Journalism – Page 19

‘Small Islands – Big Impact’ film making waves in the world’s Biggest Polluter…

My good friend Dilrukshi Handunnetti, a leading investigative journalist in Sri Lanka, is currently on a Jefferson Fellowship traveling in the United States. She is one of a dozen journalists from the Asia Pacific who have been competitively chosen to participate in this prestigious programme, which in 2009 is focusing on the theme, The Right Climate for Confronting Climate Change?

I finished my latest climate film, Small Islands – Big Impact, only the day before Dilrukshi left for Hawaii, her first stop in the multi-destination, intensive programme. Given her long standing coverage of the Maldivian political affairs as well as Asian/global environmental issues, I gave her a DVD of the film to take along.

I’m delighted to hear that she has been showing Small Islands – Big Impact in various presentations, often producing a…big impact wherever it was shared. It’s always good to have such feedback — here’s an excerpt from an email she has just sent me from Boulder, Colorado:

“I liked presenting your short film and the response it generated. The film generated a discussion on promoting the concept of (climate) adaptation as a human right – just as I felt it would be such a catch phrase here. I also had the (media coverage of) the underwater Cabinet meeting with me. So Maldives got a lot of attention despite not having a Maldivian here.

“Several wanted to know about the actual risk level of the Maldives and the possibility of the islands being submerged. They also asked about purchasing land elsewhere and whether the Maldives had the financial capability to do that. Others wanted to know about depleting fish catch President Nasheed spoke about as this was a common concern to Indonesia, Southern India and Vietnam.

President Nasheed: Stop pointing fingers, extend a helping hand...
“Some queried whether President Nasheed was going to Copenhagen to state his case. Two others asked whether lobby groups were behind his thinking. Several found, including American, Chinese and Indian participants, that President Nasheed’s call to end the blame game should be heeded by all. There was collective agreement that others’ behaviour impacted on the likes of President Nasheed and vulnerable communities.

“Interestingly, everyone found his interview a STORY. Something that they would want to report on in their respective media. We continue to discuss the same on our tours and walkathons from venue to venue for various meetings. In fact, I had the American participant asking our resource persons (IPCC types, no less!) whether they were willing to acknowledge the concept of climate refugees directly in relation to the Maldives.

“I think the movie served a great purpose of awakening the minds of many to the threat level faced by some communities on low lying coastal nations – like the pacific Islands and the Maldives. A senior broadcaster from the Tonga Broadcasting Corporation personally thanked me for wanting to highlight their plight as a small island nation.”

You can watch Small Islands – Big Impact online here:

Read the full text of my interview with President Nasheed on TVEAP website

As with all TVEAP films, this one too is available free of license fees and copyright restrictions to broadcast, civil society and educational users anywhere in the world. It’s now a year since I wrote a widely reproduced op ed essay on Planet before profit for climate change films — I practise what I preach!

A journalist for over 17 years, Dilrukshi Handunnetti has extensively covered politics, the environment, culture, and history and gender issues. In her current role, she writes the parliamentary column for the newspaper in addition to writing and editing investigative stories carried in her publication. Dilrukshi has also covered the ethnic conflict from a non-military perspective and written extensively on issues of good governance, graft and corruption. Dilrukshi is the recipient of many national journalism awards in Sri Lanka, including: the Young Reporter of the Year 2001, Best Environment Reporter of the year 2002, Best Environment Reporter of the year 2003, Best English Journalist of the Year 2004 (Merit) Award and D B Dhanapala Award for the Best English Journalist of the Year 2005, all presented by the Editors’ Guild of Sri Lanka.

In this extract from our 2005 film Deep Divide, Dilrukshi talks about Sri Lanka’s coastal resource development challenges before and after the 2004 Asian Tsunami:

Linking ‘weather’ to ‘climate’: Journalists’ big challenge then…and now!

L to R - Nalaka Gunawardene, Jesper Zolk and Bahar Dutt — At IFEJ 2009 Congress on 28 Oct 2009: From L to R: Nalaka Gunawardene, Jesper Zolk and Bahar Dutt

I used to describe my job as one where I try to make sense of our topsy-turvy world. But I’d happily settle for the simpler description ‘connecting the dots’. This is what we as journalists covering development issues must do everyday in our work:
• link the macro with the micro; and
• find inter-relationships and inter-dependencies that aren’t always very self-evident.

This reminds of me a piece of advice given by the late Tarzie Vittachi (1921-1993), the Sri Lankan-born journalist and editor who was a pioneer in development journalism in the 1960s and 1970s. Long before climate change became an issue, he was speaking metaphorically to fellow journalists when he said: “Ordinary people live and work in the day-to -day weather. Most can’t relate to long-term climate. It’s our job, as journalists, to make those links clear.”

When Tarzie made this remark, some three decades ago, he was speaking metaphorically. Times have changed and now we are literally dealing with weather and climate issues.

Making those links is not always easy, especially if we want to avoid sensationalism, scare-mongering and other excesses that often characterize media coverage on climate change.

I made these observations when chairing a session on the North-South differences in the electronic media (television) coverage of climate change in New Delhi, India, this week. It was part of the latest international congress of the International Federation of Environmental Journalists (IFEJ), held at India Habitat Centre from 28 to 30 October 2009. Its theme was “Bridging North-South Differences in Reporting Climate Change: Journalists’ role in Reaching an Ambitious Agreement at COP15 in Copenhagen”.

Participants – over 100 journalists covering science and environmental issues, from all over the world – recognised how climate concerns have extended beyond strict environmental (or ‘green’) issues to mainstream political, business and even security coverage in the media.

Joining me on the TV panel were two experienced journalists from news and current affairs channels — Jesper Zolk, Climate Editor of TV2 News, Denmark, and Bahar Dutt, Environment Editor of CNN/IBN, India.

As it turned out, they were a great panel – they knew a lot, and being TV journalists, also knew how to say it well and concisely. This was the second time that Bahar – one of the best known faces on Indian television today – and I have been on a panel together: almost four years ago, at IFEJ Congress 2005, also in New Delhi, she joined me to discuss ‘Does TV do a better job on environmental reporting?’

I opened my panel by showing this cartoon, one of my favourite when it comes to climate coverage in the media:

We cannot assume much more knowledge and understanding in our average TV viewer than the confused guy in this cartoon, I said. So just how do we reach out and engage millions like him (and also the better informed viewers like his fellow viewer)? How do we tell this complex, still unfolding story within the time limits of 24/7 news television, I asked.

We didn’t find all the answers in 75 minutes of our session, but at least we clarified and agreed on a few points. Bahar Dutt’s observations were particularly relevant, especially since India now has over 500 news and current affairs TV channels broadcasting to a billion plus audience in over a dozen languages.

At a time when mainstream media elsewhere in the world are struggling to stay on in business, the Indian broadcast media remain ‘chaotic but robust’, she said. “But editorial filtering is not always very strong in some of our channels, which sees climate coverage ranging from no coverage at all to hysteria,” she added.

According to Bahar, much of the climate coverage in the Indian media overlooks the links with broader development issues. “Focus is often on climate treaty negotiations, or what individual experts or politicians say. These elements are only part of the bigger picture, and we need to look further and dig deeper.”

“Environmental journalists are not green activists, and our role is to be watchdogs – keeping a sharp eye on government, industry and even civil society,” Bahar said. “But sometimes I find this watchdog role lacking in our media.”

Her advice to fellow journalists: stop seeing environment as simply a green and ‘cuddly’ sector, and move it into the political arena.

Jesper Zolk, Climate Editor of Denmark’s TV2 News, said his biggest challenge was how to get the pampered western viewers to change their lifestyles to be more climate friendly.

He urged journalists to focus not just on problems, but also on viable solutions. He expressed a concern that some journalists covering environmental issues sound more like green activists — a point that Bahar Dutt also agreed on.

She made another perceptive observation: people who have the least carbon footprint are the most keen to take action to mitigate climate change. That’s because they realise they are often the first to be impacted.

Our genial and erudite host Darryl D’Monte, chair of the Forum of Environmental Journalists of India (FEJI), had earlier asked participants to reflect on whether the media is part of the problem or the solution in the current crisis.

On the road to Copenhagen and beyond, we have our work cut out for us. As the Danish Ambassador to India, Ole Lønsmann Poulsen, quoted John F Kennedy in his opening remarks as saying: “The great enemy of the truth is very often not the lie, deliberate, contrived and dishonest, but the myth, persistent, persuasive and unrealistic.”

Imelda Abano: Asia’s Development Journalist of the Year 2009

Imelda Abano receives her award in Tokyo, Oct 23

I was delighted to hear the news that Filipino science and environmental journalist Imelda Abano has just won the Developing Asia Journalism Awards (DAJA) for 2009.

“We are all winners,” said Imelda at the Awards ceremony organized by the Asian Development Bank Institute (ADBI) at the Foreign Correspondents’ Club of Japan. “We should continue writing compelling stories to make a difference.”

Imelda Abano, whom I have known and admired for several years, won one of two special awards for her story titled “Scorched Earth”, published on 19 May 2009, in the Business Mirror newspaper in the Philippines.

“Among all the articles, the judges were very impressed with the way Abaño’s article presented the
complex issues on climate change. It was a comprehensive and extra-ordinary piece that was made simple for the readers to understand,” said Monzurul Huq, one of the four judges and the president of the Foreign Correspondents’ Club of Japan.

“We judges were each very impressed by the overall high quality of entries for this year. The awards were meant to recognize the efforts made by Asian and Pacific journalists who provide high-quality coverage of issues affecting growth and development in developing countries,” said Anthony Rowley, presiding judge of the 2009 ADBI awards.

Imelda Abano was honored last year by the United Nations as the Gold Prize Winner for excellence in reporting on humanitarian and development affairs. She was also this year’s recipient of the 10 Young Leaders Award in the Philippines given out by the Philippines Graphic magazine for her reporting on development and environmental issues. In 2002, she won the Asian category of the Global Awards on Environmental Reporting organized by Reuters and IUCN.

The Developing Asia Journalism Awards (DAJA) scheme was launched in 2004 by the Asian Development Bank Institute in Tokyo, for journalists covering development issues in the Asia Pacific. It received around 200 entries this year, of which 22 journalists from 17 ADB developing nations were selected as finalists.

Supriya Khandekar from India won Young Development Journalist of the Year Award. Other winners are Sithav An from Cambodia for the Poverty Impact of the Global Financial Crisis category, Raknish Wijewardene from Sri Lanka for the Government Responses to the Global Financial Crisis category, Zhu Yan from China for the Infrastructure Development category and Moffat Ghala Mamu from the Solomon Islands for the Climate Change Adaptation category. Full list of winners

A, B, C and E of good journalism: Reporting as if the planet and people mattered

“Environmental journalism would be a whole lot better if it had more of the three Ss: science, substance and (good) stories. First and last, it has to be good journalism, and that requires accuracy, balance and credibility. Trying to save the world – as some environmental journalists claim to do – does not give them a license to indulge in sloppy journalism, or to peddle conspiracy theories or half-truths.”

This has been my view on environmental journalism for sometime. Several years ago, my good friend (and former editor, The Times of India) Darryl D’Monte quoted me as saying this in UNEP’s Our Planet magazine while surveying the environmental coverage in the media in developing countries.

I reiterated these views today in a talk given to an international group of environmental journalists. The occasion was the 18th APFEJ Congress of Environmental Journalists being held in Colombo, Sri Lanka, from 19 to 21 October 2009.

My topic was a familiar one: Changing climate and moving images. I used it as a spring board from which to explore some broader issues that concerns every journalist who cares for life on Earth.

I returned to the time-honoured core values of good journalism – Accuracy, Balance and Credibility – and suggested we need one more letter, E – for Empathy. Without this latter attribute, our reportage and analysis would remain clinically cold while the planet warms up, I cautioned.

I also reflected on what it means to be an ‘environmental journalist’ in our troubled times.

For several years, I proudly called myself an ‘environmental journalist’. But I now question whether the growth of environmental journalism as a media specialisation has, inadvertently, ghettoised environmental issues within the editorial considerations of media organisations.

This is not to argue against media professionals specialising in environment or other development sectors such as health, gender or human rights. As issues become more complicated, journalists require sufficient background knowledge, sustained interest and some specialisation to do their job well. But it’s poor strategy to leave sustainable development issues entirely in the hands of ‘environmental journalists’.

At best, they can only weave part of the much-nuanced, multi-faceted tapestry of sustainable development. To grasp that bigger picture, and to communicate it well, we need the informed and active participation of the entire media industry -– from reporters, feature writers and producers to editors, managers and media owners.

Climate change, rapidly emerging as the charismatic mega-issue of our troubled times, could become a rallying call to unify the media and communication industries for this purpose.

Already, there is recognition of climate change’s far-reaching impacts. the UN’s Inter-governmental Panel on Climate Change urged a couple of years ago for the global issue to be ‘re-branded’ as a development problem rather than an environmental one.

In this scenario, we urgently need more good journalism that covers sustainable development concerns as an integral part of the mainstream of human affairs. Noble intentions of saving endangered species or ecosystems do not give anyone the license to engage in shoddy journalism.

The pursuit of plain good journalism will make us:
• rigorous in our field investigations and amassing of facts;
• balanced in our analysis of issues, impacts, choices and alternatives;
• committed to staying with evolving, fast-moving stories; and
• adaptable to accommodating new perspectives and knowledge.

It will also give us the courage of our convictions to question conventional ‘wisdom’, challenge established notions and take unfashionable positions when we have to.

April 2007 blog post: Can journalists save the planet?

Asians prominent in TIME Magazine’s Heroes of the Environment 2009

Asian environmental leaders, activists and visionaries feature prominently in TIME Magazine’s Heroes of the Environment 2009 list, published in its issue dated 5 October 2009.

This isn’t surprising, since the Asia Pacific accounts for nearly two thirds of humanity. As I’ve been saying for some years, the quest for sustainable development will be won – or lost – in Asia.

By happy coincidence, I have met three of the two dozen remarkable men and women in this year’s Heroes list — and count two of them among my extended network of friends across Asia.

One friend is the Indian film-maker Mike Pandey, who has been making environment and wildlife films for over 30 years in India, where he is one of the most respected names in conservation circles.

The other is Sheri Liao, Founder of the Global Village of Beijing (GVB), one of the earliest non-governmental organisations addressing environmental issues in China. She is an indefatigable Chinese activist and campaigner whom I first met on my first visit to Beijing in 1996. Our paths have crossed a couple of times since then, and I have always admired her zeal and single-minded pursuit of ‘greening’ China. Added on 17 Oct 2009: Blog post on Sheri Liao and greening the airwaves in China

The third ‘hero’ is the amiable and technocratic Mohamed Nasheed, President of the Maldives. I filmed an exclusive TV interview with him a few weeks ago, which I am currently editing into a short documentary on climate change. His country, the smallest independent state in Asia (by both land area and population), is on the frontlines of impact from rising sea levels and extreme weather events triggered by global warming.

heroes_1005 “From saving wild mountain rivers in China to measuring the Arctic’s icy expanse, our green heroes are informed by this simple notion: We can all make a difference,” Time editors wrote in introducing this year’s list.

I just wrote a separate blog post on Prince Mostapha Zaher, Afghanistan’s environmental chief.

And I have already blogged about another TIME Hero well ahead of their selection: environmental lawyer Syeda Rizwana Hasan, a determined environmental activist who keeps dozens of ships from coming to die on the beaches of her native Bangladesh.

In the coming days and weeks, I plan to write separate posts on these other heroes whose selection is both timely and inspiring to all of us working in the broader development sector.

RSF: Who will protect journalists fighting for a better planet?

RSF: We must defend journalists who fight for the planet

In November 2007, I wrote a blog post calling for greater protection for local journalists who cover social and environmental justice issues risking their life and limbs.

I quoted the Filipino academic and social activist Professor Walden Bello, as saying: “Things are pretty savage at the grassroots level in some of our countries. Journalists who investigate and uncover the truth take enormous personal risks – the vested interests hire killers to eliminate such journalists.”

Bello, executive director of the Focus on the Global South, further said: “Journalists living in the provinces and reporting from the grassroots are more vulnerable than those based in the cities. This is precisely why local journalists need greater support and protection to continue their good work.”

Last week, Reporters Without Borders echoed this call, saying: “We must defend journalists who expose attacks on the environment”.

The press freedom activist group released a new report titled “The dangers for journalists who expose environmental issues.” It highlights the indifference – and even complicity – of some governments and local authorities that make little attempt to protect journalists who take risks to investigate attacks on the environment.

The report looks at 13 cases of journalists and bloggers who have been killed, physically attacked, jailed, threatened or censored for reporting on the environment, and highlights the need for a free press to tackle ecological challenges.

In countries such as Russia, Cambodia, Brazil or even Bulgaria, in Europe, journalists run considerable risks when they try to alert the world about the misdeeds of those who prey on the environment.

Read the full report online

Read my June 2007 tribute to Joey Lozano, a courageous Filipino journalist who risked his life to fight for environmental and social justice issues

XYZ Show controversy: Kenyan politicians forgetting ‘Hakuna matata’?

“The trouble with political jokes is that they keep getting elected!”

Ayesha, a regular reader of this blog, left that one-liner comment in response to my blog post of 13 August 2009 on an interesting experiment in political satire on Kenyan television that ended its first season on 9 August 2009.

It’s a show called the XYZ Show, broadcast weekly on Kenya’s Citizen TV. Started in mid May 2009, the first season introduced Kenyan viewers to a new form of satire television, with life-sized puppets made to resemble famous persons, mostly politicians.

Now comes the report that the show has riled some Kenyan politicians – surprise, surprise! I have only just come across this Citizen TV news report, broadcast a couple of weeks ago:

Controversy Over The XYZ Show

The satirical puppet show XYZ on Citizen Television every Sunday night, has attracted the attention of non other than the Public Service Minister Dalmas Otieno. The Minister says the caricature show is depicting politicians in bad light. The Director of Communication Ezekiel Mutua avers that, the show is representative of just how free the media is, in Kenya.

Well, what can we say? We thought politicians in general had thicker skins. Perhaps some Kenyan politicians are in danger of forgetting that timeless piece of Swahilian advice: Hakuna matata!

Hakuna matata is a Swahili phrase that is literally translated as “There are no worries”. It is sometimes translated as “no worries”, although is more commonly used similarly to the English phrase “no problem”.

A Greek among geeks: Importance of asking the right questions…

Contrary to a popular perception, I’m not a geek. If anything, I’m closer to the ancient Greeks than geeks.

This is how I summed up my own self when talking to a group of media tycoons and senior journalists in Colombo earlier this month.

I explained: I keep asking more questions than I can answer. The ancient Greeks did the same – they were the first to ask many fundamental questions in philosophy and science. They didn’t always get the answers right, but started quests that lasted for millennia…

As Ed Johnson recently wrote: “We have so many things to thank the Greeks for, from philosophy to democracy. They were the ones who established the first civilization, governed by free citizens. Individual liberty has been the basis of civilization ever since.”

It so happens that I recently completed 40 years in this business of playing the Greek. As I recalled a few weeks ago on the 40th anniversary of the first Moon landing, I had an early start in asking difficult, sometimes irritating, questions.

I’m fortunate to be welcomed among media practitioners as well as media researchers. I’m not a card-carrying member of either group, but I have great fun hobnobbing with both. This is what Irish journalist-cum-academic Conor Cruise O’Brien once called ‘having a foot in both graves’!

And I’m also grateful for being allowed into the community of geeks, especially of the IT, ICT and gadget-wielding kind.

Laugh, and the world laughs with you; Weep, and you weep alone…

“If you have tears, prepare to shed them now,” urged Mark Antony to fellow Romans after Julius Caesar died.

But what if you simply don’t have any tears to shed? That’s what my eye doctor recently cautioned me, after a routine examination. The natural tearing in my eye, necessary for keeping it moist and clean, wasn’t quite working. There is nothing to worry, he hastened to add, for it sometimes happens as our bodies slowly age. He asked me to use eye drops twice a day for a while.

This set me thinking about the value and power of tears. Although most land mammals have a lacrimation system to keep their eyes moist, humans are the only mammal generally accepted to cry emotional tears.

In my circles, I’m known to be an emotional guy. I have never believed in that macho myth of men not crying. I shed tears of joy and tears of sorrow, sometimes in public. I cry when people I know, admire or love leave this world, sometimes at the most unexpected moments. Powerful movie moments of triumph or despair often move me to tears, as do simple joys of life — such as seeing my kid perform well on stage in a school concert.

Despite what my doctor says, I’ve been shedding plenty of tears this year.

I openly wept when journalist colleague Lasantha Wickrematunge was gunned down in broad daylight on a cruel January day. He was Sri Lanka’s real leader of the opposition.

My eyes were completely misty when the news of the original TV news anchorman and broadcast giant Walter Cronkite passed away on 18 July 2009 after an illustrious career spanning decades.

Two weeks later, I joined millions of Filipinos in mourning the passage of Cory Aquino, the courageous woman who led the world’s first People Power revolution, toppling one of the worst tyrants of the 20th century.

In contrast, Michael Jackson’s death on 25 June didn’t immediately move me to tears, even though I quickly wrote a tribute. But the live broadcast of his star-studded funeral service on 6 July did. I watched it in the solitude of a hotel room in Amsterdam on a warm summer evening, and cried — as much for the tragic end of the man as what he stood for. Those tears inspired the op ed essay on the two Moonwalks.

I can add more to this list if I think long enough. The point is: my eye specialist’s clinical examination didn’t capture these highlights (lowlights?). There’s a part of our emotional lives that our doctors may never fathom. We ourselves are often barely aware of it.

A recent article in Reader’s Digest (March 2009 issue), titled Big Boys Don’t Cry — and Other Myths About Men and Their Emotions, said new research reveals that a man’s emotional life is as complex and rich as a woman’s, but often remains a mystery to him as well as to any woman who loves him. You can say that again!

Conventional wisdom doesn’t encourage or celebrate grown men crying. One of my favourite poems is ‘Solitude’ by Ella Wheeler Wilcox, which opens with these memorable lines:

“Laugh, and the world laughs with you;
Weep, and you weep alone;
For the sad old earth must borrow its mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air;
The echoes bound to a joyful sound,
But shrink from voicing care.”

My close friends think I’m melancholic by nature, and long ago I came to terms with who and what I am. I don’t spend my days lamenting or weeping, for sure, but I also don’t hesitate to cry when the emotion warrants it.

If that means I weep alone, so be it.

The XYZ Show: New horizon in political satire on African TV, but room to grow?

Anyone can do ABC; it takes effort to make it all the way to XYZ... — Anyone can do ABC; it takes a special effort to make XYZ...

Update on 1 Sep 2009: Controversy over XYZ Show: Kenyan politicians forgetting Hakuna matata?

I ended a recent blog post, News wrapped in laughter, with this thought: “There is another dimension to satirising the news in immature democracies as well as in outright autocracies where media freedoms are suppressed or denied. When open dissent is akin to signing your own death warrant, and investigative journalists risk their lives on a daily basis, satire and comedy becomes an important, creative – and often the only – way to comment on matters of public interest. It’s how public-spirited journalists and their courageous publishers get around draconian laws, stifling regulations and trigger-happy goon squads. This is precisely what is happening right now in countries like Kenya and Sri Lanka, and it’s certainly no laughing matter.”

An interesting experiment in political satire on Kenyan television has just ended its first season on 9 August 2009. It’s a show called the XYZ Show, which was broadcast weekly on Kenya’s Citizen TV. Started in mid May 2009, the first season introduced Kenyan viewers to a new form of satire television, with life-sized puppets made to resemble famous persons, mostly politicians.

The XYZ Show was inspired by famous puppet satire series like the British “Spitting Image” and the French “Les Guignols de l’Info” shows. In the XYZ Show, the puppets commented on news and current events from both Kenya and overseas.

The XYZ Show was developed by a team led by Kenyan cartoonist Godfrey Mwampembwa, alias Gado. He is the most widely syndicated cartoonist in East and Central Africa. He publishes a daily cartoon in The Nation, the largest newspaper in Kenya, and his work has been published in Le Monde (France), Washington Times (US), De Standaard (Belgium) and The Japan Times.

According to its creators, the XYZ Show challenged famous figures from Kenyan high society and politics using humour and satire. It aimed to become a new forum for social and political debate, one that provides room for open discussion.

Watch XYZ Show’s first episode trailer, produced one year ago:

Says the Prince Claus Fund of the Netherlands, which supported the show’s production: “Although freedom of the press is a constitutional right in Kenya, it is difficult for many journalists to practice their profession without interference. Gado and his team hope that the XYZ Show will contribute positively to strengthening freedom of the press and increasing political and social awareness among the people of Kenya. The show provides commentary on current social and political developments and aims to use humour and artistry to reinforce freedom of speech in Kenya.”

From what I’ve been able to watch online, on the show’s YouTube channel and elsewhere, the production values are at a high standard, comparable to such shows made in Europe and East Asia. The puppets are attractive, movements convincing and the pace quick and slick.

The producers have also tried hard to make XYZ more than just a TV show. The website, in English, shows how the content is being adapted for the web (as webisodes) and mobile phones (as mobisodes). The show’s official blog takes us on to the set and shares with us the story behind the story, and introduces us to the artists and technical geniuses involved. Full marks for trying to engage the audience.

Then there is Barack Obama. Using his Kenyan connections, the show casts him (really, a puppet in his image) in a ‘supporting actor’ role. This has clearly inspired some interest in the show beyond Kenya.

So far, so good. But how does it work with the audience? The show is directed mainly at local audiences, and even if it’s presented in a mix of English and local language, it’s not something a complete outsider like myself can appreciate.

So I ‘crowd-sourced’ by asking a Kenyan reader of my blog, Marion N N, for her opinion. Marion is part of Sojourner, which her blog introduces as “a social enterprise that exists to promote the origination, production and distribution of African viewpoints through visual media. We are passionate about African film-making and seek its viable promotion globally”.

Marion wrote a comment in her blog after watching one episode a few weeks ago. She lives and works in Kenya, and her views are far more valid than my own.

She wrote: “My first off impression was fascination about the quality of the show in terms of animation which is very new to the local TV production scene in Kenya. Once past the fascination of the animation, I found that the content failed to hold my interest, connect with me or engage me as an audience. As a socio-political spoof show, humor ideally should be the hook that captures audience but in this case, humor comes across as mindless, illogical or simply stupid action on the screen. As if in evidence to this fact, at some point my husband in between laughter remarked ‘This show is really stupid’. I would imagine this would be a compliment to the Production becuase it provoked laughter in a viewer. However beyond that moment, it seemed only natural for us to flick over to more substantial entertainment having enjoyed that brief flight of fancy that failed to arouse an appetite for more.”

Marion also wondered what the show’s intended audience was, and highlighted the many challenges in getting the levels and balances right in doing political satire: “That politicians sometimes (nay, most times) behave ridiculously is not new or fresh. But the treatment, underlying themes, ideas communicated to audiences should be. Why do I suggest this? Because political satire by its nature speaks to an audience that is fairly mature, and exposed. To use childish humor that is poorly developed will not hold the audience’s attention. Infact at some point the content may become a tad irritating to watch. Political satire needs to be treated with a peppering of fact, wit, fresh perspective or take -out: The achievement of some underlying objective and not just mindless visual gimmicks that lead to the feeling of ‘stooping to idiocy; by audiences. This seeming insult of intelligence causes us as an audience to switch off.”

In my own view, The XYZ Show had at least three major challenges. Doing any puppet show is hard enough, and these days the on-air competition is neither local nor fair: it comes from global entertainment corporations like MTV and their regional variations, usually with deep pockets. Doing political satire is even harder, especially if the political culture is intolerant or repressive. To get the look, feel and balances right in a country where such a show is being done locally for the first time is a formidable challenge by itself.

But I’ll let Marion have the last word. In spite of the various concerns, she feels that the XYZ Show has ‘room to grow and conquer the airwaves’. But, as she notes, “The production team have their work cut out for them in pre-production. It’s back to the drawing board and ask who is my audience? What appeals to them? How do I connect with them, define an objective for the show and its audiences? Research facts and opinions about national sentiment on issues then develop scripts and sequences…”

Read Marion’s full comment on her blog

All images used on this blog post are courtesy The XYZ Show.