One year of blogging: Looking back and forward

Today, 17 March 2008, this blog completes one year online.

It was a year ago today that I wrote my first blog post, Children of Tsunami go to go Washington, from Alexandria, Virginia, USA, where I was staying with a dear friend while attending the DC Environmental Film Festival.

Some 366 days, 213 posts and over 63,800 page visits later, I can say it’s been an interesting – sometimes exhilerating – ride. I will expand on this post as soon as I have a chance, but for now I want to say Thank You to all my readers, and especially those who joined in our on-going conversation.

Moving Images was not exactly my first blog – in late 2006 I had started another blog called Communicating Majority World under the name ‘Lost Alien’, which I somehow didn’t sustain for more than a few weeks and a handful of posts. For reasons that I can no longer quite clearly recall, the Lost Alien abandoned his blog – and migrated over here!

I can only hope that some alien friends are among my current blog’s visitors…

The Meatrix Reality: Mixing animation, activism and spoof

When I gave up eating all meat nearly 15 years ago, I had some explaining to do.

Breaking away from the pack is never that easy. Friends and colleagues wanted to know if I had suddenly gone religious (most certainly not: I practise no religion and frown upon all); or become an animal-hugger (well, not quite); or if I was too sick to eat a ‘normal diet’ anymore.

That last one was closer to the truth. I became a partial vegetarian because I wanted to stay healthy. I realised how unhygienic meat production and distribution were in my part of the world, and yes, I was also sensitive about the excessive cruelty to animals who end up on dining tables.

And it’s not just in Asia that organised meat production is increasingly hazardous to human health (not to mention the untold suffering by farm animals and the growing power of big agri-business companies). Animal rights and environmental activists have been pointing these out for years. And as powerful documentaries like Fast Food Nation (2006) documented, it is not only meat that’s crushed in the powerful mincing machine, but the whole of society.

But just how do we carry this message to the young Digital Natives who are the most eager consumers of meat and fast food? As we discussed some months ago, the big challenge is to take complex development issues in the right durations (shorter the better) and right formats (mixed or pure entertainment).

The Meatrix Moopheus

I was delighted, therefore, to belatedly discover the innovative and insightful series called The Meatrix. Funnily, I heard about it from two sources almost at the same time. A Malaysian activist I was visiting in Georgetown, Penang, last week highly recommended it. Two days later, my colleague Manori Wijesekera returned from having screened one of our own films at the 16th Earth Vision Film Festival in Tokyo – where The Meatrix was a finalist in the children’s environmental film category.

The Meatrix is an animated spoof on The Matrix trilogy (1999 – 2003). It uses humor and thinly veiled characters and situations from the original Matrix films to educate the uninitiated about factory farms.

Evidently, it was made with the blessings of the Wachowski brothers who created the science fiction thriller series. The first animation, The Meatrix, starts when Moopheus the Cow finds Leo the Pig at a family farm and informs him that corporations are taking over the way farms used to be. By taking the blue pill, Leo can remain at ease in his current situation, or by taking the red pill, Leo can see just how far the rabbit hole goes. (Of course, the good Leo takes the red one.)

Watch the first animation on YouTube:

In this case, the Meatrix is the illusion created by big time agricultural corporations who have taken over most family-run farms in the west, and turned them into ruthless factories producing meat and dairy products. Those who take on the Meatrix – at grave risk to their life and limbs – reveal how these factory farms are pumping steroids, antibiotics and growth hormones to maximise production, exposing unsuspecting consumers to major health risks like mad cow disease and antiobiotic resistance.

There are two short sequels to the original Meatrix: The Meatrix II: Revolting, and The Meatrix II½. They all pack action, suspense and even a bit of romance….just like the Matrix films did. And all the Meatrix animations are under five minutes in duration – just right for the fast media generation!

The Meatrix is collaboration between GRACE (Global Resource Action Center for the Environment) and Free Range, a cutting-edge design company with a social conscience. It’s the mission of GRACE to eliminate factory farming and to preach the message that sustainable agriculture is both a better environmental and economic choice for rural communities.

In February of 2003, Free Range developed the Free Range Flash Activism Grant, offering the prize of a flash movie production to forward the work of a worthy nonprofit. GRACE was the first recipient, in recognition of its important work on farm reform.

When The Meatrix I launched in November 2003, the viral grassroots film broke new ground in online advocacy, creating a unique vehicle in which to educate, entertain and motivate people to create change. The Meatrix movies have been translated into more than 30 languages and are now the most successful online advocacy films ever with over 15 million viewers worldwide.

Read more about the creators of The Meatrix.

Read more about healthy farm products – information from Sustainabletable

Get involved – what you can do to stop the Meatrix from marching on and on to restaurants and homes of the world

The Meatrix animations and the interactive website built around them are fine examples of crossing the other digital divide (between Digital Immigrants and Digital Natives) that I have been writing about. This is Education for Sustainable Development (ESD) with none of the pomposity and preaching of UN agencies and other development organisations who are, sadly, trapped in their own version of a Verbiage Matrix where text, text and more text seems to be their whole reality.

It’s time some of our development friends took a red pill to see what lies outside their charmed and illusory circles.

PS: By the way, I still eat fish and other seafood, largely because on my frequent travels in Asia I turn up in places where being a complete vegetarian is simply not realistic (try Korea, for example). I now say I eat only those creatures that swim, but none that walks on land. One of these days, I will give up temptations for all flesh…

Unseen women, unheard agonies

In January 2008, I wrote about Lakshmi and Me, a recent Indian documentary that portrayed a domestic worker woman whom my friend Kalpana Sharma aptly called an invisible superwoman.

A colleague who read my piece reminded me about a series of five short films on working women in Sri Lanka that I had executive produced in 1999-2000. Produced originally in Sinhala for a national audience, the series was titled Oba Nodutu Eya (The Unseen Woman). In fact, it featured not one but several women workers in two different sectors in the country’s informal economy: the coconut husk (coir) industry in the south and agricultural settlements in the Dry Zone in the north-central areas of the island.

The following is adapted from a story I wrote about this series for a book that TVE Asia Pacific published in 2002. I have not gone back to my sources to check how much – or how little – has changed in the past several years.

yasawathie-from-a-voice-without-a-sound.jpg

This is Yasawathie. She has suffered physical and mental abuse most of her adult life. Her alcoholic husband beat her regularly for years, but she dared not complain for fear of reprisal.

“He injured my head, stabbed me and once fractured my arm” she says, showing a scar of a healed wound.

As if this suffering was not enough, she lost sight in one eye a few years ago in a bizarre hospital accident. She had gone to the government hospital seeking treatment for a chest ailment. There were more patients than beds, so she was forced to sleep on the floor. While sleeping, a nurse carelessly dropped a saline stand on to Yasawathie’s face.

The entire incident was hushed up, and the poor woman was intimidated into silence. “Sometimes patients even die at our hands,” the nurse told her threateningly.

Injured by the healthcare system, battered by her own husband and pressurised by her family circles to keep quiet about, this middle aged Sri Lankan woman has run out of options. She was not aware she could claim damages for the accidental loss of her eye. She does not realise there is legal redress for domestic violence – her family and in laws wouldn’t allow it in any case.

Sadly, Yasawathie is not alone. There are tens of thousands of women like her who live on the margins of society, and whose suffering goes largely unnoticed. The island nation is often cited as a South Asian success story: its women were the first in Asia to vote; female literacy is nearly universal; and a higher percentage of girls and young women are in school than boys.

But hidden beneath these national accomplishments, there are huge gender-based disparities and gaps, especially in economic, labour, family and property related matters. Studies have found that many women, particularly the poorer ones, don’t know their human and legal rights.

And even women who do know their civil and political rights often do not assert their right to safeguard themselves from domestic violence or gender-based discrimination in family and society.

Yasawathie’s story was one of several that were featured in a television documentary series that probed how Sri Lankan women’s economic and legal rights operate in the real world. Produced in 1999-2000 by TVE Asia Pacific in collaboration with the Sri Lanka Environmental Television Project (SLETP), the series went beyond the oft-repeated claim of women’s emancipation in Sri Lanka. It uncovered a shocking reality of wide spread rights denial, physical abuse and gender-based violence.

The series used a mixture of short drama segments, interviews and background commentary. “These films don’t offer comprehensive surveys of the situation, but they provide useful glimpses of how economic and legal rights apply at the grassroots for women,” said accomplished fim-maker Inoka Satyangani, who directed the series. “We raise broader concerns, and point out changes that society needs to make to ensure that women can assert their rights.”

Violence against women is both a public and private matter in Sri Lanka, says the Committee on the Elimination of Discrimination against Women (CEDAW), a body of global experts which monitors whether governments are honouring their commitments to the 1981 United Nations’ Women’s Convention. Although violence affects women of every class and ethnicity, it is seldom reported.

In recent years, human rights abuses in Sri Lanka’s conflict ridden north and the east have received international scrutiny; both the government forces and Tamil Tiger rebels have committed atrocities. But violence against women is not confined to the war or the conflict-affected areas: as one rights activist has remarked, “everyone becomes part of the larger system of brutality”.

CEDAW has stressed that Sri Lanka needs specific legislation to address violence behind closed doors.

from-oba-nodutu-eya-tv-series.jpg

The TV series also found how women get paid less than men for agricultural manual labour, and how government-driven land development schemes favour men to inherit state land distributed among the landless. Government agricultural extension programmes help male farmers to obtain skills training, credit and subsidies while women farmers are constantly ignored. Women interviewed had stories that shattered the myth of women’s liberation and equality in Sri Lanka.

Read individual synopses of the five films in The Unseen Woman series

Read recent blog post: Half the sky, most of the suffering and seeking everyone’s attention

From footprints to handprints: Treading lightly on Earth…

Nalaka Gunawardene

This is me making an impression at the Global Knowledge 3rd Conference held in Kuala Lumpur, Malaysia, in December 2007. Everyone was asked to dip a hand in a saucer of paint and then press it on a large sheet of paper. In the end it created a montage of hand prints from people all over the world.

The idea was a neatly symbolic one, but as with everything else at the GK3 conference (and with its organiser, the GKP), it didn’t go any further. Good intentions, poor implementation.

But the same concept of hand print was used far more cleverly and innovatively at another large international conference I attended in November 2007. The 4th International Conference on Environment Education , hosted by the Government of India and co-sponsored by the UNESCO and UNEP, was held at the Centre for Environment Education (CEE), Ahmedabad. That multi-faceted event saw the launch of several initiatives, including Handprint – action towards sustainability.

The concept of Handprint is to decrease our ecological footprints by taking more actions towards Education for Sustainable Development (ESD).

Ecological Footprint (EF) as a concept has been around for over 15 years. The term and concept of Ecological Footprint were proposed in 1992 by William Rees, a Canadian professor at the University of British Columbia. In 1995, Rees and coauthor Mathis Wackernagel published Our Ecological Footprint: Reducing Human Impact on the Earth.

EF quantifies our demand on Nature and natural systems. It measures the amount of biologically productive land and water required to meet our demands (for food, timber, shelter), and to absorb the pollution we generate. Using this assessment, it is possible to estimate how many planet Earths it would take to support all of humanity if everybody lived a given lifestyle.

For example, if everyone aspires to European lifestyles, we are going to need three planets. And for American way of life, four.

As of now, the Earth is the only naturally habitable planet that we know and have — which drives home the point that we have to contain, and eventually reduce, our ecological footprint. Some, like this cartoonist, fear that it’s already too late…

Read Sep 2007 blog post: Talking Big Foot in Yetiland

2006-020-footprint-on-the-planet.gif

Ecological footprint is a useful – in fact, revealing – measure of our species living beyond its ecological means. But it’s an inherently negative one. This is what promoted our colleagues at CEE – an internationally acknowledged centre for excellence in education for sustainable development – to come up with the related, but wholly more positive, concept of Handprint.

Whereas footprint measures our impact on the planet and its resources, Handprint will help quantify what we do to tread lightly on Earth — reducing our consumption of energy and resources, and being more considerate about the waste we generate.

As CEE says, there are many drivers of change to lessen the footprint. ESD is one of the important ones. Others include technology, policy, legal measures, systems and financial incentives.

Handprint is specifically a measure of ESD action. In the presence of over 1,000 officials, educators, activists and youth, Handprint was launched with the call: Increase your handprint; decrease your footprint!

A new website will soon be online at http://www.handsforchange.org, expanding on this concept.

While CEE is taking the concept to a whole new level and to millions who need to know and heed this message, the idea itself has been talked about by others for sometime.

For example, in May 2006, Alex Steffen wrote about it in the highly informative and inspirational website Worldchanging.

Steffen, who is executive editor of Worldchanging, wrote: “If we can imagine going climate negative, why can’t we imagine shrinking our ecological footprint until we zip past having any negative net ecological impact at all, until the operation of our daily lives heals the planet instead of hurts it? Until we transform, as I’ve said before, our ecological footprints into ecological handprints?”

TVE Asia Pacific‘s Saving the Planet TV series, currently in production, will feature a number of initiatives that will have a positive Handprint on the environment in selected countries in the Asia Pacific.

Clearly, Handprint is an area where interest and action will grow in the coming months and years.

Watch this space.

Related: Sep 2007: Way to blow our nose without blowing the planet

Photo courtesy Sasa Kralj

When citizens turn on journalists…

My latest op ed essay has just been published by Asia Media website of the University of California Los Angeles.

It’s titled: When citizens turn on journalists
Nalaka Gunawardene describes the disturbing trend of vigilantism against professional and citizen journalists

Once again I talk about the multiple pressures and risks faced by mainstream and citizen journalists alike when they try to cover matters of public interest in my native Sri Lanka. This is particularly so for photojournalists and videographers who simply must go out with tools of their profession.

Here are the few opening paras:

Friday, February 29, 2008

Colombo — For over two decades, Sri Lanka’s state-owned radio and television stations — located next to each other in residential Colombo — have been heavily guarded by police and army. This fortress-like arrangement is due to their being high on the list of targets for Tamil Tigers engaged in a bitter separatist war for a quarter century.

The joke is that the stations are just as likely to be attacked by outraged listeners or viewers. Considering the endless state propaganda they dish out day and night, that’s not as far-fetched as it sounds.

But shooting the messenger never solves any problem, as Sri Lanka’s deeply divided combatants — and their die hard supporters — need to be constantly reminded. Attacks on journalists and media organisations have increased several fold in the past two years, and the World Association of Newspapers ranked Sri Lanka as the third deadliest place for journalists (six killed in 2007) — behind only Iraq and Somalia.

As if this was not depressing enough, we have seen another disturbing trend emerge: authorities and citizens alike turning on reporters and photojournalists in public places, suspecting them to be agents of mayhem and terror.

Read the full essay on UCLA Asia Media

Half the sky, most of the suffering…and seeking everyone’s attention!

What’s one of the biggest reasons for suffering from violence?

Is it War? Racism? Extremism?

Or simply being born a woman?

One in 3 women is a victim of violence.

This is the powerful message in this one-minute-long public service announcement (PSA), which can be viewed here:

It was produced by the London-based advertising agency Leo Burnett for UNIFEM, the United Nations Development Fund for Women. With a striking series of images, it reveals that violence against women is one of the most common forms of violence in the world.

This PSA is part of a new global campaign on this scourge.

As UNIFEM says: “Violence against women and girls is a problem of pandemic proportions. At least one out of every three women around the world has been beaten, coerced into sex, or otherwise abused in her lifetime — with the abuser usually someone known to her. Perhaps the most pervasive human rights violation that we know today, it devastates lives, fractures communities, and stalls development.”

The campaign has elements on awareness raising as well as a call to action. The latter includes an online signature campaign that seeks to collect at least 100,000 signatures from those who oppose violence against women.

The online ‘signature book’ opened for signatures on 26 November 2007 with an appeal from actress and UNIFEM Goodwill Ambassador Nicole Kidman. She called the violence many women worldwide face “an appalling human rights violation that can be stopped”, and asked everyone to add their names to a growing number of supporters saying “NO” to violence against women at http://www.saynotoviolence.org.

She added: “The more names we collect, the stronger our case to make ending violence against women a top priority for governments everywhere.”

Watch her appeal on YouTube:

The UN Trust Fund to End Violence against Women , established in 1996, will receive US$ 100,000 from the United Nations Foundation for 100,000 signatures

I have just signed up, on this leap day 29 February 2008. Three months since the campaign was launched in New York, it has so far gathered a little over 58,500 signatures.

It’s certainly commendable – but not nearly enough, and still more than 40,000 needed to reach the modest target of 100,000.

Not that it’s just a numbers game, of course. The quality and sincerity of commitment matter a great deal. At the same time, UNIFEM and other UN agencies trying to engage the public through online interactive methods should study how successful activist groups do the same — with much better and faster results.

Avaaz.org is a leader among these. It is a new global web movement with a simple democratic mission: to close the gap between the world we have, and the world most people everywhere want. Set up in early 2007, it has quickly evolved into online community through which hundreds of thousands of concerned people are taking action together on urgent issues like climate change, poverty, human rights and the crises in the Middle East and Burma.

In October 2007, I joined Avaaz in its signature campaign to focus global attention on the political violence and gross abuse of human rights in Burma. In just four days, thousands of Avaaz members donated over $325,000 online to support the Burmese people’s efforts to peacefully promote political change and tell the world about their struggle.

The Burmese junta may not care for millions of people protesting or donating online, but the leaders of the democratic world – pondering their response to the atrocities in Burma – would find it hard to ignore this surge of public concern.

But it’s a long leap from Burma to the bed room or backyard. A major difficulty faced by those campaigning to focus on violence against women: they are countering actions that are widely distributed, pervasive and sustained over time. Much of it happens at personal and family level, necessarily beyond the public and media’s glare. Incidents flare up only occasionally to spill over to the public space to become news events or talking points.

So, as in many similar instances, out of sight often means out of mind.

The big challenge is how to raise public awareness on a wide-spread issue of violence that happens, to a large extent, in private. The facts and figures are compelling as they are alarming and depressing. The campaigners have lined up some of the biggest celebrities (like Nicole Kidman) and enlisted big guns like UN Secretary General Ban Ki-Moon.

All necessary, but not sufficient.

The campaign needs more than just star power or the UN’s clout to galvanize mass action. For a start, UN agencies need to get out of their fondness for coining and using endless acronyms. Even with my regular forays into the development community’s acronym jungle (read my post on the alphabet soup), I was recently puzzled when a film-maker colleague referred to GBV in an email without explaining it. It took me full five minutes to realise that she meant gender-based violence.

And some imaginative ways of raising the public profile would also help. Browsing on YouTube, I came across this video from Ireland. As one article described it:
“The ghosts and spirits of the millions of women who have been murdered, violated, oppressed, excluded, driven into exile, denied freedom of speech, denied participation in any decisions concerning their lives, because of war, religion, race, culture, age, disability, sexuality, poverty, bonded slavery, domestic violence or bureaucracy, glided in and out of the shoppers of Galway on 7 December 2007.”

Communicating Disasters book launched among communicators

TVE Asia Pacific’s latest publication, Communicating Disasters: An Asia Pacific Resource Book, had its Sri Lankan launch on 19 February 2008.

The multi-author book focusing on how information, education and communication can help create disaster resilient communities across the Asia Pacific was released at the auditorium of Sri Lanka Press Institute (SLPI) in Colombo.

We had invited all contributing authors who are based in Sri Lanka. Six of our 21 contributors currently live in Greater Colombo, and four of them made it: Patrick Fuller, Buddhi Weerasinghe, Manori Wijesekera and myself. We missed Sanjana Hattotuwa (who is overseas) and Chanuka Wattegama.

The news story on the launch event can be read on TVEAP website.

Here are some additional photographs of the event, attended by close to 50 persons working in media, communication and humanitarian sectors.

copy-of-communicating-disaster-book-launch25.jpg

Above and below: Nalaka Gunawardene introduces the what, why and how of the new book

communicating-disaster-book-launch.jpg

copy-of-communicating-disaster-book-launch48.jpg

Contributing authors (L to R) Patrick Fuller, Nalaka Gunawardene, Buddhi Weerasinghe and Manori Wijesekera talk about their chapters in the book.

communicating-disaster-book-launch-buddhi-weerasinghe-speaks.jpg

Buddhi Weerasinghe responds to an audience question

manori-wijesekera.jpg

Above: Manori Wijesekera talks about Children of Tsunami

copy-of-communicating-disaster-book-launch58.jpg

Above and below: Sections of the audience

communicating-disaster-book-launch96.jpg

Photos courtesy: Indika Wanniarachchi and Wipula Dahanayake, TVE Asia Pacific

Governments, disasters and communication: Lead, follow or get out of the way!

The Association for Progressive Communications (APC) has just published a good review of the book I recently co-edited titled Communicating Disasters: An Asia Pacific Resource Book.

The review is written by two academics. Dr Malathi Subramanian is Former Principal, Daulat Ram College, University of Delhi, India, while Dr. Anupama Saxena is Head, Department of Political Science, Guru Ghasidas University, Bilaspur, Chhattisgarh, India.

As they remark: “The book has articles contributed by authors who do not engage in mere theoretical discussions. They draw on their rich and varied experiences working in either preparing disaster resilient communities or responding to humanitarian emergencies triggered by specific disasters in different parts of the globe.”

They add: “The eminently readable book provides first hand information about the real life situations of disaster, richly illustrated with case studies and use of professional images….The book is written in a manner that successfully sensitises the reader to the complexity of the issue of disaster management and its various nuances. After reading the book one is sure to echo the spirit of one of the contributors, Sanjana Hattotuwa: ‘We cannot prevent or predict all disasters. However, we can plan for, react to and learn from disasters when they do occur’.

In preparation of this review, Malathi and Anupama did an email interview with me where they posed half a dozen questions on some key issues we have addressed in the book. Here is the full interview, which brings out my personal views interspersed with those of some other contributors to our multi-author book.

Question: In developing countries the governments are considered to be the nodal agencies for disaster management. In this context do you think that there is a need to advocate the integration of the National disaster management policy with the national ICT Policy to exploit the potential of ICTs before, during and after a disaster?

Yes, that certainly is the ideal, desirable scenario. But I’m not sure how soon this can become a reality, given how many of our governments think of these sectors as separate compartments – or ‘silos’ – with little or no integration. In the real world, however, these are all mixed up: people who use ICTs are affected by various disasters and the first responders – including relief workers and journalists – use various ICT tools in their work. Increasingly, we are seeing disaster affected people themselves using ICTs, especially mobile phones, to communicate with family, friends, aid officials and others from the scenes of disaster. We have documented specific instances of all this in our book and pointed out that the typical hapless, uninformed affected person is being replaced by a digitally empowered one. So the integration of disaster management and ICTs has been happening on the ground for some time, whether or not policy-makers acknowledge it!

At policy and regulatory level, governments can play an enabling role by easing the various bottlenecks that currently hold back optimum use of ICTs in disaster preparedness, early warning or response. This is so lacking and badly needed in my own country Sri Lanka. One example: amateur radio enthusiasts played a key role in establishing emergency communication with some coastal areas badly hit by the 2004 tsunami. When everything was dead, short wave was alive. Yet, barely months later, the government blocked any new amateur radio equipment being brought into the country as someone felt it was a threat to national security!

But in my view, misguided policies are worse than no policies at all. That’s when I feel like quoting Rabindranath Tagore’s words which every southern government should heed: ‘If you can lead, lead. If you cannot, follow. If you can do neither, then get out of the way’.

tveap-image-archive.jpg

Question: Participatory Modes of communications form a very important part of a comprehensive strategy aiming at creating disaster resilient communities. What type of policies and frameworks the national governments should adopt to facilitate this?

Living with disasters – or developing resilience to disasters – is fast becoming a necessary strategy of day-to-day survival. Communication plays a role in this. In our book, we have an entire chapter on this written by Chin Saik Yoon, who has been researching and documenting participatory communication processes in development. He identifies communication as one of four necessary steps towards recovery from a disaster. Survivors need to maintain communication with family, friends, and counsellors in order to share their experiences. They need to tell their stories about the disaster, and listen to others as they tell theirs. This helps survivors to collectively release their stress.

To continue in his own words: “Participatory communication processes work best here. This is where survivors assume the role of both the ‘initiator’ as well as the ‘receiver’ of communication. No expert or government official should be there to decide what is to be discussed by the survivors. They need only facilitate the process. The participatory processes ensure that communication occurs at the pace that communities are comfortable with and address issues only when survivors are ready to deal with them.”

This makes eminent sense, but it is precisely this kind of thoughtful, sensitive approach that many governments are unable or unwilling to adopt. For too long, governments have been seen as the sole decider, provider and protector – and governments do have a responsibility in all these. But in today’s world, the role of government has to be reviewed and redefined. As Chin says, government officials may facilitate, but governments must get out of the historical habit and temptation of playing Big Mama (or worse, Big Brother!) by doing such communication themselves.

For our quest for disaster resilience to succeed, we need a transformation in governmental policies, attitudes and practices. In a world experiencing a growing number and intensity of multiple hazards, no government – however powerful or well intended – can reach out and protect every citizen. That illusion was shattered forever by hurricane Katrina. There is no need for such governmental omnipresence either! The smart option is to allow, encourage and empower individuals and communities to do part of it on their own. Governments, researchers, aid agencies and charities still have to be part of this – but first they have to break free from the ‘Let’s-Do-It-All-Ourselves’ mentality.

Question: It is evident from the many case studies in the book that participatory non-media modes of communications have been quite useful in dealing with disasters. Such efforts however, need constant involvement of a wider group of people on voluntary basis over a long period of time for creating resilience for disasters. How to develop this spirit and, more important, sustain it.

Yes, participatory communication efforts have to sustain the community engagement over weeks, months and sometimes years. As one of our contributing authors, Buddhi Weerasinghe, has written in the book: “The big challenge is to sustain disaster preparedness interventions over time. This is helped by the creation of informal leadership within the community through participatory action.”

Since no two communities are alike, it’s very hard to generalise on how to develop the necessary conditions and ‘spirit’, but some generic lessons can be drawn from documented examples. The right kind of community leadership helps, as does external help that is neither over-bearing nor fleeting. Assistance from aid agencies needs to be delivered at a pace the communities can absorb, integrate and use.

Disasters are often the latest (and highly disruptive) layer over existing multiple layers in a community. Even if a shared plight and grief temporarily unite a community, that alone cannot hold people together for too long, especially if there are deep divides in that community. So community cohesion and unity become very important factors in the success of participatory communication. There is no single formula that can work for everyone.

cartoon-noahs-doubters.gif

Question: The book describes many successful interventions based on non-media participatory mode of communications for disaster management. Which of these interventions do you think can be cited for the most optimal use of non media participatory mode of communications?

In our introduction to the book, Frederick Noronha and I wrote: “Media-based communication is vitally necessary, but not sufficient, in meeting the multiple information needs of disaster risk reduction and disaster management. Other forms of participatory, non-media communications are needed to create communities that are better prepared and more disaster resilient.”

These non-media communication methods range from basic inter-personal communication and small group discussions to participatory rural appraisal techniques. The methods are not new or unique; they are being customised to meet disaster preparedness and/or response needs.

It’s more than mere talk. Some methods involve experiential learning – or learning by doing. An example is participatory hazard mapping. First, community members are divided into a few groups and asked to map their neighbourhoods – they have to capture the roads, footpaths, rivers, hillocks, houses, schools, temples and other key landmarks. Then they mark the areas that have been affected historically with different disasters such as tsunami, floods or cyclones. This helps identify relatively safer areas as well as safety routes in case a new disaster demands quick evacuation. Admittedly this is communication plus social mobilisation, but that’s what it takes in the real world – communication is only part of the solution.

As Buddhi Weerasinghe has written in his chapter, “This exercise allows informal leaderships to emerge. Encouraging this leadership and recognizing their inputs can motivate them and enable sustainability of interventions. The process of hazard mapping also imparts a sense of ownership.”

Question: To what extent is it really practicable to achieve the ‘disaster resilience’ in communities?

Disasters are all about resilience – how we pick ourselves up after a tragedy and slowly return to normalcy. And also how we take repeated battering from a multitude of disasters and still carry on with living. There is no single recipe for success in building disaster resilient communities. Everyone needs to approach this with open and flexible minds, and see what works for whom under which conditions. Disaster resilience is not a slogan like halving poverty by 2015 or writing off majority world’s debt. It’s a long-drawn, incremental process and will always remain a work in progress because both community dynamics and the nature of hazards change over time.

In many cases, the community has information and insights that help achieve resilience, but it needs to be brought out – that’s where participatory communication helps. But let’s not romanticise matters too much – some communities need external guidance, and most can benefit from external facilitation in their quest for resilience.

In a chapter called ‘Bridging the Long Last Mile’, I have described the experience of a community-based disaster preparedness and early warning dissemination effort undertaken by Sarvodaya, LIRNEasia and other partners in Sri Lanka. The project studied which ICTs and community mobilisation methods could work effectively in disseminating information on hazards faced by selected coastal communities all of which were battered by the Indian Ocean tsunami of December 2004.

hazinfo-project-meeting-at-sarvodaya.jpg

Sri Lanka – Last Mile Hazard Info project planning meeting: Photo courtesy Sarvodaya

I would refer you to the chapter for details, but the key lessons may be summed up as follows:
• Trusted technology: Use ICTs that are reliable in performance, accessible at the local levels and trusted by the people.
• Complementary redundancy: Always have at least two different ICTs delivering information, to minimise transmission failures.
• Credible information: Tap only the most authentic sources of information at national and international level, reducing room for misinformation and rumour.
• Right mix: Achieve the appropriate combination of technology, training and institutional arrangements at the grassroots.
• Be prepared: Raise localised awareness and provide experiential training so community know what to do when crisis occurs.

book-cover-final.jpg

Can Rambo take on the Burmese junta? Not quite in 90 minutes…

Hollywood’s attempts to support progressive causes in movies continue with Rambo 4, starring Sylvester Stallone.

In the fourth and latest installment of the violent adventures of John Rambo, the Vietnam veteran takes on the Burmese junta who have held the Southeast Asian country in its crushing, ruthless grip since 1962.

Inter Press Service (IPS) journalist Lynette Lee Corporal has just written an interesting article where she talked to Burmese exiles and others involved in Burma issues. Excerpts:

“In his latest caper, a bored-looking Rambo ekes out a living catching cobras in the jungles of Mae Sot in Thailand, near the border with Burma. But the arrival of a group of Christian missionaries, whose idealism and naivete literally led them to a slaughterhouse, changes Rambo’s zombie-like existence and brings back the days of gore and bloodbath.

“The film is unapologetic in its use of cliches. It’s the same tired story: Everything is black and white, good and evil, with lots of do-or-die moments thrown in for good measure.

“‘Rambo IV’ – which started showing in Asian cinemas in January and is due to open in mid-March in Thailand — is replete with stereotypes, especially when it comes to pointing out differences between the east and the west, symbolically played out in the kindness, idealism and determination of the Caucasian missionaries and the uncouth, barbaric bad guys in the form of the Burmese pirates and military.”

She says that while reports of the cruelty of the Burmese junta have been well-documented, the depiction of these stereotypes glosses over much more complex issues too deep to dig up in a 90-minute action movie.

Her article quotes freelance Burmese journalist Phyo Win Latt as saying: “The Burmese army in the movie is different from real-life. The film is filled with exaggeration and inaccuracies. Army officers, for example, don’t wear sunglasses while engaged in battle and although there are rape cases in remote ethnic villages, I’ve never heard of such things like ethnic women being forced to dance in front of the soldiers.”

Exiled Burmese appear to have given it some positive feedback. According to a report by the Norway-based Democratic Voice of Burma (DVB), about 600 Burmese who watched the film in Singapore became very emotional, chanted slogans and distributed political leaflets at the screening.

The crowd “clapped non-stop for 80 seconds to show respect to the movie audience gathered there and to show unity” in their fight for democracy, DVB reported.

Read her full article on Asia Media Forum

I’ll just take Lynette’s word for all this, because I’m not going to see this film – I can’t take a killing every few seconds.

Watch Rambo 4 official trailer on YouTube:
Caution: Extreme violence – but then, what else do you expect in Rambo?

Rambo may have discovered Burma’s long-drawn suffering only recently, but activist film-makers have been using moving images for many years to sustain international attention on Burma’s human rights and humanitarian issues.

Almost five years ago, in May 2003, TVE Asia Pacific website ran a feature titled ‘Documentaries keep Burma issues alive‘. It was written by Indian film-maker and journalist Teena Amrit Gill, who at that time was based in Chiang Mai, Thailand — where many Burma activists are concentrated.

Excerpts:

“Long drawn internal conflicts are often overlooked or completely ignored by the global media that often chase the latest stories as they unfold. It often takes a few dedicated activists and committed film-makers to sustain focus on conflicts that no longer grab headlines – but continue to affect hundreds of thousands of people.

“As Burma and the struggle of its people, especially its ethnic minorities, against four decades of military dictatorship begin to fade from international attention, a number of new television documentaries are attempting to keep the issue alive.

“Some have been made by television professionals for international broadcast. Others have used amateur or activist footage and aim at mobilising public concern and supporting campaigns to maintain pressure on the regime.”

Teena reviewed three new films that had been produced in 2001-2002 about the plight of minority groups like the Karen, Shan and Karenni who live along Burma’s borders with Thailand, China and Laos. These minorities are the target of repressive policies of the ruling military junta in Rangoon.

Read the full article, Documentaries keep Burma issues alive

Sep 2007 blog post: Kenji Nagai (1957 – 2007): Filming to the last moment

Another point of view: Entertainment the Burmese military way, by Ye Thu on DVB website

Fighting for our right to ‘shoot’: A struggle in New York…and Colombo!

Courtesy AP

Photojournalists usually bear witness to unfolding events, and then share it with the rest of us. It’s not everyday that they make the news themselves.

This photojournalist, Gemunu Amarasinghe working for Associated Press in Sri Lanka, just did. Earlier this week, he was detained, questioned and released by police — all for taking photographs near a well-known Colombo school.

According to news reports, Gemunu was apprehended by a group of parents who formed the school’s civil defence committee. They had handed him over to soldiers on duty near by, and he was briefly detained by the Narahenpita police. Sri Lanka’s Free Media Movement has already protested to the police chief on this – the latest in a series of worrying incidents.

This might seem a minor incident in the context of highly dangerous conditions in which Sri Lankan journalists operate today. It was only a few days earlier that the World Association of Newspapers ranked Sri Lanka as the third deadliest place for journalists (6 killed in 2007), behind only Iraq and Somalia.

In an op ed essay published today on the citizen journalism website Groundviews, I have discussed the far reaching implications of this latest trend – when misguided citizens turn on professional or citizen journalists simply taking photos in public places. That’s still not illegal in Sri Lanka, where many liberties have been curtailed in the name of anti-terrorism.

Read my full essay: Endangered – Our Right to ‘Shoot’ in Public

As I write: “Gemunu’s experience is highly significant for two reasons. Firstly, it is depressing that some members of the public have resorted to challenging and apprehending journalists lawfully practising their profession which responds to the public’s right to know. Battered and traumatised by a quarter century of conflict, Sri Lankan society has become paranoid. Everything seems to be ‘high S’: practically every city corner a high security place; every unknown person deemed highly suspicious; and everybody, highly strung.

Courtesy Daily Mirror - Sri Lanka Cartoon from Daily Mirror, Sri Lanka

“Secondly, far from being an isolated incident, this seems to be part of a disturbing new trend. Anyone with a still or video camera in a public place is suspected – and presumed guilty until proven otherwise. This endangers everyone’s basic right to click for personal or professional purposes.”

I mention some examples of this cameraphobia. In recent months, pedestrians who filmed public bomb attacks on their mobile phones have been confronted by the police. One citizen who passed on such footage to an independent TV channel was later vilified as a ‘traitor’. Overly suspicious (or jealous?) neighbours called the police about a friend who was running his video editing business from home in suburban Colombo.

None of these individuals had broken any known law. Yet each one had to protest their innocence.

It may not be illegal, but it sure has become difficult and hazardous to use a camera in public in Sri Lanka today. Forget political demonstrations or bomb attacks that attract media attention. Covering even the most innocuous, mundane aspects of daily life can be misconstrued as a ‘security threat’.

I stress the point that, unlike journalists working in the mainstream media, citizen journalists lack trade unions or pressure groups to safeguard their interests. The citizen journalist in Sri Lanka is very much a loner — and very vulnerable.

And it’s not just in war-torn Sri Lanka that the right to take photos or film video is under siege. I cite a recent example from what is supposed to be a more liberal democracy: in the US, where New York city officials last year proposed new regulations that could have forced tourists taking snapshots in Times Square and filmmakers capturing street scenes to obtain permits and $1 million in liability insurance. The plans were shelved only in the face of strong public protests, spearheaded by an Internet campaign that included an online petition signed by over 31,000 and a rap video that mocked the new rules. Photographers, film-makers and the New York Civil Liberties Union played a lead role in this campaign, which asked people to ‘picture New York without pictures of New York’.

Read my full essay: Endangered – Our Right to ‘Shoot’ in Public

Sep 2007 blog post: Kenji Nagai (1957 – 2007): Filming to the last moment

Dec 2007 blog post: Asian tsunami – A moving moment frozen in time