BigShot: A little camera with a Big potential — inspired by a film!

BigShot: Inspiration with every click?
“Build a better mousetrap, and the world will beat a path to your door.” This remark is attributed to one of my favourite essayists and philosophers, Ralph Waldo Emerson.

That was probably true for the 19th century in which he lived and died, but it takes a bit more than a mousetrap to generate a buzz these days. But simple and elegant inventions are still the best. BigShot is one of these.

It’s still in testing stage, but already being hailed as “a camera that could improve the way children learn about science and one another”.

BigShot is an innovation by Indian-born Shree K. Nayar, now the T. C. Chang Professor of Computer Science at Columbia University in New York, USA.

As his university’s newspaper reports: “He came up with a prototype as sleek as an iPod and as tactile as a Lego set: the Bigshot digital camera. It comes as a kit, allowing children as young as eight to assemble a device as sophisticated as the kind grown-ups use—complete with a flash and standard, 3-D and panoramic lenses—only cooler. Its color palette is inspired by M&Ms, a hand crank provides power even when there are no batteries and a transparent back panel shows the camera’s inner workings.”

With the BigShot, Nayar wants to not only empower children and encourage their creative vision, but also get them excited about science. Each building block of the camera is designed to teach a basic concept of physics: why light bends when it passes through a transparent object, how mechanical energy is converted into electrical energy, how a gear train works.

Watch Professor Shree Nayar talk about the purpose and development of the Bigshot camera project.

Nayar would like to roll out the camera, now in prototype form, along the lines of the One Laptop Per Child campaign: For each one sold at the full price of around $100, several would be donated to underprivileged schools in the United States and abroad. He will soon begin looking for a partner—a company or nonprofit—to help put Bigshot into production.

Life inspires innovation...
Wired magazine wrote in a recent review: “(It) is a super-simple digicam from the Computer Vision Lab at Columbia University. It comes in parts, ready to be assembled (by kids, but I can’t wait to get my hands on one), and teaches you along the way how these things work. It’s not quite the transparent view you get from making an old analog camera, where you can see how everything works, but it’s as close as you can get from a machine that uses circuit boards.”

Interestingly, the initial inspiration for BigShot came from a documentary: Born into Brothels (85 mins, 2004), a film about the children of prostitutes in Sonagachi, Kolkata’s red light district. The widely acclaimed film, written and directed by Zana Briski and Ross Kauffman, won a string of accolades including the Academy Award for Documentary Feature made in 2004.

I saw that film during the AIDS Film Festival I helped organise in Bangkok in July 2004. In this film, the film maker, British photographer Zana Briski, gave 35 mm film cameras to eight children and watched as those cameras transformed their lives.

“The film reaffirmed something I’ve believed for a long time, which is that the camera, as a piece of technology, has a very special place in society,” says Nayar. “It allows us to express ourselves and to communicate with each other in a very powerful way.”

Watch an overview of Born into Brothels, featuring the film makers:

Mediasaurus, prepare for the Mass Extinction Event!

WCSJ London

“There is soon going to be a mass extinction event for the media (as we know it) – it’s triggered by the spreading of online media, and accelerated by the economic recession. Very few media organisations will survive…”

This sobering prognosis was offered by John Rennie, editor-in-chief of Scientific American during the
6th World Conference of Science Journalists held in London last week.

John Rennie (photo courtesy Yale University)
John Rennie (photo courtesy Yale University)
He added: “Only some very large media organisations and a few really small ones will be able to withstand this mass extinction.”

He then posed the critical question to the several hundred journalists, editors and broadcasters from all over the world: does the rest of us deserve to survive?

He wasn’t so sure – no media organisation, however large or prestigious it may be, and how deep its pockets are, can carry on business as usual amidst this transformative event. In other words, adapt fast – or go the way of the dinosaurs…

It’s probably time for editors to redefine what constitutes science news, he said. “We should move away from the current model of reporting the ‘big paper of the week’.”

Calling such news the ‘low-hanging fruit’, he challenged his peers: “We need to be better than that. Good bloggers can now match us in most of our routine work. So how and where do professional journalists add value?”

We can always depend on Rennie to sum up complex issues in an interesting soundbite or two. My blog post from the previous WCSJ in Melbourne, where he talked (joked) about Vatican condoms and global warming, has drawn consistently high levels of visitor interest since.

Strangely symbolic? WCSJ 2009 delegates were entertained at London's Natural History Museum...around the skeleton of a Diplodocus!
Strangely symbolic? WCSJ 2009 delegates were entertained at London's Natural History Museum...around the skeleton of a Diplodocus!

He didn’t actually use the term ‘mediasaurus’, but clearly his remarks tally with what the American writer Michael Crichton had anticipated as far back as 1993, in a landmark essay titled “Mediasaurus“. In this essay, written for the then newly launched Wired magazine, he prophesied the death of the mass media — specifically the New York Times and the American commercial TV networks.

“To my mind, it is likely that what we now understand as the mass media will be gone within ten years. Vanished, without a trace,” he wrote. Building on his credentials as the author of a best-seller on dinosaurs, Crichton called this endangered beast ‘mediasaurus’.

As later events showed, Crichton foresaw the trend ahead of most people, but didn’t get the timeline right. He was off by a few years — but only a few.

John Rennie is only the seventh editor in chief in the 164-year history of Scientific American magazine. Since his appointment in late 1994, he has been the executive force behind the modernization and reinvigoration of this great publishing institution. So it seems that he is at least trying to prepare his own publication for the coming mass extinction event…