Pipope Panitchpakdi: “It’s Like Being Out There Naked!”

Pipope Panitchpakdi

“It’s Like Being Out There Naked.”

That’s the reason given by Thai film maker and media activist Pipope Panitchpakdi why he doesn’t want to be present when his films are being screened.

A reporter at the recent Mekong Media Forum held in Chiang Mai, Thailand, noted how Pipope headed for the door when his ambitious 2009 documentary, Mekong: The Untamed began to be screened on the first day.

Asked why he was stepping out, he replied: “I don’t like to watch when my films are shown. It’s like being out there naked.”

Fair enough – there isn’t one right way to handle such public sharing, and each film maker does it differently. I know some who simply want to be there from beginning to end, derive great satisfaction from being acknowledged upfront, and are eager to engage the audience after the screening (I’m one of this type). A few prefer to sit quietly and unrecognised amidst the viewers, observing candid reactions of the audience, and may (or may not) own up in the end. Then there are those who leave the room.

But one thing every film maker I know shares with equal passion is that their film be screened with proper visual and sounds. This isn’t as easily or commonly accomplished as you’d think – I’ve seen a good film sharing moment ruined by technical glitches in too many countries, both developed and developing. Having been the victim of such mishaps, I know just how unnerving and frustrating this can be. Ours may be the digital age, but video and audio literacy levels are still very uneven.

Have you had such an experience as a film maker or film user? If so, please share it here!

The Mekong: One river, six countries, two films — and many views

Mekong River flows through 6 countries, nurturing 65 million Asians


The Mekong is one of Asia’s major rivers, and the twelfth longest in the world. Sometimes called the ‘Danube of the East’, it nurtures a great deal of life in its waters – and in the wetlands, forests, towns and villages along its path.

The Mekong’s long journey begins in the Tibetan highlands. It flows through China’s Yunan province, and then across Burma, Thailand, Laos and Cambodia…before entering the sea from southern Vietnam. It’s a journey of nearly 5,000 kilometres, or some 3,000 miles.

The Mekong River Basin is the land surrounding all the streams and rivers that flow into it. This covers a vast area roughly the size of France and Germany combined.

On its long journey across 6 countries, the Mekong provides a life-line to over 65 million people. They share Mekong waters for drinking, farming, fishing and industry. Along the way, the river also generates electricity for South East Asia’s emerging economies.

Naturally, these teeming millions who share the river feel differently about how best to manage the river waters in their best interests. The Mekong River Commission (MRC) tries to nurture cooperation among the Mekong river countries, but differences still remain.

Some of these surfaced during the Mekong Media Forum being held in the northern Thai city of Chiang Mai from 9 to 12 December 2009. As IPS reporter Marwaan Macan-Markar reported, “A heated debate about the future of the Mekong River at a media conference in this northern Thai city exposed a fault line triggered by the regional giant China’s plans to build a cascade of dams on the upper stretches of South-east Asia’s largest waterway.”

At the centre of this debate was Pipope Panitchpakdi, my Thai film-maker friend who recently made the documentary Mekong: The Untamed. He is both an outstanding journalist and an outspoken media activist.

He told the Forum: “The most important issue for people who live along the banks (of the lower stretches) of the Mekong are the dams and how these affect them. They cannot see the river as a pretty sight.”

Mekong: The Untamed chronicles the journey of Suthichai Yoon, a leading Thai media personality, from the headwaters of the Mekong River in Tibet to the Mekong Delta in Vietnam. The question he seeks to answer through his travels is how the planned Chinese dams affect communities who live along the banks of the river.

“My Mekong journey goes to the heart of Asia’s complexities,” says the narrator as he makes his way from China’s southern province of Yunnan to the north-eastern Thai town of Chiang Khong. The scenes he passes range from the raging waters of the Mekong and hills swathed with mist to riverside communities being torn apart by a building frenzy. “I wonder if the Chinese realise what the people who are impacted by the dam feel?” Suthichai asks at one point.

According to Pipope, another documentary film about the Mekong made by Chinese filmmakers overlooks some serious issues: “There was nothing about a lot of villages disappearing, that there are floods and the doubts people have about the Chinese dams.”

This second film, also showcased at the Mekong Media Forum, is a 20-episode series titled Nourished by the Same River, and has been made by China Central Television (CCTV).

A Chinese journalist on the panel conceded that the planned development targeting the Mekong would provoke a range of responses. “It is natural that different people will have different perspectives on similar issues,” said Zhu Yan, a senior editor at the national broadcaster China Central Television. “In China there is a debate (around the question) of environment or dams.”

The Mekong is both a mighty river and a massive bundle of issues for any film or film series to tackle. And given the multitude of countries, interests and viewpoints involved, it’s unlikely that there will be consensus.

But it’s good that films are sparking off discussion and debate…just what we need for more informed choices to be made in the future.


Read full IPS story: Chinese Dams Expose Fault Lines, By Marwaan Macan-Markar