Rule of the Gun in Sugarland: A film by Joey R B Lozano

In June 2007, I did a belated tribute to Joey R B Lozano, a courageous Filipino journalist who crusaded for human rights and social justice. Armed with his video camera and laptop, he was one of the early citizen journalists long before that term – and practice – became fashionable.

From Seeing is Believing

As I wrote:
Joey used his personal video camera to assert indigenous land rights, and to investigate corruption and environmental degradation in his native Philippines. Joey was an independent human rights activist and also one of the country’s leading investigative reporters.

He freelanced for the Philippine Daily Inquirer, covering Indigenous peoples’ rights and the environment, considered the two most dangerous beats in the Philippines. But years earlier, he had moved out of the capital Manila, and committed his life and career to stories and issues at the grassroots that many of his city-based colleagues had no time or patience in covering on an on-going basis.

Trained as a print journalist, Joey mastered new media and technologies whose potential he quickly realised. He moved into television and video media with ease, and later became an active blogger.

I have just tracked down on YouTube one of his documentaries, Rule of the Gun in Sugarland (2001; 9 minutes; English). It’s a powerful documentary that tells the story of Manobo villagers’ efforts to claim their ancestral land in the Philippines, and the abuse they endured because of their claim. It contains both graphic and heart wrenching scenes.

Here’s some background on indigenous people’s rights in the Philippines, as compiled by Witness – the human rights activist group with which Joey worked closely.

Source: Witness nomination of Joey R B Lozano as a Hero on Universalrights.net

The history of the Philippines is a history of colonization, resettlement and battles over who will rule the land.

First the Spanish, then the Americans, then the Japanese, and now multinational corporations have at one time or another dominated the Filipino landscape. Each wave of colonization has forced people off more land, creating a domino effect across the 7,000 islands. Resettlement in turn, has created even more pressure on successive islands as settlers move in, pushing even more people out.

Today, despite continued widespread poverty across the Philippines, Indigenous tribe members remain the most marginalized sector of Philippine society.

In a country of 76.5 million people, almost 20 per cent are Indigenous peoples. They belong to at least 32 different ethnolinguistic groups. More than half are on Mindanao, the largest southern island.

Over the last century, Indigenous peoples have lost their traditional lands, as the logging industry, ranchers and large plantations have forcibly taken over lands, piece by piece.

Much like in other parts of the world, the land was won parcel by parcel. Original verbal agreements were made and often respected between individual ranchers and Tribe leaders to “borrow” land from the Tribe. But the agreements were quickly forgotten when the rancher died. Over the years, the land was then resold without the Tribes’ consent.

From Rule of the Gun in Sugarland

And then, under the Marcos regime, Indigenous people suffered along with farmers, as massive tracts of land were appropriated for the dictator and his cronies. When Marcos was finally thrown out by a people’s revolt, and flown out on a U.S. helicopter, successive democratic governments introduced multiple land reforms intended to redistribute the land justly, but none of these reforms ever really worked.

On the ground level, corruption and misuse of power prevented the land from being rationed and made accessible to the people the reforms were intended to help.

Meanwhile, the land reforms were intended to help the peasants and the fact that many of the lands in question were Indigenous Ancestral domains was never addressed.

Mindanao is rich in natural resources – some of the world’s last ancient rainforests, fertile soils, underground treasures of gold, an abundancy of fish — all now under the threat of overdevelopment.

In 1997, the Indigenous Peoples Rights Act was signed into law. The law is explicit on the Indigenous peoples’ right to ancestral lands. But this has not become operational to date. This fact is exacerbated by the present government’s industrialization thrust and commitment to globalization. Tribal lands, thus, are being continually opened for extractive business.

For more information, check Seeing is Believing website

Can Your Film Change the World? Find out on Pangea Day!

Here’s an extraordinary invitation to all who love to watch, create or critique moving images.

Either watch the above video, linked to PangeaDay YouTube channel, or (if your bandwidth does not allow easy playing of online video) read the text I have just transcribed off the video:

In this age
Images are powerful.
Powerful enough to divide…
…to spread fear…
…to remove hope.

Powerful enough to unite
to build trust, to inspire action.

Until now, images of the many
have been held in the hands of the few.

Finally, that is changing.

Millions of people around the world
are telling their own stories.

For the first time in history
we have a chance to see the world differently.
To see it through the eyes of each other.

Imagine if we could get inside
each other’s heads for a day!
What would we see?

We are about to find out.
A worldwide search has begun
to find films of unique power.

Films that provoke…
…entertain…
…inspire.

Films made by the world
for the world.

On May 10, 2008
millions of people across the globe
will gather to witness these films
in a spectacular event
broadcast live to the entire world.

Visionaries…
…and musicians
will join the celebration.

And it will continue afterwards in cyberspace
as a newly connected global community.

You can be part of it.

Pangea Day.

Here’s the blurb from the official website:

Pangea Day taps the power of film to strengthen tolerance and compassion while uniting millions of people to build a better future.

In a world where people are often divided by borders, difference, and conflict, it’s easy to lose sight of what we all have in common. Pangea Day seeks to overcome that – to help people see themselves in others – through the power of film.

On May 10, 2008 – Pangea Day – sites in Cairo, Dharamsala, Kigali, London, New York City, Ramallah, Rio de Janeiro, and Tel Aviv will be videoconferenced live to produce a 4-hour program of powerful films, visionary speakers, and uplifting music.

Hard Times: Give us more cars and less traffic!

In July 2007, we featured an interesting new film called Faecal Attraction. It probed the link between sewage disposal and river water pollution in India — specifically, the River Yamuna, part of the massive Indo-Gangetic river system.

Now the intrepid film-maker Pradip Saha has taken on another big, messy subject that has even bigger vested interests: the auto industry and its contribution to worsening traffic congestion, air pollution and public health in metropolitan India, especially the capital Delhi.

The film couldn’t have come at a better (worse?) time. India’s Tata Motors will be unveiling their people’s car, priced at Indian Rupees 100,000 (US$ 2,600 approx) on 10 January 2008 at Auto Expo in New Delhi.

“A car priced at hundred thousand Indian Rupees means a lot in terms of urban planning, urban life,” says Pradip, who is also the editor of Down to Earth magazine on science and environment. “Roads are already clogged, winter air is thick with SOX and NOX, our cities will be swarming with small cars.”

He says a few gunfights have already taken place in Delhi between neighbours over claims on parking space. Automobile industry has made urban space pretty absurd.

Pradip Saha Courtesy CSE India
Courtesy CSE Down to Earth

Yet, he adds, any opposition to the introduction of these swarming small cars on account of increasing traffic congestion and pollution has been termed by the car maker and their friends as ‘elitist’. “This car maker has positioned itself as the agent of liberation, where we all have cars. Kink has no boundary.”

So Pradip decided to take the issue head on, making fun of a very serious situation.

Here’s the story behind the film, in Pradip Saha’s own words:

I was invited for an art residency by Khoj, an international artist’s association in Delhi. The brief was to create a public artwork with urban ecological concern.

I decided to do something on automobiles. My initial response was to respond to the way automobiles are sold, playing with desire. I also find certain policy issues related to automobile use pretty kinky. For example, when the auto bosses complain to highest financial authority about slump in auto sale, the highest financial authority calls the bank bosses to make car loans easy. Isn’t it kinky? I was thinking of pushing these kinks and business of desire a bit and create pornography that has automobiles as characters.

I made two. But wasn’t sure about putting them in public as kids will be seeing them too. I have been talking a few friends to create a website of automobile porns, mimicking standard porn site sensibilities.

So I turned to another format. I created a fake news TV channel called HARD TIMES, and went to the road interviewing drivers and riders in cars stuck in traffic jam in Delhi. The style is a take on News TV style, where they stick a microphone down your throat on any occasion, pretending a democratic format that generates peoples’ voice.

I did the same, with 2 basic questions: What is the reason of traffic jam? and How can we solve traffic jam? I edited 5.50 minutes video, and showed it as a loop in Connaught place, on the pavement on a large plasma screen. It also had an accompanying LED display board, a la, railway station information system, that went on giving out important numbers related to absurdity of automobile use in the city. This was a loop too.

Ultra low-cost small cars — such as the much-hyped models being planned by the Tatas and other carmakers — can mean big trouble for India, unless the country makes drastic policy changes. A new study by Centre for Science and Environment (CSE) , released in October 2007, said the influx of these cars would drive public transport and two-wheelers off the roads and greatly increase urban congestion and pollution.

Courtesy CSE Down to Earth

Read CSE’s Down to Earth cover story on 15 October 2007: Small car revolution: Who cares about congestion, pollution

AlertNet for Journalists: Rough guide to disasters and ‘alms bazaar’

Journalists are among the first responders to disasters and conflicts that break out without notice. They have to gather information from ‘ground zero’, process it and disseminate as rapidly and accurately as possible.

Easier said than done – especially when there’s more than the usual level of chaos, confusion and consternation. The multitude of humanitarian workers and their agencies who rush to such situations – to provide much-needed rescue, relief and recovery support – don’t always make life easier for journalists.

Yet they need each other. They just have to find better ways to work together. This is the central theme of our just-released book, Communicating Disasters: An Asia Pacific Resource Book – the entire book is now available online for free download.

reuters-alertnet-logo.jpg

One of the appendices to the book was contributed by Emma Batha of Reuters who talked about Reuters AlertNet for Journalists.

AlertNet for Journalists is “a set of free online tools designed to help journalists cover conflicts and disasters. The resources include crisis briefings, country statistics and aid agency contacts.”

It is part of Reuters AlertNet, a non-profit humanitarian news network based around a popular website, set up in 1997 by the Reuters Foundation. It aims to keep relief professionals and the wider public up-to-date on humanitarian emergencies around the globe.

Here’s a short video that AlertNet has just placed on YouTube – their first film to be thus offered:

It’s good to see more humanitarian and disaster related organisations engaging the YouTube. I wrote in October 2007 about UN-ISDR taking the plunge, placing some of its videos on a YouTube channel.

Read Emma Batha’s contribution to Communicating Disasters: Reuters AlertNet for Journalists

After the Tsunami: Going the Long Last Mile in Sri Lanka

hazlnfo-video-j-a-malani-hambantota.jpg

This is J A Malani. She’s an ordinary Sri Lankan woman living in Hambantota, on the island’s southern coast. Several hundred people in her town perished when the Indian Ocean Tsunami arrived on 26 December 2004 without any public warning. When the waves finally stopped their hammering, close to 40,000 people were dead or missing in the biggest disaster the island nation experienced.

Survivor Malani and her neighbours – lucky to be alive – are naturally apprehensive about when the next disaster might arrive, in what form and from where.

And this time around, too, they worry whether there would be anyone to warn them about it.

There just might be. Since the big tsunami three years ago, several Sri Lankan telecom operators, civil society organisations, IT companies and researchers have come together to test out a community-based hazard warning system — one that would prevent the repetition of the nasty surprise Malani’s community experienced not too long ago.

‘Evaluating Last Mile Hazard Information Dissemination Project’ (HazInfo project for short) was an action research project by LIRNEasia to find out how communication technology and training can be used to safeguard grassroots communities from disasters. It involved Sarvodaya, Sri Lanka’s largest development organisation, and several other partners, and was supported by International Development Research Center (IDRC) of Canada.

The project studied which information and communications technologies (ICTs) and community mobilisation methods could work effectively in disseminating information on hazards faced by coastal communities. The exercise was not confined to tsunamis alone; other rapid onset disasters such as cyclones and floods were also covered.

In its first phase, the project worked in 32 chosen coastal villages (all impacted by the tsunami) and mobilised local communities from muslim, Sinhala and Tamil backgrounds. Malini’s community was among those participating in this field testing of an approach that Sarvodaya hopes to roll out progressively to all 15,000 villages they work in.

That initial engagement by itself was reassuring to Malani. “This has helped us to get rid of fear and hesitation in our minds,” she said in a television interview recorded some weeks ago. “Now we know what we should do when a disaster strikes.”

That peace of mind is priceless to any human being, and that knowledge is liberating – particularly to one who has survived a major disaster that came from nowhere.

Malani is one of several beneficiaries featured in a 12-minute film TVE Asia Pacific recently produced. Several other participants from different coastal locations expressed similar views — and hopes that next time around, they will not be taken unawares.

The Long Last Mile can be viewed on YouTube in two parts:

The Long Last Mile, part 1 of 2:

The Long Last Mile, part 2 of 2:

LIRNEasia researchers analysed how each ICT tool or combination was integrated into communities to deliver timely warnings to those designated as first responders. The factors needed for efficient functioning of the hazard information hub were also studied. Read detailed findings and analysis here.

The HazInfo project grew out of a participatory concept paper that LIRNEasia developed in the aftermath of the 2004 tsunami. It noted that a national early warning system was a ‘pure public good’, and the responsibility of its supply would normally fall on the government. However, the paper acknowledged that, due to lack of capacity, “it is unlikely that the last mile of such a system will be provided by the local government or private firms operating in the marketplace”.

I have written a whole chapter on this project, titled Bridging the Long Last Mile, in Communicating Disasters: An Asia Pacific Resource Book (co-edited by Nalaka Gunawardene and Frederick Noronha). Read that chapter here:

bridging-the-long-last-mile-final-text-formated.pdf

Tsunami Stories: How a film saved lives in Kosgoda, southern Sri Lanka

With the third anniversary of the Asian Tsunami drawing close, we are reliving memories of the mega-disaster that hit many parts of coastal Asia on 26 December 2004.

On 10 October 2007, I wrote the story of Tilly Smith, the 11-year-old English school girl whose geography knowledge helped save hundreds of lives on the Maikhao Beach in Thailand that day.

Here’s another story, which was related by Thyagee de Zoysa, a young Sri Lankan woman who until recently was working as Project Officer of CEE Sri Lanka, a non-profit educational charity that I am associated with.

In January 2007, Thyagee spoke at the European launch of TVE Asia Pacific’s latest environmental television series, The Greenbelt Reports</em>, held in Athens, Greece. There she made a passionate appeal for education and awareness to be put into action.

She drew from her personal experience, having survived the Indian Ocean Tsunami in her native village of Kosgoda in southern Sri Lanka. These are her exact words:

“I, myself, am particularly willing to participate in this project, as I was at my home on the 26th of December 2004, with my parents, until we heard a young man crying ‘Run to the temple, run to the hill, the sea is coming’. We ran — and it saved our lives.

“The young man told me later that he knew that the sea was going to come with full power because of a film that he had seen. A film, which was about a meteorite impact with earth and how a tsunami happens after that. He knew that, if there comes a day when the sea goes back towards the horizon, it then comes back again to take your life.

“It does not matter in what way you create awareness on the environment, be it books, films or the Internet. What matters is that you do it and make somebody understand the possible actions to take up. Believe me, I am grateful to this young man for saving my life and that of my family…”

Neither Thyagee nor the young life-saver could recall the name of the film, but it doesn’t matter. The film left a bit of knowledge in the young man’s mind which surfaced instantly just when it was needed. That helped save lives.

Alas, there were very few Sri Lankans – young or old – who had any idea about tsunamis prior to that fateful Boxing Day 2004.

Writing a foreword to Communicating Disasters: An Asia Pacific Resource Book (co-edited by Nalaka Gunawardene and Frederick Noronha), Sir Arthur C Clarke refers to another rare exception: a retired sailor living in the coastal village of Galbokka recognised the tell-tale signs of the on-coming tsunami and rushed the entire community to safety.

The challenge we still face is to build everybody’s awareness on multiple hazards and what to do when hazards turn into disasters.

Arthur C Clarke 90th Birthday reflections released on YouTube!

We have just uploaded on to TVEAP Films channel on YouTube a new short video, capturing the 90th birthday reflections of Sir Arthur C Clarke.

The world’s best known writer of science fiction, Sir Arthur C Clarke turns 90 on 16 December 2007. Scientific, literary and media communities around the world plan to mark this event.

In this 9 minute video, the visionary writer, explorer and science populariser looks back at his illustrious career spanning nearly 70 years and notes: “Growing up in the 1920s and 1930s, I never expected to see so much happen in the span of a few decades.”

He offers a quick assessment of two sectors where he has left his mark: space travel and communications technology. Ever the optimist, he believes that the best is yet to come in both areas.

“I still can’t quite believe that we’ve just marked the 50th anniversary of the Space Age,” Sir Arthur says. “We’ve accomplished a great deal in that time, but the ‘Golden Age of Space’ is only just beginning.”

Noting that good communications are necessary, but not sufficient, for human progress, he makes a strong plea for tolerance and compassion to achieve greater understanding between peoples and nations. To him, true globalization would require overcoming “our tribal divisions and begin to think and act as if we were one family”.

In the video, which we recorded in Colombo in the first week of December, Sir Arthur mentions three personal wishes – proof of life outside the Earth, clean energy to overcome global warming, and peace in Sri Lanka, his adopted country.

He ends the message indicating his preferred legacy: “I want to be remembered most as a writer – one who entertained readers, and, hopefully, stretched their imagination as well.”

In a technical paper written in 1945, Clarke was the first to propose the idea of communications satellites, which have today become a global industry supporting broadcast and telecommunications needs. One of his short stories inspired the World Wide Web, while another was later expanded to make the movie 2001: A Space Odyssey, which he co-wrote with director Stanley Kubrick. He has lived in Sri Lanka since 1956.

The video was filmed by Video Image (Private) Limited, in collaboration with the non-profit educational media foundation TVE Asia Pacific (TVEAP) — both of which donated their services to this effort.

Read the full text of Sir Arthur’s birthday reflections on TVEAP website

Good communications necessary, but not sufficient, says Arthur C Clarke

Arthur C Clarke’s 90th birthday reflections on TVEAP’s YouTube channel

Moving images moving research…beyond academic circles!

Although I’ve dabbled in some media research at times, I don’t think of myself as a researcher. So when Sri Lanka’s Centre for Poverty Analysis (CEPA) invited me to speak at their 8th Annual Symposium on Poverty Research in Sri Lanka, I spoke on what I know a little bit about — communicating research using the audio-visual media.

My panel remarks, delivered on the morning of 30 November 2007, were on ‘alternative mediums of communication to influence change’. I opened with the provocative title “Hands up who is poor, speaks English – and looks good on TV!” (see separate blog post on media related aspects of my talk).

These days, so much of research in physical, biological and social sciences is justified in the name of poverty reduction. Yes, studying and understanding development problems is the essential first step of solving them. But without properly communicating this research, the results won’t help the poor — or anyone else.

We at TVE Asia Pacific are committed to covering Asia’s development issues using TV, video and web. Our small challenge is to capture the many and varied facets of how Asians are working for a better today and better tomorrow. Reducing and eventually eliminating poverty is a significant part of that process.

As Asia’s billions strive for better lives, there are millions of stories at the bottom of the income pyramid. But most mainstream media manage to miss these stories due to their ignorance, or arrogance, or both.

For us, one key source of information and analysis is researchers – people who study trends and conditions, and keep reflecting on how and why. Their knowledge and insights are invaluable for us to tell stories from and about the bottom of the pyramid.

filming-living-labs-in-uttar-pradesh-india.jpg

As I told the researchers in my audience: “Part of our challenge is to know what you are studying — and then figure out the public interest and human interest angles of your work. As communicating research to those outside the scientific or research communities is more an art than a science.”

I cited three recent examples where we had produced engaging TV/video content to communicate research directly relevant or related to the poor.

Digits4Change
was our attempt to understand and document how information and communication technologies (ICTs) are changing the way Asians live, work and play. We covered technologies such as Internet, computers, mobile phones and satellite communications applied in education, healthcare and rural business development. The knowledge base for this 2006 series came from IDRC’s Pan Asia programme which supports action research that addresses specific problems.

Also in 2006, we produced The Greenbelt Reports to take a close look at the environmental lessons of the Indian Ocean tsunami. We visited a dozen locations in India, Indonesia, Sri Lanka and Thailand to find out how community and conservation interests can be balanced in relation to coral reefs, mangroves and sand dunes. In telling these stories, we worked with researchers from global agencies like IUCN the World Conservation Union and UNEP as well as national organisations like the M S Swaminathan Research Foundation in India.

The Greenbelt Reports

Living Labs is our most recent series, released in March 2007. Filmed in 9 countries in Africa, Asia, Europe and Latin America, it looked at how researchers are addressing different aspects of a major challenge in agriculture: how to grow more food with less water. We worked with a global action research project called the CGIAR Challenge Programme on Water and Food, which gave us exclusive access to their on-going field work and emerging findings in nine major river basins of the developing world.

living-labs-by-tveap.jpg

In telling these and other stories, we work within a certain framework we have defined for ourselves. Among its salient points:
• We don’t set out trying to communicate messages; we just want to tell good stories and development communication is a by-product.
• We look for under-reported/ignored development issues, or a less covered angle in a widely reported story.
• We don’t just talk to technical experts but to many other individuals involved or affected – women, men and children from all walks of life.
• We seek and accommodate different points of view, not allowing single-issue activists or one source to dominate/monopolise a story.
• Our finished products are informed by science but never immersed in science – we always keep in mind that our audience is non-specialsits.

All our stories cover real people dealing with real world issues and challenges. And since Asia has more people living in poverty than anywhere else in the world, most of the time our stories concern what’s happening at the bottom of the pyramid – or what can directly impact people living there.

And without exception, all these TV series and individuals films are available free of any license fees for broadcast, civil society and educational use. They are also available for online viewing at TVE Asia Pacific’s channel on YouTube.

Communicating research through moving images is not easy. Packing years of hard work into a few mins of engaging visuals and narration involves ruthless condensation which sometimes leaves some researcher egos bruised. When covering the work of large research organisations, we’ve also had deal with internal politics and hierarchies: for example, what to do when a junior researcher is more authentic and articulate than her supervisor?

Producing Living Labs based on filming in 9 countries on 3 continents in just 5 months during 2006 was a challenge in both logistics and political negotiations. As editor-in-chief, I had to balance the public accessibility of our end product with researchers’ keenness to pack their stories with facts and figures.

living-labs-being-filmed-in-yellow-river-basin-china.jpg

We didn’t please everyone. One senior researcher told us that his multi-faceted, multi-year nad multi-million dollar was like an elephant — and we’d only glimpsed just one part of that big creature!

That’s just the point: we can never cover the whole elephant in a media product intended for non-specialists. So we choose which part of the elephant is most interesting and present it in a way that will make viewers realise — and hopefully, appreciate — that there’s a lot more that’s worth finding out.

Moving image products often act only as ‘teasers’ — communicating highlights of research, and directing those interested to online or offline sources that offer more information.

Because they act as a/v versions of executive summaries, these ‘teasers’ by themselves are a powerful way of reaching out those who are unlikely to look up the details: that includes many policy makers, government officials and business people.

Winston Churchill used to ask his staff to give him everything ‘on one page’. These days, he might have asked for everything to be summed up in a five minute video — as we often do.

A million video cameras to change the world!

Something remarkable is happening with online public video sharing platforms: progressive non-profit groups worldwide are seizing their power to do good.

YouTube started off more like the people’s version of funniest home videos. But it’s no longer confined to that category. Activist and social groups are increasingly uploading their videos. As broadband Internet rolls out around the world, more people are actually able to watch these videos online.

In response, YouTube, owned by search giant Google, is creating a special section for nonprofits to air their videos and link them to its Google Checkout online payment system to receive funds directly.

“Nonprofits understand that online video isn’t just a way to broadcast public service announcements on a shrunken TV set,” Reuters quoted Steve Grove, head of news and politics at YouTube, as saying. “It’s a way to get people to do more than just absorb your message but to engage with their user generated content as well.”

Pure Digital, maker of the Flip video camera, has said it plans to give away a million video cameras to non-profit organizations around the world to capture images and moments in places traditional media outlets might not be able to reach.

“Video has power and media has power but the challenge is that the media is limited to telling stories that are controlled by a very small number of people,” Jonathan Kaplan, chief executive of Pure Digital, told Reuters. “This program along with YouTube and other sites will expand the media universe for learning what’s really going on in the world,” he said.

Visit FlipVideo website on support for non-profit groups

Reuters quotes the recent example of the impact of clips of the Myanmar army’s confrontations with local protesters which were posted on YouTube and other Web sites. Some of the clips made their way to mainstream news media, which were blocked out of entering or covering events in Burma.

See an example of a YouTube video on what’s happening in Burma:

Our friends at Witness, an activist group founded by the musician Peter Gabriel in 1992, has long specialised in raising awareness of such previously unseen events through video. Sam Gregory, programme director at Witness, says online distribution has made it easier to put videos in front of the right people such as decision makers and others with a personal connection to the cause.

“It’s not necessarily about the size of the audience it’s about placing targeted video and turning ‘watching’ into action,” said Gregory.

Read the Reuters story on 19 Oct 2007: Nonprofits turn to YouTube to raise awareness, funds

My blog post on 1 Oct 2007: Shoot on sight: Rights Alert on Burma

My blog post on 30 Sep 2007: Kenji Nagai: Filming to the last moment

TVE Asia Pacific News story March 2007: TVEAP films now on YouTube

What’s happening with online video has a parallel in how activist groups seized the potential of the hand-held video camera. The handicam was invented in 1985 by Sony. Intended originally for entertainment and domestic documentation purposes only (ranging from family vacations and weddings), it did not take long to find new uses for this revolutionary technology.

The Handicam Revolution in media began when a video camera captured police beating Rodney King on a Los Angeles highway. The shocking amateur footage was broadcast on TV around the world. The acquittal of the police officers after their first trial sparked outrage, and riots erupted in a 20 block section of Los Angeles, leaving 54 people dead and over 2,000 injured.

Ever since Rodney King, broadcasters have been using amateur video to provide images of events that their own camera people have not captured. And human rights activists have started relying on the power of video images to capture the attention of the broadcasters to expose acts of human rights abuse and violation.

Ram Bahadur Tamang: The face of Film South Asia

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For ten years, this ordinary Nepali man’s photo has been a rallying call for documentary film-makers across South Asia, home to one fifth of humanity.

He has become the symbol, and the logo, of Film South Asia (FSA), a regional film festival organised every other year in Kathmandu since 1997. FSA, whose latest edition rolls out in the Nepali capital this week (11 – 14 October 2007) is the leading and most enduring film festival that brings together South Asian film-makers and film-lovers. It is a low-budget, high-energy festival organised by the non-profit Himal Association.

Having been associated with FSA from the beginning (I was on the first festival’s jury, and have hosted a couple of travelling festivals since), I was curious about who this old man was. On a visit to Kathmandu last month, I asked FSA Chairman and documentary champion Kanak Mani Dixit about it.

It turns out that the FSA logo is derived from this photo, taken of an ordinary Nepali called Ram Bahadur Tamang. Photocredit goes to Cory R Adams.

Courtesy Himal Southasian

Ram Bahadur belonged to the Tamang people, who are believed to have migrated to Nepal from Tibet. Today, the Tamangs reside mainly in the high hills north of Kathmandu.

Perhaps inspired by my query, Kanak has written up the story behind the photo/logo in his column On the Way Up in the latest issue of Himal Southasian which he edits.

He says: “The Tamang from Byabar served the Rana palaces as guards and porters. Ram Bahadur was one such. One day, he was caught by a photographer holding an early-model Sony video camera. He had a Sirdi Sai Baba badge on his left lapel. The image of Ram Bahadur is now the logo of the Film South Asia documentary film festival. He looks out over the world through his camera and his other, free, eye. The trophy given to the best film at the end of each FSA is known as the Ram Bahadur Trophy.”

Not much more is known about old Ram Bahadur. He had moved on shortly after this picture was taken. We don’t know, for example, if he ever actually used the Sony camera, or was just playing with what, at the time, seemed a high-tech curiosity. This was, after all, the early 1990s when video cameras were not quite ubiquitous.

Read Kanak Mani Dixit on Who’s Ram Bahadur Tamang in Himal South Asian October 2007

Read my July 2007 post: Himal Southasian – 20 years of celebrating South Asian diversity