lanka in April 1979. And because they placed such emphasis on studies, I was allowed only an hour of television per week. I have absolutely no regrets that while it lasted, I devoted my entire weekly TV quota for Star Trek.
So every week at the appointed time, the United Star Ship Enterprise and its intrepid crew took my young mind roaming around the universe, providing me a welcome escape from the dull and monotonous routine of my teenhood. Even today, hundreds of movies and many thousands of TV hours later, I can just close my eyes and instantly replay in my mind the evocative theme narration and music of Star Trek TOS:
I sat awestruck by the adventures of Captain James T Kirk (played by William Shatner), First Officer Spock (Leonard Nimoy), chief engineer Lieutenant Commander Montgomery Scott (James Doohan), Dr. Leonard “Bones” McCoy (DeForest Kelley), Communications Officer Uhura (Nichelle Nichols) and others. The stories appealed to me as much for insights into the infinite possibilities (and combinations) of life, technology and power at a cosmic scale, as for the glimpses of the near-Utopian human society in the 23rd century.
The series was already 15 years old, and it was showing signs of age. It had the faded Technicolor look and feel of films and TV programmes made in the 1960s and 1970s. The sets were basic and special effects appeared simple — computer-generated images (CGI) was not yet invented. On such technical merits, Star Trek TOS appears elementary when compared to the original Star Wars movie that would roll out just a decade later, in 1977. (A decade is a very long time in the entertainment industry.)
But what the series lacked in looks, the show more than made up in its brilliant story lines and rich imagination. Inadequacies in production values didn’t really matter to me — or to millions of other ‘Trekkies‘ scattered across the planet. The storylines were entertaining and mind-stretching, frequently carrying concepts distilled from the finest in science fiction literature (in fact, some of the genre’s accomplished writers were involved in writing stories for the series, e.g. Robert Bloch, Normal Spinrad, Harlan Ellison and Theodore Sturgeon). The characters were strong, diverse and played by actors who soon developed global fan clubs of their own.
And now, I can relive those journeys again — this time at my leisure, packing as many, or as few, into my private screening schedule. No broadcaster or parent holds me captive any more.
Here’s how the digitally remastered version of the same series opens (aficionados, please spot the differences):
And here are a couple of comparisons between the old and remastered versions that fans have done and released on YouTube:
Of course, remastering a series held in such awe and regard by millions of fans worldwide was a calculated risk.
As Wired noted in a December 2008 story: When Star Trek designer Mike Okuda began remastering the original Star Trek episodes for a series of DVD releases, there was a chance that the show’s more devoted fans would want him beamed to a Klingon prison planet for altering the 1960s classic. To guard against this, Okuda insisted that the new effects would have to be closely based on the originals to retain the visual spirit of the ’60s series.
“Good parents are sooo hard to find these days!” exclaimed my teen-aged daughter Dhara recently. She was talking with her tongue firmly in her cheek — I hope!
In recent days, she’s been re-reading our collection of Calvin and Hobbes books, where the world’s most cheeky six-year-old keeps making wisecracks about his own mom and dad (‘Your approval ratings among household six-year-olds are way down’, ‘When are you standing for re-election, dad?’, etc.).
But Dhara’s light comment rang true, generally speaking. As every parent discovers sooner or later, parenting is a 24/7 job that lasts for two decades or longer. There’s no help desk or emergency number we can call. It’s more an art than a science, for which there is no comprehensive, fail-proof guide — even though plenty of advice is available on TV and online (some of it better than others).
Generic advice is helpful but not sufficient. Every parent-child situation is unique, and every parent has to find what works for him or her…ideally, the two parents working in tandem.
Does parenting come naturally? If only it did! I don’t believe in this grandma-knew-best kinda romanticising. For sure, some in our grandparents’ generation got it right, but there were also many who never did.
For something so consequential for the future of our species, there’s no minimum age or entry level or qualification. (As Dhara occasionally asks me, “You didn’t have to take any exam for this job, did you, dad?”. Come to think of it, I didn’t — although, in my case, I did give it a lot of thought first. Honest!)
Dhara with her dad-for-life, Jan 2010Geeks express it a bit differently. “A human being is the best computer available to place in a spacecraft. . . It is also the only one that can be mass produced with unskilled labour,” said the German-American rocket scientist Wernher von Braun, the brains behind the Apollo project that landed men on the Moon.
Although I can’t vouch for its authenticity, a similar quote from the mid 1960s is attributed to the US space agency NASA: “Man is the lowest-cost, 150-pound, nonlinear, all-purpose computer system which can be mass-produced by unskilled labour.”
I don’t like their cynical analysis of something far more nuanced than their usual hardware and software. But they got a point there. Biomedical sciences have advanced much since the Moon landings, and today some medi-geeks are trying to ‘play God’ in creating life in a lab. I’d like to see how they can get a machine to mimic the 20+ year parenting process…
Making babies may be accomplished by unskilled humans in the right age, but raising babies is most decidedly a high skill, high intensity and highly demanding job. Especially in this day and age, when many kids are more tech savvy than their parents: the Digital Natives can easily run virtual rings around their Digital Immigrant parents.
We have to watch out, though, to listen carefully to what our children are saying to us — and also about us!
By the way, as one of my favourite authors, Roald Dahl, reminded us, “To children, all grown ups are like giants — who tell them what to do all the blooming time!”. (The worst parents in my mind are also created by Roald Dahl’s imagination: Mr and Mrs Wormwood, in his 1988 novel Matilda, which was adapted into a movie in 1996. In the movie, Papa Wormwood tells the precocious little Matilda: “Listen, you little wiseacre: I’m smart, you’re dumb; I’m big, you’re little; I’m right, you’re wrong; and there’s nothing you can do about it!”).
The bottomline: am I a good parent? It’s not for me to judge — but I try hard being one. It isn’t an easy act for anyone, and especially for a single parent that I now am.
Someday, I hope, the one-woman jury won’t be too harsh on me…and may she never need to advertise for a replacement.
Everyone seems to have their own recipe for media development, and that’s part of the media’s huge diversity. Media Helping Media asked a number of people who have benefited from media development projects what they felt needs to change in the year ahead. The replies have so far come from The Russian Federation, Indonesia, Azerbaijan, Sri Lanka, Lebanon, Macedonia, Ukraine, Bhutan and Nepal. They make up a challenging list of tips for those who try to help media in need.
Its introduction says: “You have as much to learn as you have to give. That’s the message to those offering media assistance in transition and post-conflict countries from some of those on the receiving end.”
Here’s my own contribution to this interestingly crowd-sourced distillation. David had asked for three key points, but you can see below why I was never very good in arithmetic…
• Media operate as a business, not charity: All media have a social responsibility, but that must be balanced with commercial viability. This is so with state, corporate or community owned media. Bankrupt media can’t serve any public interest.
• ‘Media’ is a plural: Media is a basket term for entities with enormous diversity and variability. One size does not fit all, no matter how well intended. It’s crucial to understand before engaging any media.
• Follow the eyeballs: If you want the biggest bang for your limited buck, start with the mass market end of media such as FM radio, tabloid newspapers and music TV channels. Leave your broadsheet/classical prejudices out of investment decisions.
• Take it easy: Audiences need entertainment as much as information and education. Supporting quality entertainment in the media is just as important for the public good as nurturing investigative journalism or advocating media freedom.
• Sparks of hope: Real world is not an all-or-nothing game. Find oases of innovation and resilience, and nurture them to survive and grow in turbulent times. Back media underdogs of today who can become fierce watchdogs of tomorrow.
In responding to David’s request last month, I’d added this covering sentence which sums up my thinking: “All this is common sense that is often uncommon. I really wish media development organisations would listen and reflect more, and also step beyond their comfort zones and romanticised little bubbles.”
The entire collection is well worth reading, for it distills decades of ground level experience and insight. This guide will help many well-meaning organisations (UN agencies, philanthropic foundations, CSR arms of media companies and others) to be more focused, sensitive and ultimately more effective in developing the media.
Hans Rosling: Information WizardIf you thought Al Gore was a data-happy geek, you should see Hans Rosling in action.
The Swedish medical researcher has a way with numbers. He brings heavy and dreary statistics into life using a combination of animated graphics and equally animated presentations. With the drama and urgency of a sportscaster, he uses a new presentation tool called Gapminder to debunk various myths about world – economic development, disparities and how well (or poorly) we share our planet’s resources.
Hans Rosling is Professor of International Health at Karolinska Institutet (which awards the Nobel Prize in medicine), but it’s his other role – as Director of the Gapminder Foundation – that he plays ‘statistics guru’ to the whole world. If you’re perplexed by lots of numbers, he’s the man who can make sense of it all.
In some ways, Rosling and Gapminder present in live action – and on video – what the Atlas of the Real World attempted to do in 2D maps: show the world as it is, with little or no distortion or misconceptions. That effort, published in late 2008, uses software to depict the nations of the world, not by their physical size, but by their demographic importance on a range of subjects.
I’ve watched a number of Rosling talks on video online. He makes no attempt to conceal his Scandinavian accent, and his English grammar is not always perfect. But it doesn’t matter: the guy has such mastery over his ideas and statistics, and a great stage presence too. He’s profound and funny at the same time, without being condescending that most experts and especially professors are.
Here’s an example of Rosling at his best: recorded in February 2006 in Monterrey, California:
No more boring data: TEDTalks
Rosling’s quest to use numbers to shatter stereotypes of rich and poor countries has brought him global prominence. He was one of the world’s “100 most important global thinkers” of 2009, according to Foreign Policy Magazine.
Look, no magic here!Rosling was honored at #96 on the list for “boggling our minds with paradigm-shattering data“. The list is topped by (1) Ben Bernanke, the chairman of US Federal Reserve for his actions to turn the US depression and (2) President Barack Obama for “for reimagining America’s role in the world.”
Foreign Policy noted: “Rosling is well known for his energetic lectures, in which he narrates mind-blowing statistics on development and public health — as they literally move across a screen. Imagine x-y axes filled with data points, each representing a country. As time passes, the dots move, realigning to show changes in child mortality, percentage of paved roads, unemployment rates, or pretty much any other metric you can imagine.”
Here are some more examples of Rosling magic:
200 years that changed the world (with Hans Rosling)
For the first time, Gapminder can now visualize change in life expectancy and income per person over the last two centuries. In this Gapminder video, Hans Rosling shows you how all the countries of the world have developed since 1809 – 200 years ago.
Hans Rosling on HIV: New facts and stunning data visuals
Hans Rosling unveils new data visuals that untangle the complex risk factors of one of the world’s deadliest (and most misunderstood) diseases: HIV. He argues that preventing transmissions — not drug treatments — is the key to ending the epidemic.
Hans Rosling: Asia’s rise — how and when
This is one of the funniest Rosling talks I’ve watched online so far. Speaking at TEDIndia in November 2009, Rosling recalled how he was a young guest student in India when he first realized that Asia had all the capacities to reclaim its place as the world’s dominant economic force. He graphs global economic growth since 1858 and predicts the exact date that India and China will outstrip the US.
Note:
Rosling and Gapminder developed the Trendalyzer software that converts international statistics into moving, interactive and enjoyable graphics. The aim is to promote a fact-based world view through increased use and understanding of freely accessible public statistics. His lectures using Gapminder graphics to visualise world development have won awards by being humorous yet deadly serious. The interactive animations are freely available from the Foundation’s website. In March 2007 Google acquired the Trendalyzer software with the intention to scale it up and make it freely available for public statistics. Google has since made available as Motion Chart, a Google Gadget.
This is one of history’s most famous photographs – and also one that is frequently misidentified. The man behind the space mask is a pioneer Moon walker – but it’s not Neil Armstrong. It’s the Buzz Aldrin, the second Man on the Moon.
According to space historians, all the famous photos from the first Moon landing are actually of Aldrin, with Armstrong reflected in the visor. This is an occupational hazard for those who take photos!
Buzz, who celebrated his 80th birthday on January 20, remains active and publicly engaged as he has been for most of the past 40 years since the first Moon landing in July 1969.
I’m following Buzz on his Twitter feed, from which I find that he’s just back from a trip to Antarctica with a National Geographic cruise, was at the premiere for the movie Avatar in mid December, and is now busy promoting his latest autobiography, Magnificent Desolation.
This contrasts with Neil Armstrong, who is notoriously shy. He rarely speaks in public, turns down all media interviews and has also refused autograph requests since 1994.
Trained as an engineer, the two-time space traveller Buzz has been keeping up with new media pretty well. He has his own website, and launched his own YouTube channel only a month ago, where we can see his latest broadcast and film appearances. Through these and other means, he continues to promote causes like space exploration, science education and nurturing imagination.
To mark his 80th birthday, we present some of the many Buzz Aldrin videos available online.
Here’s the DVD Promo Overview of the latest Buzz video:
On the 40th anniversary of the Apollo 11 crew landing on the moon, former astronaut Buzz Aldrin shares his experience and predicts where man will go in the future. (Assciated Press video, 20 July 2009)
Buzz has long years of close association with popular culture. For example, the popular space ranger character Buzz Lightyear, in Pixar’s Toy Story movie series, is named after him. Apparently the film’s makers felt that he has “the coolest name of any astronaut.”
NASA video: Follow Buzz Lightyear on Spaceship Discovery
Finally, for comic relief, here’s the 2003 interview Buzz did with Ali G (Sacha Baron Cohen) in the British comedy series Ali G in da USA, during which Ali G referred to him as Buzz Lightyear:
Where the island of Sri Lanka was concerned, it was the first solar eclipse of the broadband internet era — and that showed.
The last solar eclipse seen in Sri Lanka was two generations ago, on 20 June 1955. That was almost pre-historic in mass media terms. The newly independent Ceylon had a single, state-owned radio station and a handful of newspapers. There was no television, and the internet was not even conceived.
Yet, paradoxically, the media’s influence over the 8 million people then living on the island seem to have been greater at the time. As astronomer Dr Kavan Ratnatunga recalled: “A quack physician cum astrologer, recommended that women wanting to become fair and lovely should drink a decoction of which the main ingredient was “Vada Kaha” (Sweet Flag or Acorus Calamus) at the time of the total eclipse, preferably unseen by others. Many who took his advice ended up in hospital.”
Solar eclipse on 15 Jan 2010 seen in Anuradhapura, north-central Sri Lanka - photos by ReutersIn contrast, in 21st Century Sri Lanka, the January 15 eclipse was not much of a news story. I don’t claim to have done a systematic analysis, but my impressions are drawn from scanning the major newspaper websites in English and Sinhala, and surfing the dozen or more terrestrial (free-to-air, not cable) TV channels that were on the air during the three hours or so of the eclipse. (Sorry: I missed out radio, and I’m not proficient in Tamil.)
Broadcast television was my biggest disappointment. Solar eclipses are a visual spectacular, and literally heaven-sent for live television. Yet, not a single Lankan TV channel carried a live broadcast of the event, either from northern Sri Lanka where it was best seen (in its annular form, with ‘ring of fire’ effect), or from elsewhere on the island as a partial eclipse.
It seemed as if the Colombo-based media were completely preoccupied with the intense build-up to the presidential election scheduled for 26 January 2010 — a case of politics eclipsing the solar eclipse?
Jaffna school children view the solar eclipse - Photo courtesy Virakesari
But there were a couple of honourable exceptions – and thank heavens for that! One was the leading Tamil daily Virakesari, which sponsored an expedition to Jaffna, in northern Sri Lanka, by a group of professional and amateur astronomers from SkyLk.com. According to one member of this expedition, Thilina Heenatigala, this newspaper provided the widest and most uptodate coverage of the annular eclipse from Jaffna.
SkyLk.com collaborated with the Hindu College in Jaffna, whose playground was converted into an open air observation camp. Thilina says over 2,000 people – including school children and adults – had converged to witness the event. A large screen was set up on to which the live image from a telescope was projected.
Not far from there, a group of engineering students and teachers from the University of Moratuwa was doing a more scientific observation. Later that day, team leader Dr Rohan Munasinghe reported in an email: “We have recorded the solar eclipse from Kayts (lat 9d,37m N, Long 79d,58 E), the biggest island off Jaffna Sri Lanka. We have timestamped the video with GPS (Garmin 18) accuracy.”
University of Moratuwa team observing the clipse - photo courtesy Dr Rohan Munasinghe
Elsewhere across the island of Sri Lanka, there was plenty of interest among the people from all walks of life — as seen from the thousands who stepped out during mid-day to take a peek at the celestial phenomenon. Not all of them followed the safety precautions to prevent eye damage, disseminating which the media had done a good job in the preceding days.
Clearly, this high level of public interest was not reflected in how the rest of Lankan mainstream media covered the eclipse. But if the mainstream media’s gaze was firmly fixed on the gathering election storm on the ground, the new media created opportunities for others to step into that void. Citizen scientists joined hands with citizen journalists to capture and share the eclipse with each other — and the world. These unpaid enthusiasts used commonly available digital tools and online platforms for this purpose.
Some of them uploaded dozens of photos for public viewing on image sharing sites like Flickr. A good example is what Shehal Joseph and Romayne Anthony did. There were many others.
SkyLk.com group was more ambitious: they actually webcast the eclipse live online from their public observation camp at Hindu College grounds. Stuck in Colombo with its sub-optimal viewing conditions for this eclipse, this was the best chance for people like myself to catch the annular part of the phenomenon.
“We were struggling with bandwidth limitations most of the time,” Thilina Heenatigala says. “We used a Dialog HSPA modem to connect to the web, and line speeds kept fluctuating. We were not the only ones uploading still photos or video to the web from different locations in northern Sri Lanka — and apparently all of us were slowing down each other.”
Being the tech-savvy planner he is, Thilina had alerted Dialog telecom company about the likely peaking of bandwidth demand. But he is not sure if any temporary enhancing was done, even though Dialog currently claims to be the ‘first and best’ to offer telecom coverage in the north. Certainly, the live eclipse webcast was not of uniform quality — it’s a small miracle it happened at all: until a few months ago, this was part of the theatre of war in northern Sri Lanka.
In fact, SkyLk.com had used the web to build up public awareness and interest using video trailers on YouTube. Here is one of several simulations they had up from December, thus one for Anuradhapura, Sri Lanka (simulation):
In the end, however, SkyLk.com became a victim of its own success. The live webcast was followed by hundreds, and then thousands of online visitors from different parts of the world. This apparently overshot the usual allocations provided by the offshore hosting company (in the US), which suspended the account. Right now SkyLk.com website is not accessible (as at 16 January 2010, 15:00 UTC/GMT).
Within hours of the eclipse, several individuals and groups also uploaded highlights of their eclipse videos on to the YouTube. Here are the most striking ones I came across in a quick search:
Solar Eclipse 2010 Sri Lanka Scientific Record – by University of Moratuwa
Scientific recording of the annular solar eclipse on 15 January 2010 was carried out from the Island Kayts (Lat +09d 37m North and Long +79d 58m East) of Sri Lanka.
Orion Video’s coverage from Nallur, Jaffna:
Not in the same league as the above two videos, this was Nishan Perera’s personal observations from Ratnapura, south-western Sri Lanka:
It’s too early to draw firm conclusions from this random evidence, but in all likelihood, we passed thresholds in both citizen journalism and citizen science with this eclipse. Clearly, the mainstream media’s monopoly/domination over reporting of such an event has been shattered: their indifference will no longer stand in the way of information and images being disseminated.
Perhaps just as important, it is no longer possible for a couple of self-appointed ‘public astronomers’ to dominate the public information channels on an occasion like this, mostly for shameless self-promotion. As Dr Kavan Ratnatunga, President of the Sri Lanka Astronomical Association, noted in an article: “I am amazed as to how many who have never even seen a Solar Eclipse, will gladly talk about it to an equally ignorant journalist, resulting in some totally misleading and sometimes hilarious information being published in both the English and Sinhala media. In a nation which believes in pseudo astrology, I am sure it is just a matter of time before quacks start using it to predict influence on local events and politics. However, there is absolutely no influence on any person by any of these celestial events.”
At the end of the day, however, astronomy aficionados are emphatic that no amount of media coverage can really substitute the experience of being there and experiencing it ourselves. As Kavan says: “A solar Eclipse is event which must be experience and observed. No video can do justice to that experience. It can also become addictive. In the modern age when the Internet and TV can bring events to your home, one may wonder why some Eclipse chasers travel round the world to see an Eclipse of the Sun.”
The next solar eclipse visible from Sri Lanka will be on 26 December 2019. I wonder what kind of media and ICT landscape would cover that event…
We all have a bad day every now and then. Each one has different ways of coping with it – some curse the government, others blame their karma, and still others just play sport or music to soothe the mind.
This past Season, two astronomically inclined friends showed me a new way of coping with the assorted problems of our imperfect world and unfair life.
First, Rex I de Silva – diver, naturalist and amateur astronomer who was a citizen scientist before the term was invented – sent me this clever piece of animation that originated in Australia. He wrote: “It’s so very well done that most folks don’t realize how much info is being shared! Just click on the link below….but with your computer’s speakers on. We are on quite a ride….It’s not over till it asks if you want to view again.”
Then, Thilina Heenatigala – one of the most active astronomy and space enthusiasts in Sri Lanka – informed me that the original Galaxy Song was sung by Eric Idle from Monty Python’s Meaning of Life (1983), with graphics from NASA of flying through the universe.
So here it is, the film version from YouTube:
If the real images are not awe-inspiring enough, here’s an animated version of the same song that I discovered on my own while exploring that rapidly expanding online video galaxy – it features ‘Pinhead’ from RProduction13’s animated short series, “The Four”.
Whenever life gets you down, Mrs. Brown,
And things seem hard or tough,
And people are stupid, obnoxious or daft,
And you feel that you’ve had quite eno-o-o-o-o-ough…
Just remember that you’re standing on a planet that’s evolving
And revolving at nine hundred miles an hour,
That’s orbiting at nineteen miles a second, so it’s reckoned,
A sun that is the source of all our power.
The sun and you and me and all the stars that we can see
Are moving at a million miles a day
In an outer spiral arm, at forty thousand miles an hour,
Of the galaxy we call the “Milky Way”.
Our galaxy itself contains a hundred billion stars.
It’s a hundred thousand light years side to side.
It bulges in the middle, sixteen thousand light years thick,
But out by us, it’s just three thousand light years wide.
We’re thirty thousand light years from galactic central point.
We go ’round every two hundred million years,
And our galaxy is only one of millions of billions
In this amazing and expanding universe.
(Animated calliope interlude)
The universe itself keeps on expanding and expanding
In all of the directions it can whizz
As fast as it can go, at the speed of light, you know,
Twelve million miles a minute, and that’s the fastest speed there is.
So remember, when you’re feeling very small and insecure,
How amazingly unlikely is your birth,
And pray that there’s intelligent life somewhere up in space,
‘Cause there’s bugger all down here on Earth.
Composers: Eric Idle & John Du Prez
Author: Eric Idle
Singer: Eric Idle
From the ‘Meaning of Life’ album, MCA Records MCA 6121
I have no idea who Mrs Brown is, but it sure works for me too!
Going to the movies has been a shared cultural activity for at least four generations. In that time, technology has marched forward in leaps and bounds — but the core experience remains the same. And we still keep going to the movies, at the cinema, even though we now have other ways of seeing the same films. Why?
On the penultimate day of 2009, I went to the local cinema to see 2012, Roland Emmerich’s latest depiction of the mother of all disasters. For 158 gripping minutes, I willingly suspended disbelief and allowed the myth-makers of Hollywood to thoroughly scare me out of my wits. As did, it seemed, the few hundred other people watching it on wide screen with surround sound. There is no way the literally earth-shattering scenes of this movie would seem and feel remotely realistic anywhere else…
But cinemas are far from perfect – for instance, we had put up with a bunch of screaming brats whose parents had unwisely brought them for the wrong kind of movie. I’ve sat through far more noisy and boorish behaviour at cinemas: notable among them is watching Titanic at a massive, packed cinema in downtown Mumbai sometime in 1998 — and discovering how ‘interactive’ Indian movie-goers can get. (After the initial irritation wears off, I became almost oblivious to the distractions, thanks to James Cameron’s superb story telling.)
I just refuse to see such blockbusters on a small screen. (Ok, I might watch movies on long flights when I get tired of reading, but I have never been able to bring myself to watching a movie on an ipod…)
In fact, the movie industry is as much caught up in the digital wave as all other aspects of media. As Manohla Dargis of the New York Timesnoted in a perceptive essay this week: “How much our world of moving-image entertainment has changed in the past decade! We now live in a world of the 24-Hour Movie, one that plays anytime and anywhere you want (and sometimes whether you want it to or not). It’s a movie we can access at home by pressing a few buttons on the remote (and agreeing to pay more for it than you might at the local video store) or with a few clicks of the mouse. The 24-Hour Movie now streams instead of unspools, filling our screens with images that, more and more, have been created algorithmically rather than photographically.”
Yet, unlike in other media experiences, the changes in the movie industry have gone largely unnoticed by ordinary viewers. As Dargis writes: “Film is profoundly changing — or, if you believe some theorists and historians, is already dead — something that most moviegoers don’t know. Yet, because the visible evidence of this changeover has become literally hard to see, and because the implications are difficult to grasp, it is also understandable why the shift to digital has not attracted more intense analysis outside film and media studies.”
Dargis is probably right: by adapting and evolving with the times, the cinema has survived for over a century. As Donald Clarke noted in The Irish Times at the beginning of December 2009: “Television failed to kill movies. Video failed to kill movies. Internet piracy – not to mention all the other diversions available online – has also failed to annihilate this most stubbornly resilient of art forms. Film-makers will, it is true, tell you that it is now more difficult than ever to negotiate financing for movies that cost between $3 million and $15 million. But you couldn’t say that the current recession has crippled the movie business.”
All this makes me wonder what movie-going might be like in another decade or two. 3D and IMAX are no longer so uncommon or special, and the entertainment industry is working hard to relate to not just our seeing and hearing, but other senses as well. (Did you know that, as long ago as 1960, they tried to introduce smelling movies? Smell-O-Vision was a system that released odors during the projection of a film so that the viewer could “smell” what was happening in the movie. The technique injected 30 different smells into a movie theater’s seats when triggered by the film’s soundtrack. For some reason, it never caught on…)
Perhaps it’s not simply a matter of money or technology. There is also a whole sociology of movie going and movie watching – many of us go to the cinema (not nearly often enough in my case) not just for the personal sensory experience of a celluloid dream, but also for the shared experience of it. I like bumping into friends at cinemas. At a premiere or special screening, I also get to steal a few glimpses of the glitterati of the film world.
Have you been to a film musical and had the uncontrollable urge to burst into song? London’s Prince Charles Cinema not only allows, but encourages viewers to do just this — though only on certain days of the month. Their most famous offering is Sing-a-long-a Sound of Music: a few years ago, I joined several hundred other assorted ‘nuns’, von Trapp family members and Julie Andrews look-a-likes in such a memorable experience. I have the digitally remastered DVD of the 1965 movie, an ever-green title in my household. But watching it at home can’t compare with the sense of community that one feels when the lyrics for all the songs appear on the movie screen, giving the audience every reason to sing their hearts out…
I’m not sure how popular (or even acceptable) such community movie watching would be in different cultures. But going to the movies retains its charm and appeal in this digital age, even if we have come a long way since the glorious days of movie going as captured in this wonderful and memorable song from the musical Annie (1982) – Let’s Go To The Movies
Open Minds! 