‘Cheque-book Development’: Paying public media to deliver development agency logos

In their ceaseless efforts to keep their organisations in the media spotlight, spin doctors of development agencies are distorting news values and corrupting the media, turning issue-based communication products into ‘logo delivery mechanisms’.

This is the thrust of my latest op ed essay, titled ‘Cheque-book Development’ corrupting the media. It has just published by the popular media-watch website anchored in the US, MediaChannel.org

Image courtesy MediaChannel.org

In this essay, I draw on several years of first hand observations in development, humanitarian and broadcasting circles at Asian and global levels. I focus on a disturbing practice that more and more development/humanitarian agencies engage in: paying intermediaries for getting their stories on global news and current affairs TV channels.

This is nothing short of cash-for-media coverage.

Here’s an extract:

“As development organisations compete more intensely for external funding, they are increasingly adopting desperate strategies to gain higher media visibility for their names, logos and bosses.

“Communication officers in some leading development and humanitarian organisations have been reduced to publicists. When certain UN agency chiefs tour disaster or conflict zones, their spin doctors precede or follow them. Some top honchos now travel with their own ’embedded journalists’ – all at agency expense.

“In this publicity frenzy, these agencies’ communication products are less and less on the issues they stand for or reforms they passionately advocate. Instead, the printed material, online offerings and video films have become ‘logo delivery mechanisms’.

Image courtesy MediaChannel.org Cartoon courtesy Global Journalist

Some of these communication officers I write about have become friends over the years — I empathise with their pressures, but don’t approve of what their organistions do. As I write in the essay:

“This practice is wrong on two counts. One, allowing intermediaries to sell access to the airwaves is a form of corruption. Two, every time this happens, it siphons off tax-payer supported development funds intended for combating poverty and suffering in the majority world.

“It is the reverse of cheque-book journalism, where some media organisations pay celebrity or other sources for exclusive access to their stories. When development agencies are paying sections of the media to get promotional or favourable stories aired, we must call it ‘cheque-book development’.”

Make no mistake — this is a form of media corruption. It’s not just the development sector’s vanity that fuels this process. Many 24/7 news channels are struggling to fill their hours inexpensively. Some turn a blind eye to ethical sourcing as long as they can have a steady supply of subsidised content.

Read my full essay on MediaChannel.org

Note: Being a US-anchored outlet, MediaChannel.org spells ‘cheque-book’ as ‘check-book’, which is correct in American spelling of English! As I write in my essay, it appears that TV channels and networks on that side of the Atlantic seem a bit harder to corrupt. But then, what do I know?

Read my Nov 2006 essay on MediaChannel.org: Ethical News Gathering Challenge for Al Jazeera

I have been speaking about the growing threat of cheque-book development for some time. For instance, I referred to it during Communicating Disasters: An Asian Brainstorming organised by TVE Asia Pacific and UNDP in Bangkok in December 2006.

Essay republished on Asia Media Forum
asia-media-forum.gif

UNESCO playing spoil-sport in new Seven Wonders

UNESCO is playing spoil-sport again…this time about the new Seven Wonders of the world.

The crusty, officious UN agency — not my favourite, as regular readers know — is sadly trapped in its own ideological rhetoric of the 1980s. Somebody should kick them hard to enter the 21st century!

The new Seven Wonders of the World is an attempt to create a modern-day alternative to historical lists of the Seven Wonders of the World. Based on a worldwide online poll organised by the private, Swiss-based, non-profit New Open World Corporation (NOWC), the final list was announced on 7 July 2007 in Lisbon, Portugal.

The winners were selected from among dozens of initial nominations. The new Seven Wonders of the world are: The Great Wall of China; Petra of Jordan; Christ the Redeemer statue in Rio de Janeiro, Brazil; Machu Piccu ruins of Peru; Chichen Itza archaeological site in Mexico; The Colosseum of Rome, Italy; and the Taj Mahal of India.

Read more in the NOWC description or Wikipedia description

Image from n7w image courtesy n7w image from n7wimage from n7w

This campaign was launched in 2000 as a private initiative by the Swiss philanthropist, adventurer and film-maker Bernard Weber – his idea was to encourage citizens around the world to select seven new wonders of the world by popular vote.

And he turned to the Internet as a mass medium for people to express their preferences.

This is what seems to have irked UNESCO the most — allowing ordinary people to have their say about the common heritage of humankind.

After the new Seven Wonders were announced on 7 July 2007, two UNESCO spokespersons ridiculed the whole idea. Their contempt for the (rival?) process was palpable. This is not how any media spokespersons should behave. Read a widely reproduced media report: UNESCO slams new seven wonders

Earlier, in an official statement full of pomposity and self-importance, UNESCO had distanced itself from the initiative (even if the former UNESCO director general, Frederico Mayor of Spain, is heading the expert panel advising the new Seven Wonders selection process). Here’s an extract:
“There is no comparison between Mr Weber’s mediatised campaign and the scientific and educational work resulting from the inscription of sites on UNESCO’s World Heritage List. The list of the ‘7 New Wonders of the World’ will be the result of a private undertaking, reflecting only the opinions of those with access to the internet and not the entire world. This initiative cannot, in any significant and sustainable manner, contribute to the preservation of sites elected by this public.”

Note the word ‘mediatised’ — which I suppose means media-based and web-driven. This piques me the most. What is wrong in using the mass media, including the web, to generate new levels of interest and enthusiasm about cultural heritage, as the New Seven Wonders initiative has succeeded in doing.

Ironically, UNESCO has an entire division on Communication and Information, which says it promotes the use of media in socio-cultural development. They claim to work with both the conventional media (TV, radio, print) as well as the new media (web, mobile devices and other ICTs).

Is it that UNESCO is such a multi-headed, mixed-up creature that its World Heritage division can publicly condemn the use of media in the public interest while another division upholds it?

Or, could it be that when UNESCO talks about media in development and democracy, it expects the poor, suffering people in the Majority World to just stick to the issues of bread and butter, livestock and water? Does UNESCO expect the ordinary people and private citizens to stay away from the lofty issues of cultural heritage? Are those only discussed by diplomats and experts, many of them as crusty and officious as UNESCO itself?

And can somebody please explain to me how a process involving 100 million online votes is less valid than the ‘scientific and educational work’ of UNESCO in selecting World Heritage sites — involving no more than a few hundred persons at the most (all government officials and academics)?

image from n7w image from n7w image from n7w

The grand old lady of Paris should realise that she can’t have it both ways. If UNESCO sincerely advocates the free flow of information, media freedom and the promotion of ICTs in development, then it must be prepared for the resulting public engagement of issues in the media — ranging from the frivolous to lofty, and everything in between. It cannot and must not set the agenda, or expect certain issues to be left aside to boffins who claim to know more than the rest of us.

Whether UNESCO likes or not, the web has truly let the genie out of the bottle. Gone — hopefully forever, and not a moment too soon! — are the days when a handful of men in suits (it’s usually graying men, with very few women involved) could decide matters of global public interest behind closed doors.

By its aloofness, UNESCO made itself irrelevant in the seven wonders selection process. The smarter option would have been to stay engaged and use the massive popular interest to draw attention to the need to invest more time, effort and resources to conserve cultural heritage everywhere. A great opportunity was missed.

But thankfully, other arms of the UN were a bit more pragmatic. For example, the United Nations Office for Partnerships recognised the value of new Seven Wonders.

The stark choice for UNESCO is to rethink its intellectual arrogance, or risk being sidelined — and seen as the biggest hypocrite in the entire UN family.

At a minimum, UNESCO must heed the timeless advice of Rabindranath Tagore:
If you can lead, lead.
If you cannot, then follow.
If you cannot lead or follow, get out of the way!


Now, nominate your natural Seven Wonders of the world — new online poll now underway! Never mind what UNESCO has to say about it!