This is one of history’s most famous photographs – and also one that is frequently misidentified. The man behind the space mask is a pioneer Moon walker – but it’s not Neil Armstrong. It’s the Buzz Aldrin, the second Man on the Moon.
According to space historians, all the famous photos from the first Moon landing are actually of Aldrin, with Armstrong reflected in the visor. This is an occupational hazard for those who take photos!
Buzz, who celebrated his 80th birthday on January 20, remains active and publicly engaged as he has been for most of the past 40 years since the first Moon landing in July 1969.
I’m following Buzz on his Twitter feed, from which I find that he’s just back from a trip to Antarctica with a National Geographic cruise, was at the premiere for the movie Avatar in mid December, and is now busy promoting his latest autobiography, Magnificent Desolation.
This contrasts with Neil Armstrong, who is notoriously shy. He rarely speaks in public, turns down all media interviews and has also refused autograph requests since 1994.
Trained as an engineer, the two-time space traveller Buzz has been keeping up with new media pretty well. He has his own website, and launched his own YouTube channel only a month ago, where we can see his latest broadcast and film appearances. Through these and other means, he continues to promote causes like space exploration, science education and nurturing imagination.
To mark his 80th birthday, we present some of the many Buzz Aldrin videos available online.
Here’s the DVD Promo Overview of the latest Buzz video:
On the 40th anniversary of the Apollo 11 crew landing on the moon, former astronaut Buzz Aldrin shares his experience and predicts where man will go in the future. (Assciated Press video, 20 July 2009)
Buzz has long years of close association with popular culture. For example, the popular space ranger character Buzz Lightyear, in Pixar’s Toy Story movie series, is named after him. Apparently the film’s makers felt that he has “the coolest name of any astronaut.”
NASA video: Follow Buzz Lightyear on Spaceship Discovery
Finally, for comic relief, here’s the 2003 interview Buzz did with Ali G (Sacha Baron Cohen) in the British comedy series Ali G in da USA, during which Ali G referred to him as Buzz Lightyear:
The process of producing and distributing TVE Asia Pacific’s educational TV series, The Greenbelt Reports, is showcased in a new book on environmental journalism in South Asia, just published by Sage, a globally operating company that specialises in bringing out academic and professional books.
Arranged in 10 sections, the book brings together contributions from three dozen journalists, broadcasters and film makers in South Asia. It opens with a foreword by Darryl D’Monte, one time editor of The Times of India and Chair, Forum of Environmental Journalists of India (FEJI).
I co-wrote the chapter titled ‘Dispatches from the Frontline: Making of The Greenbelt Reports’ with my colleague Manori Wijesekera, TVEAP’s Regional Programme Manager. I was researcher and script writer of the 12-part, 4-country series that we made in 2006, in which Manori was series producer. The series looked at the environmental lessons of the 2004 Indian Ocean tsunami.
The title reflects the lingering print bias in media related discussions: in our case, the content we produced was disseminated on broadcast television, narrowcast DVD and online. We wielded cameras rather than pens, but are still very glad to share our experience in this book.
Keya Acharya (left) and Fred NoronhaThe publisher’s blurb says: “This collection of essays by some of the most prominent environmental journalists in Indian and South Asia gives deep insights into their profession and its need and relevance in society. It looks at this ‘specialisation’ of journalism both in the past and the present. Underlying almost all the essays is the changing nature of media in the region and the dilemmas facing environmental journalists. The varied background of the writers ensures the showcasing of a wide range of realities and experiences from the field. Contributions include essays by Darryl D’Monte, the late Anil Agarwal and Sunita Narain, among others.”
“This is the first book of its kind on environmental journalism, which would be an excellent resource to aid the future evolution of the enterprise in the region. Apart from essays from India, there are contributions from Pakistan, Bangladesh, Sri Lanka, Nepal and the Maldives. The book will interest a wide readership, any informed reader, besides journalists and environmentalists.”
It’s an honour to be part of a book which features the work of respected seniors like Anil, Darryl and Sunita – all of who have influenced my own career and I’m privileged to count among my friends (alas, Anil is no longer with us). In fact, I have either met, worked with or am friends with more than half the three dozen contributing authors of this book.
Every now and then, we come across a simple yet profound statement that sums up our work or our aspirations – or both.
Here’s one such gem from Wim Wenders, the German film director, playwright, author, photographer and producer: “If we can improve the images of the world, perhaps we can improve the world.”
I must admit, now and here, that I’ve not seen any of his films (except for extracts online – does that count?). Yes, what a lot I have missed — but I’ve read a bit on him and been enormously impressed by how he plays with images, both still and moving, in a unique style of his own.
The more I searched about him, the more impressed and amazed I became about his progressive and pragmatic comments about his art and craft.
Consider these other gems I found, all talking about how movies can catalyse or support change in society:
“Any film that supports the idea that things can be changed is a great film in my eyes.”
“Any movie that has that spirit and says things can be changed is worth making.”
“Entertainment today constantly emphasises the message that things are wonderful the way they are. But there is another kind of cinema, which says that change is possible and necessary and it’s up to you.”
“On the contrary a film can promote the idea of change without any political message whatsoever but in its form and language can tell people that they can change their lives and contribute to progressive changes in the world.”
Where the island of Sri Lanka was concerned, it was the first solar eclipse of the broadband internet era — and that showed.
The last solar eclipse seen in Sri Lanka was two generations ago, on 20 June 1955. That was almost pre-historic in mass media terms. The newly independent Ceylon had a single, state-owned radio station and a handful of newspapers. There was no television, and the internet was not even conceived.
Yet, paradoxically, the media’s influence over the 8 million people then living on the island seem to have been greater at the time. As astronomer Dr Kavan Ratnatunga recalled: “A quack physician cum astrologer, recommended that women wanting to become fair and lovely should drink a decoction of which the main ingredient was “Vada Kaha” (Sweet Flag or Acorus Calamus) at the time of the total eclipse, preferably unseen by others. Many who took his advice ended up in hospital.”
Solar eclipse on 15 Jan 2010 seen in Anuradhapura, north-central Sri Lanka - photos by ReutersIn contrast, in 21st Century Sri Lanka, the January 15 eclipse was not much of a news story. I don’t claim to have done a systematic analysis, but my impressions are drawn from scanning the major newspaper websites in English and Sinhala, and surfing the dozen or more terrestrial (free-to-air, not cable) TV channels that were on the air during the three hours or so of the eclipse. (Sorry: I missed out radio, and I’m not proficient in Tamil.)
Broadcast television was my biggest disappointment. Solar eclipses are a visual spectacular, and literally heaven-sent for live television. Yet, not a single Lankan TV channel carried a live broadcast of the event, either from northern Sri Lanka where it was best seen (in its annular form, with ‘ring of fire’ effect), or from elsewhere on the island as a partial eclipse.
It seemed as if the Colombo-based media were completely preoccupied with the intense build-up to the presidential election scheduled for 26 January 2010 — a case of politics eclipsing the solar eclipse?
Jaffna school children view the solar eclipse - Photo courtesy Virakesari
But there were a couple of honourable exceptions – and thank heavens for that! One was the leading Tamil daily Virakesari, which sponsored an expedition to Jaffna, in northern Sri Lanka, by a group of professional and amateur astronomers from SkyLk.com. According to one member of this expedition, Thilina Heenatigala, this newspaper provided the widest and most uptodate coverage of the annular eclipse from Jaffna.
SkyLk.com collaborated with the Hindu College in Jaffna, whose playground was converted into an open air observation camp. Thilina says over 2,000 people – including school children and adults – had converged to witness the event. A large screen was set up on to which the live image from a telescope was projected.
Not far from there, a group of engineering students and teachers from the University of Moratuwa was doing a more scientific observation. Later that day, team leader Dr Rohan Munasinghe reported in an email: “We have recorded the solar eclipse from Kayts (lat 9d,37m N, Long 79d,58 E), the biggest island off Jaffna Sri Lanka. We have timestamped the video with GPS (Garmin 18) accuracy.”
University of Moratuwa team observing the clipse - photo courtesy Dr Rohan Munasinghe
Elsewhere across the island of Sri Lanka, there was plenty of interest among the people from all walks of life — as seen from the thousands who stepped out during mid-day to take a peek at the celestial phenomenon. Not all of them followed the safety precautions to prevent eye damage, disseminating which the media had done a good job in the preceding days.
Clearly, this high level of public interest was not reflected in how the rest of Lankan mainstream media covered the eclipse. But if the mainstream media’s gaze was firmly fixed on the gathering election storm on the ground, the new media created opportunities for others to step into that void. Citizen scientists joined hands with citizen journalists to capture and share the eclipse with each other — and the world. These unpaid enthusiasts used commonly available digital tools and online platforms for this purpose.
Some of them uploaded dozens of photos for public viewing on image sharing sites like Flickr. A good example is what Shehal Joseph and Romayne Anthony did. There were many others.
SkyLk.com group was more ambitious: they actually webcast the eclipse live online from their public observation camp at Hindu College grounds. Stuck in Colombo with its sub-optimal viewing conditions for this eclipse, this was the best chance for people like myself to catch the annular part of the phenomenon.
“We were struggling with bandwidth limitations most of the time,” Thilina Heenatigala says. “We used a Dialog HSPA modem to connect to the web, and line speeds kept fluctuating. We were not the only ones uploading still photos or video to the web from different locations in northern Sri Lanka — and apparently all of us were slowing down each other.”
Being the tech-savvy planner he is, Thilina had alerted Dialog telecom company about the likely peaking of bandwidth demand. But he is not sure if any temporary enhancing was done, even though Dialog currently claims to be the ‘first and best’ to offer telecom coverage in the north. Certainly, the live eclipse webcast was not of uniform quality — it’s a small miracle it happened at all: until a few months ago, this was part of the theatre of war in northern Sri Lanka.
In fact, SkyLk.com had used the web to build up public awareness and interest using video trailers on YouTube. Here is one of several simulations they had up from December, thus one for Anuradhapura, Sri Lanka (simulation):
In the end, however, SkyLk.com became a victim of its own success. The live webcast was followed by hundreds, and then thousands of online visitors from different parts of the world. This apparently overshot the usual allocations provided by the offshore hosting company (in the US), which suspended the account. Right now SkyLk.com website is not accessible (as at 16 January 2010, 15:00 UTC/GMT).
Within hours of the eclipse, several individuals and groups also uploaded highlights of their eclipse videos on to the YouTube. Here are the most striking ones I came across in a quick search:
Solar Eclipse 2010 Sri Lanka Scientific Record – by University of Moratuwa
Scientific recording of the annular solar eclipse on 15 January 2010 was carried out from the Island Kayts (Lat +09d 37m North and Long +79d 58m East) of Sri Lanka.
Orion Video’s coverage from Nallur, Jaffna:
Not in the same league as the above two videos, this was Nishan Perera’s personal observations from Ratnapura, south-western Sri Lanka:
It’s too early to draw firm conclusions from this random evidence, but in all likelihood, we passed thresholds in both citizen journalism and citizen science with this eclipse. Clearly, the mainstream media’s monopoly/domination over reporting of such an event has been shattered: their indifference will no longer stand in the way of information and images being disseminated.
Perhaps just as important, it is no longer possible for a couple of self-appointed ‘public astronomers’ to dominate the public information channels on an occasion like this, mostly for shameless self-promotion. As Dr Kavan Ratnatunga, President of the Sri Lanka Astronomical Association, noted in an article: “I am amazed as to how many who have never even seen a Solar Eclipse, will gladly talk about it to an equally ignorant journalist, resulting in some totally misleading and sometimes hilarious information being published in both the English and Sinhala media. In a nation which believes in pseudo astrology, I am sure it is just a matter of time before quacks start using it to predict influence on local events and politics. However, there is absolutely no influence on any person by any of these celestial events.”
At the end of the day, however, astronomy aficionados are emphatic that no amount of media coverage can really substitute the experience of being there and experiencing it ourselves. As Kavan says: “A solar Eclipse is event which must be experience and observed. No video can do justice to that experience. It can also become addictive. In the modern age when the Internet and TV can bring events to your home, one may wonder why some Eclipse chasers travel round the world to see an Eclipse of the Sun.”
The next solar eclipse visible from Sri Lanka will be on 26 December 2019. I wonder what kind of media and ICT landscape would cover that event…
We all have a bad day every now and then. Each one has different ways of coping with it – some curse the government, others blame their karma, and still others just play sport or music to soothe the mind.
This past Season, two astronomically inclined friends showed me a new way of coping with the assorted problems of our imperfect world and unfair life.
First, Rex I de Silva – diver, naturalist and amateur astronomer who was a citizen scientist before the term was invented – sent me this clever piece of animation that originated in Australia. He wrote: “It’s so very well done that most folks don’t realize how much info is being shared! Just click on the link below….but with your computer’s speakers on. We are on quite a ride….It’s not over till it asks if you want to view again.”
Then, Thilina Heenatigala – one of the most active astronomy and space enthusiasts in Sri Lanka – informed me that the original Galaxy Song was sung by Eric Idle from Monty Python’s Meaning of Life (1983), with graphics from NASA of flying through the universe.
So here it is, the film version from YouTube:
If the real images are not awe-inspiring enough, here’s an animated version of the same song that I discovered on my own while exploring that rapidly expanding online video galaxy – it features ‘Pinhead’ from RProduction13’s animated short series, “The Four”.
Whenever life gets you down, Mrs. Brown,
And things seem hard or tough,
And people are stupid, obnoxious or daft,
And you feel that you’ve had quite eno-o-o-o-o-ough…
Just remember that you’re standing on a planet that’s evolving
And revolving at nine hundred miles an hour,
That’s orbiting at nineteen miles a second, so it’s reckoned,
A sun that is the source of all our power.
The sun and you and me and all the stars that we can see
Are moving at a million miles a day
In an outer spiral arm, at forty thousand miles an hour,
Of the galaxy we call the “Milky Way”.
Our galaxy itself contains a hundred billion stars.
It’s a hundred thousand light years side to side.
It bulges in the middle, sixteen thousand light years thick,
But out by us, it’s just three thousand light years wide.
We’re thirty thousand light years from galactic central point.
We go ’round every two hundred million years,
And our galaxy is only one of millions of billions
In this amazing and expanding universe.
(Animated calliope interlude)
The universe itself keeps on expanding and expanding
In all of the directions it can whizz
As fast as it can go, at the speed of light, you know,
Twelve million miles a minute, and that’s the fastest speed there is.
So remember, when you’re feeling very small and insecure,
How amazingly unlikely is your birth,
And pray that there’s intelligent life somewhere up in space,
‘Cause there’s bugger all down here on Earth.
Composers: Eric Idle & John Du Prez
Author: Eric Idle
Singer: Eric Idle
From the ‘Meaning of Life’ album, MCA Records MCA 6121
I have no idea who Mrs Brown is, but it sure works for me too!
Last chance...?Here’s a winning idea for a new business venture in these lean times: make an always-agreeable ‘magic’ mirror — and the vane and wicked will beat a path to your door.
Well, at least half the politicians in Sri Lanka would. They’d rather not see their true selves on any mirror.
The magic mirror idea was popularised many years ago by Snow White and the Seven Dwarfs, whose wicked and vain queen had an unusual mirror that talked back, each time she asked: ‘Mirror, mirror, on the wall. Who’s the fairest of them all?’.
The queen wasn’t looking for honest answers; she just wanted to hear she was always the prettiest and fairest in the land. (All competition – real and imagined – was dealt with brutally.)
Little has changed, even in this 21st Century. We may not have too many monarchs left in the world, but our uncrowned rulers can be equally vain and ruthless. They are obsessed with self-aggrandizing sycophancy – they’d only tolerate magic mirrors that totally boost their egos.
If I seem to be preoccupied with mirrors, that’s nothing to do with my own vanity. In this digital age, the mirror is still a pretty good metaphor for the media industry that I have been part of, in one way or another, for over 20 years. At its very basic, the media are expected to reflect our society and our times.
But some people don’t like what they see on a true mirror. In 2009, we saw a spate of mirror smashing or media bashing in Sri Lanka. It started on 6 January, when the studio of the Maharaja Television/Broadcasting Network (MTV/MBC, popularly known as Sirasa Group) was attacked by armed gunmen who almost blew up the country’s most popular private broadcast organisation. On 8 January, exactly a year ago today, Lasantha Wickrematunga, editor of The Sunday Leader, was shot dead by two men on a motorcycle as he drove to work in suburban Colombo.
Sirasa & Lasantha: Refused to be magic mirrorsOne year later, both crimes remain unsolved. They have joined a long list of crimes against journalists and media organisations in Sri Lanka, most of which have never led to any prosecution of the perpetrators.
As Reporters Without Borders noted in a statement this week: “The emotion and anger have not gone away in the year since this famous Sri Lankan journalist’s death. The anger is being sustained by the government’s flagrant obstruction of the investigation. Lasantha Wickrematunge’s name and memory will not disappear and, in that sense, those who were behind his murder made a mistake.”
Commenting on the MTV/MBC (Sirasa) attack, I described the typical reaction of the mirror-bashers: “…if you don’t like what you see in the mirror – which is what media is to society – just kick it, shatter it and hammer it into dust so that it won’t reflect anymore. Destroy all the mirrors of the land, and we’ll finally be the fairest and prettiest in the whole world. That seems to be the perverse logic that fuels attacks of this nature.”
Rex de Silva, the first editor that Lasantha worked for in the late 1970s cautioned that Lasantha’s murder was the beginning of ‘the sound of silence’ for the press in Sri Lanka. As I asked on the day of Lasantha’s emotionally-charged funeral: “Can this sound of silence be shattered by the silent, unarmed majority of liberal, peace-loving Lankans who were represented at the funeral service and the Colombo cemetery today?”
Back to mirrors. While the true mirrors were getting bashed, those who played being ‘magic mirrors’ have done well for themselves (and are probably laughing all the way to their banks). But that’s not a phenomenon confined to the little island of Sri Lanka. A good part of the US Media did the same under the hawkish Bush Administration, which prompted the cartoon below.
It’s not just ‘Dubya’ who is addicted to such agreeable mirrors. Indeed, for many modern-day rulers, an essential trapping of power involves surrounding themselves with spin doctors, press commissioners and other manipulators or manufacturers of image. In mature democracies, there are certain checks and balances which usually guard against the worst excesses (but there are notable exceptions – look at Italy!).
In immature, fragile or pseudo democracies, mirrors obey the laws of physics (optics) at grave risk to themselves. If you want proof, just talk to the staff of Sirasa or The Sunday Leader in Sri Lanka…
Schools across Asia are re-opening this week after the Seasonal holidays. In some countries, as in Sri Lanka, it also marks the beginning of a new school year (we summer-less folks follow the calendar year).
So I want to share this great cartoon, recently drawn by Nate Beeler, the award-winning editorial cartoonist for The Washington Examiner.
New kid on the block?
This is no laughing matter. According to WHO, as of 27 December 2009, worldwide more than 208 countries and overseas territories or communities have reported laboratory confirmed cases of pandemic influenza H1N1 2009, including at least 12220 deaths.
The WHO director-general, Margaret Chan, said on 4 January 2010 that the swine flu — influenza A(H1N1) — pandemic may not be conquered until 2011.
So watch out – but just how do we get kids to stop being…kids?
For the first time this Season, I didn’t receive a single paper-based greetings card at home – a sign of our increasingly digital times.
Among the many e-cards and email-based greetings I received was an environmentally conscious friend who sent me the link to an upbeat, meaningful song by Tim Minchin, the British-born Australian comedian, actor and musician. This is a simple song about an everyday matter that has far-reaching implications: how to reduce plastics dumped in our environment.
In this case, simply by carrying a cloth/canvas bag to the supermarket, we can cut down on the needless use of plastic shopping bags.
Last FM wrote about Canvas Bags: “An ‘emotional’ tune that has fun lyrics. Tim Minchin is Australian, but you can’t really tell. Trying to show that he can send out a serious message, Minchin explains how plastic is the bane of the universe and that we can only save our planet by eliminating it and “taking our canvas bags to the supermarket”. Of course, this message is punctuated by the usual splashes of humour that Minchin has made his trademark.”
Canvas Bags by Tim Minchin
Directed by Stephen Leslie, this is the unedited version of Tim Minchin’s Environmental Anthem film clip recorded for BBC3’s Comedy Shuffle.
Here are the first few lines:
Take your canvas bags
When you go
To the supermarket
Why use plastic bags when you know
You know the world can’t take it
Take your canvas bags
When you go
To the supermarket market market
Don’t you use those plastic ones
No, no, no
Don’t you know that you’ll feel better for it…
Going to the movies has been a shared cultural activity for at least four generations. In that time, technology has marched forward in leaps and bounds — but the core experience remains the same. And we still keep going to the movies, at the cinema, even though we now have other ways of seeing the same films. Why?
On the penultimate day of 2009, I went to the local cinema to see 2012, Roland Emmerich’s latest depiction of the mother of all disasters. For 158 gripping minutes, I willingly suspended disbelief and allowed the myth-makers of Hollywood to thoroughly scare me out of my wits. As did, it seemed, the few hundred other people watching it on wide screen with surround sound. There is no way the literally earth-shattering scenes of this movie would seem and feel remotely realistic anywhere else…
But cinemas are far from perfect – for instance, we had put up with a bunch of screaming brats whose parents had unwisely brought them for the wrong kind of movie. I’ve sat through far more noisy and boorish behaviour at cinemas: notable among them is watching Titanic at a massive, packed cinema in downtown Mumbai sometime in 1998 — and discovering how ‘interactive’ Indian movie-goers can get. (After the initial irritation wears off, I became almost oblivious to the distractions, thanks to James Cameron’s superb story telling.)
I just refuse to see such blockbusters on a small screen. (Ok, I might watch movies on long flights when I get tired of reading, but I have never been able to bring myself to watching a movie on an ipod…)
In fact, the movie industry is as much caught up in the digital wave as all other aspects of media. As Manohla Dargis of the New York Timesnoted in a perceptive essay this week: “How much our world of moving-image entertainment has changed in the past decade! We now live in a world of the 24-Hour Movie, one that plays anytime and anywhere you want (and sometimes whether you want it to or not). It’s a movie we can access at home by pressing a few buttons on the remote (and agreeing to pay more for it than you might at the local video store) or with a few clicks of the mouse. The 24-Hour Movie now streams instead of unspools, filling our screens with images that, more and more, have been created algorithmically rather than photographically.”
Yet, unlike in other media experiences, the changes in the movie industry have gone largely unnoticed by ordinary viewers. As Dargis writes: “Film is profoundly changing — or, if you believe some theorists and historians, is already dead — something that most moviegoers don’t know. Yet, because the visible evidence of this changeover has become literally hard to see, and because the implications are difficult to grasp, it is also understandable why the shift to digital has not attracted more intense analysis outside film and media studies.”
Dargis is probably right: by adapting and evolving with the times, the cinema has survived for over a century. As Donald Clarke noted in The Irish Times at the beginning of December 2009: “Television failed to kill movies. Video failed to kill movies. Internet piracy – not to mention all the other diversions available online – has also failed to annihilate this most stubbornly resilient of art forms. Film-makers will, it is true, tell you that it is now more difficult than ever to negotiate financing for movies that cost between $3 million and $15 million. But you couldn’t say that the current recession has crippled the movie business.”
All this makes me wonder what movie-going might be like in another decade or two. 3D and IMAX are no longer so uncommon or special, and the entertainment industry is working hard to relate to not just our seeing and hearing, but other senses as well. (Did you know that, as long ago as 1960, they tried to introduce smelling movies? Smell-O-Vision was a system that released odors during the projection of a film so that the viewer could “smell” what was happening in the movie. The technique injected 30 different smells into a movie theater’s seats when triggered by the film’s soundtrack. For some reason, it never caught on…)
Perhaps it’s not simply a matter of money or technology. There is also a whole sociology of movie going and movie watching – many of us go to the cinema (not nearly often enough in my case) not just for the personal sensory experience of a celluloid dream, but also for the shared experience of it. I like bumping into friends at cinemas. At a premiere or special screening, I also get to steal a few glimpses of the glitterati of the film world.
Have you been to a film musical and had the uncontrollable urge to burst into song? London’s Prince Charles Cinema not only allows, but encourages viewers to do just this — though only on certain days of the month. Their most famous offering is Sing-a-long-a Sound of Music: a few years ago, I joined several hundred other assorted ‘nuns’, von Trapp family members and Julie Andrews look-a-likes in such a memorable experience. I have the digitally remastered DVD of the 1965 movie, an ever-green title in my household. But watching it at home can’t compare with the sense of community that one feels when the lyrics for all the songs appear on the movie screen, giving the audience every reason to sing their hearts out…
I’m not sure how popular (or even acceptable) such community movie watching would be in different cultures. But going to the movies retains its charm and appeal in this digital age, even if we have come a long way since the glorious days of movie going as captured in this wonderful and memorable song from the musical Annie (1982) – Let’s Go To The Movies
“Another year grew old and weary
And gave way to one new and young.
Another orbit we’ve completed
Around our local star, the Sun.
We’ve been here before,
And return here we shall.
Dare I say it, among celebrations: This too shall pass…”
That was part of my own verse with which I wrote the first blog post of 2009. And do it did, just as I predicted — what powers of prescience I possess!
And I was inspired by these witty and perceptive words from two of the finest wordsmiths of yesteryear, which a dear friend circulated hours before the old year ran out.
After clocking dozens of orbits, these words haven't worn out...
Buzz, who celebrated his 80th birthday on January 20, remains active and publicly engaged as he has been for most of the past 40 years since the first Moon landing in July 1969.
Open Minds! 