Skip Williamson's Facebook profile photoWow, isn’t the Facebook a great place to connect people, ideas and creativity? I never thought much about it, but maybe I ought to spend more time there…
Yesterday, I published a semi-serious essay called WikiLeaks, Swiss Banks and Alien invasions, which was about an obscure short story by Arthur C Clarke describing an unlikely alien invasion of the Earth. For once, the invaders used brain and cunning rather than fire power, and against this onslaught, our planet’s rulers had no defence…
I mentioned how PLAYBOY Magazine had used that story as the basis for a psychedelic comic strip illustrated by the American underground cartoonist Skip Williamson. At the time of writing, I had not been able to locate the comic strip that was published in their issue of May 1972. I wondered: “…it’s either behind a pay-wall, or lies somewhere with little or no indexing by search engines.”
Turns out to be the latter. In less than 24 hours, there was a response from Skip Williamson himself saying the artwork is on his Facebook page, http://www.facebook.com/skip.williamson.
Many thanks to Skip Williamson for posting the link…and while at it, for all his brilliantly cheeky and subversive creations over the years! I hope he doesn’t mind my reproducing the comic strip (all of 2 pages) below:
When the Twerms Came - Comic Strip - Page 1 of 2When the Twerms Came - Comic Strip page 2 of 2
2011 is here! We’re not ones to be easily affected by a mere landmark in our particular system of chronology, but as watchers of popular culture, we go along with the mood of the moment — if only to blend in with the planet’s natives…
As for our own mind (which is large and contains multitudes), Bill Watterson – the inimitable creator of Calvin and Hobbes – has once again captured my thoughts so well…and so colourfully.
The future isn't what it used to be!
As for resolutions, the only one I have is that I get to write more, and get read more widely. What more can a wordsmith ask for?
Besides, I tend to agree with Calvin when he says here…
I’m delighted to highlight another commendable effort, this time on the web. It’s a website called The Juice Media, which presents news reports in, believe it or not, rap music! It has been online for a while, drawing rave reviews. One of them: “Like a mix of Eminem and Jon Stewart”.
TheJuiceMedia: Rap News is written and created by Hugo Farrant and Giordano Nanni in a home-studio/suburban backyard in Melbourne, Australia. In fact, Hugo appears as the amiable Rap News anchorman, Robert Foster.
Here are their latest three releases, which are hilariously serious.
Rap News 6 – Wikileaks’ Cablegate: the truth is out there
Rap News 5: Wikileaks & the war on journalism (ft. Julian Assange)
RAP NEWS 4: Wikileaks vs The Pentagon – the WWWAR on the Internet
Paper paper shining bright...but for how long? Cartoon by Mike Luckovich
My regular readers know my deep interest in political satire, and fascination with cartoons of all kinds including those political. On this blog, we’ve also discussed the worldwide decline in mainstream journalism.
“Political satire is nothing new: it has been around for as long as organised government, trying to keep the wielders of power in check. Over the centuries, it has manifested in many oral, literary or theatrical traditions, some of it more enduring — such as Gulliver’s Travels and Animal Farm. And for over a century, political cartoonists have also been doing it with such brilliant economy of words. Together, these two groups probably inspire more nightmares in tyrants than anyone or anything else.
“Today, political satire has also emerged as a genre on the airwaves and in cyberspace, and partly compensates for the worldwide decline in serious and investigative journalism. Many mainstream media outlets have become too submissive and subservient to political and corporate powers. Those who still have the guts often lack the resources and staff to pursue good journalism.
“If Nature abhors a vacuum, so does human society — and both conjure ways of quickly filling it up. Into this ‘journalism void’ have stepped two very different groups of people: citizen journalists, who take advantage of the new information and communications technologies (ICTs), and political satirists who revive the ancient arts of caricaturisation and ego-blasting…”
Still from No Pressure film: We do live in The Age of Stupid!Shock therapy is known to work, when handled carefully. We can sometimes shock people out of apathy or indifference, for sure — but the same shock, if overdone, can also numb people or turn them off completely.
That’s certainly the case with a new climate advocacy video film called No Pressure, released on 1 October 2010 by the by the climate mitigation campaign named 10:10.
Written by Richard Curtis and Franny Armstrong (who made the acclaimed 2009 climate documentary, The Age of Stupid) and directed by Dougal Wilson, the film is a tragi-comic attempt to ridicule those who don’t share the same level of concern on global climate change as the climate activists do.
The four-minute film consists of a series of short scenes in which groups of people are asked if they are interested in participating in the 10:10 project to reduce carbon emissions. Those failing to show sufficient enthusiasm for the cause, including two schoolchildren, are gruesomely executed by being blown to pieces.
Well, see for yourself. Caution: this video contains violent scenes that can be offensive to most sensible people:
The normally balanced UK’s Guardian newspaper, which got the online exclusive, introduced the video on 30 September 2010 calling it “attention grabbing” and “pretty edgy.” There were a few others who found artistic or creative merit in the film, which has got high production values — no basement production, this.
But where it fails miserably is in winning any new friends for the climate cause, or at lease to influence people to change their high carbon lifestyles.
Amdrew RevkinAs Andrew Revkin, who writes the Dot Earth blog for the New York Times,wrote on 1 October: “If the goal had been to convince people that environmental campaigners have lost their minds and to provide red meat (literally) to shock radio hosts and pundits fighting curbs on greenhouse gases, it worked like a charm.”
He isn’t alone. Bill McKibben, author, educator and environmentalist — who founded the serious climate group 350.org — wrote on the same day: “The climate skeptics can crow. It’s the kind of stupidity that hurts our side, reinforcing in people’s minds a series of preconceived notions, not the least of which is that we’re out-of-control and out of touch — not to mention off the wall, and also with completely misplaced sense of humor.”
His group, 350.org, issued a statement that emphatically said they had nothing to do with this misplaced British climate extremism. McKibben added, more reflectively: “What makes it so depressing is that it’s the precise opposite of what the people organizing around the world for October 10 are all about. In the first place, they’re as responsible as it’s possible to be: They’ll spend the day putting up windmills and solar panels, laying out bike paths and digging community gardens. And in the second place, they’re doing it because they realize kids are already dying from climate change, and that many many more are at risk as the century winds on. Killing people is, literally, the last thing we want.”
Bill McKibbenNow contrast such concern with the initial reaction from British film maker Franny Armstrong, who wrote a half-hearted, almost defiant apology on the 10:10 UK website, saying: “With climate change becoming increasingly threatening, and decreasingly talked about in the media, we wanted to find a way to bring this critical issue back into the headlines whilst making people laugh. We were therefore delighted when Britain’s leading comedy writer, Richard Curtis – writer of Blackadder, Four Weddings, Notting Hill and many others – agreed to write a short film for the 10:10 campaign. Many people found the resulting film extremely funny, but unfortunately some didn’t and we sincerely apologise to anybody we have offended.”
Adding gross insult to injury, Armstrong signed off saying: “As a result of these concerns we’ve taken it off our website. We won’t be making any attempt to censor or remove other versions currently in circulation on the internet.”
Both the 10:10 UK campaign and its sponsors Sony have been more unequivocal in their apologies in the days that followed. But that’s too little, too late. Enough damage done — climate activists and campaigners worldwide will take months, if not years, to live down this one.
And nothing really goes away on the web — this video will be lurking somewhere for a long time. YouTube currently carries the video in several places, with the warning: “This video or group may contain content that is inappropriate for some users, as flagged by YouTube’s user community.”
Andrew Revkins has posted comments from those who condemned as well as those who found some merit in the offensive climate video. Some of these comments take a dispassionate view, which is to be welcomed.
This incident teaches all of us engaged in environmental communication some important lessons. Environmentalists have over-stated their case before, and every time, that did them (and their causes) far more harm than good. Crying wolf, and ridiculing the non-believers, are never good tactics in winning friends or influencing people.
As Bill McKibben noted: “There’s no question that crap like this (video) will cast a shadow, for a time, over our efforts and everyone else who’s working on global warming. We’re hard at work, as always, but we’re doing it today with a sunk and sad feeling.”
One more thing: even in this age of globalised media, humour doesn’t travel well across cultures and borders. As mainstream corporate media companies have often found out, British humour sometimes doesn’t even cross the Atlantic very well — let alone to other parts of the world. Perhaps this is a key point that this all-British team of film makers and campaigners simply missed.
The world is a bit bigger — and more diverse — than your little island, Ms. Armstrong. By failing to grasp that, and with your crude display of insensitivity, you have really proved the premise of your good climate film.
We’re all familiar with the request at cinemas, theatres and concert halls for everyone to turn off their cell phones (a.k.a. mobiles) before the show starts. Not that everyone complies — there are enough deviants among us who just can’t disengage themselves from their electronic leashes even for a couple of hours.
But here’s a new twist to that common (and much needed) request: I came across this in the Bizarro cartoon, which offers some fascinating insights into our topsy turvy times. There are times when I feel that every TV set should come with this line printed on top!
Everyone has a story about cell phones going off at the wrong time in the wrong place. Here’s my favourite.
Together with my TVEAP team, I was running the 2004 AIDS Film Festival in Bangkok, Thailand, during the 15th International AIDS Conference, in July 2004. The festival was held across three venues, and showcased over 50 film titles from around the world — we had nearly half the film makers turning up in person to be introduce their films.
One such film maker, an academic turned film maker, was eagerly talking about his film (an excellent one, unusual for academics) when somebody’s cell phone went off.
The film maker wasn’t amused. He told the full house: “Unless you’re a person with nuclear trigger responsibility, can everyone PLEASE turn off their cell phones?”
But the cell phone ring continued, getting louder.
It took a full minute for its owner to be found — who turned out to be our speaker himself! His own cell phone had been ringing in his trouser pocket all this time, disrupting his own talk.
Moral of the story: Turn off your cell phone at a public performance, especially if it’s your own performance!