Where are all the women cartoonists hiding?

Shamanthi Rajasingham receiving her first prize in climate cartoon contest Sri Lanka

“So how many women cartoonists are working in our newspapers?”

My daughter Dhara, 13, asked me this simple question earlier this month when I was involved in judging Sri Lanka’s first contest of cartoons on climate change, organised by the British Council and the Ken Sprague Fund of UK.

I tried to come up with an answer, and couldn’t think of a single woman cartoonist who works for a print or online media outlet in Sri Lanka. That, despite my long association with the media and also being a great admirer (and collector) of good cartoons.

Later that day, at the awards ceremony for winning and commended climate cartoonists, I posed the same question to leading Lankan cartoonists Wasantha Siriwardena, Winnie Hettigoda and Dharshana Karunatilleke. They too couldn’t name one immediately; later, a single name was mentioned but it’s not one I recognised.

Clearly, cartooning is still a very male dominated profession — but that might soon change, going by the active participation of young women in the climate change cartoon contest.

Shamanthi Rajasingham
In fact, the first and third prize winners were both women — respectively Shamanthi Rajasingham and W M D Nishani. They beat close to 200 other contestants to get there.

Additionally, there were 6 women among the 22 commended cartoonists, and one woman among those 11 who were highly commended — judged on four criteria. See all winning and commended entries.

W M D Nishani
Okay, the four judges were all male (among us, two professional cartoonists). But during this entire judging process, the identity of artists was withheld and we only knew each entry by a number. In fact, we discovered the names (and gender) of artists only at the awards ceremony.

This would be encouraging news to Dhara and all other aspiring young girls and women who want to pursue careers in media. Let’s hope at least some of the women contestants in the climate cartoons contest would end up being more than just hobby cartoonists…

Meanwhile, it’s not just Sri Lanka that has a shortage of women engaged in cartooning, and awareness of their contribution is lacking. A quick Google search brought up a book titled “The Great Women Cartoonists” by Trina Robbins (Watson-Guptill Publications, 2001). Reviewing it in TIME, Andrew D Arnold wrote: “Name three women cartoonists who worked from 1900 to 1950. Okay, just name one. Couldn’t do it? Neither could I until reading a new, invaluable book…”

Afghan boy with a plant: Reza Deghati on nurturing a culture of peace

Capturing the hopes of a nation...

Every photograph has a story behind it, if only we care to ask – or dig deep enough. In October 2007, I wrote about a now iconic photo showing an old Nepali man (Ram Bahadur Tamang) holding a video camera. That image is the logo of Film South Asia festival.

From Reza Deghati, the renowned Iranian-French photojournalist (who works under the name Reza) comes another story – this time from Afghanistan, where the above photo was taken in 1990.

Reza recalls how the photo was taken: “In 1990, the United Nations asked me to put aside my cameras in order to run a humanitarian program in an Afghanistan recently freed from Russian occupation. I had to open a route for wheat shipments needed to feed the population in the Northern Provinces. Eleven years of war against the Soviet Army had devastated the country. Fields lay fallow, roads were impassable, mined or destroyed, and buildings like hospitals and schools were nothing but ruins. I could have given away the wheat. Instead, I decided to barter it for work so as to avoid one of the unfortunate consequences of some humanitarian programs that foster dependence rather than offer new ways to live. Throughout the Province, a new army took shape. This time, men did not carry rifles but shovels.”

“I remember seeing a young Afghan boy coming out of school one day, holding a plant in his hand. He had been watering it carefully. A shoot had sprouted out. I took a picture of him, and asked: ‘What are you going to do with this plant?’ His answer….’I am going to make a tree with it’.

Reza Deghati, photo by Ali Khaligh
Looking back, Reza thinks this may have provided part of the inspiration for setting up Aina, a third-generation humanitarian association that he founded in 2001 in Taliban-free Afghanistan.

Aina now works in Afghanistan, “contributing to the emergence of civil society through actions in the area of education (particularly focusing on women and children), information and communication.” It promotes independent media development and cultural expression as a foundation of democracy.

Reflecting further on the power of images, Reza says on Aina website: “In the early 80s, I discovered wars and the harshest moments of the world as a young photojournalist. I could not just stay there as a mere witness. I was led into thinking over conflicts, repressions, exodus and their burden of known pain, answers as well. As canon roars fade, urgency requires tangible reconstruction. An army of shovel-carrying men starts marching, determined to erase any remaining sign of ruin. Others take care of suffering bodies. Yet, there is an invisible destruction, only known to wounded dignities, that can ruin physical rebuilding efforts in a country and keep it from recovering.

“Those who are not given any intellectual and cultural weapons will go back to their unique reference. The culture of war fosters war. That is how Aina was founded. A third-generation association, Aina has been working on independent media development and culture, everywhere freedom of speech has remained a fragile value. It provides logistical support, state-of-the art technology access and local media and cultural actor training.”

Reza adds, optimistrically: “Today, Aina is like that plant. I hope that it will become a tree of culture, peace and freedom in Afghanistan…”

Long Live Siribiris – and his creator Camillus Perera!

Nalaka Gunawardene (L) with cartoonist Camillus Perera - photo by Malaka Rodrigo

In January 2009, writing a tearful farewell to the slain newspaper editor and investigative journalist Lasantha Wickrematunga, I invoked the memory of Siribiris. I wrote: Goodbye, Lasantha – and long live Siribiris!

Last weekend, I finally met the ‘father of Siribiris’ and was delighted to salute him in public.

Let me explain. Siribiris is an iconic cartoon character well known to two generations of Lankan newspaper readers. He is a creation of Camillus Perera, a veteran Lankan political cartoonist who has been in this uncommon profession for nearly 45 years.

Camillus started drawing cartoons in newspapers in 1966 with the Observer newspaper and the film magazine of the same publishing group, Lake House (then privately owned and under state control since 1973). He draws pocket cartoons, political cartoons as well as satirical comic strips. His most enduring accomplishment has been the creation of a set of regular characters who have developed a loyal following over the years. Among them are the wily Siribiris, prankster Gajaman, fashionable young lady Dekkoth Pathmawathie, smart alec kid Tikka and sporty Sellan Sena.

These and other characters are very ordinary and very real, and they inhabit an undefined yet familiar place in the cartoon universe that most Lankan newspaper readers can easily relate to — it’s a bit like R K Narayan’s fictitious village of Malgudi.

puncturing egos for 40 years
Siribiris (left): puncturing egos for 40 years
My own favourite, Siribiris, is really Everyman personified: long-suffering, taken for granted by politicians, exploited by businessmen, hoodwinked by corrupt officials, and always struggling to simply stay alive. He is down but not yet out. The only way that poor, unempowered Siribiris can get back at all those who take advantage of him is to puncture their inflated egos and ridicule them at every turn. And boy, does he excel in that!

I grew up enjoying Camillus cartoons in various newspapers meant for children, youth and general readers. I had occasionally seen him being interviewed on TV. But I’d never seen or met him in person — until now. It happened when the British Council Sri Lanka invited Camillus as chief guest at their awards ceremony in the climate change cartoon contest they organised, which I helped judge with three others.

As the master of ceremonies, I announced: “It’s a great pleasure and honour for me to introduce Camillus Perera, the senior-most cartoonist in Sri Lanka who is still professionally active. Indeed, he has been drawing cartoons for as long as I have been alive — for he started his long innings in the same year I was born!”

Cartoon universe of Camillus Perera
Camillus, a small made and pleasant man, spoke briefly and thoughtfully. (As I keep saying, we writers just can’t beat cartoonists in the economy of words!). He recalled how he’d used the British Council Library for visual references for years before the web made it much easier to search. He congratulated all those who won prizes or commendations in the contest.

Many years ago, I privileged to count senior cartoonist W R Wijesoma as a senior colleague when we both worked for The Island newspaper. Now I have finally met Camillus Perera, another hero of mine still practising his craft and drawing regularly for Rivira Sunday newspaper, as well as The Catholic Messenger and Gnanartha Pradeepaya. My only regret is that I don’t follow any of these newspapers on a regular basis, even though I try hard to keep up with Siribiris on the web…

There is a bit more than childhood idol worship involved here. Satire is one of the last domains we are left with when freedom of expression comes under siege.

As I wrote in July 2009in a blog post on news wrapped up in laughter: “There is another dimension to satirising the news in immature democracies as well as in outright autocracies where media freedoms are suppressed or denied. When open dissent is akin to signing your own death warrant, and investigative journalists risk their lives on a daily basis, satire and comedy becomes an important, creative – and often the only – way to comment on matters of public interest. It’s how public-spirited journalists and their courageous publishers get around draconian laws, stifling regulations and trigger-happy goon squads. This is precisely what is happening right now in countries like Kenya and Sri Lanka, and it’s certainly no laughing matter.“

Taken in that light, Camillus Perera is not just a popular and entertaining cartoonist adorning Sri Lanka’s newspaper industry. He is a gentle giant in the world of journalism — a man of few words whose sharp wit and keystrokes are more piercing than any number of words that we writers and journalists can churn out. He is a living cultural treasure.

So long live both Siribiris — and Camillus Perera!

So you want to help develop the media? Read this first!

Some weeks ago, I wrote a post about How to become a global publisher or broadcaster in just 100 minutes! That was compiled by my British media activist friend David Brewer , who showed how it could be done using free tools that can be downloaded and activated in minutes.

This week, David has brought out another handy guide — this time aimed at those involved in media development. UNESCO defines it in lofty, technocratic terms, but it basically means strengthening the media institutions, media people (practitioners and managers) and media consumers so that the media can best serve the public interest.

Everyone seems to have their own recipe for media development, and that’s part of the media’s huge diversity. Media Helping Media asked a number of people who have benefited from media development projects what they felt needs to change in the year ahead. The replies have so far come from The Russian Federation, Indonesia, Azerbaijan, Sri Lanka, Lebanon, Macedonia, Ukraine, Bhutan and Nepal. They make up a challenging list of tips for those who try to help media in need.

Its introduction says: “You have as much to learn as you have to give. That’s the message to those offering media assistance in transition and post-conflict countries from some of those on the receiving end.”

Here’s my own contribution to this interestingly crowd-sourced distillation. David had asked for three key points, but you can see below why I was never very good in arithmetic…

Media operate as a business, not charity: All media have a social responsibility, but that must be balanced with commercial viability. This is so with state, corporate or community owned media. Bankrupt media can’t serve any public interest.

‘Media’ is a plural: Media is a basket term for entities with enormous diversity and variability. One size does not fit all, no matter how well intended. It’s crucial to understand before engaging any media.

Follow the eyeballs: If you want the biggest bang for your limited buck, start with the mass market end of media such as FM radio, tabloid newspapers and music TV channels. Leave your broadsheet/classical prejudices out of investment decisions.

Take it easy: Audiences need entertainment as much as information and education. Supporting quality entertainment in the media is just as important for the public good as nurturing investigative journalism or advocating media freedom.

Sparks of hope: Real world is not an all-or-nothing game. Find oases of innovation and resilience, and nurture them to survive and grow in turbulent times. Back media underdogs of today who can become fierce watchdogs of tomorrow.

In responding to David’s request last month, I’d added this covering sentence which sums up my thinking: “All this is common sense that is often uncommon. I really wish media development organisations would listen and reflect more, and also step beyond their comfort zones and romanticised little bubbles.”

The entire collection is well worth reading, for it distills decades of ground level experience and insight. This guide will help many well-meaning organisations (UN agencies, philanthropic foundations, CSR arms of media companies and others) to be more focused, sensitive and ultimately more effective in developing the media.

Read the related 12 tips for international media trainers

Open Moment, Closed Minds: New essay to mark 250 days of ‘Peace’ in Sri Lanka

Today marks exactly 250 days since Sri Lanka’s civil war officially ended on 18 May 2009.

In a new op ed essay — titled ‘Open Moment’, Closed Minds! — just published on Groundviews.org, I look back and ask some hard questions.

Here’s an excerpt:

“We all knew the hard-won peace had to be nurtured and consolidated. We also realised just how formidable the challenges of healing and rebuilding were. But could anyone have imagined the dramatic turn of political events since?

“Who would have thought that the victors of the war would soon be engaged in a nasty battle for personal glory and power? Who expected the historical feud between ‘lions’ and ‘tigers’ to be replaced so swiftly by a showdown between self-proclaimed ‘patriots’ and ‘traitors’?”

I raise these questions in the context of a fiercely contested presidential election scheduled for 26 January 2010. I note: “The two main contenders both claim to hold a mutually exclusive key to a better future for our land and people. Their dizzy campaigns bombard us with lofty claims and counter-claims 24/7 delivered through broadcast, broadband, mobile and other media.”

I ask whether either of the leading candidates has the open mind needed to seize the historic ‘open moment’ since the war ended. I recall how we completely missed the last such open moment created by the tsunami of December 2004.

I write: “Having missed the tsunami’s open moment, we cannot afford to bungle again. Rebuilding a nation of lasting peace, pluralism and prosperity will require many sections of society to change their mindset. This is especially and urgently needed in our media, much of which has become uncritical cheerleaders for patriotism and tribalism in recent years.”

Despite the many disappointments of the past 250 days, I still remain cautiously optimistic. But for how long?

The origins of this essay can be traced back to a blog post I wrote on 19 May 2009: Us and Them: Sri Lanka’s first landmine on the road to peace…

Read the full essay, and join the conversation at Groundviews.org

Making of ‘The Greenbelt Reports’ recalled in ‘The Green Pen’

The process of producing and distributing TVE Asia Pacific’s educational TV series, The Greenbelt Reports, is showcased in a new book on environmental journalism in South Asia, just published by Sage, a globally operating company that specialises in bringing out academic and professional books.

The book, titled The Green Pen: Environmental Journalism in India and South Asia, is edited by two senior Indian journalists, both good friends – Keya Acharya of Bangalore, and Frederick Noronha based in Goa. (In 2007, Fred and I co-edited Communicating Disasters: An Asia Pacific Resource Book.)

Arranged in 10 sections, the book brings together contributions from three dozen journalists, broadcasters and film makers in South Asia. It opens with a foreword by Darryl D’Monte, one time editor of The Times of India and Chair, Forum of Environmental Journalists of India (FEJI).

I co-wrote the chapter titled ‘Dispatches from the Frontline: Making of The Greenbelt Reports’ with my colleague Manori Wijesekera, TVEAP’s Regional Programme Manager. I was researcher and script writer of the 12-part, 4-country series that we made in 2006, in which Manori was series producer. The series looked at the environmental lessons of the 2004 Indian Ocean tsunami.

The title reflects the lingering print bias in media related discussions: in our case, the content we produced was disseminated on broadcast television, narrowcast DVD and online. We wielded cameras rather than pens, but are still very glad to share our experience in this book.

Keya Acharya (left) and Fred Noronha
The publisher’s blurb says: “This collection of essays by some of the most prominent environmental journalists in Indian and South Asia gives deep insights into their profession and its need and relevance in society. It looks at this ‘specialisation’ of journalism both in the past and the present. Underlying almost all the essays is the changing nature of media in the region and the dilemmas facing environmental journalists. The varied background of the writers ensures the showcasing of a wide range of realities and experiences from the field. Contributions include essays by Darryl D’Monte, the late Anil Agarwal and Sunita Narain, among others.”

“This is the first book of its kind on environmental journalism, which would be an excellent resource to aid the future evolution of the enterprise in the region. Apart from essays from India, there are contributions from Pakistan, Bangladesh, Sri Lanka, Nepal and the Maldives. The book will interest a wide readership, any informed reader, besides journalists and environmentalists.”

It’s an honour to be part of a book which features the work of respected seniors like Anil, Darryl and Sunita – all of who have influenced my own career and I’m privileged to count among my friends (alas, Anil is no longer with us). In fact, I have either met, worked with or am friends with more than half the three dozen contributing authors of this book.

Who says South Asia is large?

More in TVEAP news story: The Greenbelt Reports featured in new book on environmental journalism in South Asia

Wanted: ‘Magic Mirrors’ for a Land of the Blind…

Last chance...?
Here’s a winning idea for a new business venture in these lean times: make an always-agreeable ‘magic’ mirror — and the vane and wicked will beat a path to your door.

Well, at least half the politicians in Sri Lanka would. They’d rather not see their true selves on any mirror.

The magic mirror idea was popularised many years ago by Snow White and the Seven Dwarfs, whose wicked and vain queen had an unusual mirror that talked back, each time she asked: ‘Mirror, mirror, on the wall. Who’s the fairest of them all?’.

The queen wasn’t looking for honest answers; she just wanted to hear she was always the prettiest and fairest in the land. (All competition – real and imagined – was dealt with brutally.)

Little has changed, even in this 21st Century. We may not have too many monarchs left in the world, but our uncrowned rulers can be equally vain and ruthless. They are obsessed with self-aggrandizing sycophancy – they’d only tolerate magic mirrors that totally boost their egos.

If I seem to be preoccupied with mirrors, that’s nothing to do with my own vanity. In this digital age, the mirror is still a pretty good metaphor for the media industry that I have been part of, in one way or another, for over 20 years. At its very basic, the media are expected to reflect our society and our times.

But some people don’t like what they see on a true mirror. In 2009, we saw a spate of mirror smashing or media bashing in Sri Lanka. It started on 6 January, when the studio of the Maharaja Television/Broadcasting Network (MTV/MBC, popularly known as Sirasa Group) was attacked by armed gunmen who almost blew up the country’s most popular private broadcast organisation. On 8 January, exactly a year ago today, Lasantha Wickrematunga, editor of The Sunday Leader, was shot dead by two men on a motorcycle as he drove to work in suburban Colombo.

Sirasa & Lasantha: Refused to be magic mirrors
One year later, both crimes remain unsolved. They have joined a long list of crimes against journalists and media organisations in Sri Lanka, most of which have never led to any prosecution of the perpetrators.

As Reporters Without Borders noted in a statement this week: “The emotion and anger have not gone away in the year since this famous Sri Lankan journalist’s death. The anger is being sustained by the government’s flagrant obstruction of the investigation. Lasantha Wickrematunge’s name and memory will not disappear and, in that sense, those who were behind his murder made a mistake.”

Commenting on the MTV/MBC (Sirasa) attack, I described the typical reaction of the mirror-bashers: “…if you don’t like what you see in the mirror – which is what media is to society – just kick it, shatter it and hammer it into dust so that it won’t reflect anymore. Destroy all the mirrors of the land, and we’ll finally be the fairest and prettiest in the whole world. That seems to be the perverse logic that fuels attacks of this nature.”

Rex de Silva, the first editor that Lasantha worked for in the late 1970s cautioned that Lasantha’s murder was the beginning of ‘the sound of silence’ for the press in Sri Lanka. As I asked on the day of Lasantha’s emotionally-charged funeral: “Can this sound of silence be shattered by the silent, unarmed majority of liberal, peace-loving Lankans who were represented at the funeral service and the Colombo cemetery today?”

Owing to these and other threats, pressures and intimidation during the year, Sri Lanka was ranked 162nd out of 175 countries in the 2009 Reporters Without Borders press freedom index. This was the worst ranking of any democratic country. See RSF website section on Sri Lanka.

Back to mirrors. While the true mirrors were getting bashed, those who played being ‘magic mirrors’ have done well for themselves (and are probably laughing all the way to their banks). But that’s not a phenomenon confined to the little island of Sri Lanka. A good part of the US Media did the same under the hawkish Bush Administration, which prompted the cartoon below.

It’s not just ‘Dubya’ who is addicted to such agreeable mirrors. Indeed, for many modern-day rulers, an essential trapping of power involves surrounding themselves with spin doctors, press commissioners and other manipulators or manufacturers of image. In mature democracies, there are certain checks and balances which usually guard against the worst excesses (but there are notable exceptions – look at Italy!).

In immature, fragile or pseudo democracies, mirrors obey the laws of physics (optics) at grave risk to themselves. If you want proof, just talk to the staff of Sirasa or The Sunday Leader in Sri Lanka…

Groundviews.org: One year later: A murder unresolved, a government unashamed

Nov 2009 blog post: We need more reflective mirrors in the media!

TWTYTW: Our own (very subjective) list of best and worst of 2009…

All journalism is subjective; it’s just that some of us are better at disguising it! As we head for the end of 2009, we at Moving Images blog take one last fleeting, impressionistic, judgemental and, yes, darn too opinionated look at the past 365 days. That Was The Year That Was…and here’s our list of superlatives!

Best news and biggest relief (national): Sri Lanka’s nearly three decades long and brutal civil war finally ended in mid May 2009 – and not a moment too soon. It rightly created headlines around the world, and also made it to TIME’s top 10 news of the year. Within 24 hours of that much-awaited news, I wrote and published one of my most emotionally charged essays ever, Memories of War, Dreams of Peace. I probably spoke for a whole generation of Lankans: “As we stand on the threshold of peace, I am overwhelmed with memories of our collective tragedy. I hope we can once again resume our long suspended dreams for a better today and tomorrow.” With the hindsight of seven months, I still want to believe every word…although it’s become increasingly hard to cling on to such ideals.

Biggest disappointment (national): Ending the Lankan war entailed tremendous effort, cost and sacrifice, and we all knew that consolidating peace and restoring normalcy were going to be even harder – delivering peace dividends is no mean task. As weeks became months, our cautious optimism slowly turned into disappointment and dismay: it became clear that the triumphalist government was treating the historic ‘open moment’ simply as as blank cheque to do pretty much what it wanted. My May 19 essay on Dreams of Peace had ended with a question that resonated with millions: “Would our leaders now choose the Mandela Road or the Mugabe Road for the journey ahead?” Can we please ask that question again…? Hello, anybody listening?

Most evocative piece of writing: Without competition, that distinction goes to The Last Editorial by Lasantha Wickrematunga, the courageous investigative journalist (and de facto leader of the political opposition) in Sri Lanka, who was brutally slain on January 8 while on his way to work. That editorial, which appeared post-humously in his newspaper The Sunday Leader on 11 January 2009, embodies the best of Lasantha’s liberal, secular and democratic views. Nearly a year after the dastardly daylight crime, his killers have not been caught and independent media remains under siege even in post-war Sri Lanka.

Most memorable quote: While people like Lasantha articulated our cherished dreams for a truly pluralistic society, our billion+ neighbours in India have been building it for over six decades. It’s still a work in progress, and the ideals need occasional reiteration. This is precisely what classical dancer Mallika Sarabhai did when she ran as an independent candidate when India conducted the world’s largest democratic election in April-May. She lost, but wrote one of the most insightful pieces on what it means to live amidst the huge cultural, social and political diversity in India: “We are a salad-like melange of cultures and not a soup where all variations get reduced to a homogeneous pulp—this, to me, is our greatest strength.” (She inspired my own essay: Sri Lanka – Spice Island or Bland Nation?)

Biggest disappointment (global):
The UN climate conference in Copenhagen, held in December and officially dubbed COP15, ended up in what many activists felt was a cop-out. Greenpeace echoed the frustration of many when they said at the end of what was, at its start, billed as the ’14 days to seal seal history’s judgment on this generation‘: “Don’t believe the hype, there is nothing fair, ambitious or legally binding about this deal. The job of world leaders is not done. Today they shamefully failed to save us all from the effects of catastrophic climate change.” I was glad I wasn’t part of the mega event — I’ve burnt enough aviation fuel this year, but almost all events I participated in on three continents were more productive than the Danish debacle…

Biggest Under-achiever: If the world laboured a mountain and delivered a mouse in Copenhagen, the mid-wife of that process must surely have been the current UN chief Ban Ki Moon. More secretary than general, Ban is, in his own admission, the UN’s Invisible Man. All the top speech writers and PR agents in the world can’t animate this the perennially dull and dour diplomat. Not ideal change-maker when the world is racing against catastrophe. Kofi Annan, we miss you!

Most moving work of moving images: The world’s rich are having a party, and millions living in poverty are the ones footing the bill. This is the premise of Indian journalist and activist Pradip Saha’s latest film, MEAN Sea Level, which looks at the impact of climate change on the inhabitants of Ghoramara and Sagar islands in the the Sundarban delta region in the Bay of Bengal. I found it both deeply moving and very ironic. With minimal narration, he allows the local people to tell their own story. As it turned out, these testimonies were lost on the bickering politicians in Copenhagen…

Best media stunts: We are a bit divided here. At a time of ever-shrinking attention spans, it takes much creativity and guts to grab the cacophonous media’s attention, especially for a good cause. Two very different men succeeded where many have failed. In February Bill Gates, the world’s top geek now working for its meek, released some mosquitoes at the TED 2009 conference to highlight the continuing grip that malaria has on the developing world, especially Africa. In October, climate crusader President Mohamed Nasheed of the Maldives held the world’s first underwater cabinet meeting to remind everyone of the watery future that awaits low lying island nations like his when climate change rises sea levels.

Biggest Irony: NASA announced in November that an unmanned space probe that was intentionally crashed on the Moon had discovered the presence of ‘significant amounts’ of water there. That bit of scientific evidence cost US$79 million to obtain…and was not the most comforting news for a planet that rapidly running short of usable freshwater. In the wake of the Apollo Moon landings in the late 1960s, misguided voters in Sri Lanka elected a government that promised ‘to bring rice even from the Moon’. When might we hear politicians promise us water from the Moon?

Well, that’s it folks — the highs and lows of 2009 according to the Blogger-in-Chief and his team of elves here at the Moving Images Media Empire. We’ve waded through our several dozen blog posts to come up with the above, and make no claims for being fair, balanced or comprehensive…

Indeed, we hope you don’t agree with all our picks, and invite you to express alternative – even dissenting – views. All comments that are not outright libellous or blatantly self-promotional will be published.

We take this opportunity to thank each and everyone who read our posts over the year — and especially those who left comments, sometimes radically disagreeing with our views. We also reiterate our pledge to frustrate those few persistent detractors who keep demanding to see our nationalistic, religious or other credentials…

May the cacophony continue and intensify in 2010!

Asian Tsunami+5: It’s governance, stupid!

Kalutara beach in south-western Sri Lanka before & during the 2004 tsunami - Satellite image courtesy Digital Globe

This montage of satellite images was taken by the DigitalGlobe Quickbird satellite. It shows a portion of the south-western coast of Sri Lanka, in Kalutara, some 40km south of the capital Colombo. The lower image was taken on Sunday 26 December 2004, at 10.20 am local time, shortly after the moment of impact of the Indian Ocean tsunami that wreaked havoc in South and Southeast Asia that day. For comparison, we have an image of the same location on a normal day a few months earlier.

The tsunami was one of the most widely photographed and videographed disasters in history. In fact, it marked a turning point for citizen journalism in Asia.

For many of us in the media and communication sectors, this was the biggest story of our lives. Because the killer waves hit numerous coastal locations in several countries, this disaster’s ‘Ground Zero’ was scattered far and wide. Not even the largest news organisations could see, hear and capture everything. Everyone had to choose.

And not just geographically, but thematically too, the tsunami’s impact was felt across sectors, issues and concerns. That provided both ample scope and many challenges for journalists, aid workers and others who rushed to the multiple scenes of disaster.

But there was a downside. Because the tsunami’s scale was so vast and its effects spread so wide, no single individual or organisation could comprehend the full picture for months. For many of us in the Indian Ocean rim, culturally unfamiliar with tsunamis, it was as if a Godzilla had stomped through our coasts. Grasping the full, strange phenomenon was hard.

Countries affected by 2004 Dec tsunami - map courtesy BBC
Journalists, professionally trained to hastily produce ‘first drafts of history’, found it a bit like being close to a huge tapestry still being woven: we all absorbed parts of the unfolding complexity. We reported or analysed those elements that held our interest. But we were too close, and too overwhelmed, for much perspective.

Five years on, we can ‘zoom out’ more easily to see the bigger picture. When I do, one overarching factor stands out as the most important and lasting lesson of the tsunami: the need for better governance.

The absence of good governance was at the root of most major stories about the tsunami. It cut across every level in our societies — politics, public institutions, corporate sector, humanitarian agencies, academia and civil society.

This is the thrust of my latest op ed essay, written in time for the tsunami’s fifth anniversary being marked today. I briefly recall three aspects of the tsunami that I covered as a journalist — early warnings, deluge of aid and environmental lessons — to show how the absence of governance aggravated matters in each case.

The lesson is not simply one of academic interest: it holds many practical, survival level implications. I end by quoting Maldivian President Mohamed Nasheed, who argues that democracy and good governance are also the most important elements in climate change adaptation.

Read the full essay online:
Media Helping Media (UK): Tsunami five years on – the lessons learned
OneWorld.Net (UK): The big lesson of the tsunami: better governance
DNA newspaper (India: condensed version): The Tsunami Effect
Groundviews.org: Better governance – The Biggest Lesson of 2004 Tsunami
Himal Southasian Online edition: Better Governance: The biggest lesson of 2004 tsunami
The Sunday Times (Sri Lanka): Better Governance: The biggest lesson of 2004 tsunami

Looking back at Asian Tsunami of 2004…and media response

Nalaka Gunawardene talking about 2004 Asian Tsunami

To mark the fifth anniversary of the Indian Ocean Tsunami of December 2004, TVE Asia Pacific has just released excerpts from an in-depth TV interview I recorded four years ago.

The wide-ranging interview was originally filmed in November 2005 in Bangkok, Thailand, by Thai journalist and film maker friend Pipope Panitchpakdi. He used excerpts at the time for a Thai documentary to mark the first anniversary of the tsunami. It remains one of the best media interviews I have given, for which all credit goes to Pipope.

Selected segments of that interview, in its original English, can now be viewed on TVEAP’s YouTube channel, while the transcript is published on the TVEAP website.

To give a flavour of this belated release of archival material, here are the first two extracts:

Nalaka Gunawardene recalls Asian Tsunami of Dec 2004 Part 1 of 6

Part 2 of 6:



Watch all extracts on TVEAP’s YouTube channel