Communicating disasters on film: Experts, please don’t cross this line!

Global Platform bannerExperts should let film-makers produce professional films in simple terms that are more appropriate for public audiences, instead of trying to produce films that have little chance of being broadcast or distributed in other ways. There is a role for technical experts – but that’s not in the crafting and directing of films, but in providing the knowledge, clarifications and guidance to film-makers and journalists who are professionals in communicating complex issues to non-specialist publics.

Self-evident as it may be, these home truths are well worth reiterating every now and then — especially to experts and officials who keep forgetting them (sometimes with disastrous and expensive results!). So I was very glad to read that these points were emphatically made at a ‘film debate’ held in Geneva last week.

The occasion was a panel discussion, ambitiously titled ‘The role of film-makers in promoting climate change adaptation and disaster risk reduction stories’. It was held on 17 June 2009 as part of the Second Session of the Global Platform for Disaster Risk Reduction in Geneva.

Moderated by the well known journalist, writer and producer Edward Girardet, from Media21, Geneva, it involved five panelists drawn from media/communication sector and the disaster/humanitarian sectors. Among the panelists was my colleague Robert Lamb, director of One Planet Pictures, UK, and consultant producer with dev.tv, Switzerland.

The debate’s premise was simple: So far much of the thrust of the film industry, NGOs, UN organizations and media in portraying disasters and climate change has focused on outcome – which is more visually stimulating – rather than showcasing vital prevention and adaptation solutions. This is necessary, but not sufficient. What can be done to improve the interaction between the film/news industry and leading organizations dealing with disaster risk management and climate change adaptation on a daily basis?

Interviewing tsunami survivor in Tamil Nadu, India - image from TVEAP
Interviewing tsunami survivor in Tamil Nadu, India - image from TVEAP
This was similar to the approach we had in TVE Asia Pacific’s Communicating Disasters project in Asia (2006-2007). We too explored the common ground for these two sectors, with their distinctive needs, and asked how the two can support each other without stepping on each others’ toes.

The same discussion continued in Geneva. I’ve limited information on what actually transpired during the debate, and am hoping someone will soon write it up. For now, here’s a summary adapted from UN-ISDR daily coverage (the official language is theirs, not mine):

“More than 150 participants attended a thought-provoking film debate. The five panelists discussed how to enhance the interaction between the film/news industry and leading organizations dealing with climate change adaptation (CCA) and disaster management to increase CCA visibility which is very limited today in film productions.

“Eight short films were presented during the session, among them a short trailer of ‘An Inconvenient Truth’ and a CCA film shot in Burkina Faso produced by Christian Aid. After identifying a number of challenges due to their formats and audiences, film-makers and experts agreed it was important to work more closely to make more films on the solutions offered by CCA.

“Film-makers suggested that experts should let them produce professional films in simple terms that are more appropriate to their audiences and focus on bringing expert knowledge to enrich the content of their current productions instead of producing films that have little chance to be broadcast or distributed.”

All this reminds me of a discussion we had around an earlier blog post where I asked: Anyone can make video film, right? So why do we need professionals?

Now on MediaChannel.org: Good communications to combat swine flu?

They turn the spotlight inwards...
They turn the spotlight inwards...

MediaChannel.org has just published my latest op ed essay titled: Good communications to combat swine flu?

7 May 2009: New Age newspaper in Bangladesh has reprinted the essay

24 May 2009: The Hindu newspaper in India has reprinted the essay in its Sunday Magazine

In this essay, I have expanded some points originally made in two recent blog posts, on 30 April and 1 May 2009.

Here’s an excerpt:

“Flu shots, quarantine measures and hospital care alone cannot counter the current flu outbreak. While medical doctors and researchers spearhead the public health response, we need the mass media and other communicators to mount the public awareness response. Ideally, they should reinforce each other.

“For the first time in history, we now have the technological means to quickly reach out to most of humanity. More than four billion mobile phones are in use, a majority of them in the developing world. Nearly a quarter of the world population (over 1.5 billion people) have access to the web, even if at varying levels of bandwidth. Thousands of radio and TV channels saturate the airwaves – these still are the primary source of news and information for billions.

“Can these information and communication technologies (ICTs) help disseminate the right kind of flu awareness? How fast can we mobilise 24/7 media outlets and telecom networks to inspire preventive and curative action? What can the blogging, texting and twittering new media activists do in such efforts?”

Stop the virus, but not the news!
Stop the virus, but not the news!
Looking for models of communicating against an infectious epidemic, I recall the Asian experience with Severe Acute Respiratory Syndrome (SARS) . I summarise in this essay the public interest roles played by Asian media during the SARS crisis, which has been studied and analysed in considerable detail.

I then return to one of my favourite points about communicating disasters and crises: the need for credible messages and credible messengers. This was a core theme in the Asian book on Communicating Disasters that I co-edited in 2007. I also highlighted it in this interview given to APC in early 2008.

Here’s how my essay ends: “Whether it is SARS, HIV or tsunami, many Asian governments have suffered from a credibility gap in managing information about emergencies. For example, the initially slow and guarded media reporting on SARS allowed the virus to spread quickly in China, with devastating results. We cannot afford to repeat these mistakes with the latest flu pandemic.

“Nearly a century ago, British author H G Wells talked about human history being a race between education and catastrophe. In the coming weeks, we would find out if humanity has what it takes to outrun and outsmart a stubborn virus.

Read the full essay at MediaChannel.org

Read my op ed essay in SciDev.net in Dec 2005: A Long Last Mile: The lesson of the Asian tsunami

MediaChannel have published my op ed essays before. They were the first to publish, in June 2006, my global call for the broadcast industry to recognise poverty as a copyright free zone. And when Al Jazeera English channel was launched at the end of 2006, MediaChannel carried my essay on ethical news gathering as the biggest challenge for the new global TV network.

My latest essay is a humble birthday present to MediaChannel.org as it completes 10 years. Unique among websites, MediaChannel.org holds the rest of the media accountable with the best of the world’s media criticism and analysis — offering news, diverse global perspectives, and commentaries tracking international news flows. They cover breaking controversies, showcase change-makers, trends and cutting edge issues that you need to know about – produced by journalists for journalists and citizens.

MediaChannel’s co-founder Danny Schechter is one of my media heroes – he was Moving Images Person of the Year 2008.

“Our survival alone is a cause for celebration – a decade of growth and impact is impressive in ‘Internet years’,” wrote the website’s founders in a special 10th anniversary message. They added: “Over the past 10 years, we have survived financial crises and organized hack attacks. We have managed to remain relevant and on the cutting edge in a quickly evolving online landscape when many other sites and organizations have come… and gone.”

The team is making an urgent appeal for donations to keep this excellent service going. I’m very happy to amplify this – few services can deliver better value for money, and our troubled times and troubled media sure need the soul-searching constantly provided by MediaChannel.org

Ten years of kicking ass!
Ten years of kicking ass!

TV playing nanny: How Asian broadcasters helped fight SARS

Media joined the public awareness campaign
Media joined the public awareness campaign
Now that the World Health Organisation (WHO) has raised the swine flu level to Phase 5, the next to highest level in the worldwide alert system, everyone is talking about a global pandemic. On 30 April 2009, the UN’s top health agency referring to it as Influenza A(H1N1).

As I just wrote in another blog post, “While medical doctors and researchers spearhead the public health response, we need the mass media and all communications professionals to support the public awareness response. Flu shots and hospitals alone cannot win this battle.”

This is where Asian mass media – especially broadcast television – have some relevant and useful experiences. When Severe Acute Respiratory Syndrome (SARS) spread across much of East Asia and Southeast Asia, it wasn’t just the public health systems that took on the epidemic. The local, national and regional media joined the effort in the true spirit of public interest. There was no division between state-owned and privately-owned media. The airwaves were mobilised for preventing, containing and eventually beating the disease that wreaked havoc for several months.

The role played by Asian media during the SARS crisis has been studied and analysed in considerable detail. Lessons from that experience are worth recalling at this moment when the world is looking for ways to contain swine flu.

When SARS forced Chinese schools, universities and public offices to be closed for several weeks in the Spring and Summer of 2003, the country’s television broadcasters rose to the occasion. They started beaming a combination of entertainment and educational programming round the clock to over 400 million households across the country — now the largest national television audience in the world. The idea was to use the media to encourage more people to stay inside homes and minimise the spread of the virus through contact. China Educational Television (CETV) — the satellite distributed educational network — took on the role of substitute teacher by increasing its broadcasts.

Crisis? What crisis?
Crisis? What crisis?
Of course, as the most likely place of origin of the SARS virus, China’s initial response to the epidemic was denial. Researchers have established how the slow or muted media reporting within China triggered more rapid disease transmission of the virus both within and beyond China. As the noted Asia watcher, columnist and journalism professor Tom Plate, wrote in 2008: “All the serious Chinese journalists were left holding their heads in shame. In effect, the institution of the mass-communication of news, because it was not allowed to do its job, contributed to the enormity of the SARS toll.”

Many researchers agree that it was the island republic of Singapore that best handled the SARS crisis. Dr Stewart Auyash, an Associate Professor in Health Promotion and Physical Education at Ithaca College in New York says: “Of the countries affected, the actions of Singapore’s government stand out as an example of how to deal not only with the biological elements of the disease but with the methods, style, tone, timing and breadth of its communicated messages.”

The Auyash study was titled ‘Communications as a Treatment for SARS in Singapore and its Lessons for Infectious Epidemics in Asia’, and appeared in Media Asia (Vol 32, No 4). Although the journal’s publishers restrict online access to subscribers, a copy can be freely downloaded from here.

Here’s how Tom Plate summarised its findings: “At the outset of the 2003 crisis, Singapore’s government and media authorities hammered out a clear plan to limit the syndrome’s spread among the populace. It adopted a containment policy that offered a major role for news media institutions. The media was asked to promote the idea of positive participation by all citizens to avoid furthering transmission.

Practising what we preach...
Practising what we preach...
“Model citizens who followed World Health Organization guidelines with exceptional care were made proud subjects of newspaper feature stories. Top government officials, including high-profile members of the cabinet, were photographed or televised as submitting to the same mandatory preventive procedures as everyone else (for example, regular temperature checks). But citizens who fought the program by either resistance or even tepid nonchalance were portrayed scornfully, with the media publicly castigating them as ‘free riders’ who benefited from a safer health environment solely through the sacrifices of others.

“To make the media policy work, the government had to play things absolutely straight. When officials knew the answer to a scary question about SARS, they answered it quickly and completely; but when they had no answer, rather than making one up and putting their credibility at risk when this was later discovered, they flat out stated that they simply did not know but would try to find out.

“In Singapore, compliance with all kinds of government policies, not just health measures, is viewed as a personal and community responsibility. It is in the small city-state’s civic ethic that ‘individual rights and inconvenience may be infringed upon to protect the greater good of the public’s health,’ as Prof. Auyash put it. Even so, what seems both notable and possibly transportable to other countries is the cooperative role of the news media in a serious health crisis. Auyash points out that the role of the media is to emphasize symbols of positive compliance. Gestures and symbols, he says, ‘can galvanize a nation’s citizens to act. In short, symbols matter.'”

At the height of the crisis, Singapore even launched a dedicated SARS TV channel. The public service channel, which began in May 2003, was run jointly by Singapore’s three main broadcasters — Singapore Press Holdings, Media Corporation of Singapore and StarHub — and aimed to raise awareness about how to identify symptoms and prevent the spread of the disease.

Everyone was roped in, from educators to entertainers, in the all-out campaign against the invisible but formidable virus. The popular local sit-com Phua Chu Kang, which airs on Singapore’s Channel 5, came up with this hilarious rap video advising viewers the dos and don’ts of SARS.

As Prof Auyash concludes: “Singapore’s communication management around SARS can serve as a guide for future infectious disease control measure…There are major principles learned from SARS in Singapore from which other countries can learn…”

The US Centers for Disease Control (CDC) offered a similarly positive post-crisis judgment. This global defender against infectious diseases has praised Singapore’s aggressive and expansive policy of contact tracing and home quarantine during SARS.

“The bleakest projections about bird flu suggest that more than 300 million people could die from a global pandemic,” says Tom Plate. He adds: “Let us hope that such a number will never be realized simply because nations refuse to learn from the successes of others, simply out of pride, parochialism, ignorance or stubbornness. A pandemic of stupidity can kill people, too.”

A message from our...tormentors
A message from our...tormentors

Digital Defenders: How 24/7 media can help fight swine flu worldwide

So this is how it REALLY started...
So this is how it REALLY started...
The World Health Organization (WHO) said this week that the global spread of swine flu was highly likely, and raised its alert level to Phase 5 — the next-to-highest level in the worldwide warning system. It also offered advice on prevention, caring for persons with the flu and how to seek medical help.

A pandemic is not something to be taken lightly. The New Media President Barack Obama has termed the outbreak “cause for deep concern but not panic”. On 29 April 2009, he took the unusual step of using a prime-time televised news conference, convened to mark his 100th day in office, to deliver a public health message to the American people.

“Wash your hands when you shake hands, cover your mouth when you cough,” he said. “It sounds trivial, but it makes a huge difference. If you are sick, stay home. If your child is sick, take them out of school. If you are feeling certain flu symptoms, don’t get on an airplane.”

That’s the basic preventive message that needs amplification and repetition all over the world. While medical doctors and researchers spearhead the public health response, we need the mass media and all communications professionals to support the public awareness response. Flu shots and hospitals alone cannot win this battle.

For the first time in history, we have the means of rapid access to most of humanity. What we now need is clarity of message, credible messengers and sustained delivery.

I see this as an interesting – even if very risky – social experiment on the preventive powers of our 24/7 media and information devices. More than four billion mobile phones are in use, most of them in the developing world. Over one billion people connect to the web. We also have hundreds of radio and TV channels saturating the airwaves. Can these media peddle the right kind of awareness and inspire preventive action faster than the flu virus propagates itself? This is the classic race between education and catastrophe that H G Wells wrote about many decades ago!

We in Asia have some useful experiences from 2003 when the Severe Acute Respiratory Syndrome (SARS) affected much of the region. On that occasion, the media led a parallel front against the pandemic, delivering both preventive messages and helping care for those already infected.

TV playing nanny: How Asian broadcasters helped fight SARS

Precisely because rapid response is vital in a situation like SARS and swine flu, it’s the broadcast and online media that can provide timely and up-to-date coverage. It’s too early and too soon to compare media’s role in this crisis with SARS and other rapid-spread public health crisis of the past. Print media can also play a part in spreading general awareness, but they don’t have the speed and 24/7 outreach that we need for covering a crisis like this. Besides, in many parts of the world, newspapers and magazines are struggling to stay in business, coping with a terminal malady affecting their industry.

WHO's phases of a pandemic alert
WHO's phases of a pandemic alert

Channel News Asia at 10: Making of a pan-Asian news channel

Asian voice in a global village
Asian voice in a global village
“We’re the messenger for all the stories that might not have been told…that’s our job,” says Glenda Chong, the Shanghai-based China correspondent (and former anchor) of Channel NewsAsia (CNA), the Singapore-based Asian regional news broadcaster that just turned 10.

For a decade, CNA has covered Asia for Asians and the rest of the world. It has uncovered stories missed – or ignored – by other, global news channels. Just as important, it has also found the Asian voices and angles in mega stories originating from Asia that gripped the world’s attention — such as the outbreak of SARS, Indian Ocean tsunami, earthquakes in Sichuan and Kashmir.

Started on 1 March 1999 and owned by Singapore’s MediaCorp, CNA is now a major Asian news broadcaster with programmes telecast to more than 20 Asian countries and territories. Visit CNA’s 10th anniversary website for a look back…and forward.

“In the early days, when we talked about a news channel from Singapore, you could cut the cynicism with a knife,” said Woon Tai Ho, managing director of MediaCorp News.

That was inevitable for any media venture anchored in Singapore, ranked currently at 144 out of 173 countries in the World Press Freedom Index. But CNA has shown that geography need not be destiny.

Asians telling their own story
Asians telling their own story
In 10 years, it has emerged as a primary source of news in Asia, and along the way, has picked up a plethora of high-profile awards — including two silver medals at the New York Festivals 2009 and three awards at Asia Television Awards 2008.

Channel News Asia turns 10 – article in Today newspaper, Singapore: 2 March 2009

Started as a business news channel at the tail end of the Asian financial crisis of 1997, CNA later evolved into a fully-fledged news and current affairs channel covering all facets, aspects and territories of Asia – the world’s largest region, home to half of humanity. Map showing CNA geographical coverage

Ironically, CNA enters double-digits chronicling the region once again in the midst of a financial crisis, this time of global proportions and repercussions.

Unlike Al Jazeera English (AJE), the global news channel launched from Qatar in November 2006, CNA has relied on Asian talent for anchoring and reporting. While AJE has shamelessly and desperately tried to ape the BBC, CNA has forged its own identity in offering a world class product.

Whereas AJE tries so hard to please its audiences in Europe and North America (is it so anxious for western acceptance?), CNA has focused its energies in telling the myriad stories of emerging Asia primarily for Asia’s upwardly mobile, burgeoning middle classes.

For example, when an interviewee gives his/her views in a language other than English, Channel NewsAsia does not voice-over the original audio with an anglo-saxon voice like other major news channels do. Instead, an English subtitle appears, preserving and complementing the original audio.

At TVE Asia Pacific, we have had a positive experience of engaging this regional broadcaster. In late 2005, we were looking for a broadcast partner to co-produce a documentary looking back at the first year after the Indian Ocean tsunami through the eyes of eight survivor families – in India, Indonesia, Sri Lanka and Thailand – that we had tracked on video under the Children of Tsunami project. We had a mass of professionally and ethically filmed material, and a unique collection of stories we were keen to be amplified to the world.

When we approached Channel NewsAsia through a friend, they immediately welcomed the collaboration. They invested their time, resources and talent to edit Children of Tsunami: No More Tears, a half hour that distilled some of the stories that we had painstakingly captured for a year. No money changed hands. Legalities were kept to a minimum. CNA saw we had a story that was relevant and important for their viewers. They found the story authentic, as captured by local crews who spoke the language in each country and who lived through the traumas of the tsunami themselves (no ‘parachute film crews’ were involved). So CNA just did it — with none of the airs of pomposity and self importance that so characterise the BBC in any collaboration.

CNA producer Joanne Teoh Kheng Yau shared her experience in telling this story at a regional event we organised in December 2006. The full experience is now documented in a chapter in our book, Communicating Disasters: An Asia Pacific Resource Book.

Children of Tsunami: No More Tears was first broadcast globally on Channel NewsAsia in the last week of December 2005 to mark the tsunami’s first anniversary with this intro: “Young survivors of the Asian tsunami let us into their lives to personalise the mass of statistics, aid pledges and recovery plans. ‘Children of Tsunami’ is a tapestry of intimate stories, woven by voices of individual and collective resilience, heroism and recovery.”

Children of Tsunami: No More Tears Part 1:

MEAN Sea Level: An ironic film from the frontline of climate change

What does sea level rise mean to you and me?
What does sea level rise mean to you and me?
In October 2008, while attending an Asian regional workshop on moving images and changing climate in Tokyo, I had the chance to see Indian writer and film-maker Pradip Saha‘s latest film, MEAN Sea Level.

As I wrote at the time: “The few of us thus became the first outsiders to see the film which I found both deeply moving and very ironic. With minimal narration, he allows the local people to tell their own story. There’s only one expert who quickly explains just what is going on in this particularly weather-prone part of the world.”

The world’s rich are having a party, and millions living in poverty are the ones footing the bill. This is the premise of the film, which looks at the impact of climate change on the inhabitants of Ghoramara and Sagar islands in the the Sundarban delta region in the Bay of Bengal.

Almost 7,000 inhabitants have been forced to leave Ghoramara in the last 30 years, as the island has become half in size. The biggest island, Sagar which hosted refugees from other islands all these years is witnessing massive erosion now. 70,000 people in the 9 sea-facing islands are at the edge of losing land in next 15 years. For these people climate change is real.

As the sea level rises and takes with it homes and livelihoods in the delta, the villagers of Sagar are paying a hefty price for a problem that they did not create. Meanwhile, middle class India and the political elite are becoming aware of the problem of global warming, but prefer to look the other way.

I’m glad to note that the film is now being screened to various audiences and making ripples. By showing people – including those still not convinced about climate change – what sea level rise is already doing to poor people, the film is stretching the limits of debate and focusing attention on the need to act, not just talk.

It’s also creating ripples in environmental and/or human rights activist circles where all too often, passionate discussions don’t go very far beyond the rhetoric to bring in the real world voices and testimonies. Pradip’s film accomplishes this with authenticity and empathy yet, mercifully, without the shrill and overdose of analysis found in activist-made films. It powerfully and elegantly tells one of the biggest stories of our times.

Pradip Saha
Pradip Saha
In November 2008, Pradip showed and talked about his film at a screening organised by SACREDMEDIACOW (SMC), an independent postgraduate collective on Indian media research and production (and much more) at the School of Oriental and African Studies (SOAS) at the University of London. Before it started, Pradip told his audience to ‘forget that this is a documentary about climate change’ and just watch.

As one member of his audience, Sophia Furber, later wrote: “The film’s approach to climate change is completely non-didactic. Mean Sea Level is no acronym-fest sermon or disaster story, but an intimate portrait of a way of life which is on the verge of going underwater.”

In his day job as editor of Down to Earth magazine, published from India with a global outlook, Pradip excels in wading through the (rapidly expanding) sea of jargon and acronyms surrounding many topics related to science, environment and development. In typical style, his recently started blog is named alphabet soup @ climate dinner.

Read Sophia Furber’s account of SOAS screening in London

The more Pradip shares his film, the more people who notice the irony that I experienced in Tokyo. A short review by the Campaign against Climate Change says: “There is a greater irony. These poor people got nothing out of the economy that created climate change, nor do they contribute to global warming. Mean Sea Level is a testimony of reckless political economy of our times. Climate change is real, and only a sign of our recklessness.”

Last heard, Pradip was planning to screen MEAN Sea Level on Sagar Island so that the story’s participants can see the film for themselves. The idea was to power the event entirely through renewable energy sources, such as solar power.

I hope he will soon place his film – or at least highlights/extracts – online on YouTube or another video sharing platform. This film is too important to be confined to film festivals and public screenings. Whether it would also be broadcast on television in India and elsewhere, we’ll just have to wait and see. I won’t hold my breath on that one…


Down to Earth: Is climate changing? Yes, say Sundarbans Islanders

International Herald Tribune, 10 April 2007: Living on the Edge: Indians watch their islands wash away

Look carefully...
Look carefully...

Remembering the Children of Tsunami, four years later…

Jantakarn Thep-Chuay, known as Beam
Jantakarn Thep-Chuay, known as Beam

For many weeks, Jantakarn Thep-Chuay — nicknamed Beam -– did not understand why her father was not coming home. The eight-year-old girl, in Takuapa in Thailand’s southern district of Phang Nga, had last seen him go to work on the morning of 26 December 2004.

“On that Sunday, the day there was a wave, my dad wore his tennis shoes,” she recalls as she gets into his pair of sandals. “My dad didn’t have to do much work — he just walked around looking after workers.”

Beam’s father Sukaroak –- a construction supervisor at a new beach resort in Khao Lak –- was one of thousands of Thais and foreign tourists killed when the Asian Tsunami hit without warning. His body was never found.

For months, Beam would draw pictures of her family. These, and family photos of happier times, helped her to slowly come to terms with what happened.

The first year was long and hard for the family Sukaroak left behind: Beam, her two-year-old brother Boom, and mother Sumontha, 28. The determined young widow struggled to keep home fires burning -– and to keep her troublesome in-laws at bay.

As if that were not enough, she also had to engage assorted bureaucracies: even obtaining an official death certificate for her late husband entailed much effort.

Just a few weeks after the disaster, the local authorities approached Sumontha suggesting that she gives away one or both her children for adoption. Apparently a foreigner was interested. She said a firm ‘No’.

“Her dad wanted Beam to become an architect. He was hoping for a day when he could build something she draws,” says Sumontha. “If I am still alive, I want to raise my own children. I am their mother. For better or worse, I want to raise them myself.”

The Tsunami destroyed Beam’s school, but she continued to attend a temporary school set up with local and foreign help. Before the year ended, she moved to a brand new ‘Tsunami School’ that the King of Thailand built to guarantee education for all children affected by the disaster.

Sumontha, Beam and Boom are three ordinary Asians who have shown extraordinary courage, resilience and resourcefulness as they coped with multiple challenges of rebuilding their lives after the Tsunami. Theirs is one of eight families that we followed throughout 2005, under our empathetic communication initiative called Children of Tsunami: Rebuilding the Future.

It was a multi-country, multi-media project that tracked how ordinary Asians rebuilt their lives, livelihoods and futures after one of the biggest disasters in recent years. We at TVE Asia Pacific documented on TV, video and web the personal recovery stories of eight affected families in India, Indonesia, Sri Lanka and Thailand for a year after the disaster. Our many media products — distributed on broadcast, narrowcast and online platforms -– inspired wide ranging public discussion on disaster relief, recovery and rehabilitation. In that process, we were also able to demonstrate that a more engaged, respectful kind of journalism was possible when covering post-disaster situations.

where Children of Tsunami stories were filmed for much of 2005
Four countries, eight locations: where Children of Tsunami stories were filmed for much of 2005

Meet the Children of Tsunami

They have never met each other. Yet they were united first in grief, then in survival. Five girls and three boys, between 8 to 16 years of age, living in eight coastal locations in four countries. Their families were impacted by the Asian Tsunami in different ways. Some lost one or both parents -– or other family members. Some had their homes or schools destroyed. Others found their parents thrown out of a job. During the year, these families faced many hardships and challenges in rebuilding their futures.

These remarkable children were our personal heroes for 2005:
Selvam, 13, Muzhukkuthurai, Tamil Nadu state, India
Mala, 11, Kottaikkadu, Tamil Nadu state, India
Putri, 8, Lampaya, Aceh province, Indonesia
Yenni, 15, Meulaboh, Aceh province, Indonesia
Heshani, 13, Suduwella, southern Sri Lanka
Theeban, 14, Karaitivu, eastern Sri Lanka
Bao, 16, Kuraburi, Phang Nga district, Thailand
Beam, 8, Takuapa, Phang Nga district, Thailand

With their trust and cooperation, we captured their unfolding realities unscripted and unprompted.

Read and experience much more on the Children of Tsunami dedicated website

Filming with Theeban in eastern Sri Lanka...now only a memory
Filming with Theeban in eastern Sri Lanka...now only a memory

As I recalled in early 2007, when we tragically lost one of eight survivor children – Theeban – to Sri Lanka’s civil war: As journalists, we have been trained not to get too attached to the people or subjects we cover, lest they affect our judgment and dilute our objectivity. The four production teams involved in Children of Tsunami initially agreed to follow this norm when we met in Bangkok in early 2005 for our first (and only) planning meeting. We also resolved not to reward our participating families in cash or kind, as they were all participating voluntarily with informed consent.

“But the ground reality was different. 2005, Asia’s longest year, wore on. As survivors slowly patched their lives together again, our film teams found themselves becoming friends of families or playing Good Samaritan. Sometimes our teams would find a survivor family close to starvation and — acting purely as human beings, not journalists — they would buy dry rations or a cooked meal. At other times, finding the children restless or aimless, they would buy them a football, kite or some other inexpensive toy that would produce hours of joy and cheer.

“As commissioners and publishers of Children of Tsunami stories, we didn’t object to these acts of kindness. Journalism with empathy was far preferable to the cold detachment that textbooks recommend.

In 2007, my colleague Manori Wijesekera – who served as production manager of this challenging effort – and I wrote up our definitive account of the project for Communicating Disasters: An Asia Pacific Resource Book. That chapter can be read online here.

Children of Tsunami: The Journey Continues
(25mins) was the end-of-year film that captured the highlights and ‘lowlights’ of our families’ first year following the disaster. It can be viewed online at the Children of Tsunami website.

Children of Tsunami: No More Tears (25 mins) was the shorter version of the end-of-year film that captured the highlights and ‘lowlights’ of our families’ first year following the disaster. We co-produced it with the Singapore-based regional broadcaster Channel News Asia.

Watch the first few minutes on YouTube:

All images courtesy TVE Asia Pacific

Early Warning for Planet Earth: How to avoid mother of all Tsunamis!

Next tsunami could begin with this...
Next tsunami could begin with this...

Today marks the 4th anniversary of the Indian Ocean Tsunami of December 2004.

The tsunami was triggered by a massive quake that erupted off the coast of Sumatra, and 6 miles deep under the Indian Ocean’s seabed. The estimated 9.1 to 9.3 magnitude earthquake was the strongest in 40 years and the fourth largest in a century. The U.S. Geological Survey later estimated that the amount of energy released was equivalent to the energy of 23,000 Hiroshima-type atomic bombs.

Despite a lag of up to several hours between the earthquake and the impact of the tsunami, nearly all affected people were taken completely by surprise. There were no tsunami warning systems in the Indian Ocean to detect tsunamis or to warn those living on the Indian Ocean rim areas. This cost the lives of over 225,000 people in 11 countries — many of who could have lived if only they had a timely warning to rush inland.

In the past four years, there have been various efforts to set up such early warning systems – as well as effective ways to deliver credible warnings to large numbers of people quickly. These are meant to provide 24/7 coverage to Indian Ocean countries in the same way the Pacific Tsunami Warning Centre has been covering Pacific Ocean countries for many years.

All this is necessary – but not sufficient – to guard ourselves against future tsunamis. For it’s not just earthquakes undersea that can trigger tsunamis. An asteroid impact could trigger the mother of all tsunamis that can impact coastal areas all over the planet.

An asteroid that struck the Earth 65 million years ago wiped out the dinosaurs and 70 per cent of the species then living on the planet. The destruction of the Tunguska region of Siberia in June 1908 – whose centenary was marked this year – is known to have been caused by the impact of a large extraterrestrial object.

Space artist David Hardy's vision...
Space artist David Hardy's vision...
When discussing the possible consequences of asteroid impacts on Earth, more attention has been given to the destruction it can cause by such a falling piece of the sky hitting inhabited areas of land. Some people seem to be comforted by the fact that two thirds of the planet’s surface is ocean — thus increasing changes that an impact would likely happen at sea.

In fact, we should worry more. Duncan Steel, an authority on the subject, has done some terrifying calculations. He took a modest sized space rock, 200 metres in diameter, colliding with Earth at a typical speed of 19 kilometres per second. As it is brought to a halt, it releases kinetic energy in an explosion equal to 600 megatons of TNT — 10 times the yield of the most powerful nuclear weapon tested (underground). Even though only about 10 per cent of this energy would be transferred to the tsunami, such waves will carry this massive energy over long distances to coasts far away. They can therefore cause much more diffused destruction than would have resulted from a land impact. In the latter, the interaction between the blast wave and the irregularities of the ground (hills, buildings, trees) limits the area damaged. On the ocean, the wave propagates until it runs into land.

Scientists have been talking about asteroid impact danger for decades. Arthur C Clarke suggested – in his 1973 science fiction novel Rendezvous with Rama – that as soon as the technology permitted, we should set up powerful radar and optical search systems to detect Earth-threatening objects. The name he suggested was Spaceguard, which, together with Spacewatch, has now been widely accepted.

In November 2008, a group of the world’s leading scientists urged the United Nations to establish an international network to search the skies for asteroids on a collision course with Earth. The spaceguard system would also be responsible for deploying spacecraft that could destroy or deflect incoming objects.

The group – which includes the Royal Society president Sir Martin Rees and environmentalist Sir Crispin Tickell – said that the UN needed to act as a matter of urgency. Although an asteroid collision with the planet is a relatively remote risk, the consequences of a strike would be devastating.

Not if, but when...
Not if, but when...
The International Panel on Asteroid Threat Mitigation, chaired by former American astronaut Russell Schweickart, urged: “The international community must begin work now on forging three impact prevention elements – warning, deflection technology and a decision-making process – into an effective defence against a future collision.”

Read more media coverage and commentary at:
The Guardian, 7 Dec 2008: UN is told that Earth needs an asteroid shield
World Changing, 10 Dec 2008: Giant asteroids and international security

This is exactly the message in an excellent documentary called Planetary Defence made by Canadian filmmaker M Moidel, who runs the Space Viz production company. Over the past many months, the film has been screened at the United Nations, on various TV channels and at high level meetings of people who share this concern.

Its main thrust: Scientists and the military have only recently awakened to the notion that asteroid impacts with Earth do happen. Planetary Defense meets with both the scientific and military communities to study our options to mitigate an impact. It makes the pivotal point: “Civilization is ill prepared for the inevitable. It’s not if an impact will happen with the Earth, it’s when!”

In such an event, the film asks, who will save Earth? The 48 minute documentary explores the efforts underway to detect and mitigate an impact with Earth from asteroids and comets, collectively known as NEO’s (Near Earth Objects).

Watch the trailer of Planetary Defence on YouTube:

Neil deGrasse Tyson, Astrophysicist and Director, American Museum of Natural History, in New York, says: “Planetary Defense, the film, is a documentary that explores how ill-prepared we are to prevent our own extinction from asteroid and comet impacts. Filmmaker M Moidel interviewed all the right people, asked them all the right questions, and leaves the viewer scared for our future, but empowered to do something about it.”

Read more about the film at Space Viz Productions website

Although we have never met, I have been in email contact with M Moidel for several years. I know how deeply committed he is to each of his documentary projects. Working on incredibly tight budgets and performing multiple tasks on his own, this brilliant Canadian has made some eminently accessible, timely and captivating documentaries on ‘big picture’ topics such as the search for intelligent life in the universe, the future of space exploration and, of course, coping with asteroid impacts.

Sir Arthur C Clarke, interviewed on some of Moidel’s films, including Planetary Defence, has highly commended his efforts.

Sir Arthur, whose Sri Lankan diving school was destroyed by the 2004 tsunami, wrote a few days after the disaster:

“Contrary to popular belief, we science fiction writers don’t predict the future — we try to prevent undesirable futures. In the wake of the Asian tsunami, scientists and governments are scrambling to set up systems to monitor and warn us of future hazards from the sea.

“Let’s keep an eye on the skies even as we worry about the next hazard from the depths of the sea.”

Climate change and copyrights: What intellectual property on a dead planet?

Twenty centuries ago, Emperor Nero fiddled while Rome burned. Today, some media companies are squabbling over copyrights while the planet is warming.

This is the main thrust of my latest op ed essay, just published by the Science and Development Network (SciDev.Net) anchored in London, UK. It’s titled: Planet before profit for climate change films.

I have adapted for this commentary some of my ideas initially expressed on this blog – especially the post on 12 Oct 2008: Climate in Crisis and planet in peril – but we’re squabbling over copyrights!

Broadcasting on a warming planet
Broadcasting on a warming planet

In writing this essay, I’ve also drawn on the excellent discussions we had last month during the Asia Pacific workshop on Changing Climate and Moving Images in Tokyo.

I’m challenging broadcasters to put their money where their mouth is.

Here’s an excerpt:

“Broadcast mandarins routinely support global struggles against poverty, HIV, corruption and climate change by offering free airtime to carry public interest messages. But few let go of their own products on these very subjects for non-broadcast uses.

“Making climate change a ‘copyright free zone’ for media products would increase the resource materials available to thousands of educators, social activists and trainers struggling to communicate this complex topic to audiences across the world. Moving images would make their task easier.

“The climate crisis challenges everyone to adopt extraordinary measures. Broadcasters and film-makers need to balance their financial interests with planetary survival.

“What use is intellectual property on a dead planet?”

Read my full essay on SciDev.Net: Planet before profit for climate change films.

In September 2006, speaking at the United Nations headquarters (photo below), I called for poverty to be recognised as a copyright free zone. The idea was to have broadcasters and other electronic publishers release copyrights on TV, video and online content relating to poverty and development issues -– at least until (MDG target year of) 2015.

The TV broadcast and film communities have reacted to this proposal with disdain or indifference, but I keep badgering on. If poverty didn’t motivate broadcasters to change business as usual, I hope, the planetary threat posed by climate change would.

Standing on Al Gore’s Shoulders: Moving images in the climate debate

And the winner is...
And the winner is...

Al Gore used to have a reputation as a very smart man who was very stiff and aloof especially in his public speaking.

I didn’t notice this the only time I listened to him in person, at an environmental journalists conference at MIT in Boston, Massachusetts, in the Fall of 1995. Perhaps because he was speaking to a group of over 200 journalists, Gore was especially charming. He delivered a well prepared speech passionately, and then took a dozen questions.

I still remember one incident during question time. A Bangladeshi participant lined up to ask him something and started addressing him as ‘Mr President’. Gore smilingly interjected: ‘Not yet!’. The journalist, not the least shaken by his slip of the tongue, said: ‘Well, I hope you will be one day!’.

Well, that day came…and it was not to be. Gore won the popular vote in the 2000 presidential election but lost the presidency in a bizarre series of events that had the rest of the world gasping.

All that sounds so long ago, now that Gore has emerged as the world’s best known climate crusader. There are many who feel that he is more effective in his current role than as a politician.

His 2006 film, An Inconvenient Truth, helped move the climate change debate forward in a decisive manner.

Whatever we might think about the film’s artistic and technical merits, I’m glad it has settled one question: can a single film make a difference in tipping public opinion about a matter of global importance?

The answer, where climate change is concerned, is a resounding yes!

For sure, the film arrived at a time when the climate change debate had been going on for nearly two decades. Scientific evidence was mounting for human responsibility for accelerated changes in our climate. Political and business leaders, in denial for years, were finally beginning to take note — perhaps sensing votes or dollars.

Official film poster
Official film poster
Coming in at the time it did — in the Summer of 2006 –- Al Gore’s film tipped the public opinion to agree that climate change was for real and responses were urgently needed.

“It is now clear that we face a deepening global climate crisis that requires us to act boldly, quickly and wisely,” says the former US Vice President introducing his film.

An Inconvenient Truth focuses on Al Gore and his travels in support of his efforts to educate the public about the severity of the climate crisis. Gore says, “I’ve been trying to tell this story for a long time and I feel as if I’ve failed to get the message across.”

The film closely follows a Keynote presentation (dubbed “the slide show”) that Gore presented throughout the world. It intersperses Gore’s exploration of data and predictions regarding climate change and its potential for disaster with Gore’s life story.

An Inconvenient Truth is not a particularly stunning or dramatic documentary. Some have called it a ‘dramatised PowerPoint presentation’ (although Gore actually uses Apple’s Keynote presentation software). There aren’t cuddly animals, deadly chemicals, forest infernos or gory animal hunts that make environmental films appeal to a mass audience.

In fact, it hangs together — and sustains for nearly an hour and a half — due to the sheer star power of Al Gore. And when we take a closer look, we see how hard Gore and his team at Participant Productions have tried to engage audiences.

The film, made on a budget of around US$1 million (modest by Hollywood standards) went on to earn US$49 million at the box office worldwide. As at late 2008, it ranks as the fourth-highest-grossing documentary film in the United States, after Fahrenheit 9/11, March of the Penguins and Sicko.

I first saw An Inconvenient Truth at a cinema in Virginia, USA, while it was still on its initial theatrical release in the Fall of 2006. I reviewed it in early 2007, and recently returned to discussing the film during a presentation I made to our Asia Pacific regional workshop on changing climate and moving images, held in Tokyo in early October 2008.

My thrust was: now that Al Gore and his film have helped turn the climate debate, how can we continue to use moving images in search of solutions? In other words, how do we stand on the shoulders of Al Gore?

Another excellent film on climate change
The Great Warming: Another excellent film on climate change

I looked back at Gore’s film and another excellent Canadian film that came out the same year, The Great Warming. Discussing their merits, I noted how both films appeal as much to our emotions as they do to our rational intellect. “Facts, figures and analysis alone cannot engage a diverse, sometimes sceptical or indifferent audience. That’s why they try a different approach: appealing to the emotions.”

Here are some excerpts from my remarks:

We often see environmental documentaries failing to engage audiences because they pack too much information, or worse, preach too heavily and directly. Some film-makers feel strongly that they must ‘inform and educate’ their viewers at all costs.

To engage people, both are needed
To engage people, both are needed
It’s story telling that works best with moving images –- and what better stories to tell than the personalised ones of real people dealing with real world problems and challenges?

With ‘moving images, moving people’ as our slogan, we at TVE Asia Pacific believe in the power of well-made films to reach out to people’s hearts and minds.

Our experience shows that moving images can indeed move people, but only when:
• They are used in the right context;
• They form part of a bigger effort or campaign;
• Audio-visual’s strengths are maximised; and
• Audio-visuals limitations are properly recognised.

It’s the combination of broadcast and narrowcast spheres that has a better chance of changing people’s attitudes and, ultimately, their behaviour.

Read the full presentation here:
standing-on-al-gores-shoulders-nalaka-gunawardene-speech-in-tokyo-4-oct-20081