Dr Wijaya Godakumbura holding his invention - Photo courtesy Rolex Awards/Tomas Bertelsen
It’s easy to curse the darkness, and many among us regularly do. Only a few actually try to light even a small candle to fight it. Dr Wijaya Godakumbura of Sri Lanka is one of them – he literally lights lamps, thousands of them, against the darkness of ignorance and poverty.
But his lamps are different, and a great deal safer compared to normal lamps and kerosene, which can start fires risking life and property of users. The design is simple yet effective, inspired in part by the Marmite bottle known the world over: it’s small and squat, with two flat sides – equipped with a safe metal screw cap to hold the wick. It’s quite stable and hard to topple.
Surgeon turned inventor and social activist, Dr Godakumbura founded and runs the Safe Bottle Lamp Foundation which distributes safe, virtually unbreakable kerosene lamps to those who can’t afford electricity. For these untiring efforts that have saved hundreds of lives, the good doctor and his organisation have just been selected the overall global winner in the 5th annual World Challenge awards conducted jointly by BBC World News and Newsweek, together with Shell.
The Safe Bottle Lamp Foundation received a $20,000 grant from Shell to invest in the future of the project. The winner and runners-up were felicitated at an awards ceremony in the City of The Hague on 1 December 2009.
Now in its fifth year, World Challenge 2009 is a global competition aimed at finding projects or small businesses from around the world that have shown enterprise and innovation at a grass roots level. World Challenge is brought to you by BBC World News and Newsweek, in association with Shell, and is about championing and rewarding projects and business which really make a difference.
A record breaking 900 plus nominations were received this year and from these, twelve finalists were chosen by a panel of expert judges. BBC World News viewers and Newsweek readers then selected their favourite from these dozen unique and inspiring entries by casting more than 127,800 votes at http://www.theworldchallenge.co.uk.
Watch short film featuring the Safe Bottle Lamp when it emerged a finalist this year:
BBC/Shell World Challenge series producer is my former colleague Robert Lamb, who has blazed many new trails in broadcast television and development communication. He specialises in telling complex environmental stories in engaging terms using moving images, and now runs his own independent film production company One Planet Pictures in the UK.
At the beginning of the World Challenge 2009 process, Robert wrote in the producer’s blog: “World Challenge is now in its fifth year. Over that time we have received thousands of nominations. Sadly, we have only been able to film a small selection. But it’s enough to know that there are millions of points of light out there. Watching the news is easy to forget that the vast majority of people go about their lives peacefully and productively.
“Our aim In World Challenge is briefly to bring stories of modest scale sustainable enterprise to the screens. Every year has thrown up big surprises. The diverse ways that ordinary people go about making a living without taxing the Earth’s resources is uplifting. This year we feature the most diverse crop of stories yet…And the really good news is that they are still going strong and proving that ‘sustainable’ is a term with a lot of meaning.”
Wells: Visionary and cautionary“Human history becomes more and more a race between education and catastrophe,” said H G Wells, British writer and social activist (1866 – 1946).
This is one of my all time favourite quotes. With amazing economy of words, the author of science fiction classics such as The Time Machine and War of the Worlds has summed up the story of human civilisation.
For much of history, our race has managed to outrun and outsmart an assortment of perils – and sometimes winning with only a wafer thin margin. Individual civilisations that lost the race were doomed to extinction, and now live only in history books and archaeological ruins.
As a whole, however, our species has managed to outlive famines, plagues, ice ages and nuclear weapons. But how are we going to fare with the latest peril – global climate change?
Coping with this phenomenon may well be the Ultimate Race to save our species and our planet. To increase our chances, we need to invest more on education — in its broadest sense.
This is the point I’ve been making in recent weeks, when giving talks about the role of information, education and communication (IEC as its practitioners call it) in preparing communities and societies to live with inevitable climate change. I have addressed diverse groups – from academics and science students to science journalists and civil society activists. Often, my audiences have been multi-cultural and multi-disciplinary.
Fortunately, I didn’t find anyone disagreeing with me – but some were uncertain on methods and means to unleash education on an unprecedented scale.
There are no easy answers or quick fixes. Education for Sustainable Development is an attempt to strengthen humanity’s prospects in the Ultimate Race.
TVE Asia Pacific’s latest Asian TV series, modestly named Saving the Planet, brings some dispatches from the frontier of that race. It shows how some people are working quietly and relentlessly to spread knowledge, understanding and attitudes that inspire action to live in harmony with the planet.
Increase our winning chances in the Ultimate Race!
Evolution or revolution?
I was born three years before the Internet (which turned 40 a few weeks ago), and raised entirely on newspapers and radio in a country where broadcast television didn’t arrive until I was 13.
From the time I could read and write, I always wanted to be a media publisher. In that pre-history of the Personal Computer and Internet, my choices were pretty limited: I published a hand-written household newspaper and was its editor, reporter, printer and distributor all rolled into one. But I was obsessive in my work even then, and the newspaper lasted a couple of years in which over two dozen issues were released (all of them now mercifully lost).
My school teacher parents were my first patrons, supplying me with plenty of paper, pencils and ink. But there must have times when they rather wished that I didn’t indulge in my own brand of independent journalism. I loved to criticise and lampoon the ‘management’ in my editorials — even as a kid, I was already critical of the establishment!
Fortunately for me, the ‘management’ left me alone and to my own devices, but most independent editors in history haven’t been so lucky. As the American journalist A.J. Leibling (1904 -1963) once said, “Freedom of the press is guaranteed only to those who own one.” In his time, this was perfectly true.
There was a time, until recently, when press barons and media moguls led, and the rest of society followed. In our topsy-turvy times, however, the reverse is increasingly true.
In theory, at least, anyone can be a global broadcaster and publisher in less than two hours using free tools that can be downloaded and activated in minutes.
David Brewer (photo from http://www.i-m-s.dk)My British media activist friend David Brewer has just published an online guide on how to become a publisher or broadcaster in 100 minutes. (Okay, the non-geeks among us might need a bit longer than that, but still, you can be in business in just a few hours.)
David Brewer’s journalistic and managerial experience spans newspapers, radio, television, and online, and he now runs Media Ideas International Ltd, a media strategy consultancy with clients in Europe, the Balkans, the CIS, the Middle East, Asia, Africa and Central America.
David has worked with what I like to call the A-B-C of global broadcasting. He was the launch managing editor of BBC News Online in 1997, and moved to CNN, as managing editor, to set up CNN.com Europe, Middle East and Africa and CNNArabic.com. He was an editorial consultant for the launch of Al Jazeera English in 2006 and continues to work with Al Jazeera English as a new media consultant.
In his spare time, he runs Media Helping Media , a network and online resource to support media in areas where freedom of expression is under threat.
Clip, clip, clip...I’m usually happy and eager to explain my work to anyone who asks. I keep cool when people mix up technicalities related to film and video – after all, I don’t know the finer points in other professions and industries.
One thing I’m a bit tired of hearing is the wide-spread misuse of the term ‘video clip’. I try to keep a straight face when well-meaning people ask me about recent ‘video clips’ I’ve made. The truth is, I don’t make any: I make fully edited films – sometimes long, sometimes short, but always finished (That is, if a film can ever be called ‘finished’. An industry giant once told me that no film is ever finished; it’s only abandoned…)
For example, my latest climate film Small Islands – Big Impact is slightly under 6 minutes, yet it’s a complete product. I spent two months working on actually making it, and almost 20 years covering the story itself.
But the distinction between film and clip is not widely understood. In fact, the digital revolution seems to have added to the confusion.
The Wikipedia says a media clip is a short segment of media either an audio clip or a video clip. In other words, a part of something bigger.
It further explains: “Media clips may be promotional in nature, as with movie clips. For example, to promote upcoming movies, many actors are accompanied by movie clips on their circuits. Additionally, media clips may be raw materials of other productions, such as audio clips used for sound effects.”
Video clips are short clips of video, usually part of a longer piece. Wikipedia adds, however, that this term is “also more loosely used to mean any short video less than the length of a traditional television program.”
That’s part of the confusion. With the spread of broadband Internet , which enabled greater bandwidth to both content creators and users, video clips have become very popular online.
About.com, another widely used online reference, says: “A video clip is a small section of a larger video presentation. A series of video frames are run in succession to produce a short, animated video. This compilation of video frames results in a video clip.”
But that’s not all. While the TV/video industry widely accepts the above definition, the computer industry seems to use ‘video clip’ generically to mean any short video, processed or otherwise. This is how video clip is defined, for example, by YourDictionary.com and PC Magazine’s online encyclopedia.
Snip, snip, snip...?In this era of media convergence, when films an TV programmes are made using non-linear technologies enabled by computers, it’s no wonder that ‘video clip’ means different things to different people.
Wikipedia also talks of an emerging clip culture: “The widespread popularity of video clips, with the aid of new distribution channels, has evolved into clip culture. It is compared to “lean-back” experience of seeing traditional movies, refers to an internet activity of sharing and viewing a short video, mostly less than 15 minutes. The culture began as early as the development of broadband network, but it sees the boom since 2005 when websites for uploading clips are emerging on the market, including Shockinghumor, YouTube, Google Video, MSN Video and Yahoo! Video. These video clips often show moments of significance, humour, oddity, or prodigy performance. Sources for video clips include news, movies, music video and amateur video shot. In addition to the clip recorded by high-quality camcorders, it is becoming common to produce clips with digital camera, webcam, and mobile phone.”
Until recently, I used to get irked when people ask me about ‘video clips’ I make. My stock answer has been: “We only make fully edited, self-contained short films of various durations…partly because less is more these days. We don’t, as a policy, make ‘clips’ which in TV industry terms means semi-edited or unedited extracts that are not self-contained.”
Maybe I should stop being such a purist. After all, as I keep reminding my colleagues, students and anyone else who cares to listen to me, media is a plural!
One thing is for sure. Literacy rates and computer literacy rates have been rising worldwide in recent decades. But when it comes to basic media literacy, our societies still have a long way to go.
Satinder Bindra (left) and Keya Acharya at IFEJ 2009 Congress Satinder Bindra left active journalism a couple of years ago when he joined the UN Environment Programme (UNEP) as its Director of the Division of Communications and Public Information (DCPI) based at UNEP Headquarters in Nairobi. But thank goodness he still thinks and acts like a journalist.
We have gone beyond the cautionary stage of climate change, and are now acting out ‘Part II’ where we have to focus on what people can do, he said. “Climate change is no longer in doubt, and if anything, the IPCC’s scenarios are turning out to be under-estimates.”
He was referring to the IFEJ congress theme, “Bridging North-South Differences in Reporting Climate Change: Journalists’ role in Reaching an Ambitious Agreement at COP15 in Copenhagen”.
Satinder sounded emphatic when he said: “We have a limited time in which to reach as many people as possible. Environment is the single biggest challenge we face in the world today, and we as journalists have a tremendous responsibility in providing the latest, accurate information to our audiences.”
He added: “There is still a debate among journalists on whether or not we should be advocates for the environment. We should not be scared to push the best science, even if we don’t choose to engage in advocacy journalism.”
Satinder, who was a familiar face on CNN as its South Asia bureau chief until 2007, acknowledged that the media landscape was evolving faster than ever before. “Thanks to the web and mobile media, our distribution modes and business models are changing. YouTube has emerged as a key platform. Viral is the name of the game.”
His message to broadcasters, in particular, was: “You may be rivals in your work, but when it comes to saving the planet, put those differences aside.”
A call to the whole planet...Satinder is spearheading, on behalf of UNEP, the UN-wide Seal the Deal Campaign which aims to galvanize political will and public support for reaching a comprehensive global climate agreement in Copenhagen in December.
To me at least, the most important part of Satinder’s speech was when he said that he was not seeking to promote or position the UNEP or United Nations branding. His open offer to all journalists and broadcasters: “If you need to use the hundreds of UNEP films, or make use of our footage in your own work, go right ahead. We want you to make journalistic products. There’s no need or expectation to have the UN branding!”
Wow! This is such a refreshing change — and a significant departure — from most of his counterparts at the other UN agencies, who still think in very narrow, individual agency terms. They just can’t help boxing the lofty ideals of poverty reduction, disaster management, primary health care and everything else within the agenda setting and brand promotion needs of their own agencies.
“As development organisations compete more intensely for external funding, they are increasingly adopting desperate strategies to gain higher media visibility for their names, logos and bosses.
“Communication officers in some leading development and humanitarian organisations have been reduced to publicists. When certain UN agency chiefs tour disaster or conflict zones, their spin doctors precede or follow them. Some top honchos now travel with their own ‘embedded journalists’ – all at agency expense.
“In this publicity frenzy, these agencies’ communication products are less and less on the issues they stand for or reforms they passionately advocate. Instead, the printed material, online offerings and video films have become ‘logo delivery mechanisms’.”
Let’s sincerely hope that the pragmatic and passionate Satinder Bindra will be able to shake up the communication chiefs and officers of the UN system, and finally get them to see beyond their noses and inflated egos. It’s about time somebody pointed out that vanity does not serve the best interests of international development.
The Decade of Destruction A unique chronicle of the destruction of the Amazonian rainforest.
Whatever we might think about Al Gore’s film An Inconvenient Truth, I’m glad it has settled one question: can a single film make a difference in tipping public opinion about a matter of global importance? The answer, where climate change is concerned, is a resounding yes!
But years or decades before Al Gore, other film makers have had their own impact on other environmental issues. One of them is Adrian Cowell, the award-winning British film maker whose quest to tell the story of the destruction of the Amazon forest made politicians listen and the world take note.
According to the Centre for Social Media at the American University, “He catapulted the environmental movement to save the Amazonian rain forests through the television series The Decade of Destruction and Banking on Disaster.”
Adrian CowellAdrian, whom I have had the pleasure of meeting and talking on several occasions, is a world acclaimed leader in our field. Born in Tongshan, China in 1934 and educated at Cambridge University, Adrian has been making films longer than I have been alive — and luckily for all of us, he is still at it.
He began filming his path-breaking series called The Decade of Destruction in 1980, when the Amazon was first opened up to settlers and developers. He has documented the systematic destruction of the rainforest there into late 1990 when, for the first time, there was an indication that the fires were being brought under control.
As the synopsis says: “Each episode follows the real life stories of people caught up in the frontier’s web of need and greed, stories of personal tragedy and great courage. The programs relate the individual’s struggle to the wider developments going on around them. Together they illustrate the principal issues of Amazonia during the 1980s – its decade of greatest destruction.”
The Chicago Tribune called it an epic, “a brilliantly told story of greed, death, politics, violence, heroism and environmental holocaust.”
I recently came across this brief account by Adrian Cowell himself, looking back at his long engagement with the Amazon:
“In January 1980 we started 10 years of recording the destruction of the Amazon forest. We began by filming colonists invading the territory of the then unknown, and very vulnerable, tribe, the Uru Eu Wau Wau, in the Brazilian state of Rondonia. Many colonists had received, free of charge from the government, plots of 40-50 hectares in the forest traditionally hunted by the Indians. Tragically, within a decade, this ‘colonisation’ process, called the Polonoroeste Project, would not only leave three-quarters of the Indians dead, but also prove a disaster for the colonists themselves. They had been given such poor soil that, within six years, 60% of the land they had so hopefully deforested would be abandoned.
“So we were astounded when the World Bank moved in to lend nearly half a billion dollars to the project, and were even more astonished when we realised that what was being played out in front of our cameras was evidence of one of the most disastrous loans the Bank had ever made. Not unnaturally, I went to Washington to find out what could explain the Bank’s loan. And there I met three environmentalists, Bruce Rich, Barbara Bramble and Brent Blackwelder, respectively from the Environmental Defense Fund, the National Wildlife Federation and the Environmental Policy Institute. They were campaigning on how international economic development affected the environment. But by a remarkable coincidence they had decided to focus, not only on the World Bank, but on – of all its hundreds of loans all over the world – the very Polonoroeste Project that we were filming. They asked me to show our film in Congressional hearings and I telephoned José Lutzenberger – more or less the father of Brazilian environmentalism – to ask him to testify. By yet another happy coincidence, an American researcher, Brent Millikan, had written a report giving academic detail to the facts behind what we had filmed. And an American expert on Amazonia, Dr Philip Fearnside, added his authority to the diagnosis of what was going wrong.
“And so, some months later – after a complex chain of legislative and political developments – we were able to record Senator Robert Kasten, the chairman of the powerful Appropriation Committee’s subcommittee on foreign operations, cutting off 20% of the money the US donated annually to the World Bank. Nothing concentrates a banker’s attention more than the withdrawal of some of his money. Within a few months we were able to conclude our programme, Banking on Disaster, by filming World Bank president Barber Conable admitting, for the first time, that a Bank loan, specifically the Polonoroeste Project, had gone wrong. This was to be the beginning of a very slow and gradual greening of World Bank policies.
“Obviously, our television film had played a part in this political change. But though a film may sometimes be the most dramatic way to present a case, it is an illusion to think that it can be more than just one tool or facet of the very complex process behind international and environmental evolution.”
* * * * *
Here’s more biographical background about Adrian: Book of the TV seriesAdrian Cowell has been making documentary films for five decades. In 1955-56, he joined the Oxford and Cambridge Far Eastern Expedition, an experience which launched his film career and his interest in Burma. The following year, he made his first foray into the rain forest of Brazil, part of a joint Oxford-Cambridge expedition of young filmmakers. These early trips became the seeds of Cowell’s award-winning epic projects. His series Opium was filmed over an eight-year period (including nine months when he was trapped behind the lines in Burma). His ten-year chronicle of the destruction of the Brazilian rain forests during the 1980’s—broadcast as the television series The Decade of Destruction —stirred the world and contributed to the international debate on how the Amazon should be developed. In 1990, The Decade of Destruction was broadcast on Channel Four in Britain and on PBS FRONTLINE in the U.S. Adrian Cowell’s more recent British TV series include The Heroin Wars. It is a follow-up to The Opium Trail (1966), The Opium Warlords (1974) and Opium (1978).
Cowell is an environmental activist, co-founder of the Television Trust for the Environment and the author of two books on Brazilian Indians, The Heart of the Forest (Knopf) and The Tribe that Hides from Man (Stein and Day). He also wrote a companion book to the TV series The Decade of Destruction (Henry Holt and Company).
At IFEJ 2009 Congress on 28 Oct 2009: From L to R: Nalaka Gunawardene, Jesper Zolk and Bahar Dutt
I used to describe my job as one where I try to make sense of our topsy-turvy world. But I’d happily settle for the simpler description ‘connecting the dots’. This is what we as journalists covering development issues must do everyday in our work:
• link the macro with the micro; and
• find inter-relationships and inter-dependencies that aren’t always very self-evident.
This reminds of me a piece of advice given by the late Tarzie Vittachi (1921-1993), the Sri Lankan-born journalist and editor who was a pioneer in development journalism in the 1960s and 1970s. Long before climate change became an issue, he was speaking metaphorically to fellow journalists when he said: “Ordinary people live and work in the day-to -day weather. Most can’t relate to long-term climate. It’s our job, as journalists, to make those links clear.”
When Tarzie made this remark, some three decades ago, he was speaking metaphorically. Times have changed and now we are literally dealing with weather and climate issues.
Making those links is not always easy, especially if we want to avoid sensationalism, scare-mongering and other excesses that often characterize media coverage on climate change.
I made these observations when chairing a session on the North-South differences in the electronic media (television) coverage of climate change in New Delhi, India, this week. It was part of the latest international congress of the International Federation of Environmental Journalists (IFEJ), held at India Habitat Centre from 28 to 30 October 2009. Its theme was “Bridging North-South Differences in Reporting Climate Change: Journalists’ role in Reaching an Ambitious Agreement at COP15 in Copenhagen”.
Participants – over 100 journalists covering science and environmental issues, from all over the world – recognised how climate concerns have extended beyond strict environmental (or ‘green’) issues to mainstream political, business and even security coverage in the media.
Joining me on the TV panel were two experienced journalists from news and current affairs channels — Jesper Zolk, Climate Editor of TV2 News, Denmark, and Bahar Dutt, Environment Editor of CNN/IBN, India.
As it turned out, they were a great panel – they knew a lot, and being TV journalists, also knew how to say it well and concisely. This was the second time that Bahar – one of the best known faces on Indian television today – and I have been on a panel together: almost four years ago, at IFEJ Congress 2005, also in New Delhi, she joined me to discuss ‘Does TV do a better job on environmental reporting?’
I opened my panel by showing this cartoon, one of my favourite when it comes to climate coverage in the media:
Can we blame him for the confusion?
We cannot assume much more knowledge and understanding in our average TV viewer than the confused guy in this cartoon, I said. So just how do we reach out and engage millions like him (and also the better informed viewers like his fellow viewer)? How do we tell this complex, still unfolding story within the time limits of 24/7 news television, I asked.
We didn’t find all the answers in 75 minutes of our session, but at least we clarified and agreed on a few points. Bahar Dutt’s observations were particularly relevant, especially since India now has over 500 news and current affairs TV channels broadcasting to a billion plus audience in over a dozen languages.
At a time when mainstream media elsewhere in the world are struggling to stay on in business, the Indian broadcast media remain ‘chaotic but robust’, she said. “But editorial filtering is not always very strong in some of our channels, which sees climate coverage ranging from no coverage at all to hysteria,” she added.
According to Bahar, much of the climate coverage in the Indian media overlooks the links with broader development issues. “Focus is often on climate treaty negotiations, or what individual experts or politicians say. These elements are only part of the bigger picture, and we need to look further and dig deeper.”
Bahar Dutt at IFEJ 2009“Environmental journalists are not green activists, and our role is to be watchdogs – keeping a sharp eye on government, industry and even civil society,” Bahar said. “But sometimes I find this watchdog role lacking in our media.”
Her advice to fellow journalists: stop seeing environment as simply a green and ‘cuddly’ sector, and move it into the political arena.
Jesper Zolk, Climate Editor of Denmark’s TV2 News, said his biggest challenge was how to get the pampered western viewers to change their lifestyles to be more climate friendly.
He urged journalists to focus not just on problems, but also on viable solutions. He expressed a concern that some journalists covering environmental issues sound more like green activists — a point that Bahar Dutt also agreed on.
She made another perceptive observation: people who have the least carbon footprint are the most keen to take action to mitigate climate change. That’s because they realise they are often the first to be impacted.
Our genial and erudite host Darryl D’Monte, chair of the Forum of Environmental Journalists of India (FEJI), had earlier asked participants to reflect on whether the media is part of the problem or the solution in the current crisis.
On the road to Copenhagen and beyond, we have our work cut out for us. As the Danish Ambassador to India, Ole Lønsmann Poulsen, quoted John F Kennedy in his opening remarks as saying: “The great enemy of the truth is very often not the lie, deliberate, contrived and dishonest, but the myth, persistent, persuasive and unrealistic.”
This award is sponsored by TVE Asia Pacific (TVEAP) and is given to “an individual for excellence in environmental reporting that contributes to public awareness and understanding of environmental issues”.
Pierre was selected “for his insightful, analytical and fact finding stories focusing on diverse issues related to environment and climate change”.
I literally dashed from the Indira Gandhi International Airport to the India Habitat Centre in New Delhi to be part of the inaugural ceremony. Despite the best efforts by Delhi’s notorious traffic, I made it just in time to join Dr Farooq Abdullah, Union Minister of New and Renewable Energy, to present the TVEAP award to Pierre Fitter.
Pierre Fitter: TVEAP Environmental Journalist of the YearAarti Dhar of The Hindu newspaper was adjudged as the Best Environment Journalist Award (Print), while my good friend Krishnendu Bose received the prestigious CMS-UNEP Prithvi Ratna Award “for his sustained and concerted efforts towards enhancing people’s understanding and spreading awareness on diverse environmental issues through films and documentaries”. This is the highest honour for wildlife and environmental film making in India.
Pierre Fitter lives in Delhi where he reports on the environment and foreign affairs. He holds a Bachelor’s degree in Socio-Legal Sciences and is studying for a Masters in Political Sciences. Pierre spent a year and a half in China and Russia, where he worked for AIESEC, an international youth leadership development organisation. While with AIESEC, he developed a deep interest in sustainable development and international relations and continues to report on these issues to this day. He has a special interest in Environment and climate change in particular.
Watch Pierre Fitter interviewing Shyam Saran, the Indian Prime Minister’s special envoy on climate change on the current state of climate change in India in early October 2009:
Selection of award winners was based on regular monitoring of Indian news and current affairs TV channels and newspapers by the CMS MediaLab.
CMS VATAVARAN is India’s premier biennial competitive and traveling Environment and Wildlife Film Festival. It was initiated in 2002 towards raising awareness about environmental issues. The CMS Environment Forum and CMS VATAVARAN have ushered in a fresh green global consciousness on an extraordinary scale using environment forums and films. CMS VATAVARAN is an initiative of Centre for Media Studies.
Some films, like certain books, are in the making for years or decades. My latest film, Small Islands, Big Impact, just released online by TVE Asia Pacific, is quite short: slightly under 6 minutes long. But it has been forming in my mind for the past 20 years.
As a science journalist, I have been covering its story since 1989: how the Indian Ocean archipelago of the Maldives – Asia’s smallest country by area and population – is on the ‘frontline’ of climate change impact.
The Maldives packs 325,000 people into a combined land area just under 300 square kilometres spread over 1,192 islands and islets. With an average ground level of 1.5 metres (5 feet) above sea level, it is also the lowest country on the planet. When I first visited the Maldives in late 1988, they were still recovering from a massive storm surge in 1987. Although the damage was limited, the experience showed how vulnerable the Maldives can be to even a small rise in sea levels – this prompted the then President Maumoon Abdul Gayoom to take up the issue internationally. (It was President Gayoom who took up climate crusading at statesman level, well before Al Gore turned up on the scene.)
Interestingly, my first encounter with President Gayoom had nothing to do with climate – it concerned a celestial phenomenon: the Maldives was witnessing an annual solar eclipse and the President wanted to observe it in the company of amateur astronomers from their nearest neighbour, Sri Lanka. So he invited a couple of us over (I was active in the Young Astronomers’ Association of Sri Lanka at the time.)
I returned to the Maldives in November 1989, that time as a member of the international media covering the first ever small states conference on sea level rise. Held at the Kurumba island resort, it was one of the earliest international gatherings on climate impacts on low lying states, a topic that was to gain public interest and momentum in the years to come. Among the participants were delegates from practically all the small states in different parts of the world (defined as those with less than 1 million population), and scientists from disciplines such as oceanography, climatology, meteorology and geology.
This was one of the first international scientific events that I covered as an eager young science journalist. I was a foreign correspondent for Asia Technology, a monthly magazine on Asian science and technology published from Hong Kong (now defunct), and freelancing for The Island daily newspaper in Sri Lanka. (There’s nothing online from that coverage as it was in the pre-web era!)
The conference had technical sessions where experts debated scenarios and implications, and a political segment where delegations made their official statements. In the end, they issued the Malé Declaration on Global Warming and Sea Level Rise, which urged for inter-governmental action on the issue.
Our Maldivian hosts knew that scientists and officials alone couldn’t send out a powerful message to the world on what climate change meant for low lying islands of the world – many of them mere specks on the world map, barely registering in media’s radar. So on the last day of the conference, we were taken to the Maldivian capital of Malé, where a demonstration and public rally were held by school children and ordinary people.
That turned out to be the most striking moment of the whole week. I had been listening to experts and officials talk about impacts, scenarios and mitigation measures for several days, on which I’d filed several stories. But unless I go back to my personal archives, I can no longer remember those details. My lingering memories of this event are in a few photos I took, showing school children telling delegates – and the world – what it means to be living on the front lines of climate change impact.
After 1989, I visited the Maldives on a couple of occasions for professional purposes during the 1990s. After I started working with TVE Asia Pacific in 1996, I was keen to return to the story of the Maldives and climate change – this time, in moving images – but I never had the chance until this year.
But I was covering the bigger story of climate change and its impact on the Asia Pacific from other locations. For example, in 2002, I commissioned and executive produced Voices from the Waves, the first-ever documentary on climate change in the South Pacific made by a native Pacific islander. Directed by Fijian film-maker Bernadette Masianini, the story revolved around two teenagers growing up on Fiji and Kiribati, each facing an uncertain future because of climate change.
In November 2007, the Maldives once again hosted representatives from small island states to discuss climate change. Eighteen years after the original meeting, the subject was no longer a fringe concern; it was now on everybody’s agenda. The meeting urged the the human dimension of global climate change to be included in the agenda of UN Climate Change Summit in Bali (December 2007), and sought the international community’s commitment “to protect people, planet and prosperity by taking urgent action to stabilize the global climate change”.
This time, the Male’ Declaration on the Human Dimension of Global Climate Change called for the UN High Commissioner for Human Rights to assess the human rights implications of climate change and “to conduct a study into the effects of climate change on the full enjoyment of human rights”. It also requested the UN Human Rights Council to convene a debate on human rights and climate change.
I wasn’t present at the 2007 meeting, but followed the process online. While climate change emerged as a major global concern, political change and reforms were underway in the Maldives. The country moved to a multi-party democracy, and in November 2008, the Maldivian Democratic Party‘s candidate Mohamed Nasheed won the presidential election.
Science News cover - 28 Feb 2009President Nasheed continues the climate advocacy that President Gayoom had sustained for nearly a quarter of a century. President Nasheed has emerged as an outspoken and pragmatic voice speaking on behalf of his and other small island states, grouped under the Alliance of Small Island States (AOSIS).
In early 2009, President Nasheed announced that the Maldives would become the world’s first fully carbon-neutral nation within a decade. To accomplish this, they would vigorously pursue renewable energies and green energy sources to replace current dependence on fossil fuels.
The final inspiration for Small Islands, Big Impact came in February 2009, when Science News magazine in the United States carried a cover feature on the challenges faced by Kiribati and the Maldives because of climate change. Written by senior science writer Cristine Russell, the article noted: “The Maldives and Kiribati highlight a hidden challenge for coping with climate change. It’s not just about slowing the emissions of greenhouse gases. It’s also about figuring out what to do for localities threatened with the possibility of extinction from rising ocean waters.”
My original plan was to film interviews with President Anote Tong of Kiribati, and President Nasheed. While sharing the same overall concerns, the two leaders (and their governments) have adopted somewhat different responses to the challenges posed by climate change. Unfortunately, the interview with President Tong did not come through in time, even though I had a Kiribati TV crew standing by to film it. So I decided to go ahead with the film focusing solely on the Maldives.
Location filming in Male - Hussein Makzoom (left) and Ibrahim Yasir As with all TVEAP films, I was keen to make it with a local crew. Mariam Niuma, an engaging young Maldivian woman who had worked for nearly two years with us as an intern, helped me find a very capable crew in Ibrahim Yasir and his colleague Hussein Makzoom.
Niuma had been urging us to make a film about her country and was delighted that we were finally able to take it up. She helped us in numerous ways with local knowledge, introductions and advice. She also took time off her work with a local charity to show me around the Male’ island – which I was returning after a dozen years, in which time it had changed almost beyond recognition. (Male’ is one of the most crowded places on Earth – every one in four Maldivians lives on the tiny capital island.)
Small Islands, Big Impact was filmed on location over a few days in late August in Male’ and the nearby island of Vilingili. Our tiny production budget didn’t allow us to spend longer or venture further into the more remote islands and atolls (coral island formations, 26 of which make up the Maldives).
Overcrowded Malé, capital of the MaldivesThe timing wasn’t ideal either – the Monsoon was still active, and rain often interrupted our filming. There was some irony that a climate film was being shot in inclement weather. Sometimes we filmed in spite of the rain – one ferry ride we took from Male’ to Vilingili island had to cross very choppy seas that made me (a land lubber!) quite nervous. For our Maldivian crew, however, it was all in a day’s work…
President Nasheed’s media team had been quick and supportive in accommodating our interview request, but when actually filming it, we faced an unexpected challenge which I’ve described in an earlier blog post. (Clue: In addition to inclement weather, we had to deal with a nasty influenza virus). With the month-long Ramadan fast period about to begin, which would significantly affect the pace of work in the 100% islamic Maldives, we had no choice but to persist with our filming, improvising as we went along.
I returned to Colombo with five camera tapes rich in footage, one of which contained a 15-minute interview with the amiable and technocratic President Nasheed. Over the next few weeks, I worked with our editor Umesha Fernando in distilling this material into a short, compact film less than six minutes. It took a good deal of time and effort — especially since I chose not to have any narration and to let President Nasheed tell the story in his own voice, interspersed with text-supported transitions.
Because of this style, soundtrack mattered a great deal, and we agonised over custom-composing the music. As I put everything this together, I kept recalling the wise words of senior Australian film-maker Bruce Moir: “Film is a lousy medium to communicate information. It works best at the emotional level.”
I can’t judge my own film, but I have tried hard to strike a balance between its intellectual and emotional appeal. My team and I set out to tell a compelling story about a country on the frontlines of climate impact. No less a person than its dynamic head of state stars in our modest effort, made on an incredibly tiny budget.
Note: Small Islands, Big Impact was produced on an editorially independent basis by TVE Asia Pacific in collaboration with COM+ Alliance of Communicators for Sustainable Development. As with all other TVEAP productions, this series comes without license fees, where only copying and dispatch costs are payable. To order broadcast master tapes, please contact:
It may also be ordered in high resolution on DVD (without regional coding) from TVEAP’s e-shop.
President Mohamed Nasheed: Stop pointing fingers!
It had taken many days to set up the interview, but in the end we got only 15 minutes of the promised 30. President Mohamed Nasheed turned up more than an hour late, lagging behind in his day’s schedule. While waiting, his staff had repeatedly asked me to cut down the interview as the President was already late for a state function. I had nodded half-heartedly.
President Nasheed (known among his people as ‘Anni’) walked in, beaming and apologising for keeping us waiting for over a day. We had set up our lights and video camera the previous day, only to find that the President had cancelled all his appointments that day to be with his young daughter hospitalised with the ‘flu. As a father myself, I could fully understand – even if it affected our filming plans.
I introduced myself and crew, and asked how his sick daughter was doing. She is not in any danger, he said, and should be home soon. That was a relief.
I ushered President Nasheed to the simple chair we’d chosen for him to occupy during our interview, being filmed in the stately room where the President normally receives high level state guests. As the crew pinned up the mic and adjusted the lights, I quickly explained who we were, and what the interview was for – a short film that would be globally distributed highlighting the vulnerability of his island nation to climate change impact.
There was not an air of pomposity around him. He exchanged a few words in Divehi with my Maldivian film crew – Ibrahim Yasir and Hussein Makzoom. As I would soon find out in the interview, he was also very well informed, articulate and passionate. (I remembered interviewing former President Maomoon Abdul Gayoom nearly 20 years ago when I covered the Small States Conference on Sea Level Rise he convened in Nov 1989. Gayoom was expressive in his own way but had an air of scholarly superiority about him.)
In the 15 minutes that we had, I asked a total of 10 questions. I had sent in advance a baker’s dozen questions to his media staff. I don’t know if they briefed him, but clearly President Nasheed was in his element. He didn’t have any notes, and yet answered my questions perceptively, genuinely and always eagerly. The one-time journalist and human rights activist was very media savvy.
He must have been asked some or most of these questions many times before. Yet with each answer, he found his comfort levels with me and by about the fifth minute, we were nicely chatting along. I had to keep reminding myself that I was really talking to one of Asia’s youngest heads of state. At that moment, he sounded every bit a chatty technocrat.
Nalaka Gunawardene (left) with President Mohamed Nasheed of the Maldives
President Nasheed had lot to say, and knew just how to say it. I had prepared for days, reading his recent speeches and op ed essays. I had figured out what to ask to elicit the kind of answers I was hoping for. He didn’t disappoint me. If his staff had not interrupted our interview, we could have easily gone on for half an hour or longer.
But I knew he had already given good ‘soundbites’ that we could excerpt in a short film. For example, how many heads of state would engage in plain talk like this when asked for his core message to the upcoming climate summit in Copenhagen: “In a nutshell, I’d like to say what has already been said: ‘Don’t be stupid!’. Going on and on about who did it is not going to save us. This is the time to realise that the deed is done. So let’s see how we may be able to proceed from here…”
Earlier in the interview, he sounded grave when he outlined the prospects for his nation, the lowest-lying country on the planet, now on the frontline of climate change impact. “We will die if this goes on, and therefore, we have a fundamental right for life. If that is challenged, we have to link it be a human rights issue, and not just an environmental issue.”
The next minute, his tone became more resolute when talking on coping with massive changes already unfolding as a result of global warming. He stressed the value of democracy, good governance and people’s right to information as vital elements in adaptation – the difficult task of living with climate change.
Responding to my questions, President Nasheed talked about plans to make the Maldives carbon-neutral within a decade, and said the ‘sovereign wealth fund’ he announced soon after his election was already saving money “so that we will have something when the going gets very bad….”.
Sinking slowly in the East?We also wanted to film President Nasheed at work, to establish him as an engaged political leader – the first democratically elected President of the Indian Ocean archipelago of 325,000 people. But there was no time. We then hoped to film his daily walk home after work. But the rain and delayed schedule meant he went home by car – and after dark. So we had to rely on stock footage instead.
The mix of democrat and technocrat in President Nasheed makes him an extraordinary personality and the world is taking note. The New York Times Magazine did a full length profile in May 2009 with the title ‘Wanted: A New Home for My Country’. A Hollywood film company is currently tracking the President as he travels the world, calling for urgent climate action that goes beyond mere words. (In fact, with my consent, they filmed me filming the President.)
A month after my interview, TIME Magazine named him an Environmental Hero of 2009 – the only serving head of state so honoured this year. I was delighted to see this, but TIME’s chosen photograph made me very jealous. I had dearly wanted to shoot our interview outdoors, but a combination of bad weather and presidential schedule ruled that out. Evidently, TIME photographer Chiara Goia had better luck: President in full business suit standing about a foot deep in the calm, azure waters of the Maldives.
The same waters that he and his team are trying desperately hard to keep at bay, for as long as possible.
Surgeon turned inventor and social activist, Dr Godakumbura founded and runs the Safe Bottle Lamp Foundation which distributes safe, virtually unbreakable kerosene lamps to those who can’t afford electricity. For these untiring efforts that have saved hundreds of lives, the good doctor and his organisation have just been selected the overall global winner in the 5th annual World Challenge awards conducted jointly by BBC World News and Newsweek, together with Shell.
I returned to the Maldives in November 1989, that time as a member of the international media covering the first ever 
Open Minds! 