Waiting for Mandela: Film maker recalls momentous week in Feb 1990

Updated: 6 Dec 2013 Nelson Rolihlahla Mandela (1918 – 2013): Thank You and Goodbye!

Nelson Mandela at a 2005 charity concert branded after his prison number, 46664.

This week marks the 20th anniversary of Nelson Mandela’s release after 27 years in prison.

Ending his long walk to freedom on 11 February 1990, he gave a speech which ended with these words from the defence statement he’d made during his trial for treason 27 years previously: “I have fought against white domination, and I have fought against black domination. I have cherished the ideal of a democratic and free society in which all persons will live together in harmony with equal opportunities. It is an ideal which I hope to live for, and to see realised. But my Lord, if needs be, it is an ideal for which I am prepared to die.”

My friend and inspiration Danny Schechter wrote an interesting piece recalling the week 20 years ago when his hero (and mine) finally walked free after being the world’s most celebrated political prisoner for over a quarter century.

American journalist and film maker Danny was a long and persistent supporter of the struggle against Apartheid: in all, he has made six films with and about Mandela. Here are his reminiscences in full, borrowed from his News Dissector blog:

WAITING FOR MANDELA, by Danny Schechter

Danny Schechter with Nelson Mandela

Twenty years ago during this very week, I was leading the production team of Globalvision’s inaugural TV series, South Africa Now. We were all consumed by the rumors that best known political prisoner in the world, Nelson Mandela, the leader and symbol of the African National Congress, was about to be released from prison in South Africa after 27 years.

It was exciting and nerve-wracking to contemplate what would come next—but with all the joy and anticipation, there was a fear too, fear that Mandela would be freed into an unfree society with power still in white hands dominated by their pro-apartheid Generals and securocrats. No one was sure what would happen. Would he be going from one jail to another? Would he be assassinated? Would it even happen?

Back then, we were rushing to finish a South Africa Now PBS special slated to air in prime time on Sunday February 11th. PBS correspondent Charlayne Hunter Gault, later to become first NPR’s and then CNN’s bureau chief in South Africa, had agreed to anchor it, and we were busy putting the final touches on the show which we had titled WAITING FOR MANDELA.

It was all rush, rush. We wanted to be timely but we were covering all bases because we weren’t sure if he would be freed or not. On Friday, February 9th, we went into the studio at the old WNET–Channel 13 in New York to record our studio introductions. We finished our graphics. Charlayne prercorded her open. She was great, We were ready to go. All that remained was for the special to be packaged and aired.

But then, late on Friday Night or was it Saturday Morning, we heard that South African President DeKlerk was going to make a special announcement, a key speech to mark the opening of their Parliament. He was considered a liberal Afrikaner and had been part of a process or internal coup that ousted hardline pro-apartheid president. P.W. Botha known there as “the crocodile.”

What would he say? What would he do?

The next day, were glued to our TV sets and saw DeKlerk shock the world. He announced that Mandela would be freed the next day, on Sunday. He was then in Victor Verster prison in South Africa’s wine country north of Capetown. It was happening!

Not only that. DeKlerk announced that the ANC and the South African Communist Party and all other banned organizations would be, after decades, unbanned and allowed to participate in South African politics. This meant that the ANC leaders and their MK guerrilla fighters would be able to come home from so many years in the pain of exile.

The world was upside down. ANC people worldwide had to pinch themselves to see if they really heard what he said.

It was mind-blowing. We screamed. We cried. And then, we panicked. Our TV special was now out of date. The Waiting for Mandela was over. We had a little more that 24 hours to come up with a new TV hour with virtually no budget. We had won a hour of prime time TV. We couldn’t allow it to go to waste.

The world media was rushing to the scene. They had satellites, crews, reporters galore. What could we do that was different? We had been covering the situation there on a weekly basis and had all sorts of footage the networks didn’t. We had contacts and context. But we couldn’t go there because there wasn’t enough time. And besides, we were, in effect, banned there working with South Africans. (The ANC would be unbanned before us!)

We went to work, re-editing, tapping into a South African broadcasting company feed, and setting up the first televised exchange between the ANC and a government that refused to recognize the liberation movement.

We worked around the clock. Two editors collapsed in reworking the material under pressure. We just made air, as TV people say, by minutes. We believe our special was the best on TV.

The program was now called MANDELA: Free At Last. And we have tapes for anyone interested!

Read more memories and reflections by Danny Schechter on the News Dissector blog

Huffington Post, June 2008: Danny Schechter’s 90th birthday tribute to Nelson Mandela

Invictus: Clint Eastwood and Morgan Freeman serve more Mandela magic

Nelson Mandela hands the World Cup to Francois Pienaar in 1995 (Photo courtesy The Sun, UK)

Updated: 6 Dec 2013 Nelson Rolihlahla Mandela (1918 – 2013): Thank You and Goodbye!

If a run-away genie granted me a wish to clone any single living human being, I’ll have no hesitation with my choice: Nelson Mandela — undoubtedly the greatest living statesman on the planet.

One might argue that Mandelas are not born; they are made. A combination of personality and historical circumstances create the rare phenomena like him.

In July 2008, when Mandela turned 90, I quoted the American film-maker, social activist and blogger Danny Schechter — who filmed Mandela’s struggle to end apartheid and restore democracy in South Africa — as saying: He (Mandela) is one of those leaders who not only helped free his own country and people but became an icon and symbol for freedom in the world. At a time when darkness seems to be descending again, with the economy on the edge amidst protracted wars and pervasive abuses of powers, he is the one person that people the world over look to as a symbol of that saying that ‘another world is possible.’ He is not perfect – who is? He has taken great risks, and made his share of mistakes, but the love and adoration he inspires speaks to how special he is – even as he sees himself as part of a collective, a movement…

The Mandela story has been told many times by many film-makers, writers and journalists. Few other leaders have engaged the popular culture and media’s attention — while both in and out of office — as Mandela has, and with good reason.

One poem + two men = Rainbow Nation

The latest film inspired by Mandela is Invictus directed by Clint Eastwood, starring Morgan Freeman and Matt Damon. Both actors have just been nominated for Oscar awards – for best actor and best supporting actor respectively. But the film’s exclusion from the 10 nominees for best picture has surprised and disappointed some.

Invictus reconstructs the events in the life of Nelson Mandela at a crucial time for himself and country: after the fall of apartheid in South Africa, during his term as the rainbow nation’s first black president. The film revolves around how he campaigned to host the 1995 Rugby World Cup event as an opportunity to unite his rainbow nation. (South Africa’s team eventually won the championship.)

Here’s the plot summary from IMDB:
The film tells the inspiring true story of how Nelson Mandela joined forces with the captain of South Africa’s rugby team to help unite their country. Newly elected President Mandela knows his nation remains racially and economically divided in the wake of apartheid. Believing he can bring his people together through the universal language of sport, Mandela rallies South Africa’s rugby team as they make their historic run to the 1995 Rugby World Cup Championship match.

Read Wikipedia’s plot summary

Watch official trailer of Invictus the movie:

The film’s title comes from the fact that Mandela had the poem Invictus, by English poet William Ernest Henley, written on a scrap of paper on his prison cell while he was incarcerated. The story is based on the John Carlin book Playing the Enemy: Nelson Mandela and the Game That Changed a Nation.

A legend plays another legend

I can’t wait to see Invictus, for it has one of my favourite actors playing one of my greatest heroes. Morgan Freeman is such a versatile and accomplished actor. Having played the US President and God in past movies, this is clearly cut out for him.

As Clint Eastwood explains: “As an actor, Morgan has the same presence when he walks in the room that Mandela has as a politician. Morgan has a certain bearing and charisma. He was built to play this role.”

The Guardian (UK) preview noted: “So convinced by Freeman’s performance was Mandela’s personal assistant that when she stepped on set, she wondered how her boss had made it to the shoot without her. Freeman plays Mandela with all the expected wisdom and fortitude, but it’s the twinkle of mischief in his eye that makes you feel you’re not just watching the man, rather than a virtuoso impression.”

The Guardian calls Invictus “a startlingly powerful film: a clear-eyed look a recent history, an awe-inspiring tale of prejudice overcome, a study of power – and a rousing sports movie.”

Note: In the movie, Mandela gives the “Invictus” poem to his national rugby team’s captain Francois Pienaar before the start of the 1995 Rugby World Cup. In reality, Mandela provided Pienaar with an extract from Theodore Roosevelt’s “The Man in the Arena” speech from 1910.

Invictus, by William Ernest Henley: Never say die!

If you and I think we have problems, we should consider the case of English poet William Ernest Henley (1849–1903).

Wikipedia says Henley became a victim of tuberculosis of the bone at age 12. A few years later, the disease progressed to his foot, and physicians announced that the only way to save his life was to amputate directly below the knee. But he persevered. In 1867, he passed the Oxford local examination as a senior student, and led an active and productive life till he died aged 53. (According to Robert Louis Stevenson’s letters, the idea for the character of Long John Silver was inspired by his real-life friend Henley.)

In 1875, when Henley was 26 years old, he wrote a poem from a hospital bed. It originally bore no title, and wasn’t published until 1888. It was Sir Arthur Quiller-Couch who named it “Invictus” (Latin for “unconquered”) when he included the poem in The Oxford Book Of English Verse (1900).

So here is Henley’s words of resolve and courage, speaking to us across the gulf of time:

Invictus is also the title of a remarkable 2009 film directed by Clint Eastwood, starring Morgan Freeman and Matt Damon. The film is a look at the life of Nelson Mandela after the fall of apartheid in South Africa, during his term as president, when he campaigned to host the 1995 Rugby World Cup event as an opportunity to unite his countrymen. The title comes from the fact that Mandela had the poem written on a scrap of paper on his prison cell while he was incarcerated.

And here’s an image that echoes the same fighting spirit…

Celebrating Nelson Mandela…and South Africa’s television revolution

Nelson Mandela

Nelson Mandela‘s long walk to freedom is an epic story of our times, one that continues to inspire millions everywhere who are deprived of that freedom by state tyranny or economic hardships.

As Mandela turns 90 years today, we join people all over the world to celebrate his life and reiterate his message.

Send your greetings to Nelson Mandela on his birthday!

And as Mandela himself reminded us in London during the June 2008 mega musical concert to celebrate his 90th birthday: “Even as we celebrate, let us remind ourselves that our work is far from complete. Where there is poverty and sickness, including AIDS, where human beings are being oppressed , there is more work to be done. Our work is for freedom for all.

American film-maker, social activist and blogger Danny Schechter — who filmed Mandela’s struggle to end apartheid and restore democracy in South Africa — has just remarked: He (Mandela) is one of those leaders who not only helped free his own country and people but became an icon and symbol for freedom in the world. At a time when darkness seems to be descending again, with the economy on the edge amidst protracted wars and pervasive abuses of powers, he is the one person that people the world over look to as a symbol of that saying that ‘another world is possible.’ He is not perfect – who is? He has taken great risks, and made his share of mistakes, but the love and adoration he inspires speaks to how special he is – even as he sees himself as part of a collective, a movement…

The Mandela story has been told many times by many film-makers, writers and journalists. Few other leaders have engaged the media’s attention and popular imagination — both in and out of office — as Mandela has, and with reason.

This is how the BBC in the UK reported the release of Nelson Mandela, by then the world’s most celebrated prisoner, on 11 February 1990.

I find it interesting to go back and watch TV coverage of important events as they unfolded. They say journalists write the first draft of history — that’s done on the run, without the benefit of hindsight or chance to reflect for too long.

In that sense, this BBC television reportage did reasonably well to capture the historic moment of Mandela’s release — the reporter and presenter couldn’t have known what lay ahead for South Africa.

In the report, available on YouTube, there’s a reference to South African television giving live coverage for Mandela’s release. That would have been perfectly logical from a ‘breaking news’ point of view — but there is something very significant and symbolic about that.

During the 1950s and 1960s, South Africa was the only wealthy country in the world that did not have a national television broadcasting service. In fact, despite being the most economically advanced country on the continent, South Africa was among the last in Africa to introduce television broadcasting. The main reason: television was viewed as potentially undermining the apartheid government’s ideology. The white minority regime saw it as a threat to its control of the broadcasting media, even though the state-controlled South African Broadcasting Corporation (SABC) had a virtual monopoly on radio broadcasting.

The minister of broadcasting, Albert Hertzog, simply refused to permit television. He said that TV would come to South Africa “over my dead body”. He denounced it as “a miniature bioscope [cinema] over which parents would have no control.” He also argued that “South Africa would have to import films showing race mixing; and advertising would make (non-white) Africans dissatisfied with their lot.”

Many white South Africans, including Afrikaners, didn’t share Hertzog’s views, and regarded the hostility towards what he called “the little black box” as absurd. When Neil Armstrong became the first man to walk on the moon in 1969, South Africa was one of the few countries unable to watch the event live, prompting one newspaper to remark that “The moon film has proved to be the last straw… The situation is becoming a source of embarrassment for the country.”

But Hertzog was adamant. A few months later, in an interview with The Cape Times on 1 Dec 1969, he admitted: “If, at the present time, you introduce television, you will pay for it with the end of the white man…”

That was an extremely perceptive remark. From the white minority regime’s point of view, the minister was right: if the pen is mightier than the sword, the camera can be mightier than both.

No wonder that most governments, whether liberal or otherwise, try to control – or manipulate – what appears on television, especially domestic transmissions that a majority of their people regularly watch. The power of the idiot box is not to be underestimated, even if it’s often dominated by….well, idiots.

As events turned out, the national and international media – especially television – did play a major role in the transformation of South Africa during the last two decades of the twentieth century.

And we now know: Albert Hertzog’s worst fears came true.

But the world’s worst fears of South Africa descending into utter chaos did not — thanks, largely, to the compassionate vision and leadership of Nelson Mandela.

Watch Nelson Mendela’s inauguration speech, when he was sworn in as the 11th President of South Africa on 27 April 1994:

Historical footnote from Wikipedia:
In 1971, the SABC was finally allowed to introduce a television service. Initially, the proposal was for two television channels, one in English and Afrikaans, aimed at white audiences, and another, known as TV Bantu, aimed at black viewers, but when television was finally introduced, there was only one channel. Experimental broadcasts in the main cities began on 5 May 1975, before nationwide service commenced on 5 January 1976.

The Mandela legacy continues, on air and off air, and more films are still being made about his remarkable life and times. The latest is a new documentary being released this month to mark his 90th birthday. SABC television will premiere it in 18 July during prime time – how times have changed!

Here’s part of the press release from the South African production company that made it:

Viva Madiba: A Hero For All Seasons, a feature length film produced by Anant Singh and Videovision Entertainment as a 90th Birthday Tribute to former president, Nelson Mandela, will have its World Premiere when it is broadcast on Friday, 18 July 2008 on SABC 2 at 21h00.

Viva Madiba: A Hero For All Seasons is a celebration of Nelson Mandela’s epic life and his status as an international icon. In this, the year of his 90th birthday, he remains a man at the centre of attention, not only in South Africa, but around the world as a moral leader, an elder statesman and an exceptional human being.

Viva Madiba: A Hero For All Seasons takes one on a journey behind the headlines and away from the public eye and looks at Madiba as a loyal friend, a dependable comrade, a trusted confidant, a respected mentor, and a man who has touched and transformed countless lives.

For the first time his complete story is being told – a life of struggle, humanity, destiny and greatness is recalled and celebrated by those who knew him best and who worked with him in the quest to break the chains of oppression, taking us beyond the political and into the personal. The programme features exclusive interviews with politicians, close friends and comrades of Madiba, among whom are Archbishop Desmond Tutu, Oliver Tambo, George Bizos, Ahmed Kathrada, Pik Botha, Dorothy Masuka, Nthato Motlana, Cyril Ramaphosa, Helen Suzman, Zolani Mkiva, Jessie Duarte, Francois Pienaar, Sydney Kentridge, Mac Maharaj, Christo Brand and Gill Marcus.

Read and watch Danny Schechter talk about his role supporting the making of Viva Madiba


Happy 90th, (ex) prisoner 46664!

Nelson Mandela turns 90 on 18 July 2008.

Moving Images blog joins the world in wishing him many happy returns of the day — and many more birthdays to come!

To mark the occasion, we feature the song 46664 (That’s My Number) Nelson Mandela recorded some years ago to draw attention to HIV/AIDS.

This background story comes from the YouTube channel of Andrew Heath:

46664
was Nelson Mandela’s prison number when he was incarcerated on Robbin Island, Cape Town for 18 years.

46664 is a global movement fighting against HIV/AIDS in Africa and around the globe and MUSIC is a key element of the 46664 campaign.

In 2003 Jacqui Joseph (TV Presenter & Director of GHC Productions) was asked to host the first “live” Nelson Mandela 46664 Concert at Green Point Stadium in Cape Town with an audience of 40,000 that was broadcast globally and on the internet to 2 Billion people.

Jacqui provided her services for free and interviewed all the artists performing at the concert including Beyonce, Bono, The Edge, Peter Gabriel, Dave Stewart, Brian May, Roger Taylor, Ladysmith Black Mambazo and Angelique Kidjo and did the voice over for the official 46664 DVD.

As a result of her charity work and involvement with 46664 Jacqui and all involved in the campaign became official Ambassadors to the Nelson Mandela Foundation. Although a number of years have passed since Jacqui fronted the first big 46664 music event she now feels the time is right to re-energise and raise the public awareness and profile for the 46664 campaign.

In order to do this, Jacqui asked Max & Andy (remixer/producers) to come up with a fresh musical anthem & video for the 46664 campaign.

In 2006 Max & Andy completed the track and video and the result is: 46664 (THAT’S MY NUMBER)

46664 (That’s my Number) combines samples taken from Nelson Mandela’s inaugural 46664 speech in 2003 over dubbed onto an infectious re-mix of pop, ska and reggae classics.

The 46664 (that’s my number) video includes images sampled from the first official 46664 DVD and live concert shot in 2003 as well as original clips filmed for the GHC Productions video.

Nelson Mandela 46664