Moji Riba and Mountain Eye: A digital time capsule

Moji Riba capturing living cultural heritage before it's too late...
A race against time: Moji Riba capturing living cultural heritage before it's too late...

When young Moji Riba started taking an interest in video cameras and filming, his father was a bit concerned.

“I don’t want my son to end up as a cameraman,” he said, reflecting on the fact that a videographer was considered to be no more than a skilled worker in some sections of Indian society.

He need not have worried. Moji went on to become both a well respected film maker and a teacher of mass communications. But more importantly, he has turned his skill into capturing and preserving the highly diverse cultures and traditions of his home state of Arunachal Pradesh in India’s north-east.

Working below the mainstream media’s radar and improvising with available resources, Moji has been engaged in this pursuit passionately and diligently for nearly a dozen years. These efforts finally came into global spotlight in November 2008 when he was selected for a prestigious Rolex Award for Enterprise.

Rolex recognised Moji for ‘helping to preserve and document the rich cultural heritage of India’s Arunachal Pradesh tribes’. He was among the 10 winners of the 2008 Rolex Awards, which for more than 30 years have supported pioneering work in science and medicine, technology and innovation, exploration and discovery, the environment and cultural heritage.

Moji Riba accepting Rolex Award 2008 in Delhi
Moji Riba accepting Rolex Award 2008 in Delhi
The award was presented to him at a simple ceremony held in New Delhi on 22 January 2009. I was glad to be a ‘fly on the wall’ on that joyous occasion, when Moji and fellow winner Romulus Whitaker were felicitated.

Accepting his award certificate and Rolex chronometer, Moji said: “In the end, this award is not about material rewards. Our most important gain was the process of the application and evaluation which were so intense and demanding that we have had to go through a lot of introspection.”

He added: “That process made us pause and ask ourselves: why are we doing our work, are we doing it right and what results are we going to achieve. That was worth a great deal for us.”

In his short and witty acceptance speech, Moji thanked everyone who has believed and supported his team’s work. His wife Purnima and two young children were there, along with several friends some of who had especially flown in for the occasion. Moji acknowledged his father, who, alas, didn’t live to share this proud moment.

Through a rigorous and discerning selection process, Rolex Awards support path-breaking work in progress, giving laureates new momentum and recognition. In the 2008 award cycle, Moji was one of 10 enterprising individuals chosen from among nearly 1,500 applicants in 127 countries by an independent panel of scientists, educators, economists and other experts.

Barbara Geary of Rolex Awards secretariat, Romulus Whitaker, Moji Riba & Yogesh Shah, CEO of Rolex India
L to R: Barbara Geary of Rolex Awards secretariat, Romulus Whitaker, Moji Riba & Yogesh Shah, CEO of Rolex India

Enthused by the Rolex Award, Moji will return to pursue his most ambitious project yet to preserve the living cultural heritage of Arunachal Pradesh, home to 26 major tribal communities. Each one has its own distinctive dialect, lifestyle, faith, traditional practices and social mores. They live side by side with about 30 smaller communities. Moji sees this richness “like a wonderful shawl woven in a myriad of colours and patterns”.

In recent years, this heritage has come under pressure from economic development, improved means of communication, the exodus of the young and the gradual renunciation of animist beliefs for mainstream religions. Instead of challenging these larger processes beyond anybody’s control, Moji is trying to harness digital technology to capture at least the essence of it for posterity.

That’s the basic idea behind the Mountain Eye Project, an unconventional initiative of his Centre for Cultural Research and Documentation (CCRD) based in Naharlagun. Magic Eye aims to create a ‘cinematic time capsule’ documenting a year in the life of 15 different ethnic groups.

Moji will train young people from each community to do the filming. This gives him access to enough film-makers as well as access to people with an intimate understanding of village life. Beginning in early 2009, these novice film-makers will capture a broad range of the tribes’ oral histories, as well as the rituals, ceremonies and festivals that take place over a year in their villages.

Moji expects to collect about 300 hours of film per village, all of which will be recorded and archived in their native languages. He believes that the resulting 4,000+ hours of video will provide an invaluable record of life as it has been lived in his state for centuries. The project will also engage scholars belonging to the 15 tribes from the Rajiv Gandhi University at Itanagar to analyse and translate this vast amount of data and organize it in a publicly accessible database.

This innovative work epitomises the spirit of Rolex Awards, which nurture excellence in individuals who often work against many odds — determined women and men lighting a few candles on their own, instead of just cursing the darkness…

As I enjoyed the company of Moji, Romulus and their many admirers well into Delhi’s chilly evening, these words the Malaysian social and environmental activist Anwar Fazal kept turning in my mind: “In a world that is increasingly violent, wasteful and manipulative, every effort at developing islands of integrity, wells of hope and sparks of action must be welcomed, multiplied and linked…”

L to R - Yogesh Shah, Moji Riba, Nalaka Gunawardene
One more shot: L to R - Yogesh Shah, Moji Riba, Nalaka Gunawardene

Barack Obama: President of the New Media World – and watch out for those citizen journalists!

His own brand...
His own brand...
Inauguration Day is finally here! Today, 20 January 2009, Barack Obama will be sworn in as the 44th President of the United States of America.

Obama campaigned – and won – on the core promise of change. And even before he moved into the White House, he achieved many firsts. Among them was being the first American leader to understand the power of new media and to use it effectively to harness both campaign contributions and, eventually, votes.

On 6 November 2008, soon after the election results were confirmed, we noted how Obama had just been elected ‘President of the New Media world’. I explained: “Obama’s rise has epitomised change in many ways. Among other things, he is the first elected leader of a major democracy who shows understanding and mastery over the New Media World, which is radically different from the old media order.”

Of course, others had different takes on the same outcome. One of the funniest was by The Onion, which proclaimed: Black Man Given Nation’s Worst Job.’ It read, in part: “African-American man Barack Obama, 47, was given the least-desirable job in the entire country Tuesday when he was elected president of the United States of America. In his new high-stress, low-reward position, Obama will be charged with such tasks as completely overhauling the nation’s broken-down economy, repairing the crumbling infrastructure, and generally having to please more than 300 million Americans and cater to their every whim on a daily basis.”

The sheer magnitude of Obama’s challenges has become clearer in the weeks following the historic election. While the economy will certainly dominate his agenda, he will also have to live up to the many expectations of hope that his campaign sparked off in hundreds of millions of people — and not just in the United States.

How will the ‘President of the New Media world’ remain engaged with the millions of conversations taking place 24/7 on the web and through mobile devices? Is this realistically possible given his roles as the chief executive of beleaguered America, Inc., and commander-in-chief of the world’s only superpower?

Already, there is much interest whether security concerns and legal requirements will allow Obama to keep using his BlackBerry, to which he admits being addicted. “I’m still clinging to my BlackBerry,” Obama said only a few days ago in an interview with The New York Times. “They’re going to pry it out of my hands.”

The new face of Hope
The new face of Hope
More to the point, how long will the mainstream media’s honeymoon with the new President last? And how will citizen journalists, many of who cheerled Obama in his long and arduous campaign, now relate to their man in Washington DC? Can the Obama Administration strike deals with citizen journalists as every administration has done with the mainstream media over the decades? Outside the strict security cocoon of the White House, will this presidency ever be able to have any moments ‘off the record’ with every digitally connected person being a potential citizen journalist?

Remember how his comments about “bitter” small-town Americans clinging to their guns and religion — uttered at a ticket-only and supposedly no-media San Francisco fund-raiser during the campaign — came to be publicised? And that, too, by a pro-Obama blogger writing on the openly pro-Democratic blogger site Huffington Post!

Then there’s the power of moving images moving around online as broadband rolls out across the planet, and speeds improve to support real time video-watching. The day Americans went to the polls to elect Obama, we recalled the hugely popular Obama Girl (‘I got a crush on Obama’) – an internet viral video, first posted on YouTube in June 2007 – and asked Can this little video change history? We had our answer within 24 hours.

While Obama Girl was a well-edited, slick campaign-boosting video released online, the thousands of citizen-filmed videos being posted online are not. And yet, in that no-frills mode, some bring out public interest concerns that have implications for public policy debates and/or law enforcement.

A current example is the sad case of Oscar Grant, a young, unarmed black man who was fatally shot by police officers while laying face-down on a BART subway platform in Oakland, California, on 31 December 2008. Several citizens filmed the incident on their mobile phones. Three separate videos, circulating online at a rapid pace, show various angles and stages of the incident. See one of them here. These have already put the spotlight on police conduct and may influence the judicial process.

President Obama arrives at the White House to lead the executive of a nation that is unlike any his predecessors faced. His inauguration will be the most digitised, but that’s only the beginning. For four or eight years, Obama’s every move, word and gesture will be captured, dissected and debated to exhaustion by admirers and detractors alike. And his administration will be under scrutiny by thousands of citizen journalists who don’t share much except the digital platforms and social networks on which they post their impressions.

Welcome to the New Media Presidency. The hard work – and real fun – begin now!

Watch this cyberspace…

Anyone can make video film, right? Why do we need professionals?

Anyone can cook, right?
Anyone can cook, right?

I really enjoyed the Disney/Pixar film Ratatouille (2007), which won the year’s best animated feature film Oscar award and deserved it.

Here’s the plot summary from IMDB: Remy is a young rat in the French countryside who arrives in Paris, only to find out that his cooking idol is dead. When he makes an unusual alliance with a restaurant’s new garbage boy, the culinary and personal adventures begin despite Remy’s family’s skepticism and the rat-hating world of humans. Read full synopsis on IMDB

The movie opens with a TV show featuring Chef Auguste Gusteau, owner of the best restaurant in Paris, talking about his bestselling cookbook, which proudly bears his mantra “Anyone Can Cook!”

Well, that’s heretical to the fine artistes of gourmet. But it’s revived the age old debate between fully-trained professionals and new-entrant amateurs, and inspired some interesting discussions online. One blogger thought: “Remy the rat is a perfect metaphor for the non-expert Web 2.0 knowledge maker. He has no credentials and must prove himself through his actual knowledge and application of knowledge rather than through credentials.”

He added: “What’s the moral of the story? Even without being an acknowledged expert on a topic, if you work hard to express your ideas in clever ways, you too can be respected for what you know.”

I’ve only just read these views, but they resonate with what I felt when I watched the movie in late 2007. The story certainly reminded me of a heated debate in my own field of moving images: can anybody and everybody make video, now that the tech barriers and costs have come down? If this is the case, what’s the point of having highly trained, better paid professionals who do it for a living?

I shan’t try to resolve that debate here. But here’s an interesting take on the debate from the Onion News Network. They report: YouTube is offering a cash prize to the first user to upload a video with a shred of originality or artistic merit.

Michael Crichton (1942-2008): Foresaw the fate of ‘Mediasaurus’

Death has no sense of timing, but it sometimes leaves traces of irony. The day Americans were electing an energetic and articulate senator from Chicago as their next president, one of Chicago’s most celebrated citizens lost his battle with cancer.

Michael Crichton
, who died on 4 November 2008, was trained as a medical doctor but played several roles in the creative arts world. He was a prolific author of science fiction and medical fiction, whose books have sold over 150 million copies worldwide. He also produced and directed techno-thriller movies, and was the creator of the highly successful medical drama series on television, ER (Emergency Room), now in its 15th season.

In the domain of popular culture, Crichton was best known for writing Jurassic Park (1990). This cautionary tale on unrestrained biological tinkering was turned into a blockbuster movie by Steven Spielberg in 1993. It became the highest earning film up until that time.

Before and since, Crichton used his technical training, vivid imagination and mastery of English to spin some of the most enjoyable – and scary – stories that often depicted scientific advancements going awry, resulting in the worst-case scenarios. A notable recurring theme in Crichton’s plots is the pathological failure of complex systems and their safeguards, whether biological (Jurassic Park), military/organizational (The Andromeda Strain), technical (Airframe) or cybernetic (Westworld).

Crichton was also a talented essayist who wrote perceptive pieces of non-fiction about science, society and culture – including the role of media. It is one such essay that I would like to recall in his memory.

The media world was very different when, in 1993, Crichton riled the news business with an essay titled “Mediasaurus“. In this essay, written for the newly launched Wired magazine, he prophesied the death of the mass media — specifically the New York Times and the American commercial TV networks.

“To my mind, it is likely that what we now understand as the mass media will be gone within ten years. Vanished, without a trace,” he wrote.

Building on his credentials as the author of a best-seller on dinosaurs, Crichton called this endangered beast ‘mediasaurus’.

Mediasaurus - courtesy Slate
Mediasaurus - courtesy Slate
He added: “There has been evidence of impending extinction for a long time. We all know statistics about the decline in newspaper readers and network television viewers. The polls show increasingly negative public attitudes toward the press – and with good reason.”

He talked about technological advances — “artificial intelligence agents roaming the databases, downloading stuff I am interested in, and assembling for me a front page” — that would drive the mediasaurus to their inevitable doom.

Only those nimble, adaptable media products would survive, he said, noting that CNN and C-SPAN were steps in the right direction, giving viewers direct access to events as they happen.

But he had no sympathy for the media. “The media are an industry, and their product is information. And along with many other American industries, the American media produce a product of very poor quality. Its information is not reliable, it has too much chrome and glitz, its doors rattle, it breaks down almost immediately, and it’s sold without warranty. It’s flashy but it’s basically junk. So people have begun to stop buying it.”

Read the full essay: Mediasaurus by Michael Crichton, Wired Oct/Nov 1993

Like most people who dabble in the imperfect art of foreseeing the future, Crichton got the trend right but the timing somewhat wrong. The mainstream media (MSM) were indeed on the decline but not at the dramatic rate that he envisaged.

In February 2002, Jack Shafer wrote a piece in the online magazine Slate titled “Who You Calling Mediasaurus?” Its subtitle was: “The New York Times dodges Michael Crichton’s death sentence”. It asked and tried an answer the question: Where did Crichton go wrong?

Shafer wrote: “Fables of the near future have a way of never materializing, whether they be fevered dreams of nuclear energy too cheap to meter or fossil fuels too expensive to burn. To be fair, Crichton wasn’t the only one to get puking drunk on the new media moonshine. Many of us spent a lost weekend—sometimes months—in a stupor after reading early issues of Wired. But instead of blotting out conventional media, the emerging Infotopia seems only to have made the conventional media more ubiquitous.”

Shafer asked: “Who would have predicted in 1993 that America’s great dailies (minus the Wall Street Journal) and the news networks would dodge both extinction and irrelevance by erecting Web sites overnight and giving their content away? That they would use their Web sites to keep us informed 24-hours-a-day in a way that we take for granted today but that would have astonished us nine years ago?”

In an email interview with Shafer at the time, Crichton acknowledged his own limitations: “I don’t have a lot invested in whether my predictions are right or wrong; I assume that nobody can predict the future well. But in this particular case, I doubt I’m wrong, it’s just too early.”

In that interview, Crichton said he wished he had foreseen “the effect of big media conglomerates combined with the universal decision to make news into entertainment. It’s all headlines and chat now. Factual content is way down, accuracy has vanished (it’s not even a goal any longer), and public confidence in media is at an astonishing low. Not surprisingly, audiences are shrinking.”

Crichton admitted at the time that the personalized ‘infotopia’ he envisioned in 1993 had yet to arrive. He scoffed at the Web for being too slow. “Its page metaphor, too limiting. Design, awful. Excessive hypertexting, too distracting. Noise-to-signal ratio, too high.”

Who succeeds mediasaurus?
Who succeeds mediasaurus?
Now fast-forward to May 2008. The same Jack Shafer, once again writing in Slate, published a piece titled “Michael Crichton, Vindicated”. It was introduced as: “His 1993 prediction of mass-media extinction now looks on target”.

In this essay, Shafer wrote: “As we pass his prediction’s 15-year anniversary, I’ve got to declare advantage Crichton. Rot afflicts the newspaper industry, which is shedding staff, circulation, and revenues. It’s gotten so bad in newspaperville that some people want Google to buy the Times and run it as a charity! Evening news viewership continues to evaporate, and while the mass media aren’t going extinct tomorrow, Crichton’s original observations about the media future now ring more true than false. Ask any journalist.”

Read Jack Shafer’s full interview with Michael Crichton in Slate, May 2008

the weapon that killed Mediasaurus
Revealed: the weapon that killed Mediasaurus
By this time, Crichton was more positive about the web. He noted that the Web has “made it far easier for the inquisitive to find unmediated information, such as congressional hearings.” It’s much faster than it used to be, and more of its pages are professionally assembled.

Crichton suggested that readers and viewers could more objectively measure the quality of the news they consume by pulling themselves “out of the narcotizing flow of what passes for daily news.” Look at a newspaper from last month or a news broadcast.

“Look at how many stories are unsourced or have unnamed sources. Look at how many stories are about what ‘may’ or ‘might’ or ‘could’ happen,” he said. “Might and could means the story is speculation. Framing as I described means the story is opinion. And opinion is not factual content.”

He summed it up with something we already know: “The biggest change is that contemporary media has shifted from fact to opinion and speculation.”

It was interesting to note how mainstream media outlets paid tributes to Crichton this week. He was remembered for the entertaining story teller he truly was, and some even questioned his mixed legacy, for example being an ardent skeptic of global warming – thus batting for the fossil fuel cartels even if only inadvertently.
But I could find few references to his perceptive critique of the mass media.

Who says media likes to turn the spotlight on itself?

PS: I was intrigued to see The New York Times’ reasonably benign obit on the author who predicted their demise. Here’s a collection of Times commentary on him – and some op eds he wrote for them.

Barack Obama: Just elected President of the New Media world

President Obama and the call at 3 am...
President Obama and the call at 3 am...

“Congratulations for restoring sanity and intelligence to Washington…and giving the world its first President. Real hard work begins now. Look after him!”

This was my brief message to American friends soon after they elected Barack Obama as the 44th President of the United States of America.

It was entirely appropriate that I sent this message via mobile phone text (SMS). For Obama’s trail-blazing campaign to the White House used the new media innovatively while also using the old media (such as broadcast television) in a complementary manner.

Obama’s rise has epitomised change in many ways. Among other things, he is the first elected leader of a major democracy who shows understanding and mastery over the New Media World, which is radically different from the old media order.

As AFP reported in a story titled ‘Obama surfs the web to the White House‘: “Social networks and Twitter messages may have helped but analysts agree it was the Democrat’s impressive online organization and Internet fund-raising that fueled his victory over Republican John McCain in Tuesday’s election.”

It quoted Julie Germany, director of George Washington University’s Institute for Politics Democracy & the Internet, as saying: “No one’s going to say Obama won the election because of the Internet but he wouldn’t have been able to win without it. From the very beginning the Obama campaign used the Internet as a tool to organize all of its efforts online and offline. It was like the central nervous system of the campaign.”

Both Obama and McCain campaigns had slick websites and TV campaigns. But additionally, Obama inspired thousands of web-savvy volunteers to extend his message way beyond the official outreach. Doing so risked diluting the campaign or losing tight control, but that gamble paid off.

Al Gore, US vice president from 1992 to 2000, also understood the potential of new media, especially the transformative nature of the Internet. But at the time he was in office, the new media tools were not being used by sufficiently large numbers of people for it to make a difference in political campaigning or citizen engagement.

Both the timing and technologies favoured Obama, who successfully tapped into Digital Natives — those relatively younger people who have grown up with digital technology such as computers, the Internet, mobile phones and MP3. (In contrast, Digital Immigrants are those individual who grew up without digital technology and adopted it later.)

But as many commentators are pointing out, the real fight has just begun. It remains to be seen how Obama and his team use New Media tools, platforms and potential to deliver the promise of change.

Meanwhile, my own favourite cartoon of Obama election is the one above – and funnily enough, it concerns a piece of old technology: the good old fixed phone. If you recall, in long-drawn campaign for Obama to secure Democratic Party nomination, his rival Hillary Clinton ran this TV commercial which peddled her credentials for being familiar with the corridors of power.

It’s 3 AM and your children are safe and asleep. But there’s a phone in the White House and it’s ringing.
Something’s happening in the world. Your vote will decide who answers that call…


Hillary’s original ad:

Obama’s official response:

There were various unofficial spoofs created by Digital Natives who love to play with new media tools. Just run a search for ‘3 am’ or ‘red phone’ on YouTube and you can watch many of these online!

By the way, isn’t it time that the old-fashioned Red Phone in the White House – the American President’s Hotline to save the world – was replaced with a more modern looking instrument? One more thing for the New Media President Obama…

Obama Girl: Can this little video change history?

Is this the face that launches a revolution?
Is this the face that launches a revolution?

November 4 is already here in Asia – and the day will dawn a few hours later in the United States. Today is the day Americans go to the polls to choose their next President.

In less than 48 hours, we’ll know who the winner is. All the polls of US voters suggest that it would be Senator Barack Obama. Surveys in different parts of the world also indicate how so many people expect him to win. And I certainly want him to win!

But after what happened with the 2000 US Presidential Election, I hesitate to draw any conclusions.

Whatever the outcome of today’s election, one thing is for sure: a little campaign video by a relatively little known actress and model changed the face of Campaign 2008.

“I Got a Crush… on Obama”
is an internet viral video, first posted on YouTube in June 2007 featuring a young woman seductively singing of her love for Illinois Senator and presidential candidate Barack Obama.

Produced by BarelyPolitical.com, a website for funny political videos, it featured actress and model Amber Lee Ettinger who lip-synched the song which was actually sung by Leah Kauffman (of “My Box in a Box” fame).

This video was named biggest web video of 2007 by People magazine…the AP…Newsweek…and AOL. It certainly helped to project Obama as a cool and hip candidate.

As we wait for democracy to take its course, here’s that history-making viral video, which has been watched on YouTube more than 10 million times…and counting:

These are the principal credits:
Created by: Ben Relles
Starring: Amber Lee Ettinger
Vocals: Leah Kauffman
Music Producer: Rick Friedrich
Directed by: Larry Strong and Kevin Arbouet.

Visit Obama Girl’s blog

And finally, if any of you feel anything at all for the incumbent who is about to be relegated to the dustbin of history, here’s a wicked video from the same creators called: Lil’ Bush Girl…Meet Obama Girl
(Caution: it’s not for the prim and proper, but then readers of this blog aren’t!).

‘War for the Whitehouse’: Obama, McCain and The Onion

Onion News Network - for news you can't afford to miss
Onion News Network - for news you can't afford to miss

The American presidential election race is entering its last lap. And the world watches the campaign trail with baited breath.

Democratic presidential candidate Barack Obama enjoys more international support than his Republican rival John McCain, as most people outside the US prefer the Democrat leader to become next US president, according to a BBC poll in September 2008. Most of the people questioned in the global poll conducted by international polling institute GlobeScan believe that US relations with the rest of the world would improve under the presidentship of Obama.

While so much of American and international news media time is being spent on covering the campaign and various opinion polls, some comic relief comes from The Onion – that wickedly funny and innovative website which now produces a steady stream of videos spoofing the news media’s worse excesses.

The Onion calls it the ‘War for the White House’ and has set up its ‘election analysis bunker’ from where its intrepid reporters are bringing us news that you – and major news organisations – have somehow managed to miss. They call is Onion News Network, ONN for short.

They’ve been doing it for the better part of a year, and here are some of my favourites from The Onion YouTube channel:

Caution: There’s a slight bias towards Senator Obama in some of these news reports, but then, he’s been the liberal media’s darling for much of this campaign year.

October 2008: McCain Left On Campaign Bus Overnight
Campaign officials downplayed the incident, saying the senator was fine as soon as he was fed and taken to the bathroom.

October 2008: Gifted Youngster Sells Cookies To Buy Attack Ad
In this installment of Beyond The Facts, a precocious 8-year-old girl participates in grown-up politics by spreading smears and lies.

September 2008: McCains Economic Plan: ‘Everyone Marry A Beer Heiress’
McCain pointed to his personal success in marrying a wealthy beer heiress to prove how the plan could benefit every American.

September 2008: Obama Runs Constructive Criticism Ad On McCain
In response to Republican attacks, Barack Obama unleashed a series of slightly negative ads that gently point out how McCain could be doing a better job.

August 2008: Portrayal Of Obama As Snob Hailed As Step Forward For Blacks
Overjoyed civil rights leaders say that Barack Obama has paved the way for future black politicians to be smeared as country club snobs.

March 2008: Poll: Bullshit Is Most Important Issue For 2008 Voters
For a majority of likely voters, meaningless bullshit will be the most important factor in deciding who they will vote for in 2008.

January 2008: The Onion: More Candidates Court Fat Vote
Presidential candidates are reaching out to fat voters on the campaign trail by eating large amounts of fattening food.

See all election videos of ONN

ONN’s self-introduction says its “style of hard-hitting, on-the-ground coverage of live news events has become a standard in the news industry. The network can be viewed in 92.2 million U.S. households and more than 500,000 American prison cells, making it the most-watched cable network in the world. It can currently be seen in 312 countries, with broadcasts in 52 different languages“.

Wow!

The Onion - The Nation's finest news source...
The Onion - The Nation's finest news source...

Vulnerability Exposed: Micro films on how climate change affects YOU!

Vulnerability Exposed!
Vulnerability Exposed!

Never underestimate the power of moving images. Al Gore tipped the balance in the long-drawn climate change debate with his Oscar-winning film, An Inconvenient Truth. The rest is recent history.

Thanks to the film – and sustained advocacy of hundreds of scientists and activists – climate change is no longer a speculative scenario; it’s widely accepted. The challenge now is to understand how it impacts different people in a myriad ways.

Now the World Bank wants people to use their video cameras to capture how climate change may already be affecting their ways of living and working. The Bank’s Social Development Department has just announced the launch of a worldwide documentary competition that will highlight the social aspects of climate change as experienced and/or observed by the film-maker(s).

Called Vulnerability Exposed, the contest is open to anyone anywhere in the world who wishes to have their voice heard. The submitted films should innovatively illustrate the consequences of climate change through one of the following theme categories: conflict, migration, the urban space, rural institutions, drylands, social policy, indigenous peoples, gender, governance, forests, and/or human rights. The submission period ends on 24 October 2008.

Caroline Kende-Robb, Acting Director, Social Development Department, said, “There is a need to see climate change as an issue of global social justice. The rights, interests and needs of those affected by climate change must be acknowledged.”

Watch the Bank’s short video, where she explains further:

The contest has two award categories:
1) Social Dimensions of Climate Change Award (general category) – open to professional and amateur; and
2) Young Voices of Climate Change (youth category) – open to entries submitted by filmmakers under 24 years old.

Award winners will be chosen through a combination of public voting and a judging panel. The film with the most public votes in each theme category will receive honorable mention.

Judging process
Vulnerability Exposed film competition: Judging process

This contest indicates that the World Bank is slowly but surely opening up to the currently untapped communication potential of web 2.0 – the very point I made in a recent op ed essay.

There are several noteworthy aspects in this competition, some more positive than others. I offer this critique in the spirit of improving a commendable initiative.

Three cheers to the bank for accommodating both amateurs and professionals. It’s about time those who don’t video film for a living (some of who are no less talented in the craft) had more opportunities to showcase their products.

It’s good to see the preference for shorter films, in this contest defined between 2 and 5 mins in duration. This certainly resonates with TVE Asia Pacific’s experience with Asian broadcasters, many of who now prefer shorter films. Longer films have their place, of course, but shorter ones are clear favourites of 24/7 news channels and also online.

Most film contests are judged exclusively by an all-powerful jury (I’ve been on several over the years), but here the online public have a chance to vote for their favourite entries. Let’s hope the judges will consider the story telling power of entries as the most important deciding factor. (The examples in the YouTube film given above are misleading – they all seem extracts from expensively made documentaries.)

The big challenge for many aspiring contestants would be to relate climate change to daily realities in their societies. Despite global headlines and the development community’s current frenzy about it, climate change as a phrase and concept still isn’t clearly understood in all its ramifications. If science now knows 100 facts about the murky processes of climate change, the average public knows less than 25 and understands even less. So it will be interesting to see how entries relate the big picture to their individual small pictures.

I’m a bit disappointed that the World Bank is not offering any cash prize to the winners. Instead, “the winners will receive an all expenses paid trip to Washington, DC for a screening of their film and will have the opportunity to attend a series of networking and learning events organized by…the World Bank in December 2008.” This is all useful, but video – even at the low end – is not exactly cheap, and even labour of love creations cost money to make. We are currently running a comparable the Asia Pacific Rice Film Award – which seeks entries no longer than 10 mins on any aspect of rice – and despite being a non-profit, civil society initiative we have a prize of US$ 2,000 to the winner. And we wish we could offer more.

But my biggest concern is the unequal, unfair terms of copyrights found in the small print of the competition rules. This is where the lawyers have done their usual handiwork, and with the usually lopsided results. The World Bank wants all contestants to make absolutely sure that all material used is fully owned by the contestants, or properly licensed. That’s fine. But tucked away on page 7, under section 12 titled Entrant’s permission to the organiser, is a set of conditions which will allow all affiliated institutions of the World Bank group to use the submitted material for not just promoting this contest (a standard clause in most competitions), but for ‘climate change work program of the organiser’.

What this means, in simpler terms, is that without offering a single dollar in prize money, the World Bank is quietly appropriating the unlimited user rights for any and all the submitted material. These are the core materials in the moving images industry, and nothing is more precious to their creators.

I have long advocated a more balanced, equitable and liberal approach to managing copyrights and intellectual property by both the broadcast television industry and development community — especially where public funded creations are concerned. I have nothing but contempt for lawyers and accountants who often determine the copyrights policies in large broadcast and development organisations. They set out terms that may be justified in strict legal terms, but are totally unfair, unjust and, in the end, counterproductive to the development cause and process. It seems that while our friends in the social and communication divisions were not looking, the Bank’s lawyers have done their standard hatchet job.

While this doesn’t detract from the overall value of Vulnerability Exposed, it diminishes its appeal and potential. Many professional video film-makers who value their footage – gathered with much trouble and expense – may not want to sign future user rights away for simply entering this contest. And worse, the unsuspecting enthusiasts who don’t necessarily earn their living from making films – but are entitled to the same fair treatment of their creations – would be giving away material whose industrial value they may not even fully appreciate.

It’s certainly necessary and relevant for development organisations like the World Bank and the UN system to engage web 2.0. But they must be careful not to import or impose rigid, one-sided and outdated copyright regimes of the past on this new media.

I hope the Bank would consider revising these unfair copyright terms, and treat the submitted material with greater discretion and respect. If not, all entrants risk seeing their material popping out of bluechip films produced by top-dollar production companies in North America and Europe who have ‘mining rights’ to the Bank’s video archives.

Vulnerability Exposed can have more meanings than one. We’d rather not consider some.

Wanted: Development 2.0 to catch up with web 2.0!

i4d magazine August 2008 issue
i4d magazine August 2008 issue

Did anybody hear of the senior UN official who finally started blogging? He wrote perceptively and expressively – with some help from his speech writers – but a vital element was missing in his blog: no one could comment on his posts as he completely disabled that function.

Then there is the Red Cross chief who started her own Facebook account but remained completely ‘friendless’ for months – because she didn’t accept anyone seeking to join her social networking effort!

These are just two among many examples I have come across in recent months. They are all symptoms of a major challenge that development and humanitarian communities are grappling with: how to engage the latest wave of Information and Communication Technologies, or ICTs.

With these words, I open my latest essay, titled “Wanted: Development 2.0 to catch up with web 2.0” in the August 2008 issue of i4d magazine, published from New Delhi, India.

My thrust is something regular readers of this blog would be familiar with. In fact, in this essay I consolidate and expand on ideas that were initially discussed in various blog posts over the past many months.

The new wave of Internet, collectively known as Web 2.0, opens up new opportunities for us in the development and humanitarian communities to reach out and engage millions of people – especially the youth who make up the majority in most developing countries of Asia. But it also challenges us as never before.

This time around, it’s much more demanding than simply engaging the original web. It involves crossing what I call the ‘Other Digital Divide‘, one that separates (most members of) the development community from ‘Digital Natives‘- younger people who have grown up taking the digital media and tools completely for granted.

I have identified four key challenges involved in crossing the Other Digital Divide:
– Leave the comfort zone of paper
– Let go of control
– Invest less money but more time
– Recognise information needs and wants

I argue: “There are no authorities on this fast-changing subject: everyone is learning, some faster than others. Neither is there a road map to the new media world. From Rupert Murdoch and Steve Jobs downwards, every media mogul is working on this challenge. For those who get it right, there is potential to make corporate fortunes, and also to serve the public interest in innovative, effective ways.

I end the essay with a challenge to the development community: “To face challenges of web 2.0, we need to come up with development 2.0!”

Read the full essay on i4d magazine website

Who’s Afraid of Citizen Journalists 2: Reflections from Asia Media Summit 2008

On World Press Freedom Day 3 May 2008, I wrote a blog post titled Who is Afraid of Citizen Journalists. The answer included the usual suspects: tyrannical governments, corrupt military and business interests, and pretty much everybody else who would like to suppress the free flow of information and public debate.

By end May, I realised that some people in the mainstream media (abbreviated MSM, and less charitably called old media or dinonaur media) are also afraid of citizen journalists. That was one insight I drew from attending Asia Media Summit 2008 in Kuala Lumpur, Malaysia (27-28 May 2008).

Asia Media Summit 2008

The two day event drew 530 broadcast CEOs, managing directors, media experts and senior representatives of development and academic institutions from more than 65 countries in Asia, Europe and the Middle East. Over eight plenary sessions and twice as many pre-summit events, they examined ‘new visions and new strategies broadcasters need to pursue to address the demands of new technologies, stiff competition, media liberalization and globalization’.

As I shared in my first impressions from the Summit, this annual event is still warming up to the new media. That’s understandable considering that most participants are those who work in MSM/OM/DM. Some, like myself, have been flirting or experimenting with new media in recent years, but even my own organisation, TVE Asia Pacific, still works largely with television broadcasters going out on terrestrial, cable or satellite platforms.

While the death of MSM/OM/DM has been greatly hyped, it’s a fact that they face more competition today than ever before. And instead of competing for eyeballs (and other sensory organs) with better content and higher levels of product customisation, some sections of MSM/OM/DM are trying to impose their own, obsolete mindset on the new media.

A session on ‘Regulations and New Media Models’ brought this into sharp focus. The session raised questions such as: Should we apply some principles from traditional media (meaning MSM) to the new media? Should we adopt some minimum rules to allow for sufficient legal space for new media businesses to find their niche in the market and evolve to fit the needs of consumers? What are the policy implications of User-Generated Content (UGC) with regard to copyright infringement, information accuracy and content quality?

The panel comprised three Europeans and one American, all working in MSM or academia (it wasn’t immediately clear if any of them blogged personally). For the most part, they said predictably nice and kind things about new media. It was interesting to see how these professionals or managers – who have had their careers entirely or mostly working in or studying about MSM – were trying to relate to a new and different sector like the new media.

But the panel’s cautious attitude about the new media went overboard on the matter of regulation. This is where matters are highly contentious and hotly debated: while most of us agree that there should be some basic regulation to ensure cyber security and to keep a check on content that is widely deemed as unacceptable – for example, hate speech – there is no consensus on what content should be regulated by whom under which guiding principles.

Ruling unanimously in Reno v. ACLU, the US Supreme Court declared the Internet to be a free speech zone in 1997, saying it deserved at least as much First Amendment protection as that afforded to books, newspapers and magazines. The government, the Court said, can no more restrict a person’s access to words or images on the Internet than it could be allowed to snatch a book out of a reader’s hands in the library, or cover over a statue of a nude in a museum.

It was during question time that the discussion took a cynical – even hostile – attitude on the new media. Some members of the audience engaged Dr Venkat Iyer, a legal academic from University of Ulster in the UK, in a narrowly focused discussion on how and where bloggers may be sued for the opinions expressed on their blogs. The issue of multiple jurisdictions came up, along with other aspects of cyber libel and how those affected by criticism made online by individual bloggers (as opposed to companies or organisations producing online content) may ‘seek justice’.

These discussions were more than academic, especially in view of worrying trends in host Malaysia and neighbouring Singapore where bloggers have been arrested or are being prosecuted in recent weeks.
Asia Media Forum: Restrictions follow critics to cyber space
IHT: Malaysian blogger jailed over article



From the floor, I remarked that I was disturbed by the tone and narrow vision of this discussion, which merely repeated new media bashing by those who failed to understand its dynamics. Acknowledging the need for restraint where decency and public safety were concerned, I argued that it is a big mistake to analyse the new media from the business models or regulatory frameworks that suit the old media.

There are mischief makers and anti-social elements using the new media just as there have always been such people using the old media. Their presence, which is statistically small, does not warrant a knee-jerk reaction to over-regulate or over-legislate all activity online, as some Summit participants were advocating. To do that would be akin to throwing the baby out with the bathwater.

I continued: “This is not a healthy attitude to adopt, especially when we look at the bigger picture. In many countries where freedom of expression and media freedom are threatened or suppressed by intolerant governments and/or other vested interests, new media platforms have become the only available opportunity for citizens to organise, protest and sustain struggles for safeguarding human rights, better governance and cleaner politics. In countries where the mainstream media outlets are either state owned or under pressure from government (or military), and where newspapers, radio and TV have already been intimidated into silence, citizen journalists are the last line of defence…”

I also noted with interest that on this panel was Mogens Schmidt, UNESCO’s Deputy Assistant Director-General for Communication and Information (in charge of freedom of expression), and said that this was not the kind of rolling back of freedoms of expression that UNESCO was publicly advocating. In a brief response immediately afterwards, Schmidt said that he fully agreed with my views, and that this was UNESCO’s position as well.

Another panel member, Dr Jacob van Kokswijk, secretary of the International Telecom User Group in the Netherlands, noted that the new media required a totally new thinking and approach where its content is concerned – the rules that have worked for the old media can’t be applied in the same manner. He added that only 3 to 4 per cent of Internet content could be considered as ‘bad’ (by whatever definition he was using), and that should not blind us to seizing the potential of new media.

Another panel member, Joaquin F Blaya, a Board member of Radio Free Asia (RFA), made a categorical statement saying he was opposed to any and all forms of censorship. He knows what that means – RFA says its mission is ‘to provide accurate and timely news and information to Asian countries whose governments prohibit access to a free press’.

By the end of the session, I was relieved to see a more balanced view on the new media emerging in our discussion, with more moderate voices taking to the floor. No, we didn’t resolve any of the tough issues of new media regulation during the 90 mins of that session, but we at least agreed that the old media mindset of command-and-control was not going to work in the new media world.

From its inception in 2003, the annual Asia Media Summit has been very slow to come to terms with this reality, but this year the event moved a bit closer to that ideal – partly because they invited leading new media activist Danny Schechter to be a speaker.

We just have to wait and see if this momentum can be sustained next year when the Summit is hosted by the Macau Special Administrative Region of China.

I’m going to keep an open mind about this — but won’t bet on it…

3 May 2008: Who’s afraid of citizen journalists? Thoughts on World Press Freedom Day